TABLE OF CONTENTS
Biographical Sketch
Scope and Contents
Restrictions
Index Terms
Related Material
Separated Material
Administrative Information
Sources:
Description of Series
Series I. Film Files, 1900-1971
Series II. Writings, 1922-1957
Series III. Professional Papers, 1924-1967
Oversize boxes
|
Edward Carrick:
An Inventory of His Papers at the Harry Ransom Center
|
|
|
|
|
Creator: |
Carrick, Edward, 1905-1998 |
|
Title: |
Edward Carrick Papers |
|
Dates: | 1900-1971 |
|
|
Abstract: |
Edward Carrick was an art director and set
designer for British film and theater productions from the 1920s through the 1960s. The
Edward Carrick Papers, 1900-1971, consist of art designs, photographs, scripts, programs,
production documents, manuscripts, clippings, correspondence, and printed material. The bulk
of the collection documents Carrick's own work as a production designer in the British film
industry from the 1920s to the 1960s, with additional materials Carrick collected from other
British designers, as well as materials related to American and European films. |
|
Call Number |
Film Collection FI-00005 |
|
Extent: |
33 document boxes, 22 oversize boxes (osb), 179 oversize files (osf) (14.28 linear
feet) |
|
Language: |
English, French, German, Italian, Portuguese, and
Spanish |
|
Repository: |
The University of Texas at Austin, Harry Ransom
Center |
Edward Carrick (born Edward Anthony Craig in London on January 3, 1905) was an art director
and set designer for British film and theater productions from the 1920s through the 1960s.
In 1938, he founded the first British school dedicated to film design and production, the
Associated Artist Technicians (A.A.T.) Film School. Carrick wrote several books on designing
for films, and organized the first museum exhibit of British film design materials at the
Victoria and Albert Museum in 1948.
The son of stage designer Edward Gordon Craig and Elena Meo, Carrick lived in various
locations throughout Europe as a child, including London, Florence, and Rome. From the age
of twelve, he worked as an apprentice to his father, sketching Edward Gordon Craig's design
ideas on paper, creating technical plans for stage productions, and photographing theaters
and theatrical manuscripts. In 1923, Edward Anthony Craig's woodcut illustrations were
published in his father's magazine, The Mask, under the pseudonym
Edward Carrick, his first professional use of that name. Carrick continued to work on
projects with his father for several years after that, and then moved to London in 1927,
where he was hired by George Pearson as art designer for the Welsh-Pearson-Elder film
company in 1928. After that company was liquidated and its film stock destroyed in 1930,
Carrick supported himself as a freelance painter and commercial artist, notably by
contributing illustrations to several volumes of poetry privately published by John
Gawsworth, and also worked as a set designer for various theatrical productions in London.
In 1932, Carrick obtained a position as art director for Associated Talking Pictures
(A.T.P.) at the newly created Ealing Studios, designing films directed by Carol Reed and
A.T.P. founder Basil Dean.
In 1936, Carrick took a job with Douglas Fairbanks Jr.'s British-based Criterion Film
Productions, Ltd., designing such Fairbanks Jr. films as The Amateur Gentleman (1936), Accused (1936), and Jump for Glory (When Thief Meets Thief) (1937).
Carrick left film production in 1938 to found the Associated Artist Technicians (A.A.T.)
Film School, the first school in Great Britain to offer a course in designing for film. The
Second World War brought an abrupt end to the school's activities, however, and Carrick
joined the war effort as art director for the Ministry of Information's Crown Film Unit.
Carrick built sets for many of Crown Film Unit's "story
documentaries" including Target for Tonight (1941) and
Fires Were Started (1943), which typically featured non-actors such
as soldiers and firemen playing themselves in dramatic reconstructions of their wartime
activities. A selection of stills from Crown Film Unit documentaries depicting wartime life
on the home front were compiled by Carrick into a book published in 1942, Meet the Common People.
After the war, Carrick was hired by the Rank Organisation's film production unit,
Independent Producers Ltd., as supervising art director of Pinewood Studios, and remained at
Pinewood through the 1950s, designing films such as Captain Boycott (1947), The Blue Lagoon (1949), The Divided Heart (1954), and Tiger Bay (1959). In the 1940s Carrick continued to educate students
and the general public in the fundamentals of designing for films. He wrote the first
textbook on film design, Designing For Moving Pictures
(1941), republished as Designing For Films (1949). As one of the founding
members of The Society of British Film Art Directors and Designers, started in 1946, Carrick
contributed original design materials to a special collection housed at the British Film
Institute. Carrick compiled his own designs and those of other Society members such as
Alfred Junge, Hein Heckroth, and Vincent Korda into the book Art and Design In the British Film in 1948. Many of the designs
reproduced in that book were likely also featured in the Exhibition of British Film Art at
The Victoria and Albert Museum the same year. Carrick left Independent Producers Ltd. in the
early 1960s to work for Hammer Film Productions, where he art directed some of Hammer's
Alfred Hitchcock-inspired psychological thrillers, including Maniac (1963), Hysteria (1964), and his final
film credit, The Nanny (1965).
Carrick retired to country life in the mid-1960s with his second wife, Mary Timewell, and
his two children, John and Helen. He published a biography of his father, Gordon Craig (1968), contributed to a history of Italian Baroque and
Rococo theater architecture published in Milan, and gave lectures on film and theater design
and his father's work. Edward Carrick died on January 21, 1998 in Thame, Oxfordshire,
England.
Return to the Table of Contents
The Edward Carrick Papers, 1900-1971, consist of art designs, photographs, scripts,
programs, production documents, manuscripts, clippings, correspondence, and printed
material. The bulk of the collection documents Carrick's own work as a production designer
in the British film industry from the 1920s to the 1960s, with additional materials Carrick
collected from other British designers, as well as materials related to American and
European films. The papers are organized into three series: Series I. Film Files; Series II.
Writings; and Series III. Professional Papers.
Series I. Film Files is divided into five subseries. Subseries A. Films Designed by Carrick
contains materials for films that Carrick was employed on as art director, set designer, or
designer of publicity materials. The bulk of the materials in the Edward Carrick Papers are
filed within this subseries; it includes original designs, film stills and production
photographs, scripts, cost estimates and other production documents, and title cards.
Subseries B. Other Films is comprised of materials related to specific films, generally
original designs or still photographs, which with Carrick himself had no professional
involvement. Many of the original art designs in this subseries, including sketches by
Alfred Junge, Hein Heckroth, Vincent Korda, and L. P. Williams, were reproduced in Carrick's
books Designing For Films and Art and Design in the British Film. In general, materials in
Subseries A and B are arranged alphabetically by British release title, as these were the
titles Carrick himself used to arrange and file the materials. In instances where a film was
given a different title for its American release or where a provisional title was used on
some of the materials associated with the film, those alternate titles are listed in
parentheses after the British title. Stills for European films have been listed by the title
printed or written on the still, often in the original language (e.g., French or German);
these films may be known by other titles which are not listed here.
Subseries C. Film Topics and Subseries D. Studio Files are collections of material used by
Carrick for research or for reproduction in his book Designing For Films. Groupings in these subseries follow Carrick's
original arrangement and many of the folders contain brief notes written by Carrick about
the material. Subseries C. Film Topics contains photographs of art designs and production
photographs filed by film designer and by nationality, as well as a collection of
behind-the-scenes photographs that depict various technical aspects of filmmaking (e.g.,
technicians building sets, ships, and models, and various types of camera and lighting
set-ups). Also in this subseries is a collection of articles and clippings arranged by
topic, covering such subjects as the development of color film processes, censorship in
films, and profiles of various film studios and film personalities. Subseries D. Studio
Files contains clippings, photographs, maps, and organizational documents from a variety of
British studios. Subseries E. Crown Film Unit documents Carrick's work for the Ministry of
Information during World War II and contains printed material such as programs, brochures,
and reports as well as film stills from Crown Film Unit productions.
Series II. Writings contains printed articles and manuscript drafts of various pieces by
Edward Carrick (including portions of his book Designing For Moving Pictures) and by other writers, including
Carrick's father, Edward Gordon Craig. Also in this series are several folders containing
film bibliographies, publishers' catalogs of film books, and guides to the holdings of
various film libraries.
Series III. Professional Papers is divided into five subseries. Series A. Correspondence
contains a small amount of correspondence related to Carrick's professional activities and
personal letters from his friend and one-time employer George Pearson. Series B. Film
Organizations contains materials from several film-related organizations that Carrick was a
member of, including the Association of Cinematograph and Allied Technicians and the British
Film Institute. Subseries C. Other Works contains one item, a sketch for a print
advertisement featuring the actress Kay Kendall. Subseries D. Teaching Files contains
printed materials, correspondence, and notes related to Carrick's own A.A.T. Film School, as
well as brochures from other film schools and clippings on film education. Subseries E.
Victoria and Albert Museum Exhibition of British Film Art is composed of clippings about the
1948 Exhibition of British Film Art at the Victoria and Albert Museum, and a poster and text
panel used in that exhibit.
Return to the Table of Contents
Access:
Open for research. A set blueprint for Captain Boycott is restricted
from access due to its fragile condition. An advance appointment is required to view
photographic negatives in the Reading Room.
Return to the Table of Contents
|
|
|
|
|
|
|
Correspondents |
|
|
Pearson, George, 1875-1973 |
|
Subjects |
|
|
Carrick, Edward, 1905-1998 |
|
|
Motion pictures--Art direction |
|
|
Motion pictures--Great Britain |
|
Document Types |
|
|
Clippings |
|
|
Correspondence |
|
|
Photographs |
|
|
Programs |
|
|
Sketches |
|
|
Storyboards |
Return to the Table of Contents
|
|
|
|
Other Carrick related materials at the Ransom Center are located in the James Roose-Evans
Papers (MS-03602), the Edward Gordon Craig Art Collection (AR-00048), the Edward Gordon
Craig Literary File Photography Collection (PH- 02703), and the Edward Carrick Photography
Collection (PH-00277). The Edward Carrick Art Collection (AR-00355) contains 14
drawings by Carrick.
Researchers of British film design may also be interested in the Alfred Junge Papers (FI-00016) and
the B. J. Simmons & Co. Costume Design Records (PA-00008), held at the Center.
|
Return to the Table of Contents
|
|
|
|
The pictorial record for Captain Boycott has been
transferred to the Ransom Center's cold storage; a digital copy of this item is available
for patron access. Film strips from movies art directed by Carrick have also been removed
from their original location and transferred to the Center's cold storage. |
Return to the Table of Contents
Purchase, 1972 (R5052)
Shane Slay, 2005; Ancelyn Krivak, 2012, 2015
Return to the Table of Contents
|
|
|
|
"Carrick, Edward." BFI Film & TV Database,
http://ftvdb.bfi.org.uk/sift/individual/28984 (accessed 10 February 2012).
Carrick, Edward. "Edward Carrick." In Art and Design In the British Film, 47-48. London: Dennis Dobson,
Ltd., 1948.
Carrick, Edward. "Foreword." In Designing For Films, vii. London: The Studio Publications, 1949.
Craig, Edward. Gordon Craig: The Story of His Life. New York:
Alfred A. Knopf, 1968.
"Crown Film Unit." BFI Screenonline,
http://www.screenonline.org.uk/film/id/469778/ (accessed 10 February 2012).
"Edward Anthony Craig." Contemporary Authors, http://galenet.galegroup.com (accessed 10
February 2012).
Pearson, George. Flashback: The Autobiography of a British
Film-Maker. London: George Allen & Unwin Ltd., 1957.
|
Return to the Table of Contents
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Series I. Film Files, 1900-1971 |
|
|
|
Subseries A. Films Designed by Carrick, 1928-1965 |
|
|
|
|
Accused (1936) |
Container |
1.1 |
|
|
|
|
Cost statements, 1936 |
Container |
1.2 |
|
|
|
|
Photograph of set sketch, 1936 |
Container |
1.3-7, 26.4, 26.8, 27.4 |
|
|
|
|
Stills and photographs of set, 1936 [nitrate film strips removed to cold
storage] |
Container |
osf 1-20 |
|
|
|
|
Set sketches, undated |
Container |
34.1 |
|
|
|
|
Sketch, undated |
|
|
|
|
The Adventurers (Fortune in Diamonds, South African Story)
(1951) |
Container |
1.8 |
|
|
|
|
Cost estimates, 1950 |
Container |
2.1-4 |
|
|
|
|
Production photographs, 1951 [nitrate film strips removed to cold
storage] |
|
|
|
|
|
Scripts |
Container |
2.5 |
|
|
|
|
|
Revised shooting script of screenplay by Robert Westerby,
1950 |
Container |
2.6 |
|
|
|
|
|
Final shooting script, 27 June 1950 |
Container |
osf 159 |
|
|
|
|
Set plans and elevations |
|
|
|
|
The Amateur Gentleman (1936) |
Container |
39.1 |
|
|
|
|
Campaign book and posters, undated |
Container |
2.7 |
|
|
|
|
Cost estimates (with Hyde Park Corner), 1935 |
Container |
2.8 |
|
|
|
|
Photographs of designs, 1935 |
Container |
3.1-2 |
|
|
|
|
Stills and production photographs, 1936 |
Container |
39.2-3 |
|
|
|
|
Set designs, undated |
Container |
osf 21-45 |
|
|
|
|
Set and storyboard sketches, 1936 |
Container |
3.3 |
|
|
|
|
Title cards, 1936 |
|
|
|
|
Autumn Crocus (1936) |
Container |
34.2 |
|
|
|
|
Campaign books, undated |
Container |
3.4 |
|
|
|
|
Cost estimates, 1936 |
Container |
3.5 |
|
|
|
|
Stills and photographs of set, 1936 |
|
|
|
|
Bachelor of Hearts (Cambridge Blue, Light Blue) (1958) |
Container |
3.6 |
|
|
|
|
Production breakdown, 1958 |
Container |
3.7 |
|
|
|
|
Program, 1958 |
|
|
|
|
|
Scripts |
Container |
3.8 |
|
|
|
|
|
Masterscene script by Leslie Bricusse and Frederic Raphael, 26 March
1958 |
Container |
34.5 |
|
|
|
|
|
Third working masterscene script by Leslie Bricusse and Frederic
Raphael, 8 January 1958 |
Container |
osf 168 |
|
|
|
|
Set plan, undated |
Container |
34.4, 39.4 |
|
|
|
|
Sketches, undated |
Container |
39.5 |
|
|
|
Ballerina, poster designed by Carrick [unreleased?], undated |
|
|
|
|
The Battle of the Sexes (The Catbird Seat) (1959) |
Container |
3.9 |
|
|
|
|
Pictorial script with shooting notes, photographs, 1958 |
Container |
4.1 |
|
|
|
|
Screenplay by Monja Danischewsky, 1959 |
Container |
4.2 |
|
|
|
|
Set breakdown, 1959 |
Container |
34.5 |
|
|
|
|
Sketches, undated |
Container |
4.3 |
|
|
|
Bitter Sweet (1933), title cards designed by Carrick, undated |
Container |
4.4-5, 26.4 |
|
|
|
The Black Rose (1950, set design, uncredited), stills and photographs of
set, undated |
Container |
4.6, 39.6-8 |
|
|
|
Blind Date (1959), sketches, undated |
|
|
|
|
The Blue Lagoon (1949) |
Container |
30.11 |
|
|
|
|
Costs, 1947 |
Container |
51 |
|
|
|
|
Negatives of sketches by H. R. Oxley, 1947 |
Container |
4.7 |
|
|
|
|
Photographs of sketches, 1949 |
Container |
4.8 |
|
|
|
|
Photographs of set, 1949 [nitrate film strips removed to cold
storage] |
Container |
4.9, 39.9-12 |
|
|
|
|
Sketches, 1948-1949 |
Container |
4.10 |
|
|
|
|
Storyboard, 1949 |
|
|
|
|
The Broken Melody (1929) |
Container |
26.4 |
|
|
|
|
Technical photographs, 1929 |
Container |
4.11 |
|
|
|
|
Work schedule, 1928 |
|
|
|
|
Captain Boycott (1947) |
Container |
4.12 |
|
|
|
|
Cost estimates, 1947 |
Container |
4.13 |
|
|
|
|
Photographs of set designs and sketches, 1947 |
Container |
4.14-15 |
|
|
|
|
Stills and photographs of set, 1947 |
Container |
4.16 |
|
|
|
|
Pictorial record, undated [Transferred to cold storage. A digital copy is
available for patron use.] |
Container |
4.17 |
|
|
|
|
Program, 1947 |
Container |
4.18 |
|
|
|
|
Script, 7 October 1946 |
Container |
47* |
|
|
|
|
Set blueprint on plastic. [Restricted due to fragile
condition.] |
Container |
osf 157 |
|
|
|
|
Set designs and plans |
Container |
40.1 |
|
|
|
|
Set designs and sketches, 1947 |
Container |
5.1 |
|
|
|
|
Set plans, 1947 |
Container |
5.2-5.8, 34.6 |
|
|
|
|
Sketches, 1947 |
Container |
5.9 |
|
|
|
Crime Over London (1936), costs, 1936 |
|
|
|
|
The Cumberland Story (1947) |
Container |
34.7 |
|
|
|
|
Costume designs, undated |
Container |
31.1 |
|
|
|
|
Photographs of costume designs, undated |
Container |
34.7 |
|
|
|
|
Set design, undated |
Container |
31.2 |
|
|
|
|
Stills, undated |
|
|
|
|
The Divided Heart (1954) |
Container |
5.10 |
|
|
|
|
Cost estimates, 1954 |
Container |
5.11 |
|
|
|
|
Production breakdown with photograph of director Charles Crichton,
1954 |
|
|
|
|
|
Scripts |
Container |
5.12 |
|
|
|
|
|
Final script, 26 February 1954 |
Container |
5.13 |
|
|
|
|
|
Final shooting script, 1954 |
Container |
40.2-4 |
|
|
|
|
Set designs, 1954 |
Container |
5.14, 40.5 |
|
|
|
|
Set sketches, 1954 |
Container |
37 |
|
|
|
|
Stills scrapbook, 1954 |
|
|
|
|
Every Day's a Holiday (Seaside Swingers) (1964) |
Container |
5.15 |
|
|
|
|
Production breakdown, 4 May 1964 |
|
|
|
|
|
Scripts |
Container |
5.16 |
|
|
|
|
|
First draft by Jeri Matos and Anthony Marriott, April, 1964 |
Container |
5.17 |
|
|
|
|
|
Draft shooting script by Jeri Matos, Anthony Marriott and James Hill,
24 April 1964 |
Container |
6.1 |
|
|
|
|
|
Shooting script by Jeri Matos, Anthony Marriott, Terry Nation, and
James Hill, May, 1964 |
|
|
|
|
Fools Rush In (1949) |
Container |
6.2 |
|
|
|
|
Cost estimates, 1948 |
Container |
6.3-4, 27.2 |
|
|
|
|
Photographs of set and film stills, 1948 |
Container |
6.5 |
|
|
|
|
Production breakdown, 1948 |
Container |
6.6 |
|
|
|
|
Shooting script by Geoffrey Kerr, 10 October 1948 |
|
|
|
|
Gift Horse (1952) |
Container |
6.7 |
|
|
|
|
Cost estimates, 1951 |
Container |
6.8 |
|
|
|
|
Production photographs, undated |
Container |
6.9-7.1 |
|
|
|
|
Production breakdown [2 copies], 1951 |
Container |
7.2-4 |
|
|
|
|
Scripts, 1951 |
Container |
40.6-7 |
|
|
|
|
Set designs, undated |
Container |
34.8 |
|
|
|
|
Sketch, undated |
Container |
7.5 |
|
|
|
Happy Fugitives (unproduced?), cost estimates with letter, 1938 |
|
|
|
|
High Tide at Noon (1957) |
Container |
7.6-8.2 |
|
|
|
|
Production photographs, 1957 |
Container |
34.9 |
|
|
|
|
Second draft script by Neil Paterson, 18 April 1956 |
Container |
osf 55 |
|
|
|
|
Set sketch, undated |
Container |
8.3-8.6, 40.8-9 |
|
|
|
|
Sketches, 1957 |
Container |
osf 56 |
|
|
|
|
Storyboards, undated |
|
|
|
|
Hysteria (1964) |
Container |
osf 151 |
|
|
|
|
Cost estimates, 1964 |
Container |
8.7, 34.10 |
|
|
|
|
Floor plans, 1964 |
Container |
osf 160 |
|
|
|
|
Set designs and plans |
Container |
8.8-9, 34.10 |
|
|
|
|
Set designs, 1964 |
Container |
osf 57 |
|
|
|
|
Stage layout and elevation, undated |
Container |
8.10 |
|
|
|
|
Script by Jimmy Sangster, 12 December 1963 |
|
|
|
|
The Impassive Footman (1932) |
Container |
8.11 |
|
|
|
|
Cost estimates, 1932 |
Container |
8.12 |
|
|
|
|
Photographs of set, 1932 |
|
|
|
|
Ingram's Peace (1954, not released?) |
Container |
8.13 |
|
|
|
|
Production breakdown, undated |
Container |
8.14 |
|
|
|
|
Second masterscene script, 19 August 1954 |
|
|
|
|
It Started in Paradise (Fanfare for Fig Leaves, It Started with Eve)
(1952) |
Container |
osf 151 |
|
|
|
|
Cost estimates, 1952 |
Container |
osf 58 |
|
|
|
|
Costume design by Sheila Graham (includes two transparencies of actress
in costume), undated |
Container |
8.15 |
|
|
|
|
Photographs of set, 1952 [acetate film strips removed to cold
storage] |
|
|
|
|
|
Scripts |
Container |
34.11 |
|
|
|
|
|
Shooting script by Marghanita Laski, 25 February 1952 |
Container |
34.12 |
|
|
|
|
|
Third draft script by Marghanita Laski, 28 November 1951 |
|
|
|
|
Java Head (1934) |
Container |
9.1 |
|
|
|
|
Costs, 1934 |
Container |
9.2, 27.2, 27.4 |
|
|
|
|
Stills and photographs of set, 1934 |
Container |
34.13 |
|
|
|
|
Program, 1934 |
|
|
|
|
Jericho (1937) |
Container |
osf 169 |
|
|
|
|
Scene sketches and set designs, 1937 |
Container |
9.3-4, 26.4-5, 26.7, 27.2 |
|
|
|
|
Stills and production photographs, undated |
|
|
|
|
Jump for Glory (When Thief Meets Thief) (1937) |
Container |
9.5 |
|
|
|
|
Costs, 1936 |
Container |
9.6 |
|
|
|
|
Photograph of set design, 1936 |
Container |
9.7-9 |
|
|
|
|
Production photographs and stills, 1937 |
Container |
osf 170 |
|
|
|
|
Scene sketches and set designs, undated |
Container |
9.10 |
|
|
|
|
Sketch, 1936 |
|
|
|
|
The Kidnappers (The Little Kidnappers, Little Sinners) (1953) |
Container |
34.14 |
|
|
|
|
Cost estimate, 1953 |
Container |
9.11-10.1 |
|
|
|
|
Production photographs and stills, 1953 |
Container |
34.15 |
|
|
|
|
Production breakdown, 1953 |
Container |
10.2 |
|
|
|
|
Sketches, 1953 |
Container |
osf 158 |
|
|
|
Little Woodbury [unproduced, undated], sketch for Little Woodbury, Job 321
("a film about prehistoric England") |
|
|
|
|
Lorna Doone (1935) |
Container |
10.3 |
|
|
|
|
Art designs, 1935 |
Container |
36.5 |
|
|
|
|
Article, 1935 |
Container |
41.1 |
|
|
|
|
Campaign book, 1935 |
Container |
10.4, 41.2-3 |
|
|
|
|
Costume designs, 1935 |
Container |
osf 59-60 |
|
|
|
|
Costume sketches by Basil Dean |
Container |
10.5-7, 26.4, 26.8, 27.1 |
|
|
|
|
Production photographs and stills, 1935 [nitrate film strips removed to
cold storage] |
Container |
10.8 |
|
|
|
|
Program, 1935 |
Container |
osf 61 |
|
|
|
|
Property sketches by Basil Dean, undated |
Container |
40.10, osf 62-66 |
|
|
|
|
Set designs by Edward Carrick, Basil Dean, and Denis Wreford,
undated |
|
|
|
|
Loyalties (1933) |
Container |
34.16 |
|
|
|
|
Campaign book, 1933 |
Container |
10.9 |
|
|
|
|
Costs, 1933 |
Container |
10.10 |
|
|
|
|
Stills and photographs of set, 1933 [nitrate film strips removed to cold
storage] |
|
|
|
|
Macbeth (1960) [made for television] |
Container |
34.17 |
|
|
|
|
Cost estimates, 1960 |
Container |
34.18-19 |
|
|
|
|
Floor plans, undated |
Container |
34.20, 41.4-5 |
|
|
|
|
Set designs and sketches, undated |
Container |
osf 161 |
|
|
|
|
Set sketch and storyboard photostats, 1960 |
Container |
10.11-11.1, 26.8 |
|
|
|
|
Stills and production photographs, undated |
|
|
|
|
Maniac (1963) |
Container |
34.21 |
|
|
|
|
Cost estimates, 1962 |
Container |
11.2 |
|
|
|
|
Script, 1963 |
Container |
41.6 |
|
|
|
|
Set sketches, undated |
Container |
11.3 |
|
|
|
|
Storyboard, undated |
|
|
|
|
Midshipman Easy (1935) |
Container |
41.7 |
|
|
|
|
Campaign book, 1935 |
Container |
41.8-10, osf 162 |
|
|
|
|
Set sketches, undated |
Container |
11.4-6, 26.8, 27.2 |
|
|
|
|
Stills and production photographs, 1935 |
|
|
|
|
The Nanny (1965) |
Container |
osf 151 |
|
|
|
|
Cost estimates, 1965 |
Container |
11.7 |
|
|
|
|
Floor plan, 1965 |
Container |
11.8 |
|
|
|
|
Stills, 1965 |
|
|
|
|
|
Scripts |
Container |
12.1-2 |
|
|
|
|
|
First draft screenplay [2 copies], 14 December 1964 |
Container |
12.3 |
|
|
|
|
|
Final screenplay by Jimmy Sangster, undated |
Container |
41.11-18 |
|
|
|
|
Set designs, undated |
Container |
12.4, 34.22 |
|
|
|
|
Sketches, 1965 |
|
|
|
|
Nell Gwyn (1934) |
Container |
12.5 |
|
|
|
|
Stills, 1934 |
Container |
12.6 |
|
|
|
|
Title cards designed by Carrick, 1934 |
|
|
|
|
O.H.M.S. (1937) |
Container |
12.7 |
|
|
|
|
Production photographs, undated |
Container |
24.6 |
|
|
|
|
Photographs of set designs by Erno Metzner, undated |
|
|
|
|
The One That Got Away (1957) |
Container |
12.8-11 |
|
|
|
|
Production photographs and stills, 1957 |
Container |
12.12 |
|
|
|
|
Scene set-up, 1957 |
Container |
12.13, 34.23-24 |
|
|
|
|
Sketches, 1957 |
Container |
34.24 |
|
|
|
|
Storyboard, undated |
|
|
|
|
The Red Beret (Paratrooper) (1953) |
Container |
13.1 |
|
|
|
|
Scene set-up, 1953 |
Container |
osf 163 |
|
|
|
|
Set sketches, undated |
Container |
13.2 |
|
|
|
|
Watercolor drawing, 1953 |
Container |
38 |
|
|
|
The Silver King (1929) (art directors Walter Merton and Edward Carrick),
stills scrapbook, undated |
Container |
27.2 |
|
|
|
Skipper of the Osprey (1933), photograph of set, undated |
|
|
|
|
So Little Time (Sunset at Morning) (1952) |
Container |
13.3 |
|
|
|
|
Cost estimates, 1951 |
Container |
13.4 |
|
|
|
|
Photographs of set, 1952 |
Container |
13.5-6 |
|
|
|
|
Production breakdown [2 copies], 1951 |
|
|
|
|
|
Scripts |
Container |
13.7 |
|
|
|
|
|
First shooting script by John Cresswell, 1951 |
Container |
13.8 |
|
|
|
|
|
Shooting script by John Cresswell, 22 March 1951 |
Container |
13.9 |
|
|
|
|
|
Script fragment, 1951 |
|
|
|
|
Spider and the Fly (1949) |
Container |
osf 151 |
|
|
|
|
Cost estimates, 1949 |
Container |
13.10-14.2, 26.8 |
|
|
|
|
Production photographs and stills, 1949 |
Container |
14.3 |
|
|
|
|
Production breakdown, 1949 |
Container |
14.4 |
|
|
|
|
Shooting script, 1949 |
Container |
14.5-8 |
|
|
|
|
Sketches, 1949 |
|
|
|
|
Three Men in a Boat (1933, uncredited) |
Container |
14.9, 26.4 |
|
|
|
|
Production photographs and stills, 1933 [nitrate film strips removed to
cold storage] |
Container |
34.25 |
|
|
|
|
Program, 1933 |
|
|
|
|
Tiger Bay (1959) |
Container |
14.10 |
|
|
|
|
Production breakdown, 1958 |
|
|
|
|
|
Scripts |
Container |
14.11 |
|
|
|
|
|
Annotated script, undated |
Container |
14.12-15.1 |
|
|
|
|
|
Revised draft script by Shelley Smith and John Hawkesworth [2 copies],
15 August 1958 |
Container |
15.2 |
|
|
|
|
|
Shooting script by Shelley Smith and John Hawkesworth, 1 September
1958 |
Container |
15.3 |
|
|
|
|
Sketches, 1958 |
Container |
41.19 |
|
|
|
|
Storyboard design, undated |
|
|
|
|
Village of Daughters (1961) |
Container |
34.26 |
|
|
|
|
Cost estimates, 1961 |
Container |
15.4, 26.7 |
|
|
|
|
Production photographs and stills, 1961 |
Container |
15.5 |
|
|
|
|
Production breakdown, 1961 |
Container |
15.6, 42.1-4 |
|
|
|
|
Set designs, 1961 |
Container |
15.7 |
|
|
|
|
Sketches, 1961 |
|
|
|
|
What a Crazy World (1963) |
Container |
osf 151 |
|
|
|
|
Cost estimates, 1963 |
Container |
15.8 |
|
|
|
|
Production breakdown, 1963 |
|
|
|
|
|
Scripts |
Container |
15.9 |
|
|
|
|
|
Screenplay by Alan Klein and Michael Carreras, February
1963 |
Container |
15.10 |
|
|
|
|
|
Final screenplay by Alan Klein and Michael Carreras, April
1963 |
Container |
16.1, 42.5 |
|
|
|
|
Set designs, 1963 |
Container |
16.2 |
|
|
|
|
Sketches, 1963 |
|
|
|
|
Whom the Gods Love (Mozart) (1936) |
Container |
25.4 |
|
|
|
|
Stills, undated |
|
|
|
|
|
Photographs of set designs by Andre Andrejew, undated |
Container |
16.3 |
|
|
|
|
Title cards designed by Carrick, 1936 |
|
|
|
|
Yellow Stockings (1928, uncredited) |
Container |
16.4 |
|
|
|
|
Cost estimates, 1928 |
Container |
16.5-6 |
|
|
|
|
Production photographs and stills, 1928 |
Container |
16.7-11 |
|
|
|
|
Sketches / set designs, 1928 |
|
|
|
Subseries B. Other Films, 1914-1971 |
Container |
16.12 |
|
|
|
30 Is a Dangerous Age, Cynthia (1968), stills, 1968 |
Container |
16.13 |
|
|
|
100 Rifles (1968), still, undated |
Container |
16.14 |
|
|
|
Abdul the Damned (1935), still, undated |
Container |
25.7 |
|
|
|
Adieu Cherie (1946), stills, undated |
|
|
|
|
The Adventures of Quentin Durward (1955) |
Container |
42.6 |
|
|
|
|
Ad mat, 1955 |
Container |
42.7 |
|
|
|
|
Lobby cards, 1955 |
Container |
osf 164, 171 |
|
|
|
|
Posters and set designs, 1955 |
Container |
16.15 |
|
|
|
|
Stills, 1955 |
Container |
36.5 |
|
|
|
The Adventures of Robin Hood (1938), article, program, undated |
Container |
16.16 |
|
|
|
The Adventures of Tartu (Sabotage Agent) (1943), pictorial script by John
Bryan, undated |
Container |
16.17 |
|
|
|
Affair of Madame Pompadour (1951), stills, undated |
Container |
16.18 |
|
|
|
The African Queen (1951), still, undated |
Container |
30.11 |
|
|
|
All Over the Town (1949), cost estimates, 1948 |
Container |
25.5 |
|
|
|
All Quiet on the Western Front (1930), still, undated |
Container |
25.7 |
|
|
|
Amours, délices et orgues (1947), stills, undated |
Container |
28.6 |
|
|
|
The Angel Who Pawned Her Harp (1953), photograph of poster,
undated |
Container |
25.7 |
|
|
|
Les Anges du Péché (1943), still, undated |
Container |
23.21 |
|
|
|
Anna Karenina (1948), photographs of set designs by Andrej Andrejew,
undated |
Container |
16.19 |
|
|
|
Annie Get Your Gun (1950), still, 1950 |
Container |
osf 165 |
|
|
|
Another Cynthia (unreleased?), sketches by C. P. Norman, 1946 |
Container |
52-54 |
|
|
|
Another Shore (1948), pictorial script, undated |
Container |
16.20 |
|
|
|
Appointment in London (Raiders In the Sky) (1953), still, 1953 |
Container |
16.21 |
|
|
|
As You Like It (1937), program, undated |
Container |
16.22 |
|
|
|
L'Atalante (1934), program, undated |
Container |
16.23 |
|
|
|
Auld Lang Syne (1929), photograph of set, 1929 |
Container |
16.24 |
|
|
|
Babette Goes to War (1959), stills, undated |
Container |
16.25 |
|
|
|
Background (1953), photograph of Valerie Hobson, 1953 |
Container |
24.2 |
|
|
|
The Bad Lord Byron (1949), photographs of set designs by Maurice Carter,
undated |
Container |
25.6 |
|
|
|
Barcarole (1935), stills,undated |
Container |
25.4 |
|
|
|
Balaclava (1928), still, undated |
|
|
|
|
Beau Brummell |
Container |
16.26 |
|
|
|
|
(1954) Still, 1954 |
Container |
16.27 |
|
|
|
|
(1924) Stills, undated |
|
|
|
|
The Beggar's Opera (1952) |
Container |
16.28 |
|
|
|
|
Photograph, 1952 |
Container |
42.8 |
|
|
|
|
Sketchbook by Oskar Werndorff, undated |
|
|
|
|
The Beloved Vagabond (1936), still, undated |
Container |
osf 166 |
|
|
|
|
Set sketches, undated |
Container |
25.4 |
|
|
|
|
Still, undated |
Container |
16.29 |
|
|
|
The Bermondsey Kid (1933), still, undated |
Container |
24.10 |
|
|
|
Beware of Pity (1946), photograph of set by Alec Vetchinsky,
undated |
Container |
25.2 |
|
|
|
The Big House (1930), still, undated |
Container |
16.30 |
|
|
|
The Bishop's Wife (1947), still, undated |
|
|
|
|
Black Narcissus (1947) |
Container |
30.11 |
|
|
|
|
Cost estimates, undated |
Container |
osf 156 |
|
|
|
|
Set design by Alfred Junge, 1946 |
Container |
30.11 |
|
|
|
Blanche Fury (1947), cost estimates, 1947 |
Container |
16.31 |
|
|
|
The Bliss of Mrs. Blossom (1968), stills, undated |
Container |
25.6 |
|
|
|
Boccaccio (1936), still, undated |
Container |
27.4 |
|
|
|
Bolero (1934), production photograph, undated |
Container |
25.7 |
|
|
|
Le Bonheur (1934), stills, undated |
Container |
24.14 |
|
|
|
Boule de Suif (1945), photographs of designs by Léon Barsacq,
undated |
Container |
16.32 |
|
|
|
Bowery Boy (1940), stills, undated |
Container |
17.1 |
|
|
|
The Brain (1962), first draft screenplay by Philip Mackie,
undated |
Container |
17.2 |
|
|
|
Branded (1950), still, 1950 |
Container |
28.6 |
|
|
|
Brandy for the Parson (1952), photograph of poster, undated |
|
|
|
|
The Brave Don't Cry (1952), photograph of poster, undated |
Container |
osf 67-77 |
|
|
|
Brief Encounter (1945), set sketches by L. P. Williams, undated |
Container |
27.4 |
|
|
|
But the Flesh Is Weak (1932), production photograph, undated |
|
|
|
|
The Cabinet of Dr. Caligari (1919) |
Container |
17.3 |
|
|
|
|
Article, undated |
Container |
35.1 |
|
|
|
|
Stills, undated |
Container |
25.8 |
|
|
|
Cabiria (1914), stills, undated |
|
|
|
|
Caesar and Cleopatra (1945) |
Container |
23.23-24.1 |
|
|
|
|
Photographs of designs for camera set-ups by Ferdinand Bellan,
undated |
Container |
27.1 |
|
|
|
|
Production photographs and stills, undated |
Container |
35.2 |
|
|
|
|
Program, undated |
Container |
osf 172-173 |
|
|
|
|
Scene sketches by Ferdinand Bellan, undated |
Container |
osf 174 |
|
|
|
|
Scene paintings and sketches by John Bryan, undated |
Container |
osf 175 |
|
|
|
|
Scene paintings, set sketches, and research photograph,
undated |
Container |
osf 78 |
|
|
|
|
Sketchbook by Ferdinand Bellan, undated |
Container |
osf 79-80 |
|
|
|
|
Sketches and designs, undated |
|
|
|
|
Cagliostro (Graf Cagliostro) (1929) |
Container |
43.1 |
|
|
|
|
Costume design, undated |
Container |
24.11 |
|
|
|
|
Sketches by Oskar Werndorff, undated |
|
|
|
|
Cairo Road (Poison Road) (1950) |
Container |
17.4 |
|
|
|
|
First shooting script, undated |
Container |
17.5 |
|
|
|
|
Treatment for original screenplay by Robert Westerby, undated |
Container |
17.6 |
|
|
|
Call it a Day (1937), stills, undated |
Container |
17.7 |
|
|
|
Calling All Marines (1939), stills, undated |
Container |
25.8 |
|
|
|
Il Canale Degli Angeli (1934), stills, undated |
Container |
17.8 |
|
|
|
Candlelight in Algeria (1943), stills, undated |
Container |
osf 81-83 |
|
|
|
A Canterbury Tale (1944), set designs by Alfred Junge, undated |
Container |
25.7 |
|
|
|
Le Capitaine Fracasse (1929), stills, undated |
Container |
25.6 |
|
|
|
Capriccio (1938), stills, undated |
Container |
25.7 |
|
|
|
Carmen (1945), still, undated |
Container |
25.6 |
|
|
|
Die Carmen von St. Pauli (Docks of Hamburg) (1928), still,
undated |
Container |
25.4 |
|
|
|
Carnival (1946), still, undated |
Container |
17.9 |
|
|
|
Carry on Camping (1969), stills, undated |
Container |
17.10 |
|
|
|
Carry on Loving (1970), stills, undated |
Container |
17.11 |
|
|
|
The Case of Gabriel Perry (1935), program, undated |
Container |
17.12 |
|
|
|
Casque D' Or (1952), photograph of Simone Signoret, 1952 |
Container |
25.8 |
|
|
|
Casta Diva (1935), stills, undated |
|
|
|
|
Champagne Charlie (1944) |
Container |
25.4 |
|
|
|
|
Still, undated |
Container |
24.9 |
|
|
|
|
Photographs of set designs by Michael Relph, undated |
Container |
43.2 |
|
|
|
|
Poster, undated |
Container |
osf 84 |
|
|
|
|
Set designs by Michael Relph, undated |
Container |
24.2 |
|
|
|
Christopher Columbus (1949), photographs of set designs by Maurice Carter,
undated |
Container |
25.7 |
|
|
|
Le Ciel est à Vous (The Woman Who Dared) (1944), still, undated |
Container |
17.13 |
|
|
|
Cinderella (Cenerentola) (1953), photograph of Lori Landi,
undated |
Container |
25.5 |
|
|
|
Cinderella (1954) directed by Lotte Reiniger, stills, undated |
Container |
25.2 |
|
|
|
City Lights (1931), stills, undated |
Container |
17.14 |
|
|
|
Claudine à L'École (1937), program, undated |
Container |
27.2 |
|
|
|
Close Quarters (Undersea Raider) (1943) production photographs,
undated |
Container |
35.3 |
|
|
|
Colonel Blood (1933), set designs by Laurence Irving, undated |
Container |
17.15 |
|
|
|
Congo Crossing (1956), still, undated |
Container |
osf 85 |
|
|
|
Convoy (1940), design by Wilfrid Shingleton, undated |
Container |
25.7 |
|
|
|
Copie Conforme (1946), still, undated |
Container |
25.2-3 |
|
|
|
The Courtship of Miles Standish (1923), stills, undated |
Container |
17.16 |
|
|
|
Creatures the World Forgot (1970), stills, undated |
Container |
17.17, 26.8 |
|
|
|
The Crusades (1935), production photographs, undated |
Container |
17.18 |
|
|
|
Cry the Beloved Country (1952), photograph of Canada Lee, 1952 |
Container |
17.19 |
|
|
|
The Cure for Love (1950), still, 1949 |
Container |
17.20 |
|
|
|
Danger Ahead (1935), still, undated |
Container |
17.21 |
|
|
|
The Daughter of Rosie O'Grady (1950), stills, 1950 |
Container |
17.22 |
|
|
|
David Copperfield (1969) (TV), still, undated |
Container |
25.2 |
|
|
|
Dead End (1937), stills, undated |
Container |
17.23, osf 86 |
|
|
|
Dear Mr. Prohack (1949), pictorial scripts by Bill Lane,
undated |
Container |
17.24 |
|
|
|
The Desert Rats (1953), stills, undated |
Container |
17.25 |
|
|
|
Destination Gobi (1953), still, 1953 |
Container |
17.26 |
|
|
|
Destiny (Der Mude Tod, 1921), program, undated |
Container |
17.27 |
|
|
|
The Detective (1968), stills, undated |
Container |
27.4 |
|
|
|
The Devil Is a Woman (1935), production photograph, undated |
Container |
17.28 |
|
|
|
The Devil's Disciple (1959), still, 1959 |
|
|
|
|
The Dictator (Loves of a Dictator) (1935) |
Container |
43.3-6 |
|
|
|
|
Costume designs by Joe Strassner, undated |
Container |
25.4 |
|
|
|
|
Still, undated |
Container |
23.23 |
|
|
|
|
Photographs of set designs by Ferdinand Bellan, undated |
Container |
osf 87 |
|
|
|
|
Sketches, undated |
Container |
25.4 |
|
|
|
Don Quixote (1934), stills, undated |
Container |
24.10 |
|
|
|
Don't Take It to Heart (1944), photograph of set by Alec Vetchinsky,
undated |
Container |
25.7 |
|
|
|
Douce (1943), still, undated |
Container |
17.29 |
|
|
|
Down Memory Lane (1949), still, undated |
Container |
17.30 |
|
|
|
Dreaming Lips (1937), program, 1937 |
Container |
17.31 |
|
|
|
Drôle de Drame (1937), program, undated |
Container |
24.5 |
|
|
|
Drums (1938), still, undated |
Container |
17.32 |
|
|
|
Due Millioni per un Sorriso (1939), program, undated |
Container |
17.33 |
|
|
|
The Eagle (1925), program, undated |
Container |
17.34 |
|
|
|
East Side, West Side (1949), still, undated |
Container |
24.3 |
|
|
|
Easy Money (1947), photographs of set designs by Cedric Dawe,
undated |
Container |
25.7 |
|
|
|
En Rade (1928), stills, undated |
Container |
24.14 |
|
|
|
Les Enfants du Paradis (1945), photograph of design by Alexandre Trauner,
undated |
Container |
18.1-8 |
|
|
|
The End of the River (Up the River, Green Days and Blue Days) (1947),
storyboards by Bill Lane, undated |
Container |
24.10 |
|
|
|
Escape (1940), photograph of set by Alec Vetchinsky, undated |
Container |
18.9 |
|
|
|
Es Flüstert die Nacht (Hungarian Nights) (1929), program,
undated |
|
|
|
|
Esther Waters (Sin of Esther Waters) (1948) |
Container |
30.11 |
|
|
|
|
Cost estimates, 1948 |
Container |
44.4-9 |
|
|
|
|
Costume designs by Alix Stone, undated |
Container |
24.13 |
|
|
|
|
Photograph of design by Fred Pusey, undated |
Container |
osf 88 |
|
|
|
|
Set design by Fred Pusey, undated |
Container |
43.7-44.3, osf 89, osf 154 |
|
|
|
|
Storyboard designs, undated |
Container |
26.2 |
|
|
|
|
Technical photographs, undated |
Container |
25.7 |
|
|
|
L'Éternel Retour (1943), still, undated |
Container |
25.6 |
|
|
|
Fanny Elssler (1937), still, undated |
|
|
|
|
Faust (1926) |
Container |
18.12 |
|
|
|
|
Stills, 1926 |
Container |
25.1 |
|
|
|
|
Photographs of designs by Robert Herlth and Walter Röhrig,
undated |
Container |
25.7 |
|
|
|
Felicie Nanteuil (Histoire Comique) (1942), still, undated |
|
|
|
|
Feu Matthias Pascal (1926), still, undated |
Container |
18.13 |
|
|
|
The Fire Trap (1936), stills, undated |
|
|
|
|
Fire over England (1937) |
Container |
36.5 |
|
|
|
|
Article, 1937 |
Container |
24.14 |
|
|
|
|
Photograph of design by Lazare Meerson, undated |
Container |
24.5, 27.2 |
|
|
|
|
Production photographs, undated |
Container |
osf 90 |
|
|
|
|
Sketches, undated |
Container |
osf 91 |
|
|
|
The First Gentleman (Affairs of a Rogue) (1948), sketch by C. P. Norman,
undated |
Container |
18.14 |
|
|
|
The Five Man Army (1969), still, undated |
Container |
18.15 |
|
|
|
A Flea in Her Ear (1968), stills, 1968 |
Container |
18.16 |
|
|
|
Flight at Midnight (1939), stills, undated |
Container |
26.2-3 |
|
|
|
Floodtide (1949), production photographs, undated |
Container |
osf 92 |
|
|
|
Floods of Fear (1958), sketch by Cedric Dawe, undated |
Container |
25.2 |
|
|
|
Foreign Correspondent (1940), still, undated |
Container |
26.7, 27.2 |
|
|
|
The Foreman Went to France (1942), production photographs,
undated |
Container |
18.17 |
|
|
|
The Forgotten Village (1941), postcard / program, undated |
|
|
|
|
The Four Feathers (1939) |
Container |
25.3 |
|
|
|
|
Stills, undated |
Container |
24.5 |
|
|
|
|
Photograph of set design by Vincent Korda, undated |
Container |
45.2 |
|
|
|
|
Set design by Vincent Korda, undated |
Container |
25.6 |
|
|
|
Frauen für Golden Hill (1938), still, undated |
Container |
18.18 |
|
|
|
French Leave (1937), stills, undated |
|
|
|
|
Frenzy (1949) |
Container |
18.19 |
|
|
|
|
Photograph of Mai Zetterling, 1949 |
Container |
18.20 |
|
|
|
|
Program / advertisement, 1949 |
Container |
18.21 |
|
|
|
Fric-Frac (1939), program, undated |
Container |
18.22 |
|
|
|
Fugitive in the Sky (1936), stills, undated |
Container |
18.23 |
|
|
|
Gay Nineties, (date unknown), program, undated |
Container |
25.6 |
|
|
|
Der Gefangene des Königs (1935), still, undated |
Container |
18.24 |
|
|
|
The General Died at Dawn (1936), program, undated |
Container |
osf 93 |
|
|
|
The Ghost Goes West (1935), set design by Tom Morahan, undated |
Container |
18.25 |
|
|
|
The Girl Can't Help It (1956), still, undated |
Container |
23.22 |
|
|
|
The Girl Who Stayed at Home (date unknown), photographs of set designs by
William ("Bill") C. Andrews, undated |
Container |
19.1 |
|
|
|
The Golden Idol (1954), stills, undated |
Container |
25.2 |
|
|
|
The Goldwyn Follies (1938), stills, undated |
Container |
19.2 |
|
|
|
Der Golem (1920), stills, undated |
Container |
26.7 |
|
|
|
Gone With the Wind (1939), production photograph, undated |
Container |
25.2 |
|
|
|
The Good Earth (1937), still, undated |
Container |
27.4 |
|
|
|
The Goose Steps Out (1942), production photograph, undated |
Container |
35.16 |
|
|
|
Grand Hotel (1932), photographs of set designs, undated |
|
|
|
|
The Grapes of Wrath (1939) |
Container |
36.5 |
|
|
|
|
Article, 1939 |
Container |
35.4 |
|
|
|
|
Program, undated |
|
|
|
|
Great Expectations (1946) |
Container |
36.5 |
|
|
|
|
Article, 1946 |
Container |
24.13 |
|
|
|
|
Photograph of set by Alec Vetchinsky, undated |
Container |
osf 94 |
|
|
|
Green for Danger (1946), sketches by Peter Proud, undated |
Container |
19.3 |
|
|
|
Green Light (1937), stills, undated |
Container |
19.4 |
|
|
|
The Green Pastures (1936), stills, undated |
Container |
19.5 |
|
|
|
Guilty Melody (1936), stills, undated |
Container |
19.6 |
|
|
|
Gunga Din (1939), production photograph, undated |
Container |
36.5 |
|
|
|
Hamlet (1948), article, 1948 |
Container |
osf 95 |
|
|
|
The Happy Family [unproduced?], sketch by Cedric Dawe, undated |
Container |
25.4 |
|
|
|
He Was Her Man (1934), still, undated |
Container |
19.7 |
|
|
|
Heads We Go (The Charming Deceiver) (1933), still, undated |
Container |
25.6 |
|
|
|
Heimat (1938), still, undated |
Container |
19.8 |
|
|
|
Hello, Dolly! (1969), stills, undated |
Container |
19.9, 25.6 |
|
|
|
Henker, Frauen und Soldaten (1935), stills, undated |
Container |
19.10 |
|
|
|
The Hero (1962) [unproduced], screenplay by Derry Finch and Peter Quinn,
1962 |
Container |
19.11 |
|
|
|
The Holly and the Ivy (1952), still, 1952 |
Container |
19.12 |
|
|
|
Hotel Sahara (1951), stills, 1951 |
Container |
osf 96 |
|
|
|
Hue and Cry (1946), set design by Norman Arnold, undated |
|
|
|
|
Hungry Hill (1947) |
Container |
24.10 |
|
|
|
|
Photograph of set by Alec Vetchinsky, undated |
Container |
24.13 |
|
|
|
|
Photographs of designs by Alec Vetchinsky, undated |
Container |
osf 97 |
|
|
|
|
Set design by Alec Vetchinsky, undated |
Container |
25.4 |
|
|
|
Huntingtower (1927), still, undated |
Container |
2.8 |
|
|
|
Hyde Park Corner (1935), cost estimates (with The Amateur Gentleman),
1935 |
Container |
19.13 |
|
|
|
I Adore You (1933), still, undated |
Container |
24.5 |
|
|
|
I, Claudius (1937), photograph of set design by Vincent Korda,
undated |
Container |
19.14 |
|
|
|
I Deal In Danger (1966), stills, undated |
Container |
19.15 |
|
|
|
I Remember Mama (1948), photograph of Barbara Bel Geddes,
undated |
Container |
19.16 |
|
|
|
I Want You (1951), still, 1951 |
Container |
19.17 |
|
|
|
I Was a Spy (1933), stills, 1933 |
Container |
25.8 |
|
|
|
I'll Give a Million (1937), still, undated |
Container |
19.18, 25.4 |
|
|
|
An Ideal Husband (1947), production photographs, undated |
Container |
24.14 |
|
|
|
L'Idiot (1946), photographs of designs by Léon Barsacq, undated |
Container |
19.19 |
|
|
|
The Importance of Being Earnest (1952), photograph of Dorothy Tutin,
1952 |
Container |
25.7 |
|
|
|
L'Inévitable Monsieur Dubois (1943), still, undated |
Container |
19.20 |
|
|
|
L'Innocent (Bouquets from Nicholas) (1938), program, undated |
Container |
25.6 |
|
|
|
I.N.R.I. (1923), still, undated |
Container |
19.21 |
|
|
|
The Iron Duke (1934), still, 1934 |
Container |
19.22 |
|
|
|
Island in the Sky (1953), still, undated |
Container |
osf 176 |
|
|
|
Ivanhoe (1952), set sketches, undated |
Container |
osf 98 |
|
|
|
Jamaica Inn (1939), storyboard by Tom Morahan, undated |
Container |
19.23 |
|
|
|
Jazz Unterm Maibaum, script [possibly a play script], with Klaus Richter
pamphlet, undated |
Container |
25.4 |
|
|
|
Jew Süss (Power) (1934), stills, undated |
Container |
28.6 |
|
|
|
Judgment Deferred (1952), photograph of poster, undated |
Container |
24.5 |
|
|
|
Jungle Book (1942), photograph of set design by Vincent Korda,
undated |
Container |
19.24 |
|
|
|
Justine (1969), still, undated |
Container |
19.25 |
|
|
|
Keep Your Seats, Please (1936), still, undated |
Container |
24.14 |
|
|
|
La Kermesse Héroïque (Carnival in Flanders) (1935), photograph of design by
Lazare Meerson, undated |
Container |
19.26 |
|
|
|
Kicking the Moon Around (The Playboy) (1938), production breakdown,
undated |
Container |
35.16 |
|
|
|
The Killers (1946), photographs of set designs, undated |
Container |
19.27 |
|
|
|
King of Kings (1927), program, undated |
|
|
|
|
Laburnum Grove (1936) |
Container |
26.2 |
|
|
|
|
Production photograph, undated |
Container |
45.3 |
|
|
|
|
Program, 1936 |
Container |
19.28 |
|
|
|
Lady L (1965), still, undated |
Container |
24.10 |
|
|
|
The Lady Vanishes (1938), photograph of set by Alec Vetchinsky,
undated |
Container |
18.21 |
|
|
|
Land of Promise (1945), program (with Fric-Frac), undated |
Container |
19.29 |
|
|
|
Lassie Come Home (1943), stills, undated |
Container |
24.3 |
|
|
|
Laundry Film, undated, photograph of storyboard, undated |
Container |
28.6 |
|
|
|
Laxdale Hall (1953), photograph of poster, undated |
Container |
19.30 |
|
|
|
Leave it To Me (1937), still, undated |
Container |
26.8 |
|
|
|
The Lemon Drop Kid (1934), production photograph, undated |
Container |
19.31 |
|
|
|
Let 'em Have It (1935), still, undated |
|
|
|
|
The Life and Adventures of Nicholas Nickleby (1947) |
Container |
45.6 |
|
|
|
|
Costume design by Bernard Sarron, undated |
Container |
19.32 |
|
|
|
|
Program, 1947 |
Container |
19.33 |
|
|
|
The Life and Death of Colonel Blimp (1943), stills, undated |
Container |
19.34 |
|
|
|
The Light Touch (1952), photograph of Pier Angeli, 1951 |
Container |
19.35 |
|
|
|
Lilies of the Field (1934), still, undated |
Container |
35.5 |
|
|
|
Little Women (1933), program, undated |
|
|
|
|
London Belongs To Me (1948) |
Container |
30.11 |
|
|
|
|
Cost estimates, 1948 |
Container |
35.6 |
|
|
|
|
Set designs by Roy Oxley, undated |
Container |
19.36 |
|
|
|
The Long Dark Hall (1951), photograph of Lilli Palmer, 1951 |
Container |
19.37 |
|
|
|
The Long Memory (1953), still, 1953 |
Container |
19.38 |
|
|
|
Loot (1970), stills, undated |
Container |
19.39 |
|
|
|
The Losers (1970), stills, 1970 |
Container |
19.40 |
|
|
|
Love Cage (Les Félins) (1964), stills, undated |
|
|
|
|
Love, Life & Laughter (1934) |
Container |
45.7 |
|
|
|
|
Campaign book, 1934 |
Container |
19.41, 27.4 |
|
|
|
|
Production photographs and stills, undated |
Container |
osf 99 |
|
|
|
Love on the Dole (1941) set designs by Wilfrid Shingleton,
undated |
Container |
25.4 |
|
|
|
Love's Option (1928), stills, undated |
Container |
25.3 |
|
|
|
A Lover's Oath (The Rubaiyat) (1925), still, undated |
Container |
25.7 |
|
|
|
Lumiere d'été (1942), still, undated |
Container |
19.42 |
|
|
|
Lure of the Wilderness (1952), stills, undated |
Container |
19.43 |
|
|
|
Lust for A Vampire (1970), still, undated |
Container |
25.3 |
|
|
|
Madam Satan (1930), stills, undated |
|
|
|
|
Das Mädchen Johanna (1935) |
Container |
25.1 |
|
|
|
|
Production photograph, undated |
Container |
35.7 |
|
|
|
|
Program and clippings, undated |
Container |
25.6 |
|
|
|
|
Stills, undated |
Container |
19.44 |
|
|
|
Madeleine (1950), stills, 1950 |
Container |
osf 100 |
|
|
|
Madness of the Heart (1949), sketches by Alec Vetchinsky,
undated |
Container |
28.6 |
|
|
|
Man of Africa (1953), photograph of poster, undated |
Container |
19.45 |
|
|
|
Man of Aran (1934), program, undated |
Container |
19.46 |
|
|
|
The Man on the Eiffel Tower (1949), still, undated |
Container |
25.7 |
|
|
|
Le Marriage de Chiffon (1942), still, undated |
Container |
24.5 |
|
|
|
Marius (1931), photograph of set design by Vincent Korda,
undated |
Container |
20.1 |
|
|
|
The Mark of Cain (1948), still, undated |
Container |
45.8 |
|
|
|
La Marseillaise (1938), set design by Georges Wakhevitch,
undated |
|
|
|
|
Mata Hari (1931) |
Container |
35.16 |
|
|
|
|
Photographs of set designs, undated |
Container |
45.9 |
|
|
|
|
Storyboards, undated |
Container |
24.4 |
|
|
|
A Matter of Life and Death (1946), photographs of set designs by Alfred
Junge, undated |
Container |
osf 101 |
|
|
|
Meet Me at Dawn (1947), sketch by Norman Arnold, undated |
Container |
27.2 |
|
|
|
Men of the Lightship (1940), production photograph, undated |
Container |
25.1 |
|
|
|
Metropolis (1927), photographs of designs by Otto Hunte,
undated |
Container |
35.16 |
|
|
|
A Midsummer Night's Dream (1935), photographs, undated |
Container |
27.1 |
|
|
|
The Mikado (1939), production photographs, undated |
Container |
20.2 |
|
|
|
Million Dollar Baby (1934), stills, undated |
Container |
20.3 |
|
|
|
The Miniver Story (1950), still, 1950 |
Container |
20.4 |
|
|
|
H. G. Wells' The Invisible Man: The Mink Coat (1958), screenplay,
undated |
Container |
25.7 |
|
|
|
Les Miserables (1925), still, undated |
Container |
28.6 |
|
|
|
Miss Robin Hood (1952), photograph of poster, undated |
Container |
20.5 |
|
|
|
Modern Times (1936), stills, undated |
Container |
20.6 |
|
|
|
Monsieur Verdoux (1947), stills, 1947 |
Container |
25.6 |
|
|
|
Moon of Israel (Die Sklavenkönigin, 1924), still, undated |
Container |
osf 102 |
|
|
|
Moonlight Sonata (1937), sketches by Laurence Irving, undated |
Container |
20.7 |
|
|
|
The Moving Target (Harper) (1966), still, undated |
Container |
20.8 |
|
|
|
Mr. Belvedere Goes To College (1949), still, 1949 |
Container |
osf 103 |
|
|
|
Mr. and Mrs. Smith (1941), sketches by Allan Abbott and John Gillingwater,
undated |
|
|
|
|
Mr. Perrin and Mr. Traill (1948) |
Container |
20.9 |
|
|
|
|
Photograph of page from pictorial script, 1948 |
Container |
24.7 |
|
|
|
|
Photographs of set designs and continuity sketches by Tom Morahan,
undated |
Container |
20.10 |
|
|
|
Il Mulino del Po (1949), still, undated |
Container |
35.15 |
|
|
|
My Brother Jonathan (1948), photographs of set designs by Douglas Daniels,
undated |
Container |
osf 104 |
|
|
|
My Brother's Keeper (1948), set design by Norman Arnold,
undated |
Container |
25.3 |
|
|
|
The Mysterious Island (1929), stills, undated |
Container |
20.11 |
|
|
|
The Net (Project M7) (1953), still, 1953 |
Container |
20.12 |
|
|
|
Never Let Me Go (1953), still, 1953 |
Container |
osf 105 |
|
|
|
Night Beat (1948), sketch by Ferdinand Bellan, undated |
Container |
20.13 |
|
|
|
North Sea (1938), stills, undated |
Container |
20.14 |
|
|
|
Northern Patrol (1953), stills, undated |
Container |
25.7 |
|
|
|
Nous, Les Gosses (1941), still, undated |
|
|
|
|
La Nuit Fantastique (1942), still, undated |
Container |
20.15-16 |
|
|
|
O Rugged Land of Gold, [unproduced?] master scene script by Mary Lee Settle
[2 copies, one with annotations], undated |
Container |
24.10 |
|
|
|
The October Man (1947), photograph of set by Alec Vetchinsky,
undated |
Container |
20.17 |
|
|
|
Old Yeller (1957), stills, 1957 |
Container |
20.18 |
|
|
|
Oliver! (1968), photograph of cinematographer Oswald Morris,
undated |
|
|
|
|
Oliver Twist (1948) |
Container |
30.11 |
|
|
|
|
Cost estimates, 1948 |
Container |
20.19, 24.13, 26.1, 27.4 |
|
|
|
|
Production photographs and stills, 1948 |
Container |
45.10 |
|
|
|
|
Storyboard and continuity script, undated |
Container |
20.20 |
|
|
|
Olivia (The Pit of Loneliness) (1951), photograph of Simone Simon,
1952 |
Container |
20.21 |
|
|
|
One More Time (1970), still, undated |
Container |
28.6 |
|
|
|
The Oracle (1953), photograph of poster, undated |
|
|
|
|
Orphans of the Storm (1921) |
Container |
25.2 |
|
|
|
|
Stills, undated |
Container |
20.22 |
|
|
|
|
Program, 1921 |
Container |
20.23 |
|
|
|
Out of the Clouds (1954), scene set-up, 1954 |
Container |
20.24 |
|
|
|
Padurea Sprinzuratilor (Forest of the Hanged) (1963), program,
undated |
Container |
24.14 |
|
|
|
Panique (1946), photographs of designs by Serge Pimenoff,
undated |
Container |
20.25 |
|
|
|
The Party (1968), still, undated |
Container |
35.8 |
|
|
|
The Passion of Joan of Arc (1928), article, 1928 |
|
|
|
|
The Passionate Friends (1948) |
Container |
30.11 |
|
|
|
|
Cost estimates, 1948 |
Container |
26.7 |
|
|
|
|
Production photograph, undated |
Container |
25.2 |
|
|
|
Peg O' My Heart (1933), stills, undated |
Container |
20.26 |
|
|
|
The Penny Pool A Musical Merry Burlesque (1937), still, undated |
Container |
20.27 |
|
|
|
Percy (1971), stills, undated |
Container |
20.28 |
|
|
|
The Perfect Crime (1937), stills, undated |
Container |
20.29 |
|
|
|
Personal Affair (1953), still, undated |
Container |
20.30 |
|
|
|
The Pink Panther (1963), still, undated |
Container |
25.2 |
|
|
|
Pinocchio (1940), still, undated |
Container |
26.7 |
|
|
|
The Plainsman (1936), production photograph, undated |
Container |
20.31 |
|
|
|
Le Plaisir (1952), still, 1953 |
Container |
20.32 |
|
|
|
Plunder Road (1957), still, undated |
Container |
25.7 |
|
|
|
Pontcarral, colonel d'empire (1942), still, undated |
Container |
26.1 |
|
|
|
The Pony Express (1925), production photograph, undated |
Container |
24.14 |
|
|
|
Les Portes De La Nuit (1946), photographs of designs by Alexandre Trauner,
undated |
Container |
26.2, 27.4 |
|
|
|
The Price of a Song (1935), production photographs, undated |
Container |
24.5 |
|
|
|
The Private Life of Don Juan (1934), photograph of set design by Vincent
Korda, undated |
Container |
20.33 |
|
|
|
Queen Kelly (1931), still, undated |
Container |
25.2 |
|
|
|
Queen Christina (1934), stills, undated |
Container |
20.34 |
|
|
|
Queen of the Pirates (La Venere dei Pirati) (1960), still,
undated |
Container |
20.35 |
|
|
|
Racing Blood (1954), stills, undated |
Container |
20.36 |
|
|
|
Raising a Riot (1955), still, undated |
Container |
osf 106 |
|
|
|
The Rake's Progress (Notorious Gentleman) (1945), sketches and other
designs by David Rawnsley, undated |
Container |
20.37 |
|
|
|
The Razor's Edge (1946), photograph of Herbert Marshall,
undated |
|
|
|
|
The Red Shoes (1948) |
Container |
36.5 |
|
|
|
|
Article, 1948 |
Container |
30.11 |
|
|
|
|
Cost estimates, 1947-1948 |
Container |
48-51 |
|
|
|
|
Negatives of storyboard designs by Hein Heckroth [includes other designs
by Heckroth and research material], 1946-1947, undated |
Container |
20.38 |
|
|
|
|
Photographs of storyboard designs by Hein Heckroth, undated |
Container |
20.39 |
|
|
|
|
Pictorial script, undated |
Container |
20.40-1 |
|
|
|
|
Storyboards, undated |
Container |
20.42 |
|
|
|
Red Skies of Montana (1952), still, undated |
Container |
35.9 |
|
|
|
Refuge (1928), program with photographs, undated |
Container |
27.4 |
|
|
|
The Reluctant Dragon (1941), production photograph, undated |
|
|
|
|
Rembrandt (1936) |
Container |
24.5 |
|
|
|
|
Production photograph of set by Vincent Korda, undated |
Container |
26.2, 26.8 |
|
|
|
|
Technical photographs, undated |
Container |
25.4, 26.7 |
|
|
|
Rhodes (1936), production photographs, undated |
Container |
26.7 |
|
|
|
Rhythm on the Range (1936), production photograph, undated |
Container |
25.4 |
|
|
|
Riders to the Sea (1935), still, undated |
Container |
20.43 |
|
|
|
Riffraff (1936), still, undated |
Container |
20.44 |
|
|
|
Rio Lobo (1970), still, undated |
Container |
25.6 |
|
|
|
Ritt in die Freiheit (Ride to Freedom) (1936), stills, undated |
Container |
35.10 |
|
|
|
The Robber Symphony (1936), program, undated |
Container |
20.45 |
|
|
|
The Robe (1953), stills, undated |
Container |
20.46 |
|
|
|
Rodeo King and the Senorita (1951), stills, undated |
Container |
20.47 |
|
|
|
A Romance in Flanders (1937), still, undated |
Container |
26.4 |
|
|
|
Rome Express (1932), production photograph, undated |
|
|
|
|
Romeo and Juliet |
Container |
osf 107 |
|
|
|
|
Costume designs for unidentified production, undated |
Container |
20.48 |
|
|
|
|
Program (1955), undated |
Container |
20.49 |
|
|
|
Rose of Cimarron (1952), stills, undated |
Container |
21.1 |
|
|
|
Rose of Tralee (1937), stills, undated |
Container |
21.2 |
|
|
|
The Rose Tattoo (1955), still, 1955 |
|
|
|
|
Rosenkavalier, Der (1925) |
Container |
21.3 |
|
|
|
|
Program, undated |
Container |
21.4 |
|
|
|
|
Stills, undated |
Container |
24.14 |
|
|
|
Le Rouge et le Noir (1954), photograph of design by Robert Gys,
undated |
Container |
21.5 |
|
|
|
Run Wild, Run Free (1969), still, undated |
Container |
osf 108-9 |
|
|
|
Sabotage (1936), sketches by Oscar Werndorff, undated |
Container |
osf 110 |
|
|
|
Saints and Sinners (1949), design by Wilfrid Shingleton,
undated |
Container |
21.6 |
|
|
|
Salammbo (1925), program, undated |
Container |
osf 111 |
|
|
|
Salute the Soldier (1944), sketch by Ferdinand Bellan for unproduced film
project, 1944 |
Container |
27.2 |
|
|
|
San Demetrio London (1943), production photograph, undated |
Container |
21.7 |
|
|
|
Sands of Iwo Jima (1949), stills, undated |
Container |
21.8 |
|
|
|
Sangaree (1953), still, undated |
|
|
|
|
Saraband for Dead Lovers (Saraband) (1948) |
Container |
45.11, osf 112-133 |
|
|
|
|
Costume designs by Anthony Mendleson, undated |
Container |
24.9 |
|
|
|
|
Photographs of set designs by Michael Relph, undated |
Container |
21.9 |
|
|
|
|
Pictorial script, 1948 |
Container |
osf 134 |
|
|
|
|
Publicity materials, undated |
Container |
osf 135 |
|
|
|
|
Set design by Michael Relph, undated |
Container |
21.10 |
|
|
|
Scaramouche (1952), still, 1952 |
Container |
26.7 |
|
|
|
The Scarlet Empress (1934), production photographs, undated |
|
|
|
|
The Scarlet Pimpernel (1935) |
Container |
21.11 |
|
|
|
|
Program, undated |
Container |
21.12, 26.6 |
|
|
|
|
Stills, undated |
Container |
21.13 |
|
|
|
Sea of Lost Ships (1953), still, undated |
Container |
27.2 |
|
|
|
Search for Beauty (1934), production photograph, undated |
Container |
28.6 |
|
|
|
The Second Mrs. Tanqueray (1952), photograph of poster, undated |
Container |
21.14 |
|
|
|
The Secret Place (1956), pictorial script, undated |
Container |
24.6 |
|
|
|
Seven Sinners (The Wrecker, Doomed Cargo) (1936), photographs,
undated |
Container |
21.15 |
|
|
|
Shalako (1968), still, undated |
Container |
21.16 |
|
|
|
She (1965), screenplay by John Temple-Smith and Robert Day, with notes,
January 1964 |
Container |
21.17 |
|
|
|
The Ship that Died of Shame (1955), pictorial script by Bernard Robinson,
undated |
Container |
27.4 |
|
|
|
Ships with Wings (1941), production photograph, undated |
Container |
21.18 |
|
|
|
Should a Doctor Tell? (1930), still, undated |
Container |
24.14 |
|
|
|
Le silence est d' or (1947), photographs of designs by Léon Barsacq,
undated |
Container |
35.11 |
|
|
|
Sing As We Go (1934), program, undated |
Container |
21.19 |
|
|
|
Sing Your Way Home (1946), stills, undated |
Container |
21.20 |
|
|
|
Single-Handed (1953), stills, undated |
Container |
21.21 |
|
|
|
Sin's Pay Day (1932), still, undated |
Container |
27.2 |
|
|
|
Skipper of the Osprey (1933), photographs, undated |
Container |
26.8 |
|
|
|
Sky Pirates (1937), production photograph, undated |
Container |
25.3 |
|
|
|
Slave Ship (1937), stills, undated |
Container |
21.22 |
|
|
|
The Snake Pit (1948), photograph of Olivia de Havilland, 1949 |
Container |
osf 136 |
|
|
|
So Long at the Fair (1950), sketch by Cedric Dawe, undated |
Container |
21.23 |
|
|
|
So This Is London (1939), production breakdown, 1938 |
Container |
21.24 |
|
|
|
So This Is Paris (1954), stills, undated |
Container |
osf 137 |
|
|
|
So Well Remembered (1947), sketches by L. P. Williams, undated |
Container |
21.25 |
|
|
|
Something Money Can't Buy (1952), still, undated |
Container |
25.7 |
|
|
|
Sortilèges (1945), stills, undated |
Container |
25.3, 26.7, 27.2 |
|
|
|
Souls at Sea (1937), photographs, undated |
Container |
21.26 |
|
|
|
The Sound Barrier (1952), still, 1952 |
|
|
|
|
Sparkenbroke [unproduced?], undated |
Container |
21.27 |
|
|
|
|
Script, undated |
Container |
21.28 |
|
|
|
|
Work schedule, undated |
Container |
23.22 |
|
|
|
Spring in Park Lane (1948), photographs of set designs by Bill Andrews,
undated |
|
|
|
|
Stagecoach (1939) |
Container |
21.29, 25.2 |
|
|
|
|
Stills, undated |
Container |
45.12 |
|
|
|
|
Pressbook, undated |
Container |
21.30 |
|
|
|
Stars on Parade (1936), stills, undated |
|
|
|
|
Stolen Life (1939) |
Container |
22.1 |
|
|
|
|
Production folio, 1939 |
Container |
22.2 |
|
|
|
|
Script with dialogue by M. Kennedy, 1939 |
Container |
22.3 |
|
|
|
Stories of the Century, Volume 1 (Quantrill and His Raiders & Belle
Starr) (1954), stills, undated |
|
|
|
|
The Story of Gilbert and Sullivan (1953) |
Container |
45.13 |
|
|
|
|
Designs by Hein Heckroth, undated |
Container |
22.4 |
|
|
|
|
Photograph of Robert Morley, 1953 |
Container |
22.5 |
|
|
|
|
Program, 1953 |
Container |
22.6 |
|
|
|
The Story of Will Rogers (1952), photograph of Will Rogers Jr. and Eddie
Cantor, 1952 |
Container |
22.7 |
|
|
|
Strange Triangle (1946), stills, undated |
Container |
22.8 |
|
|
|
Stranger from Venus (1954), stills, undated |
Container |
22.9 |
|
|
|
The Street with No Name (1948), stills, undated |
Container |
22.10 |
|
|
|
Sun Valley Serenade (1941), stills, undated |
Container |
35.16 |
|
|
|
Svengali (1931), photograph of set design, undated |
Container |
45.14 |
|
|
|
The Sword and the Rose (Henry VIII), (1953) storyboards by Stephen Grimes,
undated |
|
|
|
|
Take My Life (1947) |
Container |
30.11 |
|
|
|
|
Cost estimates, undated |
Container |
22.11 |
|
|
|
|
Photograph of Greta Gynt, 1947 |
Container |
35.12 |
|
|
|
The Tales of Hoffman (1951), screen set designs by Hein Heckroth,
undated |
Container |
25.4 |
|
|
|
Tell England (1931), stills, undated |
Container |
24.3 |
|
|
|
Temptation Harbour (1947), photographs of set designs by Cedric Dawe,
undated |
Container |
22.12 |
|
|
|
Tetuan (1957), shooting script with sketches, costs, set breakdown,
September 1957 |
Container |
26.1 |
|
|
|
The Texas Rangers (1936), production photograph, undated |
Container |
24.10 |
|
|
|
That Hamilton Woman (1941), photograph of set by Alec Vetchinsky,
undated |
Container |
22.13 |
|
|
|
That Midnight Kiss (1949), still, undated |
Container |
osf 138 |
|
|
|
There Ain't No Justice (1939), set designs by Wilfrid Shingleton,
undated |
Container |
24.9 |
|
|
|
They Came to a City (1944), photographs of set designs by Michael Relph,
undated |
|
|
|
|
The Thief of Bagdad (1940) |
Container |
24.13 |
|
|
|
|
Photograph of design by Fred Pusey, undated |
Container |
osf 139 |
|
|
|
|
Sketch by Fred Pusey, undated |
Container |
22.14 |
|
|
|
Il Ladro di Venezia (Thief of Venice) (1949), stills, undated |
Container |
25.4, 26.5 |
|
|
|
Things to Come (1936), photographs, undated |
Container |
22.15 |
|
|
|
This Is My Affair (1937), still, undated |
Container |
22.16 |
|
|
|
Three Men on a Horse (1936), still, undated |
Container |
22.17 |
|
|
|
Thunder Alley (1967), still, undated |
Container |
22.18 |
|
|
|
Thunder Rock (1942), production photographs and stills, undated |
Container |
16.22 |
|
|
|
Thursday's Child (1943), program (with L'Atalante), undated |
Container |
22.19 |
|
|
|
A Ticket to Tomahawk (1950), still, undated |
Container |
22.20 |
|
|
|
A Time to Love and a Time to Die (1958), stills, undated |
Container |
22.21 |
|
|
|
Tomorrow We Live (1936), stills, undated |
Container |
24.14 |
|
|
|
Torrents (1947), photographs of designs by Robert Gys, undated |
Container |
22.22 |
|
|
|
Trent's Last Case (1952), photograph of Margaret Lockwood, 1952 |
|
|
|
|
The Tunnel (Transatlantic Tunnel) (1935) |
Container |
22.23 |
|
|
|
|
Photographs of set, 1935 |
Container |
24.6 |
|
|
|
|
Photographs of set designs by Erno Metzner, undated |
Container |
22.24 |
|
|
|
Turn the Key Softly (1953), still, 1953 |
Container |
22.25 |
|
|
|
The Turning Point (1952), still, 1952 |
Container |
22.26 |
|
|
|
Under My Skin (1950), still, undated |
Container |
35.13 |
|
|
|
Under the Frozen Falls (1948), pictorial script by David Morrison,
undated |
Container |
22.27 |
|
|
|
Under the Red Robe (1937), program, undated |
Container |
25.6 |
|
|
|
Unter Heissem Himmel (1936), stills, undated |
|
|
|
|
Unternehmen Michael (1937), still, undated |
Container |
osf 140 |
|
|
|
Up in the World (1956), sketch by Cedric Dawe, undated |
Container |
25.4 |
|
|
|
The Vagabond Queen (1929), still, undated |
Container |
22.28 |
|
|
|
The Vampire Lovers (1970), still, undated |
Container |
22.29 |
|
|
|
Violent Moment (A Toy for Jiffy) (1958), screenplay by Peter Barnes, August
1958 |
Container |
22.30 |
|
|
|
Visages de Femme (1938), program, undated |
Container |
25.7 |
|
|
|
Les Visiteurs du Soir (The Devil's Envoys) (1942), still,
undated |
Container |
22.31, osf 141 |
|
|
|
Waltzes from Vienna (1934), set sketches by Oskar Werndorff,
1934 |
Container |
26.1-3 |
|
|
|
Warning to Wantons (1948), production photographs, undated |
Container |
23.1 |
|
|
|
Waxworks (1924), stills, undated |
Container |
23.2 |
|
|
|
The Way Ahead (1944), still, undated |
Container |
23.3 |
|
|
|
Way of a Gaucho (1952), still, 1953 |
Container |
23.4 |
|
|
|
We Live Again (1934), still, undated |
Container |
24.10 |
|
|
|
We Shall Rise Again (Uncensored) (1942), photograph of set by Alec
Vetchinsky, undated |
Container |
26.7 |
|
|
|
Wells Fargo (1937), production photographs, undated |
Container |
23.5 |
|
|
|
Went the Day Well (1942), stills, undated |
Container |
23.6 |
|
|
|
West Side Story (1961), program, undated |
Container |
23.7 |
|
|
|
Where No Vultures Fly (1951), still, 1951 |
Container |
23.8 |
|
|
|
The White Angel (1936), stills, undated |
Container |
23.9 |
|
|
|
The White Trap (1959), shooting script by Peter Barnes, 13 May
1959 |
|
|
|
|
The White Unicorn (1947) |
Container |
24.13 |
|
|
|
|
Photograph of design by Norman Arnold, 1947 |
Container |
osf 142 |
|
|
|
|
Sketches by Norman Arnold, undated |
Container |
23.10 |
|
|
|
White Witch Doctor (1953), still, 1953 |
Container |
23.11 |
|
|
|
The Winslow Boy (1948), publicity photograph, 1948 |
Container |
23.12 |
|
|
|
With a Song in My Heart (1952), still, undated |
|
|
|
|
The Woman in the Hall (1947) |
Container |
30.11 |
|
|
|
|
Cost estimates, 1947 |
Container |
osf 143 |
|
|
|
|
Sketches by Peter Proud, undated |
Container |
23.13 |
|
|
|
A Woman of Distinction (1950), still, 1950 |
Container |
23.14 |
|
|
|
Woman on the Run (1950), still, 1950 |
|
|
|
|
The Wonderful Lie of Nina Petrovna (Die Wunderbare Lüge der Nina Petrowna)
(1929) |
Container |
25.6 |
|
|
|
|
Still, undated |
Container |
23.16, 35.14 |
|
|
|
|
Programs, 1929, undated |
Container |
23.15 |
|
|
|
Woodstock (1970), stills, undated |
Container |
25.2 |
|
|
|
Wuthering Heights (1939), photograph of set by James Basevi,
undated |
Container |
24.10 |
|
|
|
The Young Mr. Pitt (1942), photograph of set by Alec Vetchinsky,
undated |
Container |
28.6 |
|
|
|
You're Only Young Twice! (1952), photograph of poster, undated |
Container |
25.7 |
|
|
|
Yvette (1927), still, undated |
Container |
23.17 |
|
|
|
Zéro de Conduite (1933), program, undated |
Container |
25.6 |
|
|
|
Zu Neuen Ufern (1937), stills, undated |
Container |
23.18 |
|
|
|
Unidentified photographs, undated |
Container |
23.19-20, osf 144-146, 167, 178 |
|
|
|
Unidentified sketches, undated |
Container |
27.5 |
|
|
|
Untitled pictorial script by Lars Moen, 1926 |
Container |
osf 147 |
|
|
|
Unidentified design by Norman Arnold, undated |
Container |
osf 177 |
|
|
|
Scene sketches for unidentified film by M. Eden, undated |
Container |
osf 148 |
|
|
|
Continuity sketches for unidentified Ealing Studios film by Elliott Scott,
undated |
Container |
osf 149 |
|
|
|
Design for unidentified Ealing Studios film by Wilfrid Shingleton,
undated |
Container |
osf 150 |
|
|
|
Unidentified design by Denis Wreford, undated |
Container |
osf 151 |
|
|
|
Cost estimates for various films, 1949-1965 |
Container |
osf 179 |
|
|
|
Scene paintings on canvas for unidentified film, undated |
Container |
46.1 |
|
|
|
Storyboards by Ivor Beddoes for unidentified film, undated |
Container |
46.2-3 |
|
|
|
Designs by John Mead for unidentified film, circa 1934 |
Container |
46.4 |
|
|
|
Sketch by Georges Wakenvitch, undated |
Container |
50-51 |
|
|
|
Negatives of sketches by H. R. Oxley for unidentified film,
1947 |
|
|
|
Subseries C. Film Topics, 1900-1955 |
|
|
|
|
Designers |
Container |
23.21 |
|
|
|
|
Andrejew, Andre, undated |
Container |
23.22 |
|
|
|
|
Andrews, Bill, undated |
Container |
23.23-24.1 |
|
|
|
|
Bellan, Ferdinand, 1935, undated |
Container |
24.2 |
|
|
|
|
Carter, Maurice, 1947-1948 |
Container |
35.15 |
|
|
|
|
Daniels, Douglas, undated |
Container |
24.3 |
|
|
|
|
Dawe, Cedric, undated |
Container |
24.4 |
|
|
|
|
Junge, Alfred, 1945 |
Container |
24.5 |
|
|
|
|
Korda, Vincent, 1931, undated |
Container |
24.6 |
|
|
|
|
Metzner, Erno, undated |
Container |
24.7 |
|
|
|
|
Morahan, Tom, 1948 |
Container |
24.8 |
|
|
|
|
Murton, Walter, undated |
Container |
24.9 |
|
|
|
|
Relph, Michael, 1943-1947 |
Container |
24.10 |
|
|
|
|
Vetchinsky, Alexander, undated |
Container |
24.11 |
|
|
|
|
Werndorff, Oskar, undated |
Container |
24.12 |
|
|
|
|
Wreford, Dennis, undated |
|
|
|
|
American designers |
Container |
35.16 |
|
|
|
|
Day, Richard, undated |
|
|
|
|
|
Grot, Anton, undated |
|
|
|
|
|
Menzies, William Cameron, undated |
|
|
|
|
English designers |
Container |
24.13 |
|
|
|
|
Arnold, Norman, undated |
|
|
|
|
|
Bryan, John, undated |
|
|
|
|
|
Pusey, Fred, undated |
|
|
|
|
|
Vetchinsky, Alexander, undated |
|
|
|
|
|
White, Ian, 1938 |
|
|
|
|
French designers |
Container |
24.14 |
|
|
|
|
Barsaque, Leon, undated |
|
|
|
|
|
Gys, Robert, undated |
|
|
|
|
|
Meerson, Lazare, undated |
|
|
|
|
|
Pimenoff, Serge, undated |
|
|
|
|
|
Trauner, Alex, undated |
|
|
|
|
German designers |
Container |
25.1 |
|
|
|
|
Herlth, Robert, 1937 |
|
|
|
|
|
Hunte, Otto, undated |
|
|
|
|
|
Rohrig, Walter, 1925 |
|
|
|
|
Films by nationality |
Container |
25.2-3 |
|
|
|
|
American, 1938, undated |
Container |
25.4 |
|
|
|
|
English, 1926-1936, undated |
Container |
25.5 |
|
|
|
|
French, undated |
Container |
25.6 |
|
|
|
|
German, 1930, undated |
Container |
25.7 |
|
|
|
|
German -- U.F.A., 1925, undated |
Container |
25.8 |
|
|
|
|
Italian, 1914, undated |
|
|
|
|
Film techniques |
Container |
26.1 |
|
|
|
|
General, undated |
Container |
26.2-3 |
|
|
|
|
Backings / background / back projection / independent frame,
undated |
Container |
26.4-6 |
|
|
|
|
Construction / scaffolding / painting plaster, undated |
Container |
26.7 |
|
|
|
|
Location work / cranes / tracks / lighting / reflectors,
undated |
Container |
26.8 |
|
|
|
|
Model shots / Schufftan shots / glass shots, undated [nitrate film strips
removed to cold storage] |
Container |
27.1 |
|
|
|
|
Properties / costumes / weapons, undated |
Container |
27.2, 35.17 |
|
|
|
|
Shipbuilding / rocking / tubing, undated |
Container |
27.3 |
|
|
|
|
Studios, undated |
Container |
27.4 |
|
|
|
|
Studio shooting, undated |
Container |
27.5 |
|
|
|
|
Visual continuity, 1926 |
|
|
|
|
Printed material |
Container |
36.1 |
|
|
|
|
American studios, 1932-1940, undated |
Container |
27.6-8, 36.2 |
|
|
|
|
Art direction, 1927-1948, undated |
Container |
36.3 |
|
|
|
|
Censorship, 1938-1946, undated |
Container |
36.4 |
|
|
|
|
Color, 1930-1935, undated |
Container |
46.6 |
|
|
|
|
Film Start tabloid, August 1936 |
Container |
36.5 |
|
|
|
Films, 1927-1948, undated |
Container |
28.1-5 |
|
|
|
Industry, 1910-1966 |
Container |
36.6 |
|
|
|
Movie tricks, 1938-1939, undated |
Container |
36.7 |
|
|
|
Personalities, 1931-1942, undated |
Container |
36.8 |
|
|
|
Photo / camera, 1939-1947, undated |
Container |
28.6 |
|
|
|
Posters, 1948 |
Container |
36.9 |
|
|
|
Programs, 1900-1922, undated |
Container |
28.7 |
|
|
|
Sound, 1954-1955 |
Container |
36.10 |
|
|
|
Techniques / tricks, 1926-1945, undated |
Container |
36.11 |
|
|
|
Theatre, 1935-1938 |
Container |
36.12 |
|
|
|
Various, 1937-1938, undated |
|
|
|
Subseries D. Studio Files, 1930-1967 |
|
|
|
|
British Studios |
Container |
30.4-5, 35.18 |
|
|
|
|
General, 1935, undated |
Container |
30.6 |
|
|
|
|
Costs, 1937 |
Container |
35.19 |
|
|
|
Denham, 1936, undated |
|
|
|
|
A.T.P. Studios (became Ealing) |
Container |
osf 152 |
|
|
|
|
Production Centre poster, undated |
Container |
46.5 |
|
|
|
|
Schedule book, 1935-1937 |
Container |
35.20 |
|
|
|
Ealing, 1931, 1967 |
Container |
30.7, osf 155 |
|
|
|
Elstree, 1930 |
Container |
30.8 |
|
|
|
Gaumont, 1933 |
Container |
30.9 |
|
|
|
MISR, 1937 |
Container |
30.10 |
|
|
|
Pinewood, 1936 |
Container |
30.11 |
|
|
|
|
Costs, 1948 |
Container |
30.12 |
|
|
|
Pinewood—Rank Organizational Chart, 1953 |
Container |
30.13 |
|
|
|
Shepperton, undated |
Container |
30.14 |
|
|
|
Shepperton / Sound City, 1936-1937 |
Container |
30.15 |
|
|
|
Teddington, 1936 |
|
|
|
|
Warner Bros. / 1st National, 1936 |
Container |
30.16 |
|
|
|
Worton Hall, undated |
|
|
|
Subseries E. Crown Film Unit, 1931-1947 |
|
|
|
|
Printed material |
Container |
30.17-18 |
|
|
|
|
M.O.I./ G.P.O. Studios catalogs, programs, brochures,
1931-1938 |
Container |
30.19 |
|
|
|
|
Documentary Films Yesterday and Today, essay report, undated |
|
|
|
|
|
G.P.O. Studios, undated |
Container |
30.20 |
|
|
|
|
|
History / mission, undated |
Container |
30.21 |
|
|
|
|
|
Transfer from Blackheath to Denham, report by Carrick 8 January
1941 |
Container |
30.22 |
|
|
|
|
M.O.I. history / mission, undated |
Container |
30.23 |
|
|
|
|
Pinewood, press visit, 29 May 1942 |
Container |
30.24 |
|
|
|
|
Non-Theatrical Film Distribution 1943-1944, report |
|
|
|
|
M.O.I. film stills |
Container |
30.25 |
|
|
|
|
Bomber Command (Coastal Command) (1942) |
Container |
30.26 |
|
|
|
|
Close Quarters (1943) |
|
|
|
|
|
The Cumberland Story (1947) |
Container |
31.1 |
|
|
|
|
|
Photographs of costume designs, undated |
Container |
31.2 |
|
|
|
|
|
Stills, undated |
Container |
31.3 |
|
|
|
|
Fires Were Started (1943) |
Container |
31.4 |
|
|
|
|
Listen To Britain (1942) |
Container |
31.5 |
|
|
|
|
Men Of The Lightship (1940) |
Container |
31.6 |
|
|
|
|
Merchant Seamen (1941) |
Container |
31.7 |
|
|
|
|
North Sea (1938) |
Container |
31.8-9 |
|
|
|
|
Spring Offensive, (1940) |
Container |
31.10 |
|
|
|
|
The True Story of Lili Marlene (1944) |
Container |
31.11-32.4 |
|
|
|
|
Various films, undated |
Container |
32.5-8 |
|
|
|
|
Meet The Common People, stills used, undated |
Return to the Table of Contents
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Series II. Writings, 1922-1957 |
|
|
|
Subseries A. By Carrick, 1937-1950 |
Container |
28.8 |
|
|
|
The Artist and the Cinema, article, undated |
Container |
28.9 |
|
|
|
Artists, Technicians, British Films, article, 1939 |
Container |
28.10 |
|
|
|
Cameramen, Film, Photographers, article, 1939 |
Container |
28.11 |
|
|
|
Designer's Contribution to Film, article, undated |
|
|
|
|
Designing for Moving Pictures (1941) / Designing for Films
(1949) |
Container |
28.12 |
|
|
|
|
Appendices, 1937-1938 |
Container |
28.13 |
|
|
|
|
Draft and campaign work, undated |
Container |
28.14 |
|
|
|
|
Extracts, undated |
Container |
28.15 |
|
|
|
|
Treatment, 1948 |
Container |
28.16 |
|
|
|
Independent Frame, article, undated |
Container |
28.17 |
|
|
|
Influence of the Graphic Artist in Film (1950), article |
Container |
28.18 |
|
|
|
Low Finance of British Films, article, 1938 |
Container |
28.19 |
|
|
|
Photographic Backgrounds (1939), article |
Container |
28.20 |
|
|
|
Untitled draft, undated |
|
|
|
Subseries B. By Others, 1922-1951 |
Container |
28.21 |
|
|
|
Cavalcanti, Alberto. Lecture Notes, undated |
|
|
|
|
Craig, Edward Gordon |
Container |
28.22 |
|
|
|
|
Bells (1931) |
|
|
|
|
|
Cinema and Drama (1922) |
Container |
28.23 |
|
|
|
Kendrick, John. L.S.D. of the Talkies (1932) |
|
|
|
|
Moen, Lars |
Container |
28.24 |
|
|
|
|
No One Can Write a Photoplay (1927) |
|
|
|
|
|
Scripts Must be Made Unreadable (1927) |
Container |
28.25 |
|
|
|
|
Story of Visual Continuity (1926) |
|
|
|
|
Pearson, George |
Container |
29.1 |
|
|
|
|
An American Market for British Film |
Container |
29.2 |
|
|
|
|
Art of the Screen (1923) |
Container |
29.3 |
|
|
|
|
Film as a Visual Art (1945) |
Container |
29.4 |
|
|
|
|
Memories (1951) |
Container |
46.7 |
|
|
|
White, Eric Walter. "The Silhouette Films of
Lotte Reininger," undated |
Container |
29.5 |
|
|
|
Williams, L.P. Address to Architectural Association, undated |
|
|
|
Subseries C. Bibliographies and Catalogs, 1939-1957 |
Container |
29.6 |
|
|
|
Film book bibliographies, 1944 |
Container |
29.7 |
|
|
|
Film book catalogs, 1952-1957 |
Container |
29.8 |
|
|
|
Film book lists and catalogs, 1939-1956 |
Return to the Table of Contents
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Series III. Professional Papers, 1924-1967 |
|
|
|
Subseries A. Correspondence, 1924-1953 |
Container |
29.9 |
|
|
|
Cambridge Film Society, 1950 |
Container |
29.10 |
|
|
|
Dalrymple, Ian, 1941 |
Container |
29.11 |
|
|
|
Dickinson, Thorold, 1929 (to Helen Craig) |
Container |
29.12 |
|
|
|
Hawkesworth, John / Korda, V., 1947 |
Container |
29.13 |
|
|
|
Joysmith, E., 1941 |
Container |
24.6 |
|
|
|
Metzner, Erno, 1953 |
Container |
29.14 |
|
|
|
Nelson, Harold, 1941 |
Container |
29.15 |
|
|
|
Pearson, George, 1924-1953 |
Container |
24.10 |
|
|
|
Vetchinsky, Alex, 1948 |
|
|
|
Subseries B. Film Organizations, 1936-1963 |
Container |
33.1-2 |
|
|
|
Association of Cinematograph and Allied Technicians, 1936-1962 |
Container |
33.3 |
|
|
|
Associated Realist Film Producers, 1938-1941 |
|
|
|
|
British Film Institute |
Container |
33.4 |
|
|
|
|
Foundations of Film Criticism, 1943 |
Container |
33.5 |
|
|
|
|
Reports, membership, 1938-1951 |
Container |
33.6 |
|
|
|
|
Forms, various, undated |
Container |
33.7-8 |
|
|
|
|
Society programs, 1936-1963 |
|
|
|
Subseries C. Other Works, 1953 |
Container |
46.8 |
|
|
|
Costume design for Kay Kendall advertisement, 1953 |
|
|
|
Subseries D. Teaching Files, 1936-1967 |
Container |
29.16 |
|
|
|
Apprenticeship schemes / notes, undated |
|
|
|
|
Associated Artist Technicians (A.A.T.) Film School |
Container |
29.16 |
|
|
|
|
Prospectus, undated |
Container |
29.17 |
|
|
|
|
Correspondence, 1936 |
Container |
29.18 |
|
|
|
|
Photograph, undated |
Container |
29.19 |
|
|
|
Film history / dateline / notebook, undated |
Container |
29.20 |
|
|
|
Film schools, articles, 1936-1967 |
Container |
30.1-2 |
|
|
|
Lecture notes, undated |
Container |
30.3 |
|
|
|
Script notes, undated |
|
|
|
Subseries E. Victoria and Albert Museum Exhibition of British Film
Art, 1948 |
Container |
36.13 |
|
|
|
Clippings, 1948 |
Container |
osf 153 |
|
|
|
Poster and exhibit text panel, undated |
Return to the Table of Contents
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Container |
34-54 |
|
Oversize boxes |
Return to the Table of Contents
|