Texas Archival Resources Online

TABLE OF CONTENTS


Descriptive Summary

Biographical Sketch

Scope and Content

Organization

Restrictions

Index Terms

Related Material

Administrative Information

Description of Series

Manuscripts

Oversized Materials

Audio-Visual Recordings

Memorabilia

Books

Memorabilia

Southwest Collection/Special Collections Library, Texas Tech University

Mary Jeanne van Appledorn:

An Inventory of her Collection, 1912-2009, at the Southwest Collection/Special Collections Library



Descriptive Summary

Creator Texas Tech University. School of Music
Title: Mary Jeanne van Appledorn Collection,
Dates: 1912-2009
Abstract: The collection contains materials from Mary Jeanne van Appledorn, a well noted professor of music at Texas Tech University.
Collection # U 333.1
Quantity: 18 boxes manuscripts (18.0 linear feet) and 45 boxes of miscellaneous formats (23.0 linear feet)
Language English
Repository: Southwest Collection/Special Collections Library, Texas Tech University

Biographical Sketch

Mary Jeanne van Appledorn was born October 2, 1927 in Holland, Michigan, to John and Elizabeth van Appledorn. Neither of her parents were professional musicians; her father was, however, organist of the Ninth Street Christian Reformed Church and active in music circles in Holland. As a child, van Appledorn studied piano, as did her older sister Ruth. Following the death of her father in 1944, she and her mother moved to Topeka, Kansas (where her sister was a music teacher at Alma College) for van Appledorn's senior year of high school. Van Appledorn graduated from Topeka High School in 1945 as valedictorian.

Van Appledorn studied both piano and theory at the University of Rochester's prestigious Eastman School of Music in Rochester, New York. Van Appledorn earned the George Eastman Honorary Scholarship each year, and in 1948 received her Bachelor of Music with Distinction (piano); she studied under Cecile Straub Genhart. Van Appledorn received her Master of Music Degree (theory) from the Eastman School of Music in 1950; from 1948 she was a Teaching Fellow of the Eastman School of Music. In the fall of 1950 Van Appledorn accepted a position at Texas Technological College (now Texas Tech University). She received her Ph.D. (music) from the Eastman School of Music in 1966, and was awarded a Graduate Fellowship from 1961-1962. She was also awarded the Delta Kappa Gamma International Scholarship from 1959-1960; one of three awards granted to outstanding women for furthering and completing the doctorate degree. Dr. van Appledorn's dissertation for this degree is titled A Stylistic Study of Claude Debussy's Opera Pelleas et Melisande (completed in 1965).

During her studies at Eastman, Dr. van Appledorn received training in composition from renowned composers Bernard Rogers and Alan Hovhaness.

In 1982 Dr. van Appledorn was one of nine faculty members of Texas Tech University to receive a faculty development leave, during which she studied computer-synthesized sound techniques at the Studio for Experimental Music, Massachusetts Institute of Technology, Dr. Barry Vercoe, professor.

As an educator, Dr. van Appledorn taught at Texas Tech University from 1950-2008. Dr. van Appledorn taught a wide range of courses during this time, from undergraduate music theory to graduate composition courses. Dr. van Appledorn served as chairman of the Division of Music Literature and Theory (1950-1968) in the school of music, and played an important role in the development of the curriculum of the undergraduate and graduate music degrees, alongside Chairman of the School of Music, Gene Hemmle.

Dr. van Appledorn also served as chairman of the Graduate Studies Committee of the Department of Music. She founded and served as chairman of the annual Symposium of Contemporary Music at Texas Tech (1951-1981), and obtained the commission of many new works by renowned composers such as Dr. Howard Hanson (Streams in the Desert, 1969). In 1989 she was named a Paul Whitfield Horn Professor of Texas Tech University.

As a composer, van Appledorn has had a very successful career. She composed music in many genres, both instrumental and vocal. She received her first awards for composition (Mu Phi Epsilon National Composition Contests) for Set of Five (1951) for piano and Contrasts for Piano (1953). Other honors include the Premier Prix, Dijon, awards from the Texas Composers Guild and ASCAP, and other commissions from the Music Teachers National Association and National Intercollegiate Bands. Many of Dr. van Appledorn's compositions have been published by Carl Fischer, Oxford University Press, and E.C. Schirmer Music Company, among others. Numerous recordings of her compositions have been made by world-renowned musicians and ensembles, and her music has been performed in festivals and concerts both nationally and internationally.

Dr. van Appledorn has been included in a number of published biographies, not limited to: International Who's Who in Music, 10th, 11th and 12th editions, The World Who's Who of Women, ASCAP Biographical Dictionary, 4th edition, Bakers Biographical Dictionary, Scribner Music Library Dictionary of Composers, and the Grove's Dictionary of Music and Musicians.

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Scope and Content

This collection is divided up into five series: manuscript, books, recordings, artifacts, and oversize materials. It contains materials relating to the personal and professional life of Mary Jeanne van Appledorn.

The manuscript collection includes family photographs, personal and professional correspondence, class notes and materials from Eastman School of Music and Texas Tech University. Other materials in this series includes published works, programs of performances of her music, ASCAP correspondence and awards, information regarding the music curriculum development at Texas Tech University, minutes from the numerous committees she served on while at Texas Tech, materials used for her dissertation, material from various presentations made at conferences, and handwritten sketches and manuscripts of her compositions.

The book collection includes many books van Appledorn used as a student at the Eastman School of Music, Eastman School of Music yearbooks, and books she used as a professor at Texas Tech University.

The collection of recordings includes cassettes, CDs, reel to reels, records, video cassette tapes, and DVDs of her music, as well as other artists. The recordings vary from recordings of the composer at the piano, to professional CDs recorded by musicians and ensembles from around the world.

The artifacts collection includes plaques and awards given to van Appledorn throughout her career. The oversize materials contain scores and sketches of Dr. van Appledorn's compositions as well as scrapbooks, diplomas, and posters.

In June of 2018 two new file folders and 5 epherma items were added to the collection. One of the files, which the University Archivist titled "Arts and Sciences, College of: Review for Organization Restructuring, 1974-1982" documents efforts to create a establish a separate College of Fine Arts. Dr. van Appledorn served on the committee overseeing this review. The proposal to create the new college proved unsuccessful. In 2004, the College of Visusal and Performing Arts was founded, and renamed the J. T. and Margaret Talkington College of Visual and Performing Arts in 2016.

In December of 2019, three additional CDs featuring Dr. van Appledorn's work were donated and added to this collection.

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Organization

The Mary Jeanne van Appledorn Collection is organized into the following series:

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Restrictions

Access Restrictions

Open for research

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Index Terms

The subject headings used by the Southwest Collection/Special Collections Library are derived from the Library of Congress and/or locally developed.
Subjects (Persons)
Hemmle, Gene.
Van Appledorn, Mary Jeanne,1927-
Subjects (Organizations)
Lubbock Symphony Orchestra (Lubbock, Tex.)
Texas Association of College Teachers.
Texas Music Educators Association.
Texas Technological College. Dept. of Music--Faculty.
Texas Tech University. College of Music--Faculty.
Texas Tech University. Dept. of Music--Faculty.
Texas Tech University. School of Music--Faculty.
Places
Lubbock (Tex.)
Subjects
Band music.
Carillon music.
Composers--Texas.
Harpsichord music--20th century.
Masses--scores.
Music.
Music in universities and colleges--Texas.
Native American flute music.
Organ music.
Percussion ensembles--Scores and parts.
Piano music.
String orchestra music--Scores and parts.
Suites (Carillon)
Women composers--Texas--Lubbock.

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Related Materials:

Southwest Collection/Special Collections Library:

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Administrative Information

Preferred Citation

Mary Jeanne van Appledorn Collection, 1912-2009, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas

Acquisition

Collection accession #(s):
2000-0225-B, 2000-0311-C, 2000-0340-A, 2000-0357-B, 2005-0201-B, 2008-0116-B, 2008-0140-B, and 2018-0089-B

Donations, 2000-2018

Processed by

Amanda Cox, 2009, and Heather Darnell, 2010

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Collection Inventory

Manuscripts

box item
1 1 Adler, Samuel: Workbook for the Study of Orchestration, 1982
2 Advance Concert Bands, 1987-1988
3 Allegro Music Club of Lubbock: Handbook and Articles, 1974-1975
4 All-University Conference on the Advancement of Women in Higher Education, 1999
5 All-University Conference on Women: Program (2 copies), 1999
6 Alpha Chi Omega: Membership Certificate, 1954
7 American Music Center (AMC), 1981-1983
8 The American Music Center: Newsletter, 1990
9 The American Music Center: Newsletter, 1991
10 American Music Festival: New York City Ballet, 1988
11 American Society of University Composers (ASUC), 1980-1982
12 American Society of University Composers: Correspondence, undated
13 American Women Composers, Incorporated: Materials and Letters, 1977-1979
14 American Women Composers, Incorporated, 1980-1982
15 Announcements, 1985
16 Annual Faculty Reports, 1989-1994
17 Annual Faculty Reports, 1992-2002
18 Annual Faculty Reports, 2003-2007
19 Annual Faculty Reviews, 1972-2007
20 Annual Faculty Reviews, 1978-1981
21 Annual Faculty Reviews, 1980-1982
22 Another Rationale—A Choice, Not an Echo?, undated
23 Applications for Approval of Course Change, 1968
24 Application for Approval of Course Change: Computer-Synthesized Sound Techniques, 1983
25 Application to the Standard Awards Panel, 1992-1993
26 Articles, 1961-2001 and undated
26B Arts and Sciences, College of: Review for Organization Restructuring, 1974-1982
27 ASCAP, 1979-1981
28 ASCAP: Application to the Standard Awards Panel, 1993-1999
29 ASCAP: Correspondence, 1995-2007
30 ASCAP: Membership Information, 1974
31 ASCAP: Programs, 1989
32 ASCAP: Report Materials, 1983
33 ASCAP: Report Materials, 1983-1992
34 ASCAP: Report Materials, 1984-1991
35 ASCAP: Report Materials, 1992-1995
36 ASCAP: Report Materials, Summer 2006
37 ASCAP: Report Materials, Fall 2006
38 ASCAP: Report Materials, Spring 2007
39 ASCAP: Report Materials: Articles, 1995-2006
40 ASCAP: Report Materials: Correspondence, 1983-1986
41 ASCAP: Report Materials: Correspondence, 1987-1989
box item
2 1 ASCAP: Report Materials: Correspondence, 1990-1993
2 ASCAP: Report Materials: Correspondence, 1994-2005
3 ASCAP: Report Materials: Newspaper Articles, 1995-2005 and undated
4 ASCAP: Report Materials: Notes, 1999
5 ASCAP: Report Materials: Performance Calendars, 1996-2008
6 ASCAP: Report Materials: Performance Lists, 1985-1988
7 ASCAP: Report Materials: Programs, 1972-1985
8 ASCAP: Report Materials: Programs, 1986-1988
9 ASCAP: Report Materials: Programs, 1989
10 ASCAP: Report Materials: Programs, 1990-2005
11 ASCAP: Report Materials: Programs, 1994-1995
12 ASCAP: Report Materials: Programs, 1996-2000
13 ASCAP: Report Materials: Programs, 2001-2002
14 ASCAP: Report Materials: Programs (1 of 2), 2003-2004
15 ASCAP: Report Materials: Programs (2 of 2), 2003-2004
16 ASCAP: Report Materials: Programs, 2003-2005 and undated
17 ASCAP: Report Materials: Programs, 2006-2008 and undated
18 ASCAP: Report Materials: Radio Programs, 1985-1986
19 ASCAP: Report Materials: Radio Programs, 1995
20 ASCAP: Report Materials: Radio Broadcasts and Recent Recording Releases, 2006-2007
21 ASCAP: Reviewed Materials, 1989-1991
22 ASCAP: Rules and Regulations, 1987 and undated
23 ASCAP: Special Awards: Guidelines and Procedures, 1989 and undated
24 ASCAP: Writer Performance Statement, 1993-1994
25 ASCAPlus Awards Applications, 1999-2007
26 Awards, 1982-2000 and undated
27 Awards and Certificates, 1994-2000 and undated
28 Awards, 1997-1999 and undated
29 Ayre, Music in Six Parts for Strings: Score (2 copies), 1989
30 Azaleas: Full Scores (3 copies), 1980
31 Azaleas: Score (9 copies), 1980
32 Bécquer Symposium, 2002
33 Belmont, Massachusetts: Minuetta Kessler, 1982-1983 and undated
34 Biographies and Vitas, 1979-2005
box item
3 1 Braubach, Marian: Five Contemporary Women Composers: Selected Piano Compositions, 1996
2 Bravura: School of Music Newsletter, 1998
3 Bulletin of Texas Technological College: Music at Tech, 1960
4 Burlesca for Piano, Brass and Snare Drum: Score, 1951
5 Calendar, 1984
6 Calendar, 2008
7 Cantata: Rising Night After Night (100 slides), undated
8 Cantata: Rising Night After Night: Correspondence, 1977-1990
9 Cantata: Rising Night After Night: Correspondence, 1979-1980
10 Cantata: Rising Night After Night: Libretto, 1971-1980
11 Cantata: Rising Night After Night: Libretto, 1976
12 Cantata: Rising Night After Night: Score (3 copies), 1978
13 Carillons, 1978-2001
14 Carl Fischer: Correspondence: LUX, Cacophony and Trumpet Concerto, 1983
15 Catalog Material for Graduate Bulletin, undated
16 Catalogues: Sheet Music and Recordings, undated
17 Cellano Rhapsody: Score (3 copies) and Cello Part (2 copies), 1948
18 Cellano Rhapsody: Score (4 copies) and Parts (4 copies): Sisra Publications, 1997
19 Charles Ives: Center for American Music, undated
20 Checklist of Course Requirements Forms, undated
21 A Choreographic Overture for Band: Set of Parts, undated
22 Class Book Requests, 2001-2002
23 Class Materials: Advanced Orchestration, 1974
24 Class Materials: Graduate Entrance Exams, undated
25 Class Materials: Miscellaneous, undated
26 Class Materials: Music Literature, 1972
27 Class Materials: Scores (1 of 2), undated
28 Class Materials: Scores (2 of 2), undated
29 Class Materials: Styles, undated
30 Collegium Musicum, Series V Programs, 1959-1960
31 Comments on the General Education Guidelines, 1986
32 Communique, Song Cycle: Score, 1960
33 Composers Concert: Posters, 2003
34 Composers Concert: Program Notes, 2000 and undated
35 Composers Concert: Programs, 1981
36 Composers Concert: Programs, 2002-2008
37 Composers Concert: Stage Setup Materials, 1996-2008
38 Composers’ Forum Network News, 1993
39 Composers Group of New York City, 1954
40 Composer’s Guild Award, 1994
41 Composer’s Guild: Contest Winners List, 1987
42 Composition Contest Announcements, 1991-1994
43 Composition Contest Information, 1979-1983
44 Composition Contest Information, 2004-2005
45 Composition List, 1947-2000
46 Composition List, 1948-1987
47 Composition List, 1977
48 Composition Lists, 1980-2008
49 Computer Discs, 1994-2001
box item
4 1 Concerto for Piano and Orchestra: Orchestra Parts, undated
2 Concerto for Piano and Orchestra: Outline and Analysis, undated
3 Concerto for Trumpet: Article and Original by Tolley, Richard and van Appledorn, Mary Jeanne, 1985
4 Concerto for Trumpet: Correspondence, Drafts and Score, 1977-1986 and undated
5 Concerto for Trumpet: Score and Trumpet Part, 1983
6 Concerto for Trumpet: Orchestral Parts, undated
7 Concerto for Trumpet and Band, arranged by Mark Rogers: Full Score, 1992
8 Concerto for Trumpet: Trumpet Part, 1960
9 Concerto for Trumpet and Band, arranged by Mark Rogers: Set of Parts (1 of 2), 1992
10 Concerto for Trumpet and Band, arranged by Mark Rogers: Set of Parts (2 of 2), 1992
11 Concerto for Trumpet and Band, Piano Reduction: Score, 1977
12 Concerto for Trumpet and Band: Second Proof, 1988
13 Concerto for Trumpet and Band: Set of Parts (1 of 3), 1977
14 Concerto for Trumpet and Band: Set of Parts (2 of 3), 1977
15 Concerto for Trumpet and Band: Set of Parts (3 of 3), 1977
16 Concerto for Trumpet and Piano: Score (3 copies), 1977
17 Concerto for Trumpet and Piano: Score, undated
18 Concerto for Trumpet and Orchestra, First Movement: Orchestral Parts (incomplete), undated
19 Conductor Addresses, undated
20 Contemporary Recording Studios, undated
21 Contract: Scribner Music Library, 1960-1961
22 Contracts, 1984-2008
23 Contrasts for Piano: Score, 1946
24 Correspondence (1 photo), 1953-1985 and undated
25 Correspondence (1 photo), 1959-1969 and undated
26 Correspondence, 1968-1992
27 Correspondence, 1970-2007 and undated
28 Correspondence, 1971-1972
29 Correspondence, 1972-1988
30 Correspondence, 1973-1974
31 Correspondence, 1973-1984
box item
5 1 Correspondence, 1975-1976
2 Correspondence, 1977-1978
3 Correspondence, 1979-1980
4 Correspondence, 1980-1984 and undated
5 Correspondence, 1981
6 Correspondence, 1983-1984
7 Correspondence, 1985
8 Correspondence (1 of 2), 1986
9 Correspondence (2 of 2), 1986
10 Correspondence (1 of 3), 1987
11 Correspondence (2 of 3), 1987
12 Correspondence (3 of 3), 1987
13 Correspondence (1 photo), 1987-1991
14 Correspondence: Postcards, 1987-1994 and undated
15 Correspondence (1 of 2), 1988
16 Correspondence (2 of 2), 1988
17 Correspondence, 1989-1990
18 Correspondence, 1990
19 Correspondence, 1991-1992
20 Correspondence (1 photo), 1992
box item
6 1 Correspondence, 1993-1994
2 Correspondence, 1993-1997 and undated
3 Correspondence, 1993-2007 and undated
4 Correspondence (1 of 2), 1995-1996
5 Correspondence (2 of 2), 1995-1996
6 Correspondence, 1995-2008 and undated
7 Correspondence (1 of 2), 1997-1998
8 Correspondence (2 of 2), 1997-1998
9 Correspondence (1 of 2), 1999-2000
10 Correspondence (2 of 2), 1999-2000
11 Correspondence (1 of 2) [2 CDs], 2001-2002
12 Correspondence (2 of 2), 2001-2002
13 Correspondence, 2003-2004
14 Correspondence, 2005-2006
15 Correspondence, 2007-2009
16 Crutchfield Catalogue, 1986-1987
17 Curriculum Vita, 1973
18 Curriculum Vita, 1974
19 Curriculum Vita, 1985-1990
20 Curriculum Vita, 2000
21 Curriculum Vita, undated
22 Cycles of Moons and Tides for Symphonic Band: Score, 1995
23 Cycles of Moons and Tides for Symphonic Band: Set of Parts [originals] (1 of 2), 1995
24 Cycles of Moons and Tides for Symphonic Band: Set of Parts [originals] (2 of 2), 1995
25 Cycles of Moons and Tides for Symphonic Band: Set of Parts (copies), 1995
26 Dallin, Leon: Techniques of Twentieth Century Composition, 1957
27 Danza Impresión de Espana: Full Score, 1979
28 Danza Impresión de Espana: Scores, 1979
box item
7 1 Darest Thou Now, O Soul: Score, 1975
2 de Gaetano, Robert: Concerto Brevis Promotion Posters, 1976
3 Debussy, Claude: Album of Claude Debussy Masterpieces for Piano Solo, 1935
4 Debussy, Claude: La Damoiselle Élue, undated
5 Debussy, Claude: Preludes…1er Livre, undated
6 Delta Kappa Gamma: Membership Certificate, 1958
7 Department of Music: Alumni Newsletter, 1969
8 Department of Music: Graduate Curriculum, 1968-1970 and undated
9 Departmental Review Materials, 1952-1979
10 Department of Music: Questionnaire for Entering Music Students, undated
11 Departmental Recital Application Form, undated
12 Directory of Music Faculties and Colleges and Universities, U.S. and Canada, 1972-1974
13 Dissertation: A Stylistic Study of Claude Debussy’s Opera Pelléas et Mélisande (1 of 2), 1966
14 Dissertation: A Stylistic Study of Claude Debussy’s Opera Pelléas et Mélisande (2 of 2), 1966
15 Dissertation Abstract, 1966
16 Dissertation Abstract, 1967
17 Dissertation: Abstracts from University Microfilms, Incorporated, 1967
18 Dissertation: Articles, Journals, and Libretto, 1962
19 Dissertation: Claude Debussy’s Pelléas et Mélisande, Score for Voice and Piano, with Notes, undated
20 Dissertation: Notes, Abstracts, Bibliography, undated
21 Dissertation: Outline, 1958
22 Dissertation: Outline, undated
23 Dissertation: Outline and Periodical Bibliography, undated
24 Dissertation: Programs, 1950-1962
25 Dissertation: Reference Materials and Notes, 1953 and undated
26 Dissertation: Typed Rough Draft (1 of 2), undated
27 Dissertation: Typed Rough Draft (2 of 2), undated
box item
8 1 Doctor of Musical Arts: Program Information, 2000
2 Dcotor of Philosophy: Final Examination Materials, 1983-1993
3 Duluth Bicentennial Material (10 photos), 1976
4 Eastman School of Music, Class Notes, Composer Summaries, 1949
5 Eastman School of Music, Class Notes, Acoustics, undated
6 Eastman School of Music, Class Notes, Theory Pedagogy, 1949
7 Eastman School of Music, Contemporary Styles, Outline Summary, undated
8 Eastman School of Music: Diplomas, 1948-1966
9 Eastman School of Music, Mechanics of Thesis Writing, 1964
10 Eastman School of Music, Notes, Acoustics, 1945-1950
11 Eastman School of Music, Notes and Assignments (1 of 6), 1958-1961 and undated
12 Eastman School of Music, Notes and Assignments (2 of 6), 1958-1961 and undated
13 Eastman School of Music, Notes and Assignments (3 of 6), 1958-1961 and undated
14 Eastman School of Music, Notes and Assignments (4 of 6), 1958-1961 and undated
15 Eastman School of Music, Notes and Assignments (5 of 6), 1958-1961 and undated
16 Eastman School of Music, Notes and Assignments (6 of 6), 1958-1961 and undated
17 Eastman School of Music: Notes, Music Literature, undated
18 Eastman School of Music: Notes, Musical Survey Course, undated
19 Eastman School of Music: Notes, Theory 422-423 (History of Theory), 1960
20 Eastman School of Music: Programs, 1947-1950
21 Eastman School of Music: Scholarship Awards, 1945-1948
22 Eastman School of Music: Score, 1950
23 Eastman School of Music: Theory 101-102, Notes, undated
24 Eastman School of Music: Theory Research, 291, 292, 1955-1956
25 Elegy for Pepe (1964-1977), 1979
26 Faculty Development Leave: Application and Materials, 1978
27 Faculty Development Leave: Massachusetts Institute of Technology, 1980-1982
28 Faculty Development Leave: Schedule, 1982
29 Faculty Senate: Meeting Minutes, 1982
30 Faculty Workload Reports, 1978-2005
31 Festival of Texas Composers: Programs, 1979
32 Festive Fanfare: Score, undated
box item
9 1 Fine Arts Doctoral Committee: Meeting Minutes, 1982-2000
2 First National Congress on Women in Music, 1981
3 Five Psalms: Score, undated
4 Florida State University: Festival of New Music, 1996
5 Foldes, Andor: “Beethoven’s Kiss”, undated
6 Four Duos for Viola and Cello: Score, 1986
7 Four Duos for Viola and Cello (Published Version): Score (5 copies), 1986
8 Freedom of Youth: Score, 1986
9 Freedom of Youth: Publications and Correspondance, 1986
10 Freshman Theory: Schedule, November 4-8, undated
11 Galilean Galaxies: Score and Parts: Sisra Publications, 2000
12 Galilean Galaxies: Spiral Bound Score (7 copies), 1998
13 Gaudeamus Foundation-Centre of Contemporary Music: Newsletters, 1991-1993
14 Gestures for Clarinet Quartet (Published Edition): Score (2 copies) and Parts, 1999
15 Gestures for Clarinet Quartet: Score (2 copies) and Parts (2 copies), 1999
Gillis, Everett A.: “This is America”, undated
17 Graduate Council (1 of 2), 1970-1973
18 Graduate Council (2 of 2), 1970-1973
19 Graduate Faculty Application Form (2 copies), 1989
20 Graduate Music Degree: Information and Requirements, 1983-1985 and undated
21 Graduate Program Review Committee, 1971-1972
22 Graduate Review Committee: History Review, 1970-1972
23 Graduate School: Admissions Forms, undated
24 Graduate Studies Committee: Department of Music, 1969-1973
25 Graduate Studies Committee: Department of Music, 1973-1974
26 Graduate Studies Committee: Department of Music, 1982-1983
27 Graduate Studies Committee: Department of Music, 1979-2000
28 Guggenheim Memorial Foundation: Fellowship Application, 1992-1993
29 Hanson, Howard: Contact Information, undated
30 Harbach, Barbara (1 photo), 1988-1990
31 Hemmle, Gene: Interview Abstract, 1973
32 Hildegard Publishing Company, 1998-1999
33 Hildegard Publishing Company Catalog, 2000-2001
34 Horn Professor: Memorandums, 1997
35 Horn Professor Nomination: Annual Faculty Reviews, 1972-1987
36 Horn Professor Nomination: Articles, 1952-1986
37 Horn Professor Nomination: Article, 1982
38 Horn Professor Nomination: Articles, 1985
39 Horn Professor Nomination: Articles, 1987-1991 and undated
box item
10 1 Horn Professor Nomination: Composer Biography, 1987
2 Horn Professor Nomination: Composer Biographies, undated
3 Horn Professor Nomination: Contact Information for Letters of Reference, undated
4 Horn Professor Nomination: Curriculum Vita, 1985
5 Horn Professor Nomination: Faculty Reviews Information, 1980-1987
6 Horn Professor Nomination: Letters About Compositions, 1973-1987 and undated
7 Horn Professor Nomination: Letters of Recommendation, 1987 and undated
8 Horn Professor Nomination: Programs, 1951-1981
9 Horn Professor Nomination: Programs, 1982-April 1987
10 Horn Professor Nomination: Programs, May 1987-October 1987 and undated
11 Horn Professor Nomination: References, 1987 and undated
12 Horn Professor Nomination: Vitae and Faculty Reviews (Empty Notebook), 1987
13 Horn Professor: Operating Policy and Procedure, 1987
14 Horn Professor Presentation: Awards and Honors, Letters of Support, 1987
15 Horn Professor Presentation: Composition, 1987
16 Horn Professor Presentation: Newspaper Clippings, 1987
box item
11 1 Horn Professor Presentation: Programs, 1987
2 Horn Professor Presentation: Symposium of Contemporary Music, 1987
3 I Hear America Singing: Score, 1952
4 I Hear America Singing: Score (4 copies), 1952
5 In Quest of the Roman Numeral: A Comment Concerning the CMP Workshop at Eastman, June 1969
6 Incantations for Oboe and Piano: Score and Part, 1998
7 Incantations for Oboe and Piano: Score (Manuscript Version), 1998
8 Incantations for Trumpet and Piano: Score (2 copies) and Part (2 copies), 1991
9 Inoue Chamber Ensemble, 1988-1989
10 Inoue Chamber Ensemble: Programs, 1995
11 International Alliance for Women in Music, 1997
12 International Biographical Inclusions, 1980-1993
13 International Carillon Festival, 1980
14 International Clarinet Association Clarinetfest: Programs, 1997 and 2000
15 International Double Reed Society 29th Annual Conference: Program, 2000
16 International League of Women Composers (ILWC), 1980-1982
17 International League of Women Composers Newsletter, 1987-1988
18 International League of Women Composers: Journal, 1991
19 International Trumpet Guild: Membership Directory, 1986
20 International Who’s Who in Music and Musicians’ Directory, 1984-1993
21 The Instrumentalist, 1989
22 Introduction and Allegro: Publishing Information, 2008
23 Keyboard, Singing and Dictation Manual, Printed Version (1 of 2), 1967
24 Keyboard, Singing and Dictation Manual, Printed Version (2 of 2), 1967
25 Keyboard, Singing and Dictation Manual, Typewritten Version, 1967
26 Keyboard, Singing and Dictation Manual, 1968
27 KTXT-FM: Program Schedule, undated
28 League/ISCM National Composers Competition, undated
29 Lenormand, Rene: A Study of Twentieth-Century Harmony, undated
30 Les Hommes Vidés:score (2 copies) , 1994
31 Letters of Recommendation, 2000-2007 and Undated
32 Library of Congress, Serge Koussevitzky Music foundation: Application Materials, 1989
33 Living Music:Newsletter, 1986-1998
34 Lubbock Music Club, 1950-1951
35 Lubbock Symphony Orchestra, Newspaper Clipping and Programs, 1951-1952
36 Lux: Legand of Sankta Lucia, Background Information, 1979
box item
12 1 Magazine Clippings, 1956-2005
2 Manhattanville Music Curriculum Program Projects, Summary Reports (1 of 2), 1968-1970
3 Manhattanville Music Curriculum Program Project, Summary Reports (2 of 2), 1968-1970
4 Manhattanville Music Curriculum Project, 1970
5 Manhattanville Music Curriculum Project, undated
6 A Manual for Thesis Writing at Texas Technological College, 1956
7 Map of Texas and Trip Route, undated
8 Massachusetts Institute of Technology: Experimental Music Studio Manual, 1982
9 Massachusetts Institute of Technology: Techniques of Computer Sound Synthesis (1 of 2), 1982
10 Massachusetts Institue od Technology: Techniques of Computer Sound Synthesis (2 of 2), 1982
11 Master of Music Theory: Revised Description, undated
12 Master’s Thesis: An Analysis of Claude Debussy’s Suite Pour Le Piano, 1950
13 Maynard, Judson, 1976-1978
14 Maynard, Judson: Concert Programs, 1988
15 The Mechanics of Thesis Writing, Eastman School of Music , 1959
16 Membership Cards, 1991-2007
17 Memos to Music Faculty, 1968-1970
18 Method of Formal Analysis for Musical Composition, undated
19 Mihály, Hajdu: Two Concert Studies for Harp, 1983
20 Miniature Scores, undated
21 Mirror of Death Musical Life, 1967-1968
22 Missa Brevis for Mixed Chorus, Piano, Organ, and Timpani: Score, undated
23 Missa Brevis for Trumpet and Organ or Voice and Organ: Score (5 copies), 1987
24 Missa Brevis for Voice and Organ or Trumpet and Organ: Score (3 copies) , 1988
25 Missa Brevis: Score, 1988
26 Mitsopoulou, Evangelia, Correspondence, 2002-2003
27 Mu Phi Epsilon, 1952-1991
28 Mu Phi Epsilon:Membership Certificate and Award, 1947-1953
29 Mu Phi Epsilon:Membership Directory, 2006
30 Mu Phi Epsilon, Publications, 1959
31 Music 2000:Final Exam, undated
32 Music 2000, instrumentation, Assignments and Class Notes, 1984-1994
33 Music 4301, Advanced Orchestration, Class notes, 2001
34 Music 4301-012:Test Materials, 1999-2001 and undated
35 Music 7000, Assignments, undated
36 Music Building Committee: Music Theory Description of Classes, 1968 and undated
37 Music Catalogues, 1983-2002 and undated
38 Music Composition Syllabus, 2004
39 Music Composition, syllabus, undated
40 Music Composition 5312, class notes, 1995-2003
41 Music Composition 5312: Class notes, 1997 and undated
42 Music Composition 5312, Class notes, 2004-2007 and undated
43 Music Composition 5312: Compositions for study: Adam, Adolphe-Mendelssohn, Felix, undated
44 Music Composition 5312: Compositioins for study; Mihaly, Hajda- Stravinsky, Igor, undated
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13 1 Music Composition 5312: Composition for Study; Tchaikovsky, Peter-Webern, Anton, undated
2 Music Composition 5312: compositions for Study; unknown composer, undated
3 Music Composition 5312: Holst, Gustave, The Planets, scores and notes, 1997 and undated
4 Music Composition 5312: Molenaar Edition Wormerveer Holland, 1997
5 Music Composition 5312: Orchestration, Copies from Books (1 of 2), undated
6 Music Composition 5312: Orchestration, Copies from Books (2 of 2), undated
7 Music Composition 5312: Reduction Projects (1 of 2), undated
8 Music Composition 5312: Reduction Projects (2 of 2), undated
9 Music Composition 5312: Reduction Assignments, undated
10 Music Composition 5312: Scoring Projects (1 of 2), undated
11 Music Composition 5312: Scoring Projects (2 of 2), undated
12 Music Composition 5312: Syllabi, 1996-2007 and undated
13 Music Composition 5312: Test Materials, 1996-2005
14 Music Composition 5312: Test Materials, 2006-2007 and undated
15 The Music Connoisseur, 1996
16 Music Contest, 1940-1950
17 Music Contest (copies), 1940-1950
18 Music Department Faculty:Meeting Minutes and Information, 1996 and undated
19 Music Executive Committee (1 of 2), 1970-1973
20 Music Executive Committee (2 of 2), 1970-1973
21 Music Executive Council, 1969-1971
22 Music Executive Council, 1970-1973
23 Music Executive Council, Memos and Meeting Minutes, 1968-1970
24 Music Faculty Directory, undated
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14 1 Music Graduate Committee (1 of 2), 1971-1973
2 Music Graduate Committee (2 of 2), 1971-1973
3 Music History and Literature Curriculum, undated
4 Music in Texas Studies, 1965 and undated
5 Music of Enchantment: Orchestral Parts, 1997
6 Music Theory: Syllabi, undated
7 Music Theory 131: Class Schedule, undated
8 Music Library Committee: Meeting Minutes and Information, 1993-1994
9 Music Theory 131: Test Materials, 1968-1969 and undated
10 Music Theory 143 Section 1: Dictation Final, undated
11 Music Theory 333-1: Test Materials, 1980-1982
12 Music Theory 333 and 334: Test Materials and Notes, 1973-1986 and undated
13 Music Theory 3303: Form, Analysis and Synthesis, Class Notes, 2003-2004
14 Music Theory 3303: Form, Analysis and Synthesis, Composition, Beethoven- Schumann, Undated
15 Music Theory 3303: Form, Analysis and Synthesis, Scores and Notes, undated
16 Music Theory 3303: Form, Analysis, and Synthesis, Syllabi, undated
17 Music Theory 3303: Form, Analysis and Synthesis, Test Materials (1 of 2), 1981-1989 and undated
18 Music Theory 3303: Form, Analysis and Synthesis, Test Material (2 of 2), 1981-1989 and undated
19 Music Theory 3308: Contemporary Techniques, Syllabus, 1995
20 Music Theory 4301-012, Syllabus, undated
21 Music Theory 4305, Modal Counterpoint, Syllabus, Class notes, Exams and Assignments, 1996
22 Music Theory 4307, Tonal Counterpoint, Syllabus, Class Notes and Assignments, 1991
23 Music Theory 5301 and 5302 (styles): Test Materials (1 of 2), 1980-1985 and undated
24 Music Theory 5301 and 5302 (styles): Test Materials (2 of 2), 1980-1985 and undated
25 Music Theory 5303: Class Materials, undated
26 Music Theory 5303: Class Notes, 1993-2000
27 Music Theory 5303: Class Notes, 2001-2005
28 Music Theory 5303: Class Notes, 2006-2007
29 Music Theory 5303: Compositions, Anonymous- Haydn, Franz Joseph, undated
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15 1 Music Theory 5303: Compositions, Anonymous and Multiple Composers, undated
2 Music Theory 5303: Compositions, Josquin Desprez, undated
3 Music Theory 5303: Syllabi, 1990-2007
4 Music Theory 5303: Syntheses Assignments, undated
5 Music Theory 5303: Test Materials, 1983-1988
6 Music Theory 5303: Test Materials, 1989-1995
7 Music Theory 5303: Test Materials, 1996-2000
8 Music Theory 5303: Test Materials, 2001-2007
9 Music Theory 5303: Test Materials, undated
10 Music Theory 5303 and 5304: Burkhart, Charles, Anthology for Musical Analysis, Third Edition (1 of 3), 1979-2007
11 Music Theory 5303 and 5304: Burkhart, Charles, Anthology for Musical Analysis, Third Edition (2 of 3), 1979-2007
12 Music Theory 5303 and 5304: Burkhart, Charles, Anthology for Musical Analysis, Third Edition (3 of 3), 1979-2007
13 Music Theory 5304: Class Materials, 1975-1996
14 Music Theory 5304: Class Notes, 1989-1998
15 Music Theory 5304: Class Notes, 2000-2003
16 Music Theory 5304: Class Notes, 2004-2008
17 Music Theory 5304: Compositions, Anonymous, undated
18 Music Theory 5304: Compositions; Babbitt, Milton-Baltok, Bela, undated
19 Music Theory 5304: Compositions; Beethoven, Ludwig von-Griffes, Charles, undated
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16 1 Music Theory 5304: Compositions; Hindemith, Paul- Stevens, Halsey, undated
2 Music Theory 5304: Compositions; Stravinsky, Igor- Wagner, Richard, undated
3 Music Theory 5304: Compositions; Webern, Anton, undated
4 Music Theory 5304: Syllabi, 1992-2008
5 Music Theory 5304: Test Materials, 1971-1986
6 Music Theory 5304: Test Materials, 1987-1995
7 Music Theory 5304: Test Materials, 1997-2004
8 Music Theory 5304: Test Materials, 1999-2001
9 Music Theory 5304: Test Materials, undated
10 Music Theory 5304: Test Materials, undated
11 Music Theory and Composition: Master of Music Degree Plans, 2000
12 Music Theory Division: Meeting Minutes and Information, 1990-1997 and undated
13 Musicology 202: History and Development of Spanish Theater Music, Outline, undated
14 National Guild of Piano Teachers: Guild Syllabus, 1965
15 National Intercollegiate Band, 1979-1982
16 National Intercollegiate Band, Programs and Article, 1981-1984
17 New Composition Degrees: BM and MM, 1973
18 New Grove Dictionary of Music and Musicians, Correspondence and Article, 1998-2001
19 New Grove Dictionary of Music and Musicians: van Appledorn Article, undated
20 New York City Ballet, American Music Festival, 1988
21 New York City Ballet, American Music Festival, 1988
22 New York City Ballet, American Music Festival, Program, 1988
23 New York City Ballet, American Music Festival, Programs, 1988
24 New York City Ballet, American Music Festival, Programs, Correspondence and Articles, 1988
25 Newsletters, 1983-1984
26 Newsletter Articles, 1994-1995
27 Newsletter: Department of Art, 1987-1988
28 Newspaper Articles, 1959-1973 and undated
29 Newspaper Articles, 1976-1996 and undated
30 Newspaper Articles, 1980-1985
31 Newspaper Articles, 1995 and undated
32 Newspaper Articles, 2000 and undated
33 Newspaper Articles and Reviews, 1980-1992 and undated
34 Newspaper Articles; Honors and Awards, 1973-1982 and undated
35 Newspaper Articles; Performances, undated
36 Newspaper Articles; Personal Interest, 1966-1979
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17 1 North Texas State University: School of Music Graduate Admissions Exam, undated
2 Notes, 1986-2006 and undated
3 Notes, 1991-1995 and undated
4 Notes and Memos, 1999-2004 and undated
5 Notes: scales and chords, undated
6 Olson, Kenneth: Resume, 1986
7 Opus One, 1979-1980
8 Opus One, undated
9 Opus One: Record Announcements, 1980 and undated
10 Passacaglia and Chorale for Orchestra: Orchestral Parts, 1973
11 Passacaglia and Chorale for Orchestra: Set of Parts, 1973
12 Passages III for Clarinet, Cello and Piano: Score, undated
13 Passages III for Clarinet, Violin, Cello and Piano: Score and Parts, 2003
14 Patterns for Tuba and Euphonium: Score (3 copies), 1978
15 Paul Whitfield Horn Professor, Correspondence, 1989
16 Pellerite, James; Article and Programs, 1997
17 Periodicals Catalogued in the Sibley Music Library, 1958
18 Personal Notes, 1979 and undated
19 Personal Notes, 1983 and undated
20 Peter Quince at the Clavier: Full Score (2 copies), 1958
21 Ph. D. in fine Arts: Major Area Examination (theory-composition), 1987
22 Ph. D. in Fine Arts: Qualifying Examination, undated
23 Phi Mu Alpha and Mu Phi Epsilon Banquet, 1991
24 Photographs (50), 1912-2003
25 Photographs (1), undated
26 Phi Kappa Lambda, 1997
27 Piano Concerto: Parts, undated
28 Planner, 1975
29 Planner, 1977
30 The Podium, 1982-1984
31 Postnikoff, Melissa: Graduate Lecture Recital Program (1 photo), 1986
32 Prelude for Piano: Score (2 copies), 1948
33 Program Notes, 1984-2003
34 Programs, 1951-1972 and undated
35 Programs, 1953-1977
36 Programs, 1959
37 Programs, 1959-1988
38 Programs, 1972-1988
39 Programs, 1976-2008 and undated
40 Programs, 1978-1981
41 Programs, 1980-1984
42 Programs, 1980-1988
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18 1 Programs, 1982-1985
2 Programs, 1990-1997
3 Programs, 1992-2000
4 Programs, 1999-2008
5 Programs and Posters, 1992-1996 and undated
6 Programs; Lubbock, TX, 1950-1952
7 Programs; Other Artists, 1960
8 Publication List (2 copies), 1958-1977
9 Qualifying Examination Materials, 1974-1997 and undated
9B Queen Elizabeth Music Competition, 1997
10 Recent Performances, 1998
11 Record Album Cover, 1981
12 Record Sleeve Copies, 1979-1986
13 Record Sleeve Copies, 1981-1985
14 Recording Clinic, undated
15 Reeds Afire: B-flat clarinet part, undated
16 Report: How Contemporary Techniques May be Brought Into Undergraduate Level College Curriculum, undated
17 Research Bibliographies, undated
18 Resume and Vita, undated
19 Rhapsody for Trumpet and Harp: Score (2 copies) aand Part (2 copies), 1994
20 Rhapsody for Violin and Orchestra: Orchestral Parts (1 of 2), undated
21 Rhapsody for Violin and Orchestra: Orchestral Parts (2 of 2), undated
22 Rhapsody for Violin and Orchestra: Set of Parts (copies) (1 of 2), undated
23 Rhapsody for Violin and Orchestra: Set of Parts (copies ) (2 of 2), undated
24 Rhapsody for Violin and Orchestra: Set of Parts (ready for xerox) (1 of 2), undated
25 Rhapsody for Violin and Orchestra: Set of Parts (ready for xerox) (2 of 2), undated
26 Robinson, Susan: Dissertation Proposal, undated
27 Russo, John: Correspondence and Letters of Recommendation, 1992-1996
28 Schedules, 1999-2008 and undated
29 Schirmer Guide to Schools of Music and Conservatories Throughout the World, Texas Tech, 1988
30 School of Music Calandars, 1984-1989
31 School of Music, Publications, 1997-2008
32 School of Music: Strategic Plan, 2001
33 School of Music World Music Symposium, Abstract, 2001
34 Schubel, Max: Concerto for Trumpet Recording Project, 1983-1985
35 Schubel, Max: Correspondence, 1978-1980
36 Scrapbooks: Various Composer Newspaper Clippings (copies), (1 of 2), 1949-1955 and undated
37 Scrapbooks: Various Composer Newspaper Clippings (copies), (2 of 2), 1949-1955 and undated
38 Scrapbook from Rogers family, 1989-1999 (5 photos),
39 Seabird Studio: Burton Awards, 2000-2002
40 Secondary Piano Grade Requirements, undated
41 Set of Fire for Piano, 1952
42 Shake Hands With Your Future, 1984
43 Sky Bells: Score, undated
44 Society for New Music, undated
45 Society of Composers, Incorporated, 2002
46 Society of Composers, Incorporated: Newsletters, 1991-1993
47 Society of Composers, Inc., Region VIII New Music Festival, Washington State University, 1992
48 Society News, undated
49 Sonata for Trumpet, First Movement: Score, 1960
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19 1 Sonatine for Clarinet and Piano: Score and Clarinet Part (2 copies), 1988
2 Songs Without Words: Score (5 copies), 2000
3 Sonic Mutation for Harp, 1986
4 Sonic Mutation for Harp: Score (7 copies), 1986
5 Sonnet for Organ: Score, 1958
6 Sonnet for Organ: Score, undated
7 Soundscapes for Bassoon and Strings: Score and Parts, 2002
8 South Plains Music Teachers’ Association: Student Affiliate Teachers’ Guide, 1961,
9 Southwest Collection Documents, 2000
10 Southwestern Composers Journal (2 copies), 1954
11 Southwestern Composers Journal, 1955-1956
12 Space Reservation Request Forms, 2006-2008
13 Spirit Divine for Chorus and Organ: Score (3 copies), 1986
14 Student Data Sheets and Placement Tabs, 1981 and undated
15 Summary of Post-College Activities, 1953
16 Symphony for Percussion Orchestra: Score (2 copies), 2000
17 Symphony for Percussion Orchestra: Score (incomplete), undated
18 Symposium of Contemporary Music, Correspondance and Information, 1970 and undated
19 Symposium of Contemporary Music, Programs, 1965-1982
20 Symposium of Contemporary Music , Programs (one photo), 1965-1983
21 Symposium of Contemporary Music: Programs, 1969-1981
22 Symposium Posters, 1981
23 Tau Beta Sigma: Membership Certificate, 1951
24 Tau Beta Sigma: Outstanding Service to Music Award, 1981
25 Teaching Schedules, 1996-2008 and undated
26 Teaching Schedules, 2005-2008 and undated
27 Tears for Mixed Chorus: Score (2 copies), 1960
28 Test Materials: Form and Composition Mideterm, Impressionism, undated
29 Texas Composers Catalog, 1974
30 Texas Federation of Music Clubs, 1980
31 Texas Symposium of Contemporary Music Award, undated
32 Texas Tech: Class Notes, 1947 and undated
33 Texas Tech: Class Notes, Analytical Technique 201 and 202 (1 of 2), 1948-1949
34 Texas Tech: Class Notes, Analytical Technique 201 and 202 (2 of 2), 1948-1949
35 Texas Tech: Class Notes, Theory 147 (1 of 2), undated
36 Texas Tech: Class Notes, Theory 147 (2 of 2), undated
37 Texas Tech University: Code of Student Affairs and Rules and Regulations, 1970-1971
38 Texas Tech University: Commencement Program, 1973
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20 1 Texas Tech University: Concert Programs and Posters, 1992-2002
2 Texas Tech University: Correspondence and Contract, 1950
3 Texas Tech University: Doctoral Entrance Placement Exams, 1985 and undated
4 Texas Tech University: Doctoral Oral Exam Material, 1997 and undated
5 Texas Tech University: Graduate Music Theory Test, 1984 and undated
6 Texas Tech University: Lower Division Music Theory, 1969
7 Texas Tech University: Master of Music Oral Exam Material, undated
8 Texas Tech University: MLT, MTH Budget, 1970-1973
9 Texas Tech University: Music Department, Newspaper Articles, 1952-1982 and undated
10 Texas Tech University: News and Publications, 1981-1982
11 Texas Tech University: Ph.D. in Fine Arts Major Area Examination (theory-composition), 1986-1999
12 Texas Tech University: Ph. D. in Fine Arts: Music Composition Exam, 1998 and undated
13 Texas Tech University: Qualifying Examinations for Ph. D. in Fine Arts (Music), 1979-1990 and undated
14 Texas Tech University: Ph. D. in Fine Arts Qualifying Exam: Music Theory, 1984-1986 and undated
15 Texas Tech University: Policies and Salary, 1982
16 Texas Tech University: Student Handbook, 1970-1971
17 Texas Tech University: Tenure Policy, 1984
18 Texas Technological College: Graduate School Study, 1968
19 Texas Techsan, November/December 2002
20 Theory 333: Form and Composition: Notes, Syllabus, Assignments (1 of 2), 1960-1961 and undated
21 Theory 333: Form and Composition: Notes, Syllabus, Assignments (2 of 2), 1960-1961 and undated
22 Theory Department Surveys, 1995 and undated
23 Thesis/Dissertation Instructional Materials, 1980 and undated
24 Thew, Warren: “Times and Seasons, Poems and Drawings”, 1994
25 Third Movement, 1960
26 Three for Two: Score (3 copies), 1989
27 TMEA Convention Presentation: “Accidental Benefits”, 1989-1990
28 Toland, Litchard: A Key to Notes, 1956
29 Topeka High School (2 photos), 1945-1986
30 Topeka High School: Alumni Directory, 2001
31 Transcripts, 1966
32 Trumpet Concerto, Second Movement: Orchestral Parts (incomplete), undated
33 Twenty-fifth International Trombone Festival: Program, 1996
34 Twenty-seventh Symposium of Contemporary Music, Correspondence and Information, 1977-1978
35 Twenty-Eighth Symposium of Contemporary Music, Correspondence and Information, 1978-1979
36 Twenty-Ninth Symposium of Contemporary Music, Correspondence and Information, 1979-1980
37 Thirtieth Symposium of Contemporary Music, Correspondence and Information, 1980-1981
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21 1 Thirty-First Symposium of Contemporary Music, Correspondence and Information, 1981-1982
2 Two Shakespeare Songs: Score (19 copies), 1979
3 United States Copyright Law, Guide for Music Educators, 1978
4 University of Oklahoma: Correspondence, 1953
5 University of Rochester: Centennial Issue of the Alumni-Alumnae Review (one photo), 1950
6 University of Rochester: Commencement Ceremony, 1966
7 van Appledorn, John and Elizabeth: Marriage License and Memory Book, 1914-1944
8 van Appledorn, Mary Jeanne: Baby Book and Birth Certificate, 1927
9 van Appledorn, Mary Jeanne: Website printouts, 1999
10 van Appledorn, Ruth, 1940-1951 and undated
11 van Appledorn, Ruth: Correspondence (9 photos, 1 slide), 1964-1996 and undated
12 van Appledorn, Ruth: Functional Piano for the College Student, undated
13 van Appledorn, Ruth: Last Will and Testament, 1983
14 van Appledorn, Ruth and Mary Jeanne: Steps to Musicality Through Piano, Book 1, Draft, 1992
15 van Appledorn, Ruth and Mary Jeanne: Steps to Musicality Through Piano, Introduction and Lessons 1 and 2, 1991
16 van Appledorn, Ruth and Mary Jeanne: Steps to Musicality Through Piano, Lesson 1, Proof, 1992
17 van Appledorn, Ruth and Mary Jeanne: Steps to Musicality Through Piano, Lesson 2, Proof, 1992
18 van Appledorn, Ruth and Mary Jeanne: Steps to Musicality Through Piano, Lesson 3, Proof, 1991
19 van Appledorn, Ruth and Mary Jeanne: Steps to Musicality Through Piano, Lesson 4, Proof, 1991
20 van Appledorn, Ruth and Mary Jeanne: Steps to Musicality Through Piano, Lesson 5, Proof, 1991
21 van Appledorn, Ruth and Mary Jeanne: Steps to Musicality Through Piano, Lesson 6, Proof, 1991
22 Vaughan, Mary Ann, Educational Research, 1965-1969
23 Voice Division: Minutes of Meetings, 1968-1969
24 Wagner, Joseph: Workbook for Orchestration: A Practical Handbook, 1959
25 Walt Whitman Music Library: List of Composers, 1991
26 Web Pages, 1995-1996
27 West Texas Suite: Full Score, 1976
28 Westney, William: Recital Photos, undated
29 Who’s Who and Directory Inclusions, 1949-2004
30 Who’s Who in America: Article, 2000
31 Who’s Who Inclusions, 1965-2006
32 Women and the Creative Field in Music, undated
33 Women Band Directors National Association, 1980
34 Women in American Music: A Bibliography: List on Compositions for Inclusion, undated
35 Women’s Studies 4300: Syllabus, undated
36 Wm. C. Brown Book Company: Correspondence and Contract, 1965-1977 and undated
37 YWCA Women of Excellence Award, 2003

Return to the Table of Contents




Oversized Materials

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1 1 Architectonics: Sketches; Architecure Pictures, Magazine; Original composition sketches; Composition contest advertisements; Various articles; Newsletters; Drafts of Chord/Scale Structure, 1989?
2 Atmospheres for Trombone Ensemble; Full Set of 12 Parts and Score; Correspondence and Contract with publisher, Thompson Edition, Inc.(2002); Final Copy of Score and Parts; 1993
3 Ayre for Strings, Viola da Gamba Consort, Clarinet or Saxophone Choir; String Orchestra Score; Copy of Score and Parts from Publisher, Southern Music Company, Corrected and Bowed Parts, Ready to Copy (1994); Handwritten Score and Copy, 1989
4 Ayre String Orchestra Score and Parts, 1989
5 Ayre for Viola da Gamba Consort, Full Score and Six Parts, 1989
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2 1 Ayre Music in Six Parts for Strings, Commissioned by Texas Music Teachers Assocition (59 Copies – various parts), 1989
2 Azaleas for Flute, Baritone Voice and Piano, To Kyung Wook Shin and Michael Stoune, Score/Parts (5 Copies), 1980
3 Blow, Blow Thou Winter Wind for Mixed Chorus, To Dr. Gene L. Hemmle and The Texas Tech Choir, Full Score, 1951
4 Burlesca for Piano, Brass and Snare Drum; Full Score (2 Copies); Dark Full Score, 1951
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3 1 Cacophony for Wind Ensemble, Commissioned by Women Band Directors National Association; Sketches; Full Score; Letter from Dr. van Appledorn, 1980
2 Cacophony for Wind Ensemble, Full Score 1980
3 Cacophony for Wind Ensemble, Full Parts (Excluding: E-flat Clarinet, Alto Clarinet, E-Flat Contra-Alto Clarinet, Contra Bassoon, and Percussion), 1980
4 Cacophony for Wind Ensemble, Percussion Score and Parts, (See Oversize 8), 1980
5 Cantata: “Rising Night After Night” for Chorus, Soloists and Orchestra ; Sketches; Pencil Score with Edits (See Oversize 7), 1978
6 Cantata: “Rising Night After Night” for Chorus, Soloists and Orchestra; Bound Copy of Score; Loose Pages of Score; Copies of Libretto (See Oversize 7), 1978
7 Caprice for Carillon, Original Score (handwritten) and copy, December 9, 1987
8 Celestial Clockwork for Carillon, Commissioned by and Inscribed to Dr. Judson D. Maynard; Full Score (2 copies); Letters from Publisher (American Carillon Music Editions); Publishing Contract (January 18, 1985), 1983
9 Cellano Rhapsody for Violoncello and Piano, Inscribed to Salvatore Silipigni, Duquesne University; Full Scores (4 Copies); Sets of Parts (3 Piano Copies and 4 Cello Copies), 1947
10 Chants and Timbre; Sketches, Unfinished, undated
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4 1 A Choreographic Overture for Band, To William Francis McBeth; Full Score (2 Copies), 1957
2 A Choreographic Overture for Band; Full Set of Parts, 1957
3 A Choreographic Overture for Band; Full Score and Full Set of Parts, 1957
4 Communique, Song Cycle Based on the Poems of Everett A. Gillis, Inscribed to Judith Klinger; Full Score (3 Copies), 1960
5 Concerto for Guitar; Sketches; Score Fragment, 2007
6 Concerto for Trumpet and Orchestra; Sketches; Score Fragment unknown
7 Concerto for Trumpet; Orchestration edited by Mark Rogers unknown
8 Concerto for Trumpet and Band; Full Score unknown
9 Concerto for Trumpet and Band; Score with Edits 1961
10 Concerto for Trumpet and Band; Score 1977
11 Concerto for Trumpet and Band; Score 1986
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5 1 Concerto for Trumpet, Cadenza by Robert Birch; Sketches; Copies of Cadenza in Score, 1960
2 Concerto for Trumpet and Band; Full Score (2 Copies); First Movement of Score; Piano Obligato Part; Manuscript Wire Bound Score with Notes, Miscellaneous Notes on Back Cover; Poster in a Foreign Language; Article; Sketches and Notes; Lists of Part Requirments, 1960
3 Concerto for Trumpet and Band; Parts, 1960
4 Concerto for Trumpet and Orchestra; Parts, 1960
5 Concerto for Trumpet and Piano, Prepared by Mark Rogers; Posters from Performance in USSR (1986); Proof of Score; Copies of Manuscript Score; Trumpet Parts, 1960
6 Concerto Brevis for Piano and Orchestra; Full Score (3 Copies); Piano Score, 1954
7 Contrasts for Piano; Manuscript with Notes; Manuscript for Publisher; Contract; Published Score, 1947
8 Cornucopia for Solo Trumpet; Manuscript of Part and 2 Copies; 2 Copies of Part from Publisher, 1988
9 Cycles of Moons and Tides for Symphonic Band; Full Score; 6 Copies, 1995
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6 1 Cycles of Moons and Tides for Band; Work Revisions; Score, 1995
2 Cycles of Moons and Tides for Band; Work Revisions of Parts, 1995
3 Cycles of Moons and Tides for Band; Performing Parts (No Percussion), 1995
4 Cycles of Moons and Tides for Band; Full Score, 1995
5 Danza Incantations de Espana, Vocal Octet, Ballet; Piano and Percussion Score; Full Score (2 Copies); 1979
6 Dearest Thou Now, O Soul for Women’s Chorus and Organ; Copy of Published Score from Manuscript; Published Score (2 Copies), 1975
7 Elegy for Pepe (1964-77) for Piano; Work Revisions; Manuscript Score (2 Copies), 1982
8 Fantasia for Piano, Inscribed to Eugenio Zapata; Sketches, Work Score; Manuscript Score and Copy of First Page, 2004
9 Festive Bells for Carillon, Inscribed to Dr. C. Roy Wilson; Work Scores; Manuscript Score, 2005
10 Festive Fanfare and Postlude for 12 Trumpets and Percussion; Correspondence to/from Office of the Provost; Set of Parts (4 Copies); Full Score, 2001
11 Five Psalms for Trumpet, Tenor Voice, and Piano; Sketches, Notes, Copies of Psalms; Manuscript Score; Bound Copies of Manuscript Score (2); Proofs of Score from Publisher; Published Score and Part, 1998
12 Four Duos for Alto Saxophones; Manuscript Score and Copy; Contract from Publisher; Overhead Transparency Score, 1984
13 Four Duos for Viola and Cello; Manuscript Score; Copies of Manuscript Score (3); Published Score (2), 1985
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7 1 Fraulein Else, Opera for Television and/or Electronic Performance, Kim Smith, Libretto; Copy of Libretto; Bound Copy of Libretto; Correspondence; Notes; Sketches, 1986
2 Freedom of Youth for Speaker and Synthesizer; Documents; Copies of Score (5); Manuscript Working Score, 1986
3 Galilean Galaxies for Flute, Bassoon and Piano; Magazine Article with Notes; Sketches; Manuscript Score with Edits; Manuscript Score; Copies of Manuscript Score (3); Publishing Contract; Proofs of Published Score and Parts; Published Score (2 Copies); Published Parts, 1998
4 Gestures for Clarinet Quartet; Correspondence and Information from United States Naval Academy Band Clarinet Quartet; Sketches/Notes; Copy of Manuscript Parts; Manuscript Score; Copies of Manuscript Score (3); Correspondence and Proofs from Publisher; Published Score and Parts, 1999
5 Hebraic Poem for Flute, Clarinet, Viola and Piano; Manuscript Score; Manuscript Viola Part, 1957
6 I Hear America Singing for Voice and Piano; Full Scores (2 Copies), 1952
7 Incantations for Oboe and Piano; Manuscript Score and Copies; Published Score and Oboe Part (2 Copies), 1998
8 Incantations for Trumpet and Piano, Inscribed to Daniel Kiser; Full Score and Part, Published Edition; Handwritten Score, edited by Daniel Kiser, and Letter from Daniel Kiser; Score and Parts (2 Copies), Bound, 1992
9 Introduction and Allegro, Inscribed to Kirsten Yon and Sigurd Øgaard; Handwritten Program Notes and Score; First Proof of Score from Editor, 2007
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8 1 Jason’s Tune for Cornet and Piano, Melody by Jason Hamilton, Arranged by Mary Jeanne van Appledorn; 3 Full Scores (2 Handwritten, 1 Bound), December 19, 1992
2 Legacy, for Bass Baritone Voice and Piano, Text by Kay Scully; 4 Full Scores (1 Handwritten, 3 Copies); Text (3 Copies); Handwritten Score with Edits; Card from Kay Scully, 1995
3 Les Hommes Vides, for Unaccompanied SATB Chorus; Score and Program Notes (4 Copies); Handwritten Copies of Score (2 Copies) and Copies of Poem from Book (2); Copy of Score with Edits; Parts of Score with Edits, 1994
4 Les Hommes Vides; Correspondance; Letters and Materials Concerning Copyright of T.S. Elliot Poem; List of Publishers and Addresses; Contracts between publishers and van Appledorn, 1994-1997
5 Liquid Gold, Full Score, (Roll), 1982
6 Liquid Gold for E-flat Alto Saxophone and Piano, for Dale Underwood; Multiple Copies of Score; Handwritten Manuscript of Score with Edits, 1982
7 A Liszt Fantasie for Piano, to William Westney; Final Published Score; Handwritten Notes, Sketches, Manuscript; Manuscript Sketches; Manuscript Score; Copy of Manuscript, 1984
8 Love Divine, All Loves Excelling for Chorus and Organ; Manuscript (original); 3 Copies of Full Score (1 Bound), 1988
9 LUX: Lengend of Sankta Lucia for Band, Harp, Percussion and Handbells, Manuscript (Copy); First Page of Score (4 Copies); Program Notes/Percussion Setup (4 Copies), 1981
10 LUX: Lengend of Sankta Lucia for Band, Harp, Percussion and Handbells; Set of Parts, 1981
11 LUX: Lengend of Sankta Lucia for Band, Harp, Percussion and Handbells; Pencil Score; Articles/Information about Saint Lucia; Instrumentation Information; Program Notes; (See Oversize 8), 1981
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9 1 March for Band; Full Score (2 Copies), undated
2 Matrices for E-flat Alto Saxophone and Piano; Flier with Sample Score Page; Copy of Instructions to Performer; Sketch Fragment; Copies of Bound Score (2); Copy of Score with Notes; Full Score (3 Copies), 1979
3 Meliora: Fanfare for Orchestra; Full Score (2 Copes); Set of Parts, 2000
4 Meliora, Symphony for Winds and Percussion; Full Score (2 Copies); Sketches; Manuscript; First Proof (July 17, 2000)First Complete Proof (August 5, 2001); First Proof (January 30, 2002); Second Proof (June 4, 2003); Last Proof (August 2003), 2002
5 Meliora, Symphony for Winds and Percussion; Full Score (2 Copies); Set of Parts with Corrections Written in by Composer, 2002
6 The Memory of Splendid Music for Voice and Piano; Final Published Full Score; Copy of Text; Manuscript; Copy of Manuscript; Proofs with Notes and Edits by Composer, 2006
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10 1 Miniatures for Trombone Quartet; Published Score and Parts; YWCA Women of Excellence Biography; Printouts from Publisher Website on Ordering Information; Correspondence and Contract from Publisher; Manuscript Score; Sketches; Notes; Copies of Parts from Manuscript; Card regarding composition of piece, 2000
2 Mirrors for Flute, Clarinet and Piano; Program from Premiere Performance; Manuscript of Full Score, 2004
3 Missa Brevis for Voice or Trumpet and Organ; 2 Copies of Manuscript, (1 with notes by composer); Full Score (3 Copies); Copies of Score with edits (2); Published Score; Score with Analysis; Notes; Letters from Performers; Article from Lubbock Avalanche Journal, 1987
4 Missa Brevis for Brass Quintet; Full Score (3 Copies); Set of Parts, 1987
5 Music of Enchantment for Native American Flute, Strings, Percussion; Full Score, Manuscript, 1997
6 Music of Enchantment for Native American Flute, Piano Reduction; Correspondence from James Pellerite; Manuscript Score; Proof of Score from Publisher; Copy of Manuscript Part and Score; Copy of Manuscript Score, 1997
7 Music of Enchantment for Native American Flute, Strings and Percussion; Manuscript Parts (Copy of Native American Flute and Percussion Parts), 1997
8 Musique for Trombone and Piano; Manuscript Sketches; Manuscript Score and copies; Trombone Part (2 Copies), 2003
9 A Native American Mosaic for Native American Flute; Manuscript Part and Copy, Copies of Published Parts; Correspondence between Dr. van Appledorn and James Pellerite; Contract from Publisher, 1997
10 Octet for Bassoons; Manuscript Score with Edits; Full Score, Manuscript; Copy of Parts, 2004
11 Paruassus, 15 Etudes for Euphonium in C; Sketches/Notes; Manuscript Score, Bound Copy of Manuscript Score, 1990
12 Parquet Musique pour Clavecin; Copied Articles; Manuscript Score; Copies of Manuscript Score (2); Source/Copies of Cover Graphic, 1990
box item
11 1 Passacaglia and Chorale for Orchestra; Copy of Manuscript Score; Full Set of Orchestra Parts (See Oversize 8), 1973
2 Passacaglia and Chorale for Orchestra; Partial Set of Orchestra Parts, 1973
3 Passacaglia and Chorale for Orchestra; Full Set of Orchestra Parts, 1973
4 Passacaglia and Chorale for Orchestra; 2 Copies of Full Score (1 Bound); Partial Copy of Orchestra Parts, 1973
5 Passacaglia and Chorale, Transcribed for Band by Mark Heidel (1987); Manuscript Score; Copies of Manuscript Score (1 Bound); Copies of Original Parts; Manuscript Corrected Version of Parts (See Oversize 8); 1973
6 Passages for Trombone and Piano; Notes/Sketches; Manuscript Score; Copies of Manuscript Score (2); Correspondence and Contract to/from Publisher; Proofs of Score from Publisher; Bound Copies of Published Score (2); Final Published Score and Trombone Part, 1996
7 Passages II for Trombone and Percussion; Sketches/Notes; Manuscript Score; Correspondance and Contract to/from Publisher; Proof from Publisher; Copy of Manuscript Score; Copies of Published Score (2), 1997
box item
12 1 Passages III for Clarinet, Violoncello and Piano; Letter Regarding Piece; Notes/Sketches; Score with Edits; Manuscript Score; Copy of Manuscript Score; Published Score and Parts, 2003
2 Passages IV for Native American Flute and Strings (unfinished); Partial Score with Sketches, undated
3 Patterns for Horn Quintet; Correspondence to/from Publisher; Contract; Published Score and Parts; Manuscript Score; 2 Copies of Manuscript Score; Manuscript Parts, 1956
4 Patterns, Arranged for Euphonium and Tuba; Manuscript Score; 3 Copies of Manuscript Score, undated
5 Peter Quince at the Clavier for Women’s Chorus, Narrator, Flute, Oboe, Horn and Piano; 2 Copies of Manuscript Score, 1958
6 Piano Pieces (6); Manuscripts with Edits; Published Scores, 1960-1972
7 Posters, 1995-2008
8 Potpourri for Carillon; Letter Requesting Piece; Carillon Composition Contest Information; Notes and Copies of French Songs; Manuscripts with Edits; Copies of Manuscript; Final Score, 1996
9 Postcards to John for Guitar; Articles; Sketches/Manuscripts with Edits; Score with Edits by John Scott Ford; Partial Manuscripts; Complete Copy of Manuscript; Correspondence to/from Publisher; Publishing Contract; Proofs from Publisher; Published Score, 1993
10 Reeds Afire for Clarinet and Bassoon; Sketches/Notes; Manuscript Score; Printed Copies of Score (4); Printed Copies of Parts (3); Bound Copies of Score (2); Correspondence and Contract from Publisher, 1994
11 Rhapsody for Trumpet and Harp; Notes; Manuscript with Edits; Manuscript Score; Copy of Manuscript Score; 2 Copies of Published Score and Part, 1993
12 Rhapsody for Violin and Orchestra; Sketches/Notes; Copies of Manuscript Violin Part (2); Score with Edits; Manuscript Score; Copy of Manuscript Score; Bound Copy of Score, 1996
box item
13 1 Rhapsody for Violin and Orchestra; Copies of String Parts, 1996
2 Rhapsody for Violin and Orchestra; Copies of Wind and Percussion Parts, 1996
3 Scenes from Pecos County for Piano; 2 Copies of Published Score, 1972
4 Set of Five for Piano; Manuscript Score; 2 Copies of Full Published Score; Toccata and Improvisation Published Scores, 1953
5 Shabat Shalom for Organ; Manuscript Score, Sketch; Copy of Score; Published Score, 1992
6 Shakespeare Songs from “As You Like It” for Mixed Chorus and Piano; Copies of Score from Manuscript (5); Correspondence and Contract from Publisher; Published Score, 1953
7 Sketches and Working Notes; Fragments of Chamber Music I; Sonic Beaches; Improvisation, undated
8 Skybells for Carillon; Letter to Publisher; Sketches, Manuscripts with Edits; Manuscript Score, Copy of Manuscript Score (2); Handwritten Copy of Score; Printed Score; Proof from Publisher; Published Score (in Compilation), 1991
9 Soliloquy for Native American Flute, Shakuhachi and Piano; Letter from Performer with Notes; Copy of Manuscript with Edits; Manuscript Score; Copy of Manuscript Score; Bound Copy of Manuscript Score, 2004
10 Sonata for Guitar; Manuscript Score; Copy of Manuscript Score; Bound Copy of Manuscript Score, 2003
11 Sonatine for Bassett Horn and Piano; Manuscript Score; Copy of Bassett Horn Part from Manuscript; Bound Copy of Manuscript Score; Bound Copy of Bassett Horn Part, 1988
12 Sonatine for Clarinet and Piano; Copies of Clarinet Part from Manuscript (4); Copy of Score; Bound Copy of Score, 1988
box item
14 1 Songs Withouth Words for Two Sopranos and Piano; Sketches/Notes; Manuscript Score; Copies of Manuscript Score (2); Proofs and Contract from Publisher; Published Score, 1999
2 Sonic Mutation for Harp; Sketch; Manuscript Score Edited by Gail Barber; Bound Copy of Manuscript Score; Published Score (3 Copies), 1987
3 Sonnet for Organ; Copy of Article; Copies of Manuscript Score (2); Published Scores (2), 1959
4 Sound the Trumpet for Trumpet and Organ; Manuscript Score; Copy of Manuscript Score and Trumpet Part; Contract and Correspondence from Publisher; Proof from Publisher; 1994
5 Soundscapes for Bassoon and Strings; Sketches, Parts of Score with Edits; Score with Edits; Manuscript Score; Bound Copy of Manuscript Score; Bound Copy of Printed Score; Copy of Printed Score and Parts; Published Score and Parts, 2003
6 Soundscapes for Bassoon and Strings; Copies of Parts; Bound Copies of Printed Parts, 2003
7 Spirit Divine for SATB Chorus and Organ; Correspondence from Publisher; Publishing Contract; Manuscript Score; Copy of Manuscript Score; Bound Copy of Manuscript Score; Published Score (4 Copies), 1986
8 Suite for Carillon; Score (4 Copies), 1976
box item
15 1 Symphony for Percussion Orchestra; Correspondence to/from Publisher; Sketch; Manuscript Score, 2001
2 Symphony for Percussion Orchestra; Set of Parts, 2001
3 Symphony of Celebration for Orchestra; Manuscript Score; Copy of Printed Score; Set of Printed Parts, 2003
4 Symphony of Celebration for Orchestra; Sketches, 2003
5 Tears for Mixed Chorus; Full Score (3 Copies), 1952
6 Terrestrial Music for Double Concerto for Violin, Piano and Strings; Manuscript Score; Copies of Manuscript Score (2), 1992
7 Terrestrial Music for Double Concerto for Violin, Piano and Strings; Reviews and News Articles (Japan), 1992
box item
16 1 Terrestrial Music for Double Concerto for Violin, Piano and Strings; Solo Parts; Score Edits, 1992
2 Terrestrial Music for Double Concerto for Violin, Piano and Strings; Orchestra Parts, 1992
3 Three for Two for Flutes or Recorders; Pencil Flute Score; Copies of Score, 1989
4 Tower Music for Carillon; Sketches; Manuscript Score; Copy of Manuscript Score; Published Score, 1990
5 Trio Devienne for Flute, Bassoon and Piano; Sketches; Manuscript Score; Copy of Manuscript Score, 2005
6 Trio Italiano for Trumpet, Horn and Bass Trombone; Sketches; Manuscript Score; Copy of Manuscript Score; Set of Part; Correspondence to/from Publisher, 1995
7 Two Shakespear Songs (from As You Like It) 1979
8 Under the Greenwood Tree for Chorus and Piano; Score, 1951
9 Uptown Blue for Piano Solo; Sketches in Spiral Notebook; Manuscript Score; Copy of Manuscript Score; Bound Copies of Manuscript Score (2), undated
10 Variations on “Jerusalem the Golden” for Organ; Contest Information; Correspondence to/from Publisher; Publishing Contract; Proofs from Publisher; Scores with Edits; Manuscript Score and Copy; Bound Copy of Manuscript Score, 1996
11 ”We praise you Wheaton whose friend we are,” for Unison Chorus and Organ (Unfinished); Score, undated
12 West Texas Suite for Chorus, Band and Perucssion; Bound Copy of Score; Copy of Poems, 1976
13 Windsongs for Brass Quintet (unfinished); Sketches and Revision; Manuscript Score; Score with Edits; Copy of Manuscript Score (2); Set of Parts, 1991
box item
17 1 Cantata: “Rising Night After Night” for Chorus, Soloists and Orchestra; Score; Chorus Parts; Sketches; Working Pages (See Oversize 1), 1978
2 Cacophony for Wind Ensemble (1980), Revisions Copy (See Oversize 1); LUX: Legend of Sankta Lucia for Band; Working Revisions; (See Oversize 3); Passacaglia and Chorale for Band, Score; Passacaglia and Chorale for Orchestra, Scores (2 Copies), (See Oversize 4), 1981
box item
18 1 Scrapbook: Various Composer Newspaper Clippings (copies in box 18), 1949-1955 and undated
2 Family Photo Album, c. 1927-1945
3 Diploma: Bachelor of Music, Eastman School of Music, University of Rochester, 1948
4 Diploma: Master of Music, Eastman School of Music, University of Rochester, 1950

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Audio-Visual Recordings

Van Appledorn Cassettes
box recording
1 1 Allegro, Native American Flute, Master Copy, undated
2 Atmospheres, 1993
3 Atmospheres, Master Copy, undated
4 Atmospheres, Opus One CD Recording Preview, January 27, 1994
5 Atmospheres; Rhapsody; Sonic Mutation, Copied from Final DAT, August 11, 1994
6 Atmospheres for Trombone Ensemble, January 27, 1993
7 Ayre, undated
8 Ayre, undated
9 Ayre, undated
10 Ayre, 1989
11 Ayre; Postcards to John, undated
12 Ayre for Chamber Strings, (Demonstrated on the Piano), undated
13 Ayre for Strings, undated
14 Ayre for Strings, undated
15 Ayre for Strings; Incantations, undated
16 Ayre for Strings, (Piano Demonstration), undated
17 Ayre for Strings or Consort in Six Parts, (Piano Demonstration Tape), 1989
18 Ayre for Strings or Music in Six Parts for Viola da Gamba Consort, (Piano Demonstration), 1989
19 Ayre for Viola da Gamba Consort, (Demonstrated on the Piano) undated
20 Ayre, Clarinets, Texas Tech University Clarinet Choir, Robert Walzel, Director, April 18, 1991
21 Ayre, Clarinet Version, undated
22 Ayre, Music in Six, (for Clarinets), Excerpt from the TTU Clarinet Choir/Trombone Ensemble, Hemmle Hall, April 18, 1991
23 Ayre, New York Viola da Gamba Consort, Viola da Gamba International Conclave, Burlington, VT, August 5, 1989
24 Ayre, New York Viola da Gamba Consort, Viola da Gamba International Conclave, Burlington, VT, August 5, 1989
25 Ayre, Piano Only, 1989
26 Ayre, Rehearsal Tape, undated
27 Ayre, Sax Version, undated
28 Ayre, University of Heron? New Music Group, February 23, 1993
29 Azaleas, undated
30 Azaleas, undated
31 Azaleas, undated
32 Azaleas, undated
33 Azaleas, Kyung Wook Shin, Baritone, Michael Stoune, Flute, Mary Jeanne van Appledorn, Piano, 1987 Delius Performance Award, Jacksonville, Florida; Communiqué, Judith Klinger, Soprano, Mary Jeanne van Appledorn, Piano, Opus One Record #52, undated
34 Azaleas, Kyung Wook Shin, Baritone Voice, Michael Stoune, Alto Flute and C Flute, Mary Jeanne van Appledorn, Piano, undated
box recording
2 1 Azaleas for Baritone Voice, Flute, and Piano, undated
2 Burlesca for Piano, Brass, and Snare Drum; Two Shakespeare Songs for SATB and Piano, 1951
3 Cacophony, undated
4 Cantata, undated
5 Cantata; Final Exam? , undated
6 Cantata, “Layla”, undated
7 Cantata (1979), Texas Tech Choir, Texas Tech Orchestra, Paul R. Ellsworth, Conductor; Passacaglia and Chorale (1972), Texas Tech Orchestra, Phillip Lehrman, Conductor, Opus One CD; Concerto Brevis (1954), Rodney Mason, Piano, Lubbock Symphony Orchestra, Patrick Flynn, Conductor, undated
8 Cantata; Two Shakespeare Songs, undated
9 Cantata; Two Shakespeare Songs, undated
10 Cantata: Rising Night After Night; Nom de Plume: Layla, undated
11 Cantata: Rising Night After Night; Passacaglia and Chorale; Concerto Brevis, undated
12 Cantata: Rising Night After Night; Passacaglia and Chorale; Concerto Brevis, undated
13 Cantata: Rising Night After Night; Passacaglia and Chorale; Concerto Brevis, undated
14 Cantata: Rising Night After Night (Only Performance, Non-Professional), undated
15 Cantata: Rising Night After Night (January 27, 1979); Passaccaglia and Chorale (October 3, 1984); Concerto for Piano and Orchestra, February 16, 1976
16 Cantata: Rising Night After Night (1978), Premiere Performance, Symposium of Contemporary Music, Texas Tech University Music Department, Sue Arnold (Mezzo Soprano), John Gillas (Tenor), William G. Hartwell (Bass Bariton), Charles Post (Tenor), Texas Tech University Choir, Tecas Tech University Orchestra, Paul Ellsworth, Conductor, January 27, 1979
17 Cantata: Rising Night After Night, Recorded for Vienna Modern Masters CD, “Music from Six Continents”, Slovak Radio Orchestra and Chorus, Oliver Dohnanyi, Conductor, CD to be released in, 1992
18 Cantata: Rising Night After Night, Slovak Radio Orchestra and Chorus, Bratirlava, Czechoslovakia, Vienna Modern Masters Compact Disc, December 1990
19 Cantata: Rising Night After Night, Slovak Radio Orchestra and Chorus, Oliver Dohnanyi, Conductor, Recorded for Vienna Modern Masters CD, Bratirlava, Czechoslovakia, December 3, 1990
20 Cantata; Two Shakespeare Songs, undated
21 I. Cantiga, II. Café Jose, III. Cante Hondo, IV. El Vito, V. Final, undated
22 Caprice for Carillon, on piano, 1987
23 Caprice for Carillon: University of Chicago; Rochester; Logumkloster, Denmark; Suite for Carillon: Svendborg, Denmark; Tienen, Belgium; Dendermonde, Belgium; Caprice for Carillon: Nijmegen, Netherlands; Breda, Netherlands; Genk, Belgium; Suite for Carillon: Amersfoort, Netherlands; Caprice for Carillon: Aalst, Belgium; Brussells, Belgium, Tour, 1988
24 Caprice for Carillon: Yale University, New Haven, CT; Middlebury College, Middlebury, VT; University of the South, Sewanee, TN; First Presbyterian, Stamford, CT; Luray Cavernus, Luray, VA; University of Michigan, Ann Arbor, MI; McDonough School, McDonough, MD, undated
25 Catherine Nix, Soprano, Faculty Recital, Mary Jean van Appledorn, Piano, Texas Tech University, Communique (1960), on Poem of Everett Gillis, Professor of English, TTU (1949-1979), January 23, 1998
box recording
26 2 A Celestial Clock Work, Ann Adcock, Texas Tech University, July 22, 1990
box recording
2 27 A Celestial Clockwork, Lubbock, TX, July 3, 1983
28 A Celestial Clockwork, Performance by Judson Maynard, First Baptist Church, Corpus Christi, TX (June 23, 1983), July 3, 1983
29 A Celestial Clockwork, Soldiers’ Tower, University of Toranto; Suite for Carillon, Washington Memorial Chapel, Valley Forge, PA, undated
30 A Celestial Clockwork, Soldiers’ Tower, University of Toranto; Suite for Carillon, Washington Memorial Chapel, Valley Forge, PA, undated
31 Cellano Rhapsodie (undated), A Liszt Fantasie, undated
32 Cellano Rhapsody for Violoncello and Piano, Arthur Follows, Violoncello, Mary Jeanne van Appledorn, Piano; Azaleas, Kyung Wook Shin, Baritone, Michael Stoune, Flute, Mary Jeanne van Appledorn, Piano, undated
33 Cellano Rhapsody for Violoncello and Piano, Arthur Follows, Violoncello, Mary Jeanne van Appledorn, Piano; Azaleas for Baritone Voice, Flute(s), and Piano, Kyung Wook Shin, Baritone, Michael Stoune, Flute(s), Mary Jeanne van Appledorn, Piano, undated
34 Choral Music; Love Divine, All Loves Excelling, Church of the Holy Cross, undated
35 Choral Music; Two Shakespeare Songs; Peter Quince at the Clavier; Cantata: Rising Night After Night, undated
box recording
3 1 A Choreographic Overture, undated
2 A Choreographic Overture; Cacophony, undated
3 A Choreographic Overture; Cacophony, undated
4 A Choreographic Overture, Houston Concert Band, Dr. Ken Dye, Conductor, ACB Convention, Plano, TX, April 4, 1992
5 Choreographic Overture for Band; Patterns for Tuba Ensemble, undated
6 A Choreographic Overture for Concert Band, Youth Wind Ensemble undated
7 Communique; Set of Five, undated
8 Communique; Set of Five; Four Duos, First Prize, Texas Composers’ Guild, 1987
9 Communique for Voice and Piano, Kathryn Barnes-Burroughs, Voice, John Hollins, Piano, undated
10 Composer Concerto?, Lubbock Symphony Orchestra, Jack Sheridan, February 16, 19??
11 Composite Copy Number 1, undated
12 Concerto; Cacophony; LUX, undated
13 Concerto Brevis, Two Pianos; Concerto Brevis, Piano and Orchestra, undated
14 Concerto Brevis, (2 Piano Version); Concerto Brevis, (Piano and Orchestra Version), undated
15 Concerto Brevis; Missa Brevis, Contemporary Music Festival, National Festival Orchestra, John Russo, Conductor, Furman Civic Wind Ensemble, John C. Carmichael, Conductor, undated
16 Concerto Brevis, (2 Piano), First tape, Blinderman, Rehearsal, undated
17 Concerto Brevis, Rodney Mason and Rebecca O’Connor, December 8, 1985
18 Concerto Brevis, Rodney Mason and Rebecca O’Connor, December 8, 1985
19 Concerto Brevis, Susan Blinderman, Unedited, (All Rehearsals), undated
20 Concerto Brevis for Piano and Orchestra, undated
21 Concerto Brevis for Piano and Orchestra, undated
22 Concerto Brevis; Missa Brevis, Contemporary Music Festival, undated
23 Concerto for Trumpet, undated
24 Concerto for Trumpet; Cacophony; LUX, undated
25 Concerto for Trumpet, Lake Agassiz Concert Band, Daniel Kiser, Trumpet, February 3, 1990
26 Concerto for Trumpet, Lake Agassiz Concert Band, Daniel Kiser, Trumpet, February 3, 1990
27 Concerto for Trumpet, Mark Heidel, Trumpet and Flügelhorn, Mary Jeanne van Appledorn, Piano, undated
28 Concerto for Trumpet and Band, undated
29 Concerto for Trumpet and Band, undated
30 Concerto for Trumpet and Band; Cacophony for Winds, Percussion, and Toys; LUX: Legend of Sankta Lucia, undated
31 Concerto for Trumpet and Band; Cacophony for Wind Ensemble, Percussion, and Toys; LUX: Legend of Sankta Lucia, undated
32 Concerto for Trumpet and Band, CBDNA National Conference, Boulder, CO, Texas Tech Band, 1985
33 Concerto for Trumpet and Band, Henk Haan, Trumpet, Harmonie-Orkest, St. Jozef, Kerkrade, Netherlands; A Choreographic Overture, undated
34 Concerto for Trumpet and Band, Robert Birch, Trumpet, U.S Navy Concert Band, undated
35 Concerto for Trumpet and Band, Robert M. Birch, Trumpet, December 1, 1984
36 Concerto for Trumpet and Band, Robert M. Birch, Trumpet and Flügelhorn, U.S. Navy Concert Band, Commander Joseph Phillips, Conductor; Cacophony for Winds, Percussion, and Toys; LUX: Legend of Sankta Lucia; Trumpet-Piano Version of Concerto, undated
37 Concerto for Trumpet and Band, Texas Tech Symphonic Band, Robert M. Birch, Trumpet, Transcribed from live concert tape of, December 4, 1984
box recording
4 1 Concerto for Trumpet and Band, Trial Master, November 13, 1984
2 Concerto for Trumpet and Band, Trial Master for Opus One Records, Texas Tech Symphonic Band, November 13, 1984
3 Concerto for Trumpet and Piano; Missa Brevis, 1987
4 Concerto for Trumpet and Piano, Dr. Mark Heidel, Trumpet, Mary Jeanne van Appledorn, Piano; Incantations for Trumpet and Piano, Will Strieder, Trumpet, Jennifer Garrett, Piano, undated
5 Concerto for Trumpet and Piano, Mark Heidel, Trumpet, Mary Jeanne van Appledorn, Piano, undated
6 Concerto for Trumpet and Piano, Mark Heidel, Trumpet, Mary Jeanne van Appledorn, Piano, undated
7 Contemporary Music Festival, 28th Annual, Sam Houston State University, First Program, April 10, 1989
8 Contemporary Music Festival, 28th Annual, Sam Houston State University, Second Program, April 11, 1989
9 Contrasts for Piano, undated
10 Contrasts for Piano (1948); Opus One: Set of Five, 1952
11 Cornucopia for solo Trumpet, undated
12 Cornucopia, Reading, 1988
13 Cornucopia, undated
14 Cornucopia, III. Little Blue Rag, Bryan Edwards, undated
15 Cornucopia, IV. Flight of Another Bee, Pat Brink, undated
16 Cycles of Moons and Tides (1995); Les Hommes Vides (1994); Reeds Afire (1994); Postcards to John (1993); Variations on Jerusalem the Golden, 1995
17 Cycles of Moons and Tides, Copy of Digital Master, Final Edit, December 19, 1995
18 Cycles of Moons and Tides, Texas Tech University Symphonic Band, First Copy, Hemmle Recital Hall, James Sudduth, Conductor, October 15, 1995
19 Cycles of Moons and Tides for Symphonic Band, undated
20 Cycles of Moons and Tides for Symphonic Band, Commissioned for 50th Aniversary of Tau Beta Sigma, University of Central Arkansas Symphonic Band, Russell Langston, Conductor, Premier, April 18, 1995
21 Cycles of Moons and Tides for Wind Ensemble; Rhapsody for Solo Violin and Orhcestra; Les Hommes Vides for Unaccompanied Choir, Based on T.S. Elliot’s “The Hollow Men” with French Translation by Pierre Leyris, undated
22 Cycles, Takes, October 22, 1995
23 Danza Impresion de Espana for Ballet of the Six Flags, 1979
24 Danza Impresion de Espana for Ballet of the Six Flags, 1979
25 Demo, Master Cassette, undated
26 Demo, van Appledorn, undated
27 Demo, van Appledorn, undated
28 Demo, van Appledorn, undated
29 Demo, van Appledorn, undated
30 Demo, van Appledorn, undated
31 Demo, van Appledorn, undated
32 Demo, van Appledorn, undated
33 Demo, van Appledorn, undated
34 Demo, van Appledorn, undated
35 Duos, (Clarinet and Bassoon), undated
36 Duos for Don and Dale, 1985
37 Duos for Viola and Violoncello, Performance of, February 11, 1986
38 Duos for Viola and Violoncello, Performance of, February 11, 1986
39 Faculty Fun Band, Texas Tech University Band and Orchestra Camp, Dale Underwood, Saxophone, 1990
40 Fantasia for Piano, Eugene Zapata, Piano, 2004
41 Five Psalms, undated
box recording
5 1 Five Psalms, Karl Dent, Tenor, Will Streider, Trumpet, Clinton Barrick, Piano, Recorded in Hemmle Recital Hall, Texas Tech University, July 8, 1999
2 Five Psalms for Tenor, Trumpet, and Piano, Karl Dent, Tenor, Will Strieder, Trumpet, Clinton Barrick, Piano, undated
3 Five Psalms for Tenor Voice, Trumpet, and Piano, January 23, 1999
4 Four Duos, undated
5 Four Duos, undated
6 Four Duos for Two E-Flat Alto Saxes, Reading During Texas Tech Band Camp, Summer, 1985
7 Four Duos for Viola and Cello, 1986
8 Four Duos for Viola and Cello, undated
9 Four Duos for Viola and Violoncello, undated
10 Four Duos for Viola and Violoncello, undated
11 Franz Liszt Fantasie, Two Versions by William Westney, undated
12 Franz Liszt Fantasie, Two Versions by William Westney, undated
13 Freedom of Youth, Lori Berg, Reader, Mary Jeanne van Appledorn, Synthesizer, undated
14 Freedom of Youth, Lori Berg, Reader, Mary Jeanne van Appledorn, Synthesizer, undated
15 Freedom of Youth, Lori Berg, Reader, Mary Jeanne van Appledorn, Yamaha DX-7, undated
16 Freedom of Youth, Reader, Yamaha DX-7 Synthesizer, undated
17 Freedom of Youth for Reader and Yamaha DX Synthesizer, undated
18 Freedom of Youth for Reader and Yamaha DX7 Synthesizer; Four Duos for Viola and Cello, 1986
19 Freedom of Youth for Speaker and Yamaha DX7 Synthesizer, 1986
20 Galilean Galaxies, undated
21 Gestures for Clarinet Quartet, United States Naval Academy Annapolis Clarinet Quartet, The “Caine Mutiny” Quartet, undated
22 Incantations, undated
23 Incantations; Patterns, (Takes), September 12, 1992
24 Incantations, (Takes), undated
25 Incantations, (Takes), undated
26 Incantations for Oboe and Piano, undated
27 Incantations for Oboe and Piano, undated
28 Incantations for Oboe and Piano, May 28, 1998
29 Incantations for Oboe and Piano, Portales Performance, Amy Anderson, Oboe, William F. Westney, Piano, undated
30 Incantations for Oboe and Piano, Tape Copy of Final DAT, 1998
31 Incantations for Oboe and Piano (1998); Rhapsody for Violin and Orchestra, Charles Rex, Violin (Assistant Concert Master – New York Philharmonic), Polish National Radio Orchestra, March 17, 1998
32 Incantations for Oboe and Piano; Sonatine for Clarinet and Piano; Ayre for String Sextet, undated
33 Incantations for Trumpet and Piano, undated
34 Incantations for Trumpet and Piano; Patterns for Horn Quintett, undated
35 Incantations for Trumpet and Piano, Reading, 1991
36 International Peace Concert Tour, Inoue Chamber Ensemble, New York, Oberlin Conservatory String Orchestra, Ohio, First Concert, Tsuzuki, Yokohama, Japan, July 29, 1995
37 Jason’s Tune, Jason Hamilton, Mary Jeanne van Appledorn, undated
box recording
6 1 Jason’s Tune, Jason Hamilton, Mary Jeanne van Appledorn, Performed on the Piano in my Studio, Texas Tech University, Lubbock, TX, December 19, 1992
2 Jirgenson’s Lecture, van Appledorn music, May 6, 1987
3 Kaleidoscope; Cornucopia, undated
4 KOHM Radio-thon, Jim Howard, Host, Program featuring poetry of Horn Professor Walter McDonald (TTU) and music of Mary Jeanne van Appledorn, Given by Dean of Arts and Sciences, Dr. Joe R. Goodin, May 5, 1990
5 KOHM Radio-thon, Jim Howard, Host, Program featuring poetry of Horn Professor Walter McDonald (TTU) and music of Mary Jeanne van Appledorn, Given by Dean of Arts and Sciences, Dr. Joe R. Goodin, Copy May 5, 1990
6 Laments, Dr. van Appledorn, August 2, 2001
7 Legacy, (Takes), undated
8 Legacy for Baritone and Piano, undated
9 Les Hommes Vides; Reeds Afire, undated
10 Les Hommes Vides; Reeds Afire; Variations on Jerusalem the Golden, undated
11 Les Hommes Vides, Double Premiere, Two Performances: 1. Texas Tech University Choir, Lubbock, Dr. Kenneth Davis, conductor, (October 27, 1994), 2. Temple University Concert Choir, Philadelphia, Alan Harler, conductor, October 28, 1994
12 Les Hommes Vides, Final Edit for Opus One, Master, undated
13 Les Hommes Vides, Philadelphia, undated
14 Les Hommes Vides, Piano Accompaniment, Rhearsal Only, undated
15 Les Hommes Vides, (Piano), undated
16 Les Hommes Vides, (Piano Only), undated
17 Les Hommes Vides, (Piano Only), 1994
18 Les Hommes Vides, (Piano Only), undated
19 Les Hommes Vides, Premiere, Texas Tech University Choir, Dr. Kenneth Davis, Director, Hemmle Recital Hall, Texas Tech University, Lubbock, TX, October 27, 1994
20 Les Hommes Vides, Temple University, Philadelphia, PA; Texas Tech University, Lubbock, TX, 1994
21 Les Hommes Vides, Texas Tech University Choir; Les Hommes Vides, Temple University Choir, Philadelphia, PA, undated
22 Les Hommes Vides, Text: T.S. Eliot The Hollow Men, (French Translation, Pierre Leyris), for Unaccompanied Chorus, Piano Demo, 1994
23 Les Hommes Vides, (T.S. Eliot: The Hollow Men), SATB Unaccompanied Chorus, (Piano Rendition), 1994
24 Les Hommes Vides, TTU Choir, Kenneth Davis, Conductor, Master Copy, Premiere, October 27, 1994
25 Les Hommes Vides for SATB Unaccompanied Chorus, 1994
26 Liquid Gold, 1982
27 Liquid Gold, undated
28 Liquid Gold, undated
29 Liquid Gold, undated
30 Liquid Gold; Matrices; Four Duos, undated
31 Liquid Gold, Copy of Master Opus One, undated
32 Liquid Gold, Dale Underwood, Alto Sax, Ron Chiles, Piano, undated
33 Liquid Gold, Dale Underwood, Saxophone, Ron Chiles, Piano; Matrices, Dale Underwood, Saxophone, Mary Jeanne van Appledorn, Piano, undated
34 Liquid Gold, Dale Underwood, Saxophone, Ron Chiles, Piano, 7th World Saxophone Congress, Nuremberg, Germany (1982); Matrices, Dale Underwood, Saxophone, Mary Jeanne van Appledorn, Piano, undated
35 Liquid Gold, Dale Underwood, Saxophone, Ron Chiles, Piano, World Premiere, 7th World Saxophone Congress, Nuremberg, Germany (July 10, 1982); Matrices, Dale Underwood, Saxophone, Mary Jeanne van Appledorn, Piano, undated
36 Liquid Gold, Dale Underwood, Saxophone, Performance of, July 13, 1982
37 Liquid Gold, Dale Underwood, Senior Chief Musician, US Navy Band, E-flat Alto Saxophone, Mary Jeanne van Appledorn, Piano, undated
box recording
7 1 Liquid Gold, Raw Piano Material, undated
2 Liquid Gold for E-flat Alto Saxophone and Piano (1982), Dale Underwood, Senior Chief Musician US Navy Band, Saxophone; Concerto for Trumpet and Concert Band; LUX: Legend of Sankta Lucia (1981); Matrices for E-flat Alto Saxophone and Piano, Dale Underwood, Saxophone, Mary Jeanne van Appledorn, Piano; Communique for Soprano and Piano, undated
3 Liquid Gold for E-flat Alto Saxophone and Tape (or Live Piano), World Premiere Performance (July 10, 1982), 7th World Saxophone Congress, Nuremberg, Germany; Matrices, A Sound-light Composition for E-flat Alto Saxophone and Piano, undated
4 Liquid Gold Work Tap; (Del Borgo?), undated
5 A Liszt Fantasie, Colomer, undated
6 A Liszt Fantasie, “Layla”, 1984
7 A Liszt Fantasie, Max Lifchitz, Final for CD, North/South Records, Incorporated, undated
8 A Liszt Fantasie, Piano, Max Lifchitz, undated
9 A Liszt Fantasie, Two Performances on Tape, undated
10 A Liszt Fantasie, Use for Copy, No Dolby, undated
11 A Liszt Fantasie, William Westney, Faculty Recital, undated
12 A Liszt Fantasie for Piano, undated
13 A Liszt Fantasie for Piano, Written and Studio-performed by Mary Jeanne van Appledorn; Azaleas, Michael Stoune, Flute, Kyung Wook Shin, Baritone Voice; Mary Jeanne van Appledorn, Piano, undated
14 Louisiana Sinfoniette: Purcell, Constant?, M.J. van Appledorn, April 12, 2001
15 Love Divine (Manual Only on Piano), undated
16 Love Divine, All Loves Excelling; Spirit Divine, undated
17 Love Divine, All Loves Excelling, (Manual Part Only Played on Piano), undated
18 Love Divine, All Loves Excelling, for SATB Chorus and Organ, (Piano Only Playing Manual Part), undated
19 LUX: Legend of Sankta Lucia for Band, undated
20 LUX: Legend of Sankta Lucia, Commissioned by National Intercollegiate Bands, Century Records (1981); Ayre for Strings, undated
21 LUX: Legend of Sankta Lucia, Master Cassette, undated
22 LUX: The Legend of Sankta Lucia, Northwestern University Wind Symphony, undated
23 LUX: The Legend of Sankta Lucia, University of Massachusetts Amherst Symphony Band, Malcolm Rowell, Jr., Conductor, MENC Convention, Hartford, CT (April 26, 2985); Fine Arts Center Concert Hall, University of Massachusetts, May 4, 1985
24 LUX: Legend of Sankta Lucia, (Partial Reading); Liquid Gold, undated
25 LUX: Legend of Sankta Lucia (1981); Suite for Carillon, undated
26 March, undated
27 March, undated
28 Meliora, Fanfare 2000 for Orchestra; Terrestrial Music for Violin, Piano, and String Orchestra, undated
29 Miniatures, US Naval Academy Band Trombone Quartet, July 20, 2000
30 Miniatures for Trombone Quartet, undated
31 Missa Brevis, undated
32 Missa Brevis; Concerto for Trumpet, (piano only), undated
33 Missa Brevis; Spirit Divine, undated
34 Missa Brevis, Birch/Martin, American Premiere, Foundry Methodist Church, Washington, DC, May 2, 1987
35 Missa Brevis, Brass Quintet, Reading, undated
36 Missa Brevis, Fairbanks/Harbach, undated
37 Missa Brevis, On Piano, Rehearsal Tape, undated
box recording
8 1 Missa Brevis, Premiere, Birch/Martin Recital, Foundry United Methodist Church, Washington, D.C., May 2, 1987
2 Missa Brevis, Reading, undated
3 Missa Brevis, Reading, Washington, D.C., Robert Birch, Trumpet, Carol Feather Martin, Organ, 1986
4 Missa Brevis, Reading Tape, undated
5 Missa Brevis, Recorded dub of takes 2-45; Missa Brevis, Take 1, Complete Work Recorded, February 25, 1990
6 Missa Brevis for Brass Quintet, (Reading); Missa Brevis for Trumpet and Organ, undated
7 Missa Brevis for Trumpet and Organ, 1986
8 Missa Brevis for Trumpet and Organ; Missa Brevis for Voice and Organ, undated
9 Missa Brevis for Trumpet and Organ; Missa Brevis for Voice and Organ, undated
10 Missa Brevis for Voice and Organ, undated
11 Missa Brevis for Voice and Organ, Billie Hagemeier, Voice, Judson Maynard, Organ, undated
12 Missa Brevis, Gloria, (on Piano), Rehearsal Tape, undated
13 Missa Brevis, Kyrie, undated
14 Missa Brevis, Kyrie, Gloria, 1986
15 Missa Brevis, Kyrie, On Piano, undated
16 Missa Brevis, Laura Ellis, Organ, Christine Schumann, Piano, April 19, 1990
17 Missa Brevis for Trumpet and Organ, undated
18 Missa Brevis; Concerto Brevis, Pieces 1-6 on A, 7-12 on B, undated
19 Music by Mary Jeanne van Appledorn, Music of Enchantment; Terrestrial Music; Reeds Afire; LUX: Legend of Sankta Lucia; Les Hommes Vides; Trio Italiano; Four Duos; Liquid Gold; Cycles of Moons and Tides, undated
20 Music of Enchantment, Piano Version, October 7, 1999
21 Music of Enchantment (1997), Premiere, James J. Pellerite, Native American Flute, Texas Tech University Symphony Orchestra Strings and Percussion, Albert-George Schram, Conductor, December 9, 1997
22 Music of Enchantment, Reading Orchestra, No Flute, December 1, 1997
23 Music of Enchantment for Native American Flute, Strings, and Percussion, undated
24 Native American Flute Introduction, undated
25 A Native American Mosaic, undated
26 Native American Mosaic, J. Pellerite, Native American Flute, undated
27 A Native American Mosaic for Solo Flute, World Premiere, James Pellerite, Flute, Guest Artist Recital, Texas Tech University, The Native American Flute Meets Classical, January 31, 1997
28 New Vienna, Strings and Solo Violin, 1-20, undated
29 Organ and Carillon Works; Variations on Jerusalem the Golden; Suite for Carillon; Caprice for Carillon, A Celestial Clockwork for Carillon, undated
30 Parquet Music, Harpsichord Work, Not Complete, Original, undated
31 Parquet Music for Harpsichord, undated
32 Parquet Music for Harpsichord, Dr. Barbara Harbach, Harpsichord, undated
33 Parquet Music for Harpsichord, Premiere, Rice University, Harbach undated
34 Parquet Musique pour Clavecin; A Liszt Fantasie for Piano, undated
35 Parquet Musique pour Clavecin (1990); Sonic Mutation for Harp, 1986
36 Parquet Music pour Clavecin (1990), Premiere by Dr. Barbara Harbach, Harpsichord, Rice University, Houston, TX, January 21, 1991
box recording
9 1 Parquet Music, (Work Tape), Complete, undated
2 Parquet Musique pour Clavecin, Barbara Harbach, Harpsichord, Recorded for Gasparo Records CD; A Liszt Fantasie for Piano, Max Lifchitz, Piano, Recorded for North/South Records CD, undated
3 Parquet Music; Gestures, Texas Tech University School of Music Faculty Composer’s Concert, February 27, 2001
4 Passacaglia and Chorale, undated
5 Passacaglia and Chorale, undated
6 Passacaglia and Chorale, undated
7 Passacaglia and Chorale, (Band), undated
8 Passacaglia and Chorale, Band Transcription by Mark Heidel, Texas Tech Concert Band, Mark Heidel, Conductor; Cornucopia, Richard Tolley, Trumpet, New York City Premiere, November 6, 1989
9 Passacaglia and Chorale, Take 3 and 2, Trial Master Session of, September 19, 1984
10 Passacaglia and Chorale, Transcribed and Conducted by Mark Heidel, Texas Tech Symphonic Band, December 10, 1987
11 Passacaglia and Chorale, Transcribed by Mark Heidel, Texas Tech University Symphonic Band, Hemmle Recital Hall, December 10, 1987
12 Passacaglia and Chorale, Transcribed by Mark Heidel, Texas Tech University Symphonic Band, Hemmle Recital Hall, December 10, 1987
13 Passacaglia and Chorale, WTSU, undated
14 Passacaglia and Chorale for Concert Band or Orchestra, undated
15 Passacaglia for Chamber Orchestra, undated
16 Passacaglia for Chamber Orchestra, undated
17 Passacaglia for Chamber Orchestra, Reading, undated
18 Passage, Dolby B undated
19 Passages II, undated
20 Passages II for Trombone and Percussion, undated
21 Passages II for Trombone and Percussion, Don Lucas, Trombone, Alan Shinn, Percussion, undated
22 Passages III, Montecino Trio, undated
23 Passages 3, Shea Trio, undated
24 Passages III for Clarinet, Cello, and Piano, 2003
25 Passages III for Clarinet, Cello, and Piano, 2003
26 Passages III for Clarinet, Cello, and Piano, undated
27 Patterns, Texas Tech Horn Choir, International Horn Symposium, University of North Texas, Denton, TX, May 16, 1991
28 Peter Quince at the Clavier, undated
29 Peter Quince at the Clavier, Women’s Chorus, Narrator, Flute, Oboe, Horn in F, Piano, undated
30 Postcards, May 3, 1994
31 Postcards to John for Guitar, John Scott Ford, Guitar, May 3, 1994
32 Postcards to John for Guitar, John Ford, Guitar, undated
33 Postcardsto John, John Scott Ford, Guitar, Bryce H. Lowrance, Engineer, Recorded June 20, 1995, Texas Tech University, Hemmle Recital Hall; Edited Texas Tech University Experimental Music Studio, June 21-23, 1995
34 Potpourri for Carillon, Demonstrated on Piano, 1993
35 Potpourri for Carillon, Played on DX-7 Synthesizer Bells, July 1993
36 Reeds Afire, undated
box recording
10 1 Reeds Afire; Postcards to John; Cycles of Moons and Tides, undated
2 Reeds Afire, Bob and Scott Walzel, February 25, 1996
3 Reeds Afire for Clarinet and Bassoon, 1994
4 Reeds Afire for Clarinet and Bassoon, Paul Gallo, Clarinet, Gilbert Dejean, Bassoon, New York City Premiere, June 3, 1997
5 Reeds Afire, New York City Premiere, June 3, 1997
6 Rhapsody, Inou Chamber Ensemble, Donner Library Center, New York, November 24, 2007
7 Rhapsody, Charles Rex, Polish National Radio Orchestra, 1998
8 Rhapsody, First Sequential Record Before Opus One, November 12, 19??
9 Rhapsody, Willie Strieder, Trumpet, Gail Barber, Harp, Reading (November 12, 1993); Incantations, Opus One CD (September 12, 1992); Patterns, undated
10 Rhapsody for Solo Violin and Orchestra, Cynthia Scully, Violin, Mary Jeanne van Appledorn, Piano, undated
11 Rhapsody for Trumpet and Harp; Reeds Afire for Clarinet and Bassoon, undated
12 Rhapsody for Trumpet and Harp, Copy of Takes, undated
13 Rhapsody for Trumpet and Harp, Reading; Postcards to John, Reading, undated
14 Rhapsody for Violin and Orchestra, undated
15 Rhapsody for Violin and Orchestra, 1997
16 Rhapsody for Violin and Orchestra, 1997
17 Rhapsody for Violin and Orchestra, Charles Rex, Concertmaster, New York Philharmonic, Violin, Polish Radio National Orchestra, Joel Subia, Conductor, undated
18 Rhapsody for Violin and Orchestra, Charles Rex, Violin, Polish National Radio Orchestra, undated
19 Rhapsody for Violin and Orchestra, Cynthia Scully, Violin, Mary Jeanne van Appledorn, Piano, undated
20 Rhapsody for Violin and Orchestra, Keyboard Demo Only, undated
21 Rhapsody for Violin and Orchestra, Piano Demo, undated
22 Rhapsody for Violin and Orchestra, Violin and Orchestra Reduction Demo, 1997
23 Rhapsody for Violin and Orchestra, Violin and Orchestra Reduction Demo, 1997
24 Rhapsody for Violin and Orchestra, Violin and Piano, December 1996
25 Sax Quartet, undated
26 Set of Five, Opus One, 78 rpm disc, Mary Jeanne van Appledorn, Piano, 1978
27 Set of Five, Lifchitz Master Copy, undated
28 Skybells for Carillon, Master Copy, (Piano Reading), undated
29 Skybells for Carillon, Commissioned by James Lawson for the Arrella Schuller Carillon, The Crystal Cathedral, (Demonstrated on Piano), 1991
30 Sonata for Guitar, Milen Parashkevov, Guitar, 2003
31 Sonata for Guitar, Milen Parashkevov, Guitar, undated
32 Sonatine, undated
33 Sonatine, 1988-1989
34 Sonatine, Ed and Kazuko CD Performance, undated
35 Sonatine (1988), Keith McCarty, Clarinet, Mary Jeanne van Appledorn, Studio Performance, August 27, 1988
36 Sonatine (1988), Keith McCarty, Clarinet, Mary Jeanne van Appledorn, Studio Performance, August 27, 1988
37 Sonatine, National Association of American Composers, New York City, St. Stephen’s Church, Original, April 17, 1994
box recording
11 1 Sonatine, National Association of Composers, USA, NYC, April 17, 1994
2 Sonatine, National Association of Composers, USA, NYC, April 17, 1994
3 Sonatine, National Association of Composers, USA, NYC, April 17, 1994
4 Sonatine, National Association of Composers, USA, NYC, April 17, 1994
5 Sonatine, Piano Only, undated
6 Sonatine, Piano Only, undated
7 Sonatine, Piano Only; Missa Brevis; Layla?, undated
8 Sonatine, Premier, Weill Hall NYC (October 17, 1988); Second Performance, Donnell Library NYC, November 7, 1988
9 Sonatine (1988); Ayre (1989), MTNA and TMTA Convention, San Antonio Texas, June 19, 1990
10 Sonatine for Clarinet and Piano, undated
11 Sonatine for Clarinet and Piano, undated
12 Sonatine for Clarinet and Piano, undated
13 Sonatine for Clarinet and Piano, undated
14 Sonatine for Clarinet and Piano, Edward Gilmore, Clarinet, Kazuko Inoue, Piano, Bard College, New York, January 22, 1989
15 Songs Without Words, May 2, 2000
16 Songs Without Words, undated
17 Songs Without Words, undated
18 Songs Without Words, Copy of Master, undated
19 Songs Without Words, Kathy McNeil and Linday McNeil, Faculty Recital, February 3, 2000
20 Sonic Mutation, 1986
21 Sonic Mutation, Ending, undated
22 Sonic Mutation, Gail Barber, Harp; Missa Brevis, on Piano, undated
23 Sonic Mutuation, Harp, 1986
24 Sonic Mutation for Harp, Demonstrated on the Piano, undated
25 Sonic Mutation for Harp, Here Played on the Piano, 1986
26 Sonnet: Ely Cathedral, Ely, England; Heilig Geist Kirche, Bergisch-Gladbach, West Germany; Mattauskirche, Munich, West Germany; Suite for Carillon: Svendborg, Denmark; Westminster Presbyterian, Oklahoma City, undated
27 Sonnet for Organ, Gerre Hancock, Organ, Dedication of the Holtkamp Organ, Hemmle Recital Hall, Texas Tech University; Sound the Trumpet (1994), Willie Strieder, Trumpet, Dr. Stephen Weber, Organ, Composers’ Concert, Texas Tech University, December 6, 1994
28 Sonnet for Organ, Holtkamp Organ Dedication, Gerre Hancock, February 13, 1977
29 Sonnet for Organ, Jeremy Bruns, Organ, undated
30 Sound the Trumpet, undated
31 Sound the Trumpet, undated
32 Sound the Trumpet, Willie Strieder, Trumpet, Stephen Weber, Organ, Master Copy, Composers Concert, December 6, 1994
33 Soundscapes, undated
34 Spirit Divine, undated
35 Spirit Divine, 1986
36 Spirit Divine, Texas Tech University Choir, November 11, 1986
37 Spirit Divine, Texas Tech University Choir, November 11, 1986
38 Spirit Divine, Texas Tech University Choir, Dr. Donald Bailey, Director, Dr. Judson, Maynard, Organ, Premiere, November 4, 1986
box recording
12 1 Spirit Divine; Missa Brevis, undated
2 Spirit Divine for SATB and Organ; Five Psalms for Tenor, Trumpet, and Piano; Missa Brevis for Soprano and Organ, undated
3 Suite for Carillon, Dr. Judson Maynard, Carilloneur, Carillon Concert, July 4, 1976
4 Suite for Carillon, Performed by Ann Adcock, Texas Tech University, June 25, 1989
5 Symphony for Percussion Orchestra, 2000
6 Symphony for Percussion Orchestra, 2000
7 Symphony for Percussion Orchestra, Texas Tech University Percussion Ensemble I, Dr. Lisa Rogers, Conductor, 2000
8 Symphony for Percussion Orchestra, Texas Tech University Percussion Ensemble I, Dr. Lisa Rogers, Conductor, 2000
9 Symphony for Percussion Orchestra, Texas Tech University Percussion Ensemble I, Dr. Lisa Rogers, Conductor, undated
10 Symphony for Percussion Orchestra (2000), Texas Tech University Percussion Ensemble I, November 14, 2000
11 Synthesizer Improvisation, Dr. van Appledorn, undated
12 Synthesizer Improvisation, Dr. van Appledorn, undated
13 Tape I, Including Cellano Rhapsody, undated
14 Tape II, Including Missa Brevis, undated
15 Tape III, Including Freedom of Youth, undated
16 Tape V, Conclusion of Lecture, undated
17 Terrestrial Music, undated
18 Terrestrial Music, II. Barren Land, Kellog and van Appledorn, undated
19 Terrestrial Music, III. New Vienna, (original), undated
20 Terrestrial Music, IV. White Mountains Rising, Piano Part, undated
21 Terrestrial Music, 5. Continental Drift, Solo Violin, Solo Piano (with Piano Reduction of Strings), Missing bars 44, 51, undated
22 Terrestrial Music, A Double Concerto for Solo Violin, Solo Piano, and String Orchestra, 1992
23 Terrestrial Music, Japan Tour, Inoue Chamber Ensemble, 1995
24 Terrestrial Music, Nagano, Japan Premiere, August 8, 1992
25 Terrestrial Music, Polish National Radio Orchestra, Richard Luby, Violin, Barry Salwen, Piano, undated
26 Terrestrial Music, Premiere, 1994
27 Terrestrial Music, Premiere, Inoue Chamber Ensemble, Miller Theatre, New York, November 5, 1992
28 Texas Tech University Composers’ Chamber Music Recital, Sonatine (1988), Keith McCarty, Clarinet, Mary Jeanne van Appledorn, Piano, Hemmle Recital Hall, December 6, 1988
29 Texas Tech University Composers’ Concert, Atmospheres, December 7, 1993
30 Texas Tech University Composers’ Concert, Ayre, November 6, 1990
31 Texas Tech University Composers’ Concert, Incantations for Trumpet and Piano, May 5, 1992
32 Texas Tech University Composers’ Concert, Three for Two, November 26, 1996
33 Texas Tech University Composers’ Concert, “End of the Millennium Concert I”, Galilean Galaxies, Performed by The Devienne Trio, May 4, 1999
34 Texas Tech University Composers’ Concert, Students of Dr. van Appledorn, Atmospheres, December 7, 1993
35 Three for Two, Duos for Recorders, Demonstration on Piano, 1989
36 Three for Two, Duos for Recorders or Flutes, Demonstrated on Piano, 1989
box recording
13 1 Three for Two for Recorders, Demonstrated on Piano, undated
2 Three for Two for Flutes, 1989
3 Three For Two for Recorders or Flutes, (Piano Demonstration), undated
4 Three For Two; Azaleas, undated
5 Tower Music, undated
6 Tower Music, Premiere, Maynard, Corpus Christi, June 8, 1990
7 Trio Italiano; Legacy, William Hartwell, Basso Profundo, Mary Jeanne van Appledorn, Astonished Piano; Cycles of Moons and Tides, Texas Tech University Symphonic Band, James Sudduth, Conductor, October 15, 1995
8 Trio Italiano, Willie Strieder, Trumpet, Anthony Brittin, Horn, Don Lucas, Trombone, undated
9 Trio Italiano for Trumpet, Horn, and Trombone, International Trumpet Guild Award, Trumpet Guild Brass Trio Competition, 1996
10 Trio Italiano for Trumpet, Horn, and Trombone, Piano Demonstration, undated
11 Trumpet Concerto; Clarinet Quartet, undated
12 Trumpet Concerto, First Movement, Original Copy and Cleaned Copy, Scott Couch, Trumpet, Mary Jeanne van Appledorn, Piano, Recorded by Professor D.O. Wiley at Texas Technological College Music Building, 1957
13 Trumpet Concerto, First Movement, Original Copy and Cleaned Copy, Scott Couch, Trumpet, Mary Jeanne van Appledorn, Piano, Recorded by Professor D.O. Wiley at Texas Technological College Music Building, 1957
14 Trumpet Concerto, Hungarian Symphony Orchestra, undated
15 Trumpet Concerto, Robert Birch, University of New Hampshire, Durham, Cadenza by Robert Birch, undated
16 Trumpet Concerto for Trumpet, undated
17 Two Shakespeare Songs (1952), Contemporary Choral Compositions, Western Kentucky University, 1990
18 Two Shakespeare Songs, Gregg Smith Singers, Charles Ives Center, 1993
19 Two Shakespeare Songs, Symposium for New Choral Music, Western Kentucky University, Bowling Green, Kentucky, undated
20 Two Shakespeare Songs, A Symposium of New Choral Chamber Music, Western Kentucky University, Bowling Green, Kentucky, March 24, 1990
21 Two Shakespeare Songs, Gregg Smith Singers, (Reading of texts precedes performance), undated
22 Two Shakespeare Songs; Peter Quince at the Clavier, undated
23 Two Shakespeare Songs; Spririt Divine; Darest Thou Now, O Soul; Peter Quince, undated
24 Uptown Blue for Piano, undated
25 van Appledorn, Mary Jeanne: Class Tapes: MUCP 5312 – Advanced Orchestration, February 2, 2005
26 van Appledorn, Mary Jeanne: Class Tapes: MUCP 5312 – Advanced Orchestration, February 4, 2005
27 van Appledorn, Mary Jeanne: Class Tapes: MUCP 5312 – Advanced Orchestration, February 9, 2005
28 van Appledorn, Mary Jeanne: Class Tapes: MUCP 5312 – Advanced Orchestration, February 11, 2005
29 van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303 – Form, January 31, 2005
30 van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303 – Form, February 2, 2005
31 van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303 – Form, February 4, 2005
32 van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303 – Form, February 11, 2005
33 van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303 – Form, February 21, 2005
34 van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303 – Form, February 23, 2005
35 van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303 – Form, March 7, 2005
36 van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303 – Form, March 9, 2005
box recording
14 1 van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304 – Styles, February 1, 2005
2 van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304 – Styles, February 3, 2005
3 van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304 – Styles, February 10, 2005
4 van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304 – Styles, February 22, 2005
5 van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304 – Styles, March 8, 2005
6 van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304 – Styles, March 10, 2005
7 Variations on “Jerusalem the Golden,” undated
8 Variations on “Jerusalem the Golden”, Luis Gonzales, Organ, Hemmle Recital Hall, December 1995
9 Viola da Gamba, (work tape), undated
10 V.J.’s Report on Dr. van Appledorn, Text Master, undated
11 West Texas Suite, undated
12 Windsongs for Brass Quintet (through measure 119), Brass Readings, May 2, 1991
13 Work Tape, undated
14 Work Tape, undated
Cassette Recordings – Other Musicians and Artists
box recording
14 15 Alonso de Mudarra: Fantasia X; Isaac Albeniz: Leyenda, Sevilla; Mavio Castelnuovo-Tedesco: Sonata “Homage to Boccherine”, Mussorgsky Transcribed by Segovia: “The Old Castle” from Pictures at an Exhibition; “The old Castle” Transcribed for Orchestra by Ravel; Bartok: Roumanian Folk Dances; Britten: Simple Symphony, Op. 4; Barber: Adagio for Strings, Op. 11; Mussorgsky: “Pictures at an Exhibition,” undated
16 Anderson, Amy, Oboe, Faculty Recital, November 10, 1997
17 Antologia De La Musica Cusquena, Siglos XIX – XX, undated
18 Barber, Gail, Harpist, 1985
19 Barber, Gail, Harpist, 1985
20 Barber, Violin Concerto, undated
21 Bartok, Third Piano Concerto, Second Piano Concerto, undated
22 Bartok, Violin Concerto Number Two (1946); Contrasts for Clarinet, Violin, and Piano, undated
23 Bell Tower/Yamaha DX-7 Synthesizer, Lawson plays Crystal Cathedral Carillon, April 21, 1991
24 Belshaw, Gary D., Wind Sculptures for Trombone and Band, Synthesizer: ENSONIQ SD-1, undated
25 Biggs, E. Power: The Organ in Sight and Sound, Columbia KS 7263; A Mini Discourse on the Rheinbergers Concertos, Columbia BTQ 158473; Rheinberger: Concerto No. 1, Op. 137; Barber: Toccata Festiva, Op. 36, undated
26 Boretz, Benjamin: “...my chart shines high where the blue milk’s upset…”, Sarah Rothenberg, Piano, Recorded in Olin Auditorium, Bard College (1988); J.K. Randall: “…such words as it were vain to close…”, J.K. Randall, Piano, Recorded in Princeton, New Jersey (1977), from Open Space CD 1, undated
27 Brink, Paul, Ein Feste Burg (Bach Chorale) for Organ, undated
28 Britten: Nocturnal, Op. 70; Boccherini: Introduction and Fandango; Ravel: Pavane pour une infante de Junte?; Gomez-Crespo: Nortena; Albeniz: Mallorca; Ponce: Scherzino Mejicano; Pavana: Pisador con Pavot Recordo; Milan: El Movo; Milan: Fantasia, undated
29 Burch, Gary, Senior Composition Recital, December 3, 1994
30 Byong-Kon Kim, Sori for Orchestra (1978), Performed by Osaka Philharmonic Orchestra; Dick: Flute, undated
31 Cablegram, The Paxton Group with Paula Claire, undated
32 A Carillon Recital at Bok Tower Gardens, Milford Myhre, Carillonneur, undated
33 Christmas Carillon from Bok Tower Gardens, Milford Myhre, Carillonneur, 1986
34 The Clarinet and Flute Soloists, John Russo, Clarinet, Samuel Baron, Flute, Billings Symphony Orchestra, Uri Barnea, Conductor, Society Orchestra of New York City, Thomas Crawford, Conductor, undated
35 Composers in Recital, Students of Dr. Mary Jeanne van Appledorn, April 20, 1989
36 Concerto for Percussion and Wind Symphony; Composed and Conducted by Jeffrey Hoover, Alan P. Shinn, Soloist, Texas Tech University Symphonic Band, April 24, 1990
37 Dedication of the Memorial Organ, FUMC, Floydada, Texas, Jeremy Bruns, Organist, undated
box recording
15 1 Donaueschingen; Hindemith: Clarinet Sonata; Pepping: Suite for Trompete, Saxophon und Posaune; Krenek: Drei Lustige Marsche; Pepping: Kleine Serenade Fur Militarorchester; Toch: Spiel Fur Blasorchester, Op. 39; Hindemith: Konzertmusik Fur Blasorchester, Op. 41; Furman Civic Wind Ensemble, John C. Carmichael, Conductor, 1990
2 DX Performance Demonstration, FM Digial Keyboards; DX7 and DX9 Performances by Gary Leuenberger and Don Lewis; L’Lady (Paich) (1984); The One (Porcaro); Performed by David Paich, Steve porcaro, and James Newton Howard, 1984
3 ”The DX Zone”, DX7 Programming Instructions; “The DX Zone”, DX9 Programming Instructions, undated
4 Eben, Peter: Okna; Plog, Anthony: Four Themes on Paintings of Edvard Munch; Houhannes, Alan: Prayer of St. Gregory, Op. 62b; Persichetti, Vincent: The Hollownen?; JoLivet, Andre: Arioso barocco; Lowry, Douglas: Suburban Measures; Anthony Plog, Trumpet, Hans-Olq? Ericsson, Organ, MUSI 7000, November 4, 1994
5 Electronic Pieces?, undated
6 Faculty Fun Band, Texas Tech University Band and Orchestra Camp, July 15-27, 1990
7 Faris, Amy, Senior Composition Recital, Texas Tech University, March 4, 1993
8 Festival a Kerkrade, Nederland, Harmonie-Orkest Saint Jozef, Mcluder? Trumpet Concerto, undated
9 Festival of Texas Composers, Concert III, March 10, 1988
10 Garner, Erroll, The Best of Erroll Garner, undated
11 Geigen, Beriot - Duo Concertante, Op. 57 No. 1; Rossini – Sonata; Kodaly – Serenade, Op. 12; Dvorak – Serenade, Op. 22, E Major, undated
12 Glazer, Stuart, Concerto for Flute and Concert Band, Premiere Performance, May 1, 1988
13 Grainger, Percy: English Dances, Danny Boy, Organ and Orchestra; Richard Strauss: Joseph Legend, undated
14 Inoue Chamber Ensemble, undated
15 Joplin, Scott, Piano Rags, Myra Hernandez, Pianist, undated
16 Kallstrom, Michael J., Intro the Deep for bass voice, synthesizer, and electronic tape; A Lion’s Tale for voice and piano, a song with dialogue, undated
17 Kelly, John-Edward, Saxophone, Bob Versteegh, Piano, undated
18 Kent, Gary, Senior Composition Recital, Texas Tech University, Hemmle Recital Hall, July 6, 1997
19 Kirk, Theron, Ode to Music, undated
20 KOHM Radio Tape Copies, undated
21 KTEZ Cassette, undated
22 KTEZ Lubbock, undated
23 Kvernes, Paul, Senior Composition Recital, Texas Tech University, Hemmle Recital Hall, August 13, 1987
24 Lance, Scott A. : Testament, 1992
25 Lawson, James R., Bells of Riverside, Laura Spelman Rockefeller Carillon, The Riverside Church, New York, New York, undated
26 Legrand, Michel, Summer of ’42 Original Motion Picture Soundtrack, 1971
27 Listening to Women and Men, Side 1, October 1, 1996
28 Listening to Women and Men, Side 3, October 1, 1996
29 Lopez, Reginald Martin, Graduate Woodwind Recital, Texas Tech University, June 9, 1997
30 Lowrance, Bryce H., Senior Composition Recital, February 20, 1993
31 Mahler, Gustav: Symphony No. 2 in C Minor “The Resurrection”, Philharmonia Chorus and Orchestra, undated
32 Mahler, Gustav: Symphony No. 8 in E-flat Major, (Symphony of a Thousand), undated
33 Major 3rd Bells; Cranbrook Pipe Band (bagpipes): Kirk of the Hills; Barber Adagio; F. Mariott Variations on “So long”, der alte Peter, Evi de vos, Olson – Nauen, C. Played Georg, Koppel, Air Vol. 13; Burton Tower University of Michigan, Major 3rd Carillon, undated
34 A Man of Our Times: Jean Berger, St. Martin’s Chamber Choir, A birthday concert (recorded live), including some of his many choral works, given on the occasion of Jean Berger’s 89th birthday, September 27, 1998
35 Mason, Charles, The Blazing Macaw, undated
36 McConnell, Adagio for Strings, Rehearsal, February 15, 1998
37 McConnell, Daniel J., Composition Recital, March 11, 1998
box recording
16 1 Messiaen: Turngalila; Takemitsu: November Steps, undated
2 Messiaen: Turngalila; Takemitsu: November Steps, undated
3 Miller, Robert, Sonatina; Gary Kent, When I Hoped, I Feared, Composers’ Concert, Fall, 1990
4 Mitsopoulou, Evangelia, Piano, Teloglio Foundation, Manolis Kalomiris: Ballad No. 1, Op. 1 in mi minor inspired by the poem “Les chansons de Pirates” by Victor Hugo; Claude Debussy: Four Preludes, November 30, 2002
5 Nero, Peter, Summer of ’42, undated
6 New Music from Texas Tech, Composers’ Recital, November 12, 1989
7 New Music from Texas Tech, Composers’ Recital, April 26, 1990
8 Olson, Kenneth, Toccata Fantasy; Charles Jones, Piano, undated
9 Orchestra Music; Zwilich, Celebration for Orchestra; Tower, Sequoia; Larsen, Symphony: Water Music, undated
10 Orchestra Reading, Piano Concerto, Belshaw; Psalm 46, Miller; Overture to Easter Cantata, Lowrance; Cantata, Weber, December 11, 1991
11 Parnassus, 15 Etudes for Euphonium, Piano Demonstration, 1990
12 Pellerite, James J., Native American Flute, Colors Fall, Wind Songs, Prism, Winter Sky, undated
13 Pellerite, James J., Native American Flute, Prayer and Celebration, S. Weber; Dances, K. Purrone, undated
14 Perspectives of New Music, School of Music, University of Washington, No. 28, 1989-1990
15 Pervazov, Andrian, Music of Andrian Pervazov, undated
16 Piano- Theatre, Martha Anne Verbit, Piano, 1987
17 Rauscher, Jim, Piano, Ph.D. Recital, October 16, 1988
18 Ravel, Maurice, Daphnis et Chloé, undated
19 Recuerdos de la Alhambra, Tarrega; Tonadilla, Granados; Leyenda, Albeniz; Serenata Burlesca, Moreno Torroba; Minuet, F.J. Hayon; Hill Runes, Davies; Five Impromptus, Bennett; Royal Winter Music, Hans Werner Henze, undated
20 Reynolds, Belinda, Interference Patterns for 2 Violins (1990)l; A Shattered Peace for Solo Piano, Berkeley University, 1988-1989
21 Saxton, Robert, Processions and Dances, undated
22 Schild?, Largo and Toccatta for Organ, undated
23 Sheng, Brights, Four Movements for Piano Trio, undated
24 Shostakovitch, Symphony No. 1, Op. 10, undated
25 Songs of a Season Blessed, undated
26 Sounding the New Violin, Malcolm Goldstein, 1991
27 Study Tape, undated
28 Suk, J.; Works by F. Mendelssohn, J.S. Bach, B. Martinu, undated
29 Symphony for Band, undated
30 Tape 3: Association of Concert Bands Convention; Houston Concert Band; Plano Community Band, April 4, 1982
31 Tape Number 1 for Mary Jeanne van Appledorn; Villa Lobos: Twelve Etudes; Suite Populaire Bresilienne; Five Preludes; Ferdinand Sors: Lessons, Exercises, Studies, May 5, 1992
32 Tape Number 2 for Dr. van Appledorn; Sir William Walton, Five Batatelles; Albert Harris; Variations and Fugue on a Theme of Handel; Albert Harris, Sonatina; Joaquin Turina, Sonata; Turina, Sonata; Turina, Fandanguillo; Federico Moreno Torroba, Preludia; Manuel de Falla, Homenade; Joaquin Rodrigo, Envocation et Danse, May 5, 1992
33 Tape Number 3 for Dr. van Appledorn; Manuel M. Ponce: Theme, Variations, and Finale; Paganini-Ponce: Andantino Variato; Ponce: “Folles d’Espagne”, Theme, Variations, et Fugue; J.S. Bach: Prelude, Fugue; Mario Castelnuovo-Tedesco: Platero y Yo, Op. 190; Castelnuovo-Tedesco: Guitar Quintet, Op. 143; Manuel M. Ponce: Sonata for Guitar and Harpsichord; Joaquin Rodrigo: Fantasia para un Gentilhombre, undated
34 Texas Tech University Hemmle Scholarship Concert, Gary Lewis and Cody Birdwell, Conductors, January 23, 1999
35 Texas Tech University New Music Ensemble, Steve Paxton/Gregg Koyle, Directors (April 27, 1992); Gene Williams, Parnassus Takes, undated
36 Texas Tech University Student Composers’ Concert, April 17, 1988
37 Texas Tech University Student Composers’ Concert, November 6, 1990
38 Texas Tech University Student Composers’ Concert, November 6, 1990
box recording
17 1 Texas Tech University Student Composers’ Concert, Master Tape, April 30, 1991
2 Texas Tech University Student Composers’ Concert, van Appledorn Students’ Recital, November 26, 1991
3 Texas Tech University Student Composers’ Concert, van Appledorn Students’ Recital, May 5, 1992
4 Texas Tech University Student Composers’ Showcase, Summer Term I, 1984
5 Thames, Jeffrey, Prologue and Four Psalms for Tenor Voice and Piano, undated
6 ’Tis the Season, John Giordano conducting the Fort Worth Symphony Orchestra, 1985
7 Tradition and Renewal in the Music of Japan, from Perspectives in New Music, PNM 27, undated
8 Trumpet Hits, undated
9 Trumpet Kings, undated
10 Twentieth Century Harpsichord Music, Volume III, Barbara Harbach, Harpsichord, 1990
11 Unlabeled, undated
12 Unlabeled, undated
13 Unlabeled, undated
14 Untitled, Side 1, Piece 3, undated
15 Untitled, Side 1, Piece 2, undated
16 Varèse, Edgard, Ionization, undated
17 Villa-Lobos, Sexteto Mistico, Orquesta de Camara, Jean-Francois Paillard, Turibio Santos, Guitar, undated
18 Vivace Press Choral Anthems, 1990
19 Weihnachts Manner, (unopened), undated
20 Yao, Sha, Impromptu (piano); Duet (clarinet and piano); Piano Suite “Portrait”, undated
21 Barber: Songs; Turkish, undated
22 Cycles, (Copy), undated
23 Cycles, Recording Session, (Master), undated
24 Cycles of Moons and Tides; Weber: Suite for Percussion, Back Up of Edits, 1995
25 Five Psalms, Karl Dent, Tenor, Will Streider, Trumpet, 1998
26 Galilean Galaxies, (Copy), undated
27 Les Hommes vides, Editing, May 1995
28 Les Hommes vides, Safety Copy, undated
29 Opus One, Final Master, Rhapsody, undated
30 Passages II, Trombone and Percussion, Production Master, undated
31 Postcards, Recording Session, Master Takes, 170 Takes, undated
32 Postcards to John, John Scott Ford, Guitar, Recorded at Texas Tech University, Hemmle Recital Hall, June 20, 1995
33 Rhapsody; Atmospheres, Safety Copy, undated
34 Sonic Mutation; Rhapsody, Backup #2, May 24, 1994
35 Sonic Mutations; Weber: 8 Etudes, Safety Copy undated
36 Texas Tech University Composers’ Concert, December 8, 1998
37 Trio Italiano, undated
38 Trio Italiano, DAT, (Original), undated
39 Two Organ Pieces; Postcards, Back Up of Master, undated
40 Weber - Percussion, October 22, 1995
41 Weber: Suite for Percussion, Session, October 22, 1995
C.D.’s
box recording
1 1 American Women Composers, Fantasia, Max Lifchitz, Piano, 2006
2 American Women Composers, Fantasia, Max Lifchitz, Piano, 2006
3 Ayre, Live Performance, North/South Chamber Orchestra, New York City, June 10, 2008
4 Chamber Music Festival of Saugatuck, Woman’s Club of Saugatuck, Excerpt from Woman’s Club 100th Anniversary Gala, Cellano Rhapsody, July 8, 2004
5 ClarinetFest 2000, Gestures, July 15, 2000
6 Communique for Voice and Piano, Poetry by Dr. Everett Gillis; Kathryn Barnes-Burroughs, Mezzo soprano, John Hollins, Piano, undated
7 Composers’ Concert, Texas Tech University School of Music, May 1, 2007
8 Composers’ Concert, Texas Tech University School of Music, May 1, 2007
9 Composers’ Concert, Texas Tech University School of Music, Guest Artist: Jeff Martindale, Native American Flute and Shakuhachi, April 19, 2005
10 Composers’ Concert, Texas Tech University School of Music, Hemmle Recital Hall, April 27, 2004
11 Composers’ Concert, Texas Tech University School of Music, Hemmle Recital Hall, December 3, 2002
12 Composers’ Concert, Texas Tech University School of Music, Hemmle Recital Hall, December 3, 2002
13 Composers’ Concert, Texas Tech University School of Music, Musique for Trombone and Piano, December 9, 2003
14 Composers’ Concert, Texas Tech University School of Music, Musique for Trombone and Piano, December 9, 2003
15 Composers’ Concert, Texas Tech University School of Music, Parquet Music, Mimi Noda, Piano, April 24, 2001
16 Composers’ Concert, Texas Tech University School of Music, Sonata for Guitar, Milen Parashkevov, Guitar, April 27, 2004
17 Composers’ Concert, Texas Tech University School of Music, Sonatine for Clarinet and Piano, Sonia Capuzzo, Clarinet, Regina Shea, Piano, December 4, 2001
18 Composers’ Concert, Texas Tech University School of Music, Sonnet for Organ, Sigurd Øgaard, Organ, May 1, 2007
19 Composers’ Concert, Texas Tech University School of Music, Trio Devienne for Flute, Bassoon and Piano, May 2, 2006
20 Composers’ Concert, Texas Tech University School of Music, Variations on Jerusalem the Golden, Sigurd Øgaard, Organ, (8 copies), April 21, 2008
21 Compositions for Carillon by Dr. Mary Jeanne van Appledorn; Caprice, Performed by C. Roy Wilson (August 3, 2003); Potpourri for Carillon, Performed by Wes Gomer (July 27, 2003); Suite for Carillon (inscribed to Jud Maynard), Performed by Arla Jo Anderton (July 20, 2003); Celestial Clockwork, Performed by Ann Adcock, August 10, 2003
22 Compositions for Carillon by Dr. Mary Jeanne van Appledorn; Caprice, Performed by C. Roy Wilson (August 3, 2003); Potpourri for Carillon, Performed by Wes Gomer (July 27, 2003); Suite for Carillon (inscribed to Jud Maynard), Performed by Arla Jo Anderton (July 20, 2003); Celestial Clockwork, Performed by Ann Adcock, August 10, 2003
23 Contemporary American Composers, Sonic Mutation (1986), Gail Barber, Harp, 2003
24 Contemporary Romantics, A Liszt Fantasie, Max Lifchitz, Piano, 1992
25 Contrasts, Matrices for Alto Saxophone and Piano, Harvey Pittel, Saxophone, Craig Williams, Piano, 2006
26 Cycles of Moons and Tides for Wind Ensemble; Meliora Symphony for Winds and Percussion, undated
27 Danish/American Composers, Contrasts for Piano, Kristian Rasmussen, Pianist, 1996
28 Danish/American Composers, Contrasts for Piano, Kristian Rasmussen, Pianist, 1996
29 Drama in Music from 1800-2000 Concerto for Trumpet and Orchestra, Hungarian Symphony Orchestra, Zoltan Molnar, Trumpet, 2000
30 Elan: Vocal and Instrumental Music by Composers from Mexico and the US, Passages, Don Lucas, Trombone, Max Lifchitz, Piano; Passages II, Don Lucas, Trombone, Alan D. Shinn, Percussion, 1999
31 Evangelia Mitsopoulou Piano Recital, A Liszt Fantasy (1984), Concert Hall at the University of Macedonia, Thessaloniki, Greece, April 7, 2003
32 Excursions, Ayre for Strings, 1992
33 Exultant Voices, Gestures for Clarinet Quartet; Five Psalms; Galilean Galaxies, 2000
34 Faculty Composers’ Concert, Miniatures, Texas Tech University School of Music, Hemmle Recital Hall, November 27, 2001
35 Faculty Composers’ Concert, Texas Tech University School of Music, Hemmle Recital Hall, November 27, 2001
36 Faculty Recital, Communiqué, Catherine Nix, Soprano, Mary Jeanne van Appledorn, Piano, Texas Tech University School of Music, Hemmle Recital Hall, January 23, 1998
37 Fantasia, Pre-Master Edit, May 26, 2006
38 Fantasia for Piano, Inscribed to Eugenio Zapata, Eugenio Zapata, Piano, June 24, 2004
box recording
2 1 Festive Bells, Carillon, undated
2 Five Psalms for Tenor, Trumpet and Piano (1988), Karl Dent, Tenor, Willie Streider, Trumpet, Clinton Barrick, Piano, Recorded in Hemmle Recital Hall, School of Music, Texas Tech University, Lubbock, TX, July 8, 1999
3 The Indian Flutes, undated
4 James Pellerite Plays Works for Indian Flute, Music of Enchantment, undated
5 Judson Maynard, Carillonist, Suite for Carillon (1975), 2003
6 Landscapes for Chamber Orchestra: Ayre, Max Lifchitz, conductor, 2008
7 Living Music Days – U.S.A., Disc I, December 6-7, 1999
8 Living Music Days – U.S.A., Disc II; Reeds Afire, Florin Catina, Clarinet, Marius Neag, Bassoon, December 6-7, 1999
9 Living Music Days – U.S.A., Disc III; Trio Italiano, Sebastian Serfimovici, trumpet, Traian Cioc, Horn, Ruslan Solcan, Trombone, December 6-7, 1999
10 Lubbock Symphony Orchestra, Meliora Fanfare, Andrews Sill, Music Director, Civic Center Theatre, November 1, 2002
11 Mary Jeanne van Appledorn Festival of New Music, Texas Tech University School of Music, Sonic Mutation for Solo Harp; Azaleas for voice, flute and piano; Galilean Galaxies; Missa Brevis; Rhapsody for Violin and Orchestra; Meliora Symphony for winds and percussion, September 18, 2005
12 Meliora: Fanfare for Orchestra, Lviv Philharmonic Orchestra, Yuriy Lutsiv, Conductor, 2003
13 Meliora: Symphony for Winds and Percussion, 2002
14 Meliora: Symphony for Winds and Percussion, 2002
15 Meliora: Symphony for Winds and Percussion, 2002
16 Mirrors for Flute, Clarinet, and Piano, USNA Band, Catherine LeGrand, Flute, MUC Marcia Diehl, clarinet, Kenneth Grigg, Piano, Chamber Music Recital, World Premiere Performance, May 14, 2005
17 Music From Six Continents: 1991 Series, Rising Night After Night, Slovak Radio Symphony Orchestra of Bratislava/Bratislava City Chorus, Oliver Dohnanyi, 1991
18 Music from Texas Tech University, Opus One, Number One Hundred Forty Seven, Sonatine (1988), Inoue Chamber Ensemble, Edward Gilmore, Clarinet, Kazuko Inoue, Piano; Four Duos, Arthur Follows, Violoncello, Susan Schoenfeld, Viola; Liquid Gold (1982), Ronald Chiles, Piano, Dale Underwood, Alto Saxophone, undated
19 Music from Ukraine, Passacaglia and Chorale, Lviv Philharmonic Orchestra, Yuriy Lutsiv, Conductor, 2003
20 Music from Ukraine, Passacaglia and Chorale, Lviv Philharmonic Orchestra, Yuriy Lutsiv, Conductor, 2003
21 Native American Flute and Shakuhachi, Jeff Martindale, Piano Playing Flute Parts, Piano and Flutes, Shakuhachi Solo for NYC, Native American Flute Drone for NYC, undated
22 New American Romantics, Music for Solo Piano, Set of Five, Max Lifchitz, Piano, 1996
23 New Music Festival, Festival Recital, Galilean Galaxies, Franziska Nabb, Flute, Jason Edwards, Bassoon, Nathan Buckner, Piano, University of Nebraska at Kearney, March 31, 2003
24 New Music for the Northern Plains Flute, Opus One, Number One Hundred Eighty Nine, Music of Enchantment, James Pellerite, Native American Flutist, National Polish Radio Symphony Orchestra, Conducted by David Oberg, undated
25 New Music for the Northern Plains Flute, Opus One, Number One Hundred Eighty Nine, Music of Enchantment, James Pellerite, Native American Flutist, National Polish Radio Symphony Orchestra, Conducted by David Oberg, undated
26 Opus One, Number One Hundred Seventy, Cycles of Moons and Tides, Texas Tech University Symphonic Band, James Sudduth, Conductor, undated
27 Opus One, Number One Hundred Seventy Seven, Rhapsody for Solo Violin and Orchestra, Polish Radio National Symphony Orchestra, Charles Rex, Violin, Joel Eric Suben, Conductor (2 copies), undated
28 Opus One, Number One Hundred Seventy Seven, Rhapsody for Solo Violin and Orchestra, Polish Radio National Symphony Orchestra, Charles Rex, Violin, Joel Eric Suben, Conductor, undated
29 Opus One, Number One Hundred Sixty Nine, Atmospheres, Texas Tech Trombone Ensemble, Robert Deahl, Director; Rhapsody, Willie Strieder, Trumpet, Gail Barber, Harp; Sonic Mutation, Gail Barber, Harp, undated
30 Passages 3, Trio Montecino, Texas Tech University School of Music, Hemmle Recital Hall, undated
31 Pellerite, March 20, 2003
32 Postcards: Vocal and Instrumental Music by American Composers, Postcards to John, John Scott Ford, Guitar; Trio Italiano, Will Strieder, Trumpet, Anthony Brittin, Horn, Don Lucas, Bass Trombone, 1997
33 Remembrances/Recuerdos: Music by Composers from Cuba and the US, Soundscapes, The North/South Chamber Orchestra, Max Lifchitz, Conductor, 2007
34 Salute to Women Composers, Ayre for String Orchestra, Southeastern Ohio Symphony Orchestra, Laura E. Schumann, Conductor, April 22, 2001
35 Sinfonietta Orchestra, Rhapsody for Violin and Orchestra, Texas Tech University School of Music, Gary Lewis, Conductor, John Gilbert, Violin, September 11, 2005
36 Shirley R. Barasch, Mary Shelley and Her Frankenstein, 2007
37 Soliloquy for Native American Flute and Shakuhachi (and Piano), Practice, March 20, 2005
38 Songs from the Heart: A Multi-Media Faculty Recital, Communiqué, Kathryn Barnes-Burroughs, Mezzo-soprano, John Hollins, Pianist, Texas Tech University School of Music, Hemmle Recital Hall, January 23, 2005
box recording
3 1 Songs Without Words, Dats, CD (finalized), 2 DATs: Copy of Raw Takes (good takes only); 2 CDs: 1st General? Copy of Computer Edited Version of La La La, Straight Run Through of Entire Recording Session, Original Master, May 4, 2000
2 The Sonorous Landscape, Opus One, Number One Hundred Sixty Two, Incantations for Trumpet and Piano; Patterns, undated
3 Soundscapes, undated
4 Soundscapes, Pre-Master Edit, April 27, 2007
5 Soundscapes for Bassoon and Strings, Texas Tech University School of Music, Hemmle Recital Hall, undated
6 Soundscapes for Bassoon and Strings, Texas Tech University School of Music, Hemmle Recital Hall, undated
7 Strings Attached: Music for Strings and Piano by American Composers, Uptown Blue, Max Lifchitz, Piano, 2005
8 Summer Shimmer: Women Composers for Organ, Shabat Shalom, Barbara Harbach, Organ, 1996
9 Symphonic Wind Ensemble, Meliora Symphony for Winds and Percussion, Texas Tech University School of Music, September 18, 2005
10 Symphony of Celebration, undated
11 Texas Tech Carillon, Played by Judson Maynard, Transfer from 10-inch 33 1/3 r.p.m. record (c. 1980) to Digital Disk by Eric Blackwell; Suite for Carillon, February 10, 2004
12 Trio Devienne, Track 6, undated
13 Trio Montecino, Passages III for Clarinet, Cello, and Piano (2003), David Shea, Clarinet, Pablo Mahave-Veglia, Violincello, Paulina Zamora, Piano, 2004
14 Trio Montecino, Passages III for Clarinet, Cello, and Piano (2003), David Shea, Clarinet, Pablo Mahave-Veglia, Violincello, Paulina Zamora, Piano, (unopened), 2004
15 The Trumpet Works of Mary Jeanne van Appledorn, Dr. Thomas Pfotenhauer, Trumpet (Guest Artist), Susan Wass, Piano, Texas Tech University School of Music, Hemmle Recital Hall, October 12, 2001
16 Uptown Blue, Pre-Master Edit, December 17, 2004
17 Winds and Voices: Living Artist Recordings, Volume 5, Incantations, Amy Anderson, Oboe, William Westney, Piano; Songs Without Words, Kathy McNeil, Soprano, Linda McNeil, Soprano, Sallie Pummill Pollack, Piano (2 copies), 2000
18 Women Composers for Organ: Music Spanning Five Centuries, Sonnet, Barbara Harbach, Organ, 1993
19 Composers’ Concert, Texas Tech University, Hemmle Recital Hall, Disc 1, Departures for Voice and Chamber Ensemble – Daniel Todd; Tango for Solo Guitar – Rade Amanovic; Trio Devienne for Flute, Bassoon and Piano – Mary Jeanne van Appledorn; The Fair Laurel Tree – Christopher Lord; Rhythmic Layers for Brass Quintet – Scott Strovas, May 2, 2006
20 Composers’ Concert, Texas Tech University, Hemmle Recital Hall, Disc 2, Piano Quartet #3 – James Edmonds; Sur la Nuit for Voice and Chamber Strings – Alex Edgemon, May 2, 2006
21 Composers’ Concert, Texas Tech University, Hemmle Recital Hall, Disc 3, Genesis for Narrator-Baritone and Midi Orchestra – Wallace Turner, May 2, 2006
22 Composers’ Concert, Texas Tech University School of Music, Hemmle Recital Hall, Disc 1, May 1, 2007
23 Composers’ Concert, Texas Tech University School of Music, Hemmle Recital Hall, Disc 2, May 1, 2007
24 Composers’ Concert, Texas Tech University School of Music, Hemmle Recital Hall, December 5, 2007
25 Composers’ Concert, Texas Tech University School of Music, Hemmle Recital Hall, April 21, 2008
26 Unlabeled, Composers’ Concert?, undated
27 Unlabeled, Composers’ Concert? (copy), undated
28 Opus One, Number One Hundred Seventy three, Mary Jeanne van Appledorn, Stephen Weber, and Donald Keats, undated
Gramophone Records
box recording
1 1 Black is the Color of My True Love’s Hair (1953); Two Shakespeare Songs, undated
2 Burlesca (1951), First Performance, Lubbock Symphony (1952), Won Mu Phi Epsilon National Composition Contest in 1953, Performed in Salt Lake City, Utah National Convention of Mu Phi Epsilon (1954); This Recording: University of Texas Performance, Gerhardt Wunsch?, Piano, 1955
3 Cellano Rhapsody for Cello and Piano, undated
4 Communique; Three Schubert Lieder, Marion Chandler Mueller, Soprano, undated
5 Communique for Dramatic Soprano and Piano, undated
6 Concerto for Piano and Orchestra, undated
7 Contest and Concert Solos for the Flute, Frank Bowen, Flute, Byrnell Figler, Pianist, November 1965
8 Four American Women, Virginia Eskin, Piano, Set of Five (1976-1978), 1981
9 Gems of the Keyboard, Consuelo Colomer, Pianist, A Liszt Fantasie, 1986
10 National Intercollegiate Bands Recording, Gary T. Garner, Guest Conductor, Terry G. Milligan, Host Conductor, Mary Jeanne van Appledorn, Commissioned Composer, University of Cincinnati, Cincinnati, Ohio, LUX: Legend of Sankta Lucia, Commissioned by Kappa Kappa Psi, National Honorary Band Fraternity and Tau Beta Sigma, National Honorary Band Sorority, 1981
11 Opus One, Number 52, Communique: Judith Klinger, Soprano, Mary Jeanne van Appledorn, Piano; Set of Five: Mary Jeanne van Appledorn, Piano, January 9, 1979
12 Opus One, Number 110, Passacaglia and Chorale (1973), Texas Tech Symphony Orchestra, Phillip Lehrman, Conductor; Concerto for Trumpet and Band (1960) (transcription by Mark Rogers), Robert M. Birch, Trumpet Soloist, Texas Tech University Symphonic Band, James Sudduth, Conductor, Recorded on Location at Texas Tech University, Hemmle Recital Hall, Lubbock, TX, (2 Copies), undated
13 Passacaglia; Choreographic Overture, The University of Texas Recording Studio, University of Texas College of Fine Arts, undated
14 Patterns for French Horn Quintet; Concerto for Piano and Orchestra, undated
15 Piano Concerto, First Movement; Second Movement, Austin Texas Symphony, Alessandro, Conductor, undated
16 Piano Concerto, Third Movement, Austin Texas Symphony, Alessandro, Conductor; Patterns for French Horn Quintet, undated
17 Songs of Finland, The Sibelius Male Chorus of Chicago, Illinois, Ralph Harju, Director, undated
18 St. Olaf College, Northfield, Minnesota, Arthur M. Campbell, Applying for Belgium, Three Pieces for Piano; Song of Songs, undated
19 Texas Tech Carillon, Played by Judson Maynard, Suite for Carillon (dedicated to the performer), First Prize Composition, International Carillon Competition, Dijon, France, 1980
20 Texas Tech Symphony Orchestra, Paul Ellsworth, Director, 1965
21 Unlabeled, undated
22 What Wondrous Love: The Organ and Vocal Artistry of Janet and Paul Harms with the Combined Choirs of the First Presbyterian Church of the Covenant (Erie, Pennsylvania) and the Erie Philharmonic Chorus, Spirit Divine (1986), 1990
Reel to Reel Recordings
box recording
1 1 Azaleas, Rehearsal-Reading, 4 track, 7 ½ ips, undated
2 Burlesca, Gerhardt Wunsche, Piano, University of Texas Brass Ensemble; Two Shakespeare Songs, University of Texas Madrigal Singers, 7 ½ ips, 2 track, undated
3 Cacophony, 7 ½ ips, undated
4 Cacophony, 7 ½ ips, ½ track, 1980
5 Cacophony, Texas Tech University Wind Ensemble, Keith McCarty, Conductor, 4 track, 7 ½ ips, undated
6 Cacophony, Texas Tech University Wind Ensemble, Keith McCarty, Conductor, 1/4 track, 7 ½ ips, 1980
7 Cantata: Rising Night After Night, 7 ½ ips, ¼ track, undated
8 Cantata: Rising Night After Night (1978), Premiere Performance, Symposium of Contemporary Music, Texas Tech University Music Department, Paul Ellsworth, Conductor, 4 track, 7 ½ ips, January 27, 1979
9 Cantata: Rising Night After Night (1978), Texas Tech University Choir, Texas Tech University Orchestra, Paul Ellsworth, Conductor, Program VI, 4 track, 7 ½ ips, January 27, 1979
10 Cantata: Rising Night After Night (1979), Texas Tech University Choir, Texas Tech University Symphony, Paul Ellsworth, Conductor; Letter from KOHM regarding re-recording of material to 4 track, 7 ½ ips, May 1, 1989
11 Cantata: Rising Night After Night, Two Piano Reading, undated
12 I. Cantiga, II. Café Jose, III. Cante Hondo, IV. El Vito, V. Final, 4 track, 7 ½ ips, undated
13 I. Cantiga, II. Café Jose, III. Cante Hondo, IV. El Vito, V. Final (copy), 4 track, 7 ½ ips, undated
14 A Celestial Clockwork, 15 ips, June 23, 1983
15 Cellano Rhapsody, Art Follows, Cello, Jennifer Garrett, Piano, 7 ½ ips, undated
16 A Choreographic Overture, 2 track, 7 ½ ips, undated
17 A Choreographic Overture, Best Recording, 7 ½ ips, undated
18 A Choreographic Overture, Texas Tech Band (May 1, 1978); Patterns, Tuba Power, 4 track, 7 ½ ips, October 11, 1978
19 A Choreographic Overture, Texas Tech Band Camp, Band I, W. Francis McBeth, Conductor, 4 track, 7 ½ ips, 1978
20 A Choreographic Overture for Band, Performed by the Texas Tech University Concert Band, Robert Mayes, Conductor, 4 track, 7 ½ ips, May 1, 1978
21 A Choreographic Overture for Band, Performed by the Texas Tech University Concert Band, Robert Mayes, Conductor, 4 track, 7 ½ ips, May 1, 1978
22 Communique, Text by Dr. Everett A. Gillis, Professor, Department of English, TTU, Judith Klinger, Faculty Recital, 4 track, 7 ½ ips, March 15, 1976
23 Communique for Soprano and Piano, 7 ½ ips, undated
24 Communique for Soprano and Piano, Text by Everett A. Gillis, Texas Poet, 2 track, 7 ½ ips, undated
25 Concerto Brevis, Rodney Mason, Piano, Lubbock Symphony Orchestra (November 24, 1985), Two Piano Version, 7 ½ ips, December 8, 1985
26 Concerto for Piano, Original, 2 track, 7 ½ ips, undated
27 Concerto for Piano and Orchestra, Robert De Gaetano, Piano, Lubbock Symphony Orchestra, William A. Harrod, Conductor, 4 track, 7 ½ ips, February 16, 1976
28 Concerto for Piano and Orchestra, Texas Tech University Symposium of Contemporary Music, Program V, Westminster Presbyterian Church, 4 track, 7 ½ ips, February 22, 1974
29 Concerto for Trumpet, Arranged by Mark Rogers, First Movement, Texas Tech Band Camp, Band Two, Jim Sudduth, Conductor, Richard Tolley, Soloist, 4 track, 7 ½ ips, 1978
30 Concerto for Trumpet, Richard Tolley, Trumpet, Mary Jeanne van Appledorn, Piano, ¼ track, 7 ½ ips, October 27, 1977
31 Concerto for Trumpet, Richard Tolley, Trumpet, Mary Jeanne van Appledorn, Piano, Performance at the American Society of University Composers Region VI Conference, University of Houston, 4 track, 7 ½ ips, November 11-12, 1977
32 Concerto for Trumpet, Robert Mayes, Trumpet, Mary Jeanne van Appledorn, Piano, 26th Annual Symposium of Contemporary Music, Texas Tech University Department of Music, 4 track, 7 ½ ips, January 28, 1977
33 Concerto for Trumpet and Band, 7 ½ ips, undated
34 Concerto for Trumpet and Band, 7 ½ ips, ¼ track, undated
35 Concerto for Trumpet and Band, 4 track, 7 ½ ips, undated
36 Concerto for Trumpet and Band, Cincinnati, 7 ½ ips, July 10, 1981
37 Concerto for Trumpet and Band, Cincinnati, University of Cincinnati Concert Band, Terry Milligan, Conductor, 7 ½ ips, ½ track, April 10, 1981
box recording
2 1 Concerto for Trumpet and Band, Festival of Texas Composers, Texas Tech University Concert Band, Dean Killion, Conductor, 7 ½ ips, February 24, 1979
2 Concerto for Trumpet and Band, John Haury?, Trumpet, UC Concert Band, Dr. Terry Milligan, Director, 7 ½ ips, April 10, 1981
3 Concerto for Trumpet and Band, Texas Tech University Symphonic Band, James Sudduth, Conductor, Robert M. Birch, Trumpet, 7 ½ ips, December 4, 1984
4 Concerto for Trumpet and Wind Ensemble, 7 ½ speed, undated
5 Contrasts for Piano, undated
6 Danza Impresión de España, I. Cantiga, II. Café Jose, III. Cante Hondo, IV. El Vito, V. Final, 4 track, 7 ½ ips, undated
7 Danza Impresión de España, I. Cantiga, II. Café Jose, III. Cante Hondo, IV. El Vito, V. Final, 4 track, 7 ½ ips, undated
8 Darest Thou Now, O Soul; Text by Walt Whitman; Commissioned for the International Womens’s Year by Hood College, Frederick, Maryland; Texas Tech Singers, Dr. Judson Maynard, Organ, William Hartwell, Conductor, Texas Tech University 25th Annual Symposium of Contemporary Music, 4 track, 7 ½ ips, January 29, 1976
9 Freedom of Youth, undated
10 Freedom of Youth, undated
11 I Hear America Singing; Communique, 4 track, 7 ½ ips, undated
12 Improvisations, Mary Jeanne van Appledorn, Piano, 4 track, 7 ½ ips, 1972
13 Liquid Gold, Piano Part Only, Both Piano and Saxophone on Piano, 7 ½ ips, undated
14 Liquid Gold, Raw Piano Material, undated
15 A Liszt Fantasie for Piano, Original, 7 ½ ips, undated
16 LUX:, 2 track, 7 ½ ips, undated
17 LUX: Legend of Sankta Lucia, National Intercollegiate Band, Dr. Gary Garner, Conductor, University of Cincinnati College – Conservatory of Music (August 6, 1981); Azaleas, Kyung Wook Shin, Baritone Voice, Michael Stoune, Alto Flute/Flute, Mary Jeanne van Appledorn, Piano, 7 ½ ips, ½ track, undated
18 LUX: Legend of Sankta Lucia, NTSU Symphonic Wind Ensemble, Robert Winslow, Director, Tails Out, 7 ½ ips, February 25, 1982
19 LUX: Legend of Sankta Lucia, Premiere: Cincinnati, Dr. Gary Garner, Conductor, 7 ½ ips, ½ track, August 6, 1981
20 LUX: Legend of Sankta Lucia, Premiere: Cincinnati, Dr. Gary Garner, Conductor, 7 ½ ips, ½ track, August 6, 1981
21 LUX: Legend of Sankta Lucia; Matrices; Azaleas; Cacophony, 7 ½ ips, undated
22 Matrices; Azaleas, 7 ½ ips, undated
23 Matrices, Dale Underwood, Alto Saxophone, Mary Jeanne van Appledorn, Piano, 19 cms, undated
24 Matrices, Dale Underwood, Saxophone, 19 cms, undated
25 Matrices, Don Turner, Saxophone, Mary Jeanne van Appledorn, Piano, 29th Symposium, 1980
26 Matrices for E-flat Alto Saxophone and Piano, Memphis Tape, Underwood/van Appledorn, February 1981
27 Matrices for E-flat Alto Saxophone and Piano, Premiere Performance, Don Turner, Saxophone, Michael Medley, Lights, Mary Jeanne van Appledorn, Piano, 1979
28 Missa Brevis, Final Edit (copy) from Digital Masters, Recorded, 7 ½ ips, November 13, 1987
29 Passacaglia and Chorale; Trumpet Concerto, undated
30 Passacaglia and Chorale, Tech Archive Copy, 1. Opus One Work Master, 2. Edited “Original”, 2 track, 15 ips, October 8, 1984
31 Passacaglia and Chorale, Texas Tech Symphony Orchestra, Phillip Lehrman, Conductor, 7 ½ ips, October 3, 1984
32 Passacaglia and Chorale for Orchestra, Trial Master, Take 3 and 2, 7 ½ ips, September 19, 1984
33 Passacaglia for Orchestra (1973); Concerto for Piano and Orchestra, 4 track, 7 ½ ips, 1958
34 Patterns, Texas Tech University Symposium of Contemporary Music, Program IX, Westminster Presbyterian Church, 4 track, 7 ½ ips, February 15, 1974
35 Pepe II, Composed for Computer, MIT Studio for Experimental Music, ¼ track, 7 ½ ips, 1982
36 Piano Concerto, Lubbock Symphony with Robert DeGaetano, Rehearsal 3rd Movement; Performance 3rd Movement, Original, 2 track, 7 ½ ips, February 13, 1977
box recording
3 1 Program II, Matrices for E-flat Alto Saxophone and Piano (1979), Premiere Performance, Don Turner, Saxophone, Michael Medley, Lights, Mary Jeanne van Appledorn, Piano, 4 track, 7 ½ ips, January 24, 1980
2 Rising Night After Night, Reading of Text by Dr. Yairi, undated
3 Scenario; Nostalgia; Dance-Epilogue, Mary Jeanne van Appledorn, Solo Piano, 2 track, 7 ½ ips, undated
4 Scenario; Nostalgia; Dance-Epilogue, Mary Jeanne van Appledorn, Solo Piano, 2 track, 7 ½ ips (copy), undated
5 Set of Five, George Robert, Piano, UNM, 7 ½ ips, March 7, 1980
6 Sonatine, 2 track, 7 ½ ips, undated
7 Sonic Mutation for Harp, 7 ½ ips, undated
8 Sonic Mutation for Harp, Gail Barber, Harpist, Personal File Copy, Transcribed from Original of Recording Session, Final Edit, 7 ½ ips, undated
9 Sonic Mutation for Harp (1986), Gail Barber, Harp, Published by Arsis Press, Washington, D.C., Recorded CRS #8741, 15 ips, 1987
10 Sonnet, Judson Maynard, Albuquerque, I. Edited, II. Straight Thu (No Editings), 2 track, 7 ½ ips, undated
11 Sonnet for Organ (1974), Gerre Hancock, Organ; Set of Five (1952), Mary Jeanne van Appledorn, Piano; Concerto for Trumpet (1977); Richard Tolley, Trumpet, Mary Jeanne van Appledorn, Piano; Passacaglia and Chorale for Chamber Orchestra (1973); Darest Thou Now, O Soul for Women’s Choir and Organ, Texas Tech Women Singers, W. Hartwell, Conductor, Judson Maynard, Organ, 4 track, 7 ½ ips, 1975
12 Sonnet for Organ, Gerre Hancock, Organ, Dedication Recital of the Holtkamp Organ, Texas Tech University Recital Hall, 2 track, 7 ½ ips, February 13, 1977
13 Sonnet for Organ, Judson Maynard, Organist, 7 ½ ips, undated
14 Splical Work Tape, 7 ½ ips, undated
15 Suite for Carillon, 7 ½ ips, undated
16 Suite for Carillon, Carillon Concert, Dr. Judson Maynard, Carilloneur, 7 ½ ips, July 4, 1976
17 Suite for Carillon, Dr. Judson Maynard, Carilloneur (tape also includes a piano performance of Suite for Carillon), 4 track, 7 ½ ips, July 4, 1976
18 Suite for Carillon, Premier Prix, 1980 International Carillon Festival Composition Contest, Dijon, France, Performer: Dr. Judson Maynard, ½ track, 7 ½ ips, 1980
19 Symposium of Contemporary Music, Texas Tech University Department of Music, Program IV, Patterns, 4 track, 7 ½ ips, February 15
20 Symposium of Contemporary Music, 27th Annual, Texas Tech University Department of Music, Lesslie Bassett, Guest Composer and Lecturer; Peter Quince at the Clavier, Gail Littleton, Flute, Sally Whitlock, Oboe, David Lewis, French Horn, Mary Jeanne van Appledorn, Piano, Dr. Moses Turner, Narrator, 4 track, 7 ½ ips, January-February 1978
21 Trumpet Concerto, undated
22 Trumpet Concerto, 7 ½ ips, 1983
23 Trumpet Concerto, Reading, Robert M. Birch, Trumpet, US Navy Band, Commander Joseph Phillips, Conductor, 7 ½ ips, 1983
24 Two Shakespeare Songs, 4 track, 7 ½ ips, undated
25 Two Shakespeare Songs, 4 track, 7 ½ ips, undated
26 West Texas Suite, Harmonica Part, undated
27 West Texas Suite, Lubbock All-City Junior High Choir, Accompanied by the Monterey High School Band, Marjore Newton, Piano, Bill Cormack, Conductor, 4 track, 7 ½ ips, November 9, 1976
28 West Texas Suite, Lubbock All-City Junior High Choral Festival, Bill Cormack, Conductor, 4 track, 7 ½ ips, November 1976
29 West Texas Suite, Text by Everett A. Gillis, Performed by the All-City Choir, Lubbock Junior High Schools, Accompanied by Monterey High School Band Members, Marjore Newton, Piano, Bill Cormack, Conductor, 4 track, 7 ½ ips, with Program and List of Music by Mary Jeanne van Appledorn, November 9, 1976
30 Winifred Worsham, Junior Organ Recital, Sonnet for Organ, May 3, 1981
31 Work Tape, Liquid Gold, Piano and Saxophone Together, Dale’s Work Tape, undated
32 Composers’ Concert, Texas Tech University Department of Music, Lubbock, Texas, Hemmle Recital Hall, 7 ½ ips, January 17, 1984
33 Composers’ Showcase, Compositions of Students from the Classes of Dr. Mary Jeanne van Appledorn, 2 track, 7 ½ ips, July 10, 1975
34 Composers’ Showcase, Electronic Music Arp Synthesizer, May 6, 1975
35 Dissertation Performance in Original Composition; John George Scecina, Candidate for the Ph.D. in Fine Arts (Music), Music Building, Room 2, 7 ½ ips, 4 track, October 22, 1975
36 Expansions (1973); Matador Fanfare (1973); Chorale and Fughetta (1973); Pecos Ruins (1973); The Toll of the Sea (1973); Whimsy; He’s Gone Now; Gertoude? and Heathcleft; Fanfare; Prelude; Piano Concerto; Passacaglia; First Movement Clarinet Sonata, 1973
box recording
4 1 Griffu? Sonate, Lorma?, Bess and Encores, undated
2 Jazz Concert Featuring Ed Shaughnessy, Joel Leach Directing, Lubbock Municipal Auditorium, July 17, 1975
3 Liturgical Music for Band, Martin Mailman; Christus Resurrexit for Band, Jeff Whitmill; Prophecies, Steve Paxton; From the Leaves of Grass, Martin Mailman, Program VI, University Center Theater, 7 ½ ips, January 26, 1980
4 Lubbock Symphony Orchestra, William A. Harrod, Conductor, Polovetsian Dances, Alexander Borodin, Concerto No. 2 in C Minor for Piano and Orchestra, Sergei Rachmaninoff, Robert De Gaetano, Soloist, 2 track, 7 ½ ips, February 16, 1976
5 Program I, 4 track, 7 ½ ips, January 24, 1980
6 Program III, Texas Tech University Student Composers Concert, 4 track, 7 ½ ips, January 25, 1980
7 Program IV, 13th Annual Comparative Literature Symposium: “The Teller and the Tale: Aspects of the Short Story”, co-sponsored with 29th Annual Symposium of Contemporary Music, 4 track, 7 ½ ips, January 25, 1980
8 Program V, The Hunted (1959), An Opera in One Act, based on the Television Play by Morton Fine and David Friedkin, presented by North Texas State University School of Music Opera Workshop, 4 track, 7 ½ ips, January 26, 1978
9 Senior Composition Recital, Stuart Hinds, May 2, 1978
10 The Shepherds, Dissertation Performance of an Original Composition by Mary Thorington Guerrant, 4 track, 7 ½ ips, March 12, 1976
11 Sonata for Flute, Oboe, Clarinet and Continuo, Gordon Goodwin, 4 track, 7 ½ ips, undated
12 Symposium of Contemporary Music, 21st Annual, with The International Center’s Festival of the Arts of the Americas, Program I, Texas Tech University Music Faculty; Tech Percussion Ensemble, Reel I, 2 track, 7 ½ ips, October 24, 1971
13 Symposium of Contemporary Music, 21st Annual, with The International Center’s Festival of the Arts of the Americas, Program I, Texas Tech University Music Faculty; Tech Percussion Ensemble, Reel II, 2 track, 7 ½ ips, October 24, 1971
14 Symposium of Contemporary Music, 21st Annual, with The International Center’s Festival of the Arts of the Americas, Louis W. Ballard, Guest Composer-Lecturer, Final Concert, Reel I, 2 track, 7 ½ ips, October 28, 1971
15 Symposium of Contemporary Music, Texas Tech University Department of Music, Program I, 4 track, 7 ½ ips, January 24, 1974
16 Symposium of Contemporary Music, Texas Tech University Department of Music, Program II, Concert of Works by Alan Hovhaness, 4 track, 7 ½ ips, January 25, 1974
17 Symposium of Contemporary Music, Texas Tech University Department of Music, Program III, 4 track, 7 ½ ips, January 27, 1974
18 Symposium of Contemporary Music, 26th Annual, Texas Tech University Department of Music, 4 track, 7 ½ ips, January 25-February 2, 1977
19 Symposium of Contemporary Music, 27th Annual, Texas Tech University Department of Music, Lesslie Bassett, Guest Composer and Lecturer, 4 track, 7 ½ ips, January-February 1978
20 Symposium of Contemporary Music, 27th Annual, Texas Tech University Department of Music, Program 8, Texas Tech Jazz Ensemble, Don Turner, Director, 4 track, 7 ½ ips, January 29, 1978
21 Texas Tech Choir, Gene Kenney, Conductor; Texas Tech Symphony Orchestra, Howard Hanson, Conductor, 2 track, 7 ½ ips, 1969
22 Unlabeled, undated
VHS Tapes
box recording
1 1 American Music Festival, April 26-May 15, 1988
2 Composers’ Chamber Concert, Texas Tech University, December 6, 1988
3 Composers’ Concert, Texas Tech University, New Music from Texas Tech, November 12, 1989
4 Composers’ Concert, Texas Tech University, New Music from Texas Tech, April 26, 1990
5 Composers’ Concert, Texas Tech University, April 30, 1991
6 Composers’ Concert, Texas Tech University; Parquet Music pour Clavecin, Judson Maynord, Harpsichord (with program), November 26, 1991
7 Composers’ Concert, Texas Tech University, May 5, 1992
8 Composers’ Concert, Texas Tech University, December 8, 1992
9 Composers’ Concert, Texas Tech University (copy), December 8, 1992
10 Composers’ Concert, Texas Tech University; Parnassus, 15 Etudes for Euphonium – 10. Maestoso, grandioso e molto espressivo, 4. Lento, sostenuto, 3. Presto e marcato, (with program and program notes), May 4, 1993
11 Composers’ Concert, Texas Tech University; Atmospheres, December 7, 1993
12 Composers’ Concert, Texas Tech University, May 3, 1994
13 Composers’ Concert, Texas Tech University, December 6, 1994
14 Composers’ Concert, Texas Tech University (master copy), December 6, 1994
15 Composers’ Concert, Texas Tech University, Missa Brevis (with program), April 27, 1995
16 Composers’ Concert, Texas Tech University, December 5, 1995
17 Composers’ Concert, Texas Tech University, Passages for Trombone and Piano (with program), April 30, 1996
18 Composers’ Concert, Texas Tech University, Fall 1996
19 Composers’ Concert, Texas Tech University, Three for Two (with program), November 26, 1996
20 Composers’ Concert, Texas Tech University, Trio Italiano (with program), April 29, 1997
21 Composers’ Concert, Texas Tech University, December 9, 1997
22 Composers’ Concert, Texas Tech University, Music of Enchantment (with program), (copy), December 9, 1997
23 Composers’ Concert, Texas Tech University, Ayre for Strings (with program), April 28, 1998
24 Composers’ Concert, Texas Tech University, December 8, 1998
25 Composers’ Concert, Texas Tech University, May 4, 1999
26 Composers’ Concert, Texas Tech University, December 7, 1999
27 Composers’ Concert, Texas Tech University; Songs Without Words for Two Coloratura Sopranos and Piano (with program), May 2, 2000
28 Composers’ Concert, Texas Tech University; Symphony for Percussion Orchestra (with program), December 5, 2000
box recording
2 1 Composers’ Concert, Texas Tech University; Sonatine for Clarinet and Piano (with program), December 4, 2001
2 Composers’ Concert, Texas Tech University; Galilean Galaxies for Flute, Bassoon and Piano (with program and program notes), April 23, 2002
3 Composers’ Concert, Texas Tech University; Variations on Jerusalem the Golden (with program and program notes), December 3, 2002
4 Composers’ Concert, Texas Tech University; Shabat Shalom (with program and program notes), April 29, 2003
5 Composers’ Concert, Texas Tech University; Shabat Shalom (with program and program notes), (copy), April 29, 2003
6 Composers’ Concert, Texas Tech University; Musique for Trombone and Piano, (with program), December 9, 2003
7 Composers’ Concert, Texas Tech University; Sonata for Guitar (with program), April 27, 2004
8 Composers’ Concert, Texas Tech University; Soliloquy for Native American Flute, Shakuhachi and Piano - Jeff Martindale, Guest Artist, Native American Flute and Shakuhachi (with program and notes), April 19, 2005
9 Composers’ Concert, Texas Tech University; Soliloquy for Native American Flute, Shakuhachi and Piano - Jeff Martindale, Guest Artist, Native American Flute and Shakuhachi (with program), (copy), April 19, 2005
10 Composers’ Concert, Texas Tech University; Uptown Blue for Piano – Mary Jeanne van Appledorn, Piano (with program), November 29, 2005
11 Composers’ Concert, Texas Tech University; Trio Devienne for Flute, Bassoon and Piano (with program), May 2, 2006
12 Composers’ Concert, Texas Tech University, Variations on Jerusalem the Golden, Sigurd Øgaard, Organ, (2 copies), April 21, 2008
13 Composers’ Concert, Texas Tech University (with program notes), undated
14 Evangelia Mitsopoulou, Piano Recital, Live Recording, Concert Hall at the University of Macedonia, Thessaloniki, Greece, July 4, 2003
15 Four Duos, Opus One, Hemmle Recital Hall, Taping of, February 5, 1989
16 Freedom of Youth, undated
17 Freedom of Youth, TTU Arts and Sciences Commission, 1986
18 Interview of Dr. Gene Hemmle with Mary Jeanne van Appledorn, November 2, 1987
19 Interview of Dr. Gene Hemmle with Mary Jeanne van Appledorn, November 2, 1987
20 Interview of Dr. Gene Hemmle with Mary Jeanne van Appledorn, November 2, 1987
21 Interview of Dr. Gene Hemmle with Mary Jeanne van Appledorn, (copy), November 2, 1987
22 Joaquin Rodrigo, “Shadows and Light”, Concierto de Aranjuez, A Film Tribute to Rodrigo Pepe Romero, Academy of Saint Martin in the Fields, Neville Mariner, Conductor, undated
23 The Piano Teacher’s Video Magazine, Volume I featuring: Laura Spitzer, John Steinmetz, Brenda Dillon, William Westney, Mary Jeanne van Appledorn, Keyboard Star System, 1995
24 Samuel Jones, Composer, Discusses his compositional process with regard to the Palo Duro Canyon, undated
25 Set of Seven, New York City Ballet, 40th Anniversary Celebration, Violette Verdy, Choreographer, Virginia Eskin, Piano, May 10-13, 1988
26 Set of Seven (1988), New York City Ballet, Violette Verdy, Choreographer, Virginia Eskin (Boston), Pianist, Lincoln Center, NYC (May 10, 13); Tea Rose by George Gershwin, Peter Martino, Choreographer, New York City Ballet, 40th Anniversary, American Music Festival, 1988
27 Society of Composers, Incorporated, Region VI Conference, University of Central Oklahoma, February 4-6, 1993
28 TMTA Annual Convention, Mary Jeanne van Appledorn Commissioning Program, June 19, 1990
29 TV on TV, Heartbeat, Smith/Kneupper, undated
Eight Track Tapes
box recording
2 30 Darest Thou Now, O Soul, Texas Tech Singers, Judson Maynard, Organ, William Hartwell, Conductor; I Hear America Singing, Mary Kelly, Soprano, Trudi Post, Piano; Concerto for Piano and Orchestra; Concerto No. 2 in C minor for Piano and Orchestra – Rachmaninoff, Robert De Gaetano, Piano, Lubbock Symphony Orchestra, 1976
31 KTEZ Lubbock, undated
32 KTEZ Lubbock, undated
33 Sonnet for Organ, Fantasy on “Divinum Mysterium”, Gerre Hancock, Organ (February 13, 1977); Concerto for Trumpet, Robert Mayes, Trumpet, Mary Jeanne van Appledorn, Piano, January 28, 1977
34 West Texas Suite, Text by Everett A. Gillis, Music by Mary Jeanne van Appledorn, Performed by the All City Choir, Lubbock Junior High Schools, Accompanied by Monterey HS Band Members, Marjore Newton, Piano, Bill Cormack, Conductor, November 9, 1976
MP Video Tapes
box recording
2 35 Composers’ Chamber Music Recital, Texas Tech University, Hemmle Recital Hall, December 6, 1988
36 Composers’ Concert, Texas Tech University, November 6, 1990
37 New Music from Texas Tech, In Celebration of American Music Week, Missa Brevis, Voice and Piano Version, November 12, 1989

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Memorabilia

box item
24 1 Texas Tech Department of Music, Award of Recognition for Distinctive Service as Chairman of the Texas Symposium of Contemporary Music, plaque, 1952-1961
2 National Intercollegiate Bands, Kappa Kappa Psi and Tau Beta Sigma Token of Appreciation, Commissioned Composer, “Lux”, Prsented by Dr. F. Lee Bowlingm, plaque, 1981
3 Alpha Chi Omega Fraternity, Gamma Rho Chapter, Golden Tablet, June 1988
4 Headliner Award, Sponsored by Women In Communications, Incorporated, plaque, June 1995
5 University of Rochester, Diploma Cover, undated

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Books

box item
22 1 Barlow, Harold, Sam Morgenstern, and John Erskine. "A Dictionary of Musical Themes." New York, New York: Crown Publishers. (Book in fair condition, binding duct-taped), 1948
2 Beethoven, Ludwig van. "Symphonie 1 in C Major, Opus 21, Philharmonia No. 7." Vienna: Philharmonia Partituren. (Book in poor condition, binding torn and taped), undated
3 Beethoven, Ludwig van. "Symphony Number 6 in F Major (Pastorale), Opus 68." New York, New York: Edwin F. Kalmus, Publisher of Music. (Book in fair condition, binding tearing and few pages loose), undated
4 Beethoven, Ludwig van. "Thirty-Two Sonatas for the Pianoforte, volume 1." Edited by Artur Schnabel. New York, New York: Simon and Schuster, Incorporated. (Book in fair condition, binding tearing), 1935
5 Brahms, Johannes. "Piano Works in Two Volumes: volume I." Edited by E. v. Sauer. Scarsdale, New York: Edwin F. Kalmus, Publisher of Music. (Book in Good Condition), 1945
6 Brahms, Johannes. "Symphony Number 1 in C Minor, Opus 68." New York, New York: E.F. Kalmus Orchestra Scores, Incorporated. (Book in poor condition, binding torn and taped, pages loose), undated
7 Burkhart, Charles. "Anthology for Musical Analysis: Fourth Edition." New York, New York: CBS College Publishing. (Book in fair condition, a few pages falling out), 1986
8 Burkhart, Charles. "Anthology for Musical Analysis: Fifth Edition. Fort Worth, Texas: Harcourt Brace College Publishers. (Book in poor condition, a few pages falling out, back cover unattatched), 1994
9 Davidson, Archibald T. and Willi Apel. "Historical Anthology of Music." Cambridge, Massachusetts: Harvard University Press. (Book in fair condition, binding falling apart), 1949
10 Debussy, Claude. "1er Quatuor pour 2 Violons, Alto et Violoncelle." Paris: Durand and Cie. (Book in poor condition, binding torn and pages loose), 1929
11 Franck, Cesar. "Symphony in D Minor." New York, New York: Edwin F. Kalmus, Publisher of Music. (Book in good condition), undated
12 Hardy, Gordon and Arnold Fish. "Music Literature Volume II: Polyphony - A Workbook for Analysis." New York, New York: Dodd, Mead and Company. (Book in poor condition, front and back cover unattached, pages loose), 1970
13 Haydn, Joseph. "30 Celebrated String Quartets in C Major, Opus 76, Number 3." Miami, Florida: Belwin Mills Publishing Corporation. (Book in fair condition, pages loose because staples removed), undated
box item
122 14 Haydn, Joseph. "String Quartet in C Major, Opus 76, Number 3." Zurich: Ernst Eulenburg, Limited. (Book in poor condition, binding torn and taped, cover and pages tattered and loose), undated
box item
22 15 Joplin, Scott. "Complete Piano Works: Rags, Waltzes, and Marches." Edited by Vera Brodsky Lawrence. New York: The New York Public Library. (Book in good condition), 1981
16 Lang, Phillip J. "Scoring for the Band." New York, New York: Mills Music, Incorporated. (Book in poor condition, binding duct-taped, pages loose), 1950
17 Mendelssohn-Bartholdy, Felix. "Violin Concerto in E Minor, Opus 64." London: Ernst Eulenburg Limited. (Book in good condition), undated
18 Ottoman, Robert W. "Music for Sight Singing." Englewood Cliffs, New Jersey: Prentice-Hall, Incorporated. (Book in fair condition, cover page taped), 1956
19 Schirmer’s Library of Musical Classics. "Bach: Fifteen Two-Part Inventions for the Piano." Edited by Ferruccio Busoni. Translated by Frederick H. Martens. New York, New York: G. Schirmer, Incorporated. (Book in poor condition, pages loose, cover torn and taped), 1939
20 Schirmer’s Library of Musical Classics. "Wolfgang Amadeus Mozart, Nineteen Sonatas for the Piano." Edited by Richard Epstein, with a biographical sketch by Philip Hale. New York: New York, G. Schirmer, Incorporated. (Book in fair condition, front and back cover missing), 1939
21 Soderlund, Gustave Fredric. "Direct Approach to Counterpoint in 16th Century Style." New York, New York: F.S. Crofts and Company. (Book in good condition), 1947
box item
23 1 Apel, Willi. "Harvard Dictionary of Music." Cambridge, Massachusetts: Harvard University Press. (Book in fair condition, binding falling off), 1956
2 "Bach, Johann Sebastian. "The Well Tempered Clavichord." Revised and Annotated by Ferruccio B. Buson. New York, New York: G. Schirmer, Incorporated. (Book in fair condition, binding torn and pages loose), 1939
3 Beethoven, Ludwig van. "Concerto Number 1 for Piano and Orchestra in C Major, Opus 15." London: Ernst Eulenburg Limited. (Book in good condition), undated
4 Beethoven, Ludwig van. "Symphony Number 5 in C Minor, Opus 67." Revised by Max Unger, with foreword by Wilhelm Altmann. Zurich: Ernst Eulenburg, Limited. (Book in fair condition, binding tearing), undated
5 Berlioz, Hector. "Fantastic Symphony, Opus 14." New York, New York: E.F. Kalmus Orchestra Scores, Incorporated. (Book in poor condition, binding torn and taped, pages loose), undated
6 Debussy, Claude. "Pelléas et Mélisande: Drama lyrique en 5 actes et 12 tableaux de Maurice Maeterlinck, Partition d’Orchestre." Paris: Durand and Cie. (Book in poor condition, binding torn and taped, pages loose), undated
7 Eastman School of Music. "The 1947 Score: Twenty-fifth Anniversary Edition." Rochester, New York: The University of Rochester. (Book in good condition), 1947
8 Eastman School of Music. "The Score for 1948." Rochester, New York: The University of Rochester. (Book in good condition), 1948
9 Eastman School of Music. "The Score for 1949." Rochester, New York: The University of Rochester. (Book in good condition), 1949
10 Eastman School of Music. "The Score, 1960." Rochester, New York: The University of Rochester. (Book in good condition), 1960
11 Gleason, Harold. "Examples of Music Before 1400." Eastman School of Music Series. New York, New York: Appleton-Century-Crofts, Incorporated. (Book in fair condition, binding not secure), 1945
12 McHose, Allen Irvine. "The Contrapuntal Harmonic Technnique of the 18th Century." Eastman School of Music Series. New York, New York: F.S. Crofts and Company. (Book in poor condition, binding unattached and pages loose), 1947
13 Mendelssohn-Bartholdy, Felix. "Violin Concerto in E Minor, Opus 64." New York, New York: Edwin F. Kalmus, Publisher of Music. (Book in poor condition, binding torn and taped, pages loose), undated
14 Schirmer’s Library of Musical Classics. "Fifty Selected Songs by Schubert, Schumann, Brahms, Wolf, and Strauss for Low Voice, volume 1755." Translated by Florence Easton. New York, New York: G. Schirmer, Incorporated. (Book in poor condition, binding duct-taped, pages loose), 1951
15 Schirmer’s Library of Musical Classics. "Sonata Album: Twenty-Six Favorite Sonatas for the Piano by Haydn, Mozart, and Beethoven, volume 329, Book I." Edited by Sigmund Lebert and Hans von Bülow. New York, New York: G. Schirmer, Incorporated. (Book in poor condition, binding duct-taped, pages loose), undated
16 Soderlund, Gustave Fredric. "Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina, and Marc Antonio Ingegneri, Third Edition." New York, New York: F.S. Crofts and Company. (Book in poor condition, front and back cover not attached, pages loose), 1947
17 Stravinsky, Igor. "Album of Igor Stravinsky Masterpieces: Selected Compositions for Piano Solo." New York, New York: Edward B. Marks Music Corporation. (Book in fair condition, cover torn), 1941
18 Ward, William R. "Examples for the Study of Musical Style." Edited by Frederick W. Westphal. Dubuque, Iowa: Wm. C. Brown Company Publishers. (Book in fair condition, binding duct-taped), 1970
19 Ward, William R. "Examples for the Study of Musical Style." Edited by Frederick W. Westphal. Dubuque, Iowa: Wm. C. Brown Company Publishers. (Book in good condition), 1970

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Memorabilia

box item
24 1 Diploma Case for the University of Rochester (empty - no diploma inside), undated
2 Gold Medal: Alpha Chi Omega Fraternity, Gamma Rho Chapter, June 1988
3 Gold Medallion: Mary Jeanne van Appledorn, Horn Professor, March 17, 1989
4 Gold Medallion: Mary Jeanne van Appledorn, College of Visual and Performing Arts, Outstanding Researcher Award, 2004
5 Gold Pin with three rubies (?): Texas Tech Service Award - 55 years, undated
6 Plaque: Headliner Award, Sponsored by Women In Communications, Incorporated, June 1995
7 Plaque: National Intercollegiate Bands - Kappa Kappa Psi and Tau Beta Sigma Token of Appreciation, Commissioned Composer, “Lux”, Prsented by Dr. F. Lee Bowlingm, 1981
8 Plaque: Phi Mu Alpha and Mu Phi Epsilon in Recognition of Fourty Years of Service, May 4, 1991
9 Plaque: Texas Tech Department of Music - Award of Recognition for Distinctive Service as Chairman of the Texas Symposium of Contemporary Music, 1952-1961
10 Plaque: YWCA Women of Excellence Award - Music Award, 2003

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