Mary Jeanne van Appledorn:
An Inventory of her Collection, 1912-2009, at the Southwest Collection/Special Collections Library
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Creator |
Texas Tech University. School of Music |
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Title: |
Mary Jeanne van Appledorn Collection,
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Dates: |
1912-2009 |
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Abstract: |
The collection contains materials from Mary Jeanne van Appledorn,
a well noted professor of music at Texas Tech University. |
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Collection # |
U 333.1 |
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Quantity: |
18 boxes manuscripts (18.0 linear feet) and
45 boxes of miscellaneous formats (23.0 linear feet) |
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Language |
English |
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Repository: |
Southwest Collection/Special Collections Library,
Texas Tech University |
Mary Jeanne van Appledorn was born October 2, 1927 in Holland, Michigan, to John and Elizabeth van Appledorn. Neither of her parents were
professional musicians; her father was, however, organist of the Ninth Street Christian Reformed Church and active in music circles in Holland.
As a child, van Appledorn studied piano, as did her older sister Ruth. Following the death of her father in 1944, she and her mother moved to Topeka,
Kansas (where her sister was a music teacher at Alma College) for van Appledorn's senior year of high school. Van Appledorn graduated from Topeka
High School in 1945 as valedictorian.
Van Appledorn studied both piano and theory at the University of Rochester's prestigious Eastman School of Music in Rochester, New York.
Van Appledorn earned the George Eastman Honorary Scholarship each year, and in 1948 received her Bachelor of Music with Distinction (piano);
she studied under Cecile Straub Genhart. Van Appledorn received her Master of Music Degree (theory) from the Eastman School of Music in 1950;
from 1948 she was a Teaching Fellow of the Eastman School of Music. In the fall of 1950 Van Appledorn accepted a position at Texas Technological
College (now Texas Tech University). She received her Ph.D. (music) from the Eastman School of Music in 1966, and was awarded a Graduate Fellowship
from 1961-1962. She was also awarded the Delta Kappa Gamma International Scholarship from 1959-1960; one of three awards granted to outstanding
women for furthering and completing the doctorate degree. Dr. van Appledorn's dissertation for this degree is titled A Stylistic Study of Claude
Debussy's Opera Pelleas et Melisande (completed in 1965).
During her studies at Eastman, Dr. van Appledorn received training in composition from renowned composers Bernard Rogers and Alan Hovhaness.
In 1982 Dr. van Appledorn was one of nine faculty members of Texas Tech University to receive a faculty development leave, during which she
studied computer-synthesized sound techniques at the Studio for Experimental Music, Massachusetts Institute of Technology, Dr. Barry Vercoe, professor.
As an educator, Dr. van Appledorn taught at Texas Tech University from 1950-2008. Dr. van Appledorn taught a wide range of courses during this time,
from undergraduate music theory to graduate composition courses. Dr. van Appledorn served as chairman of the Division of Music Literature and Theory
(1950-1968) in the school of music, and played an important role in the development of the curriculum of the undergraduate and graduate music degrees,
alongside Chairman of the School of Music, Gene Hemmle.
Dr. van Appledorn also served as chairman of the Graduate Studies Committee of the Department of Music. She founded and served as chairman of the
annual Symposium of Contemporary Music at Texas Tech (1951-1981), and obtained the commission of many new works by renowned composers such as Dr. Howard
Hanson (Streams in the Desert, 1969). In 1989 she was named a Paul Whitfield Horn Professor of Texas Tech University.
As a composer, van Appledorn has had a very successful career. She composed music in many genres, both instrumental and vocal. She received her
first awards for composition (Mu Phi Epsilon National Composition Contests) for Set of Five (1951) for piano and Contrasts for Piano (1953). Other honors
include the Premier Prix, Dijon, awards from the Texas Composers Guild and ASCAP, and other commissions from the Music Teachers National Association and
National Intercollegiate Bands. Many of Dr. van Appledorn's compositions have been published by Carl Fischer, Oxford University Press, and E.C. Schirmer
Music Company, among others. Numerous recordings of her compositions have been made by world-renowned musicians and ensembles, and her music has been
performed in festivals and concerts both nationally and internationally.
Dr. van Appledorn has been included in a number of published biographies, not limited to: International Who's Who in Music, 10th, 11th
and 12th editions, The World Who's Who of Women, ASCAP Biographical Dictionary, 4th edition, Bakers Biographical Dictionary, Scribner Music Library
Dictionary of Composers, and the Grove's Dictionary of Music and Musicians.
This collection is divided up into five series: manuscript, books, recordings, artifacts, and oversize materials. It contains materials relating
to the personal and professional life of Mary Jeanne van Appledorn.
The manuscript collection includes family photographs, personal and professional correspondence, class notes and materials from Eastman School of
Music and Texas Tech University. Other materials in this series includes published works, programs of performances of her music, ASCAP correspondence
and awards, information regarding the music curriculum development at Texas Tech University, minutes from the numerous committees she served on while
at Texas Tech, materials used for her dissertation, material from various presentations made at conferences, and handwritten sketches and manuscripts
of her compositions.
The book collection includes many books van Appledorn used as a student at the Eastman School of Music, Eastman School of Music yearbooks, and
books she used as a professor at Texas Tech University.
The collection of recordings includes cassettes, CDs, reel to reels, records, video cassette tapes, and DVDs of her music, as well as other artists.
The recordings vary from recordings of the composer at the piano, to
professional CDs recorded by musicians and ensembles from around the world.
The artifacts collection includes plaques and awards given to van Appledorn throughout her career. The oversize materials contain scores and
sketches of Dr. van Appledorn's compositions as well as scrapbooks, diplomas, and posters.
In June of 2018 two new file folders and 5 epherma items were added to the collection. One of the files, which the University Archivist
titled "Arts and Sciences, College of: Review for Organization Restructuring, 1974-1982" documents efforts to create a establish a separate College
of Fine Arts. Dr. van Appledorn served on the committee overseeing this review. The proposal to create the new college proved unsuccessful. In 2004,
the College of Visusal and Performing Arts was founded, and renamed the J. T. and Margaret Talkington College of Visual and Performing Arts in 2016.
In December of 2019, three additional CDs featuring Dr. van Appledorn's work were donated and added to this collection.
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Organization |
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The Mary Jeanne van Appledorn Collection is organized into the following series:
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Access Restrictions
Open for research
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The subject headings used by the Southwest Collection/Special
Collections Library are derived from the Library of Congress and/or locally
developed. |
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Subjects (Persons) |
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Hemmle, Gene. |
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Van Appledorn, Mary Jeanne,1927- |
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Subjects (Organizations) |
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Lubbock Symphony Orchestra (Lubbock, Tex.) |
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Texas Association of College Teachers. |
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Texas Music Educators Association. |
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Texas Technological College. Dept. of Music--Faculty. |
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Texas Tech University. College of Music--Faculty. |
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Texas Tech University. Dept. of Music--Faculty. |
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Texas Tech University. School of Music--Faculty. |
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Places |
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Lubbock (Tex.) |
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Subjects |
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Band music. |
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Carillon music. |
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Composers--Texas. |
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Harpsichord music--20th century. |
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Masses--scores. |
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Music. |
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Music in universities and colleges--Texas. |
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Native American flute music. |
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Organ music. |
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Percussion ensembles--Scores and parts. |
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Piano music. |
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String orchestra music--Scores and parts. |
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Suites (Carillon) |
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Women composers--Texas--Lubbock. |
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Southwest Collection/Special Collections Library: |
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Mary Jeanne van Appledorn Collection, 1912-2009, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas
Collection accession #(s):
2000-0225-B, 2000-0311-C, 2000-0340-A, 2000-0357-B, 2005-0201-B, 2008-0116-B, 2008-0140-B, and 2018-0089-B
Donations, 2000-2018
Amanda Cox, 2009, and Heather Darnell, 2010
Collection Inventory
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Manuscripts |
| box |
item |
| 1 |
1 |
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Adler, Samuel: Workbook for the Study of Orchestration,
1982 |
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2 |
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Advance Concert Bands,
1987-1988 |
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3 |
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Allegro Music Club of Lubbock: Handbook and Articles,
1974-1975 |
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4 |
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All-University Conference on the Advancement of Women in
Higher Education,
1999 |
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5 |
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All-University Conference on Women: Program (2 copies),
1999 |
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6 |
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Alpha Chi Omega: Membership Certificate,
1954 |
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7 |
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American Music Center (AMC),
1981-1983 |
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8 |
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The American Music Center: Newsletter,
1990 |
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9 |
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The American Music Center: Newsletter,
1991 |
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10 |
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American Music Festival: New York City Ballet,
1988 |
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11 |
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American Society of University Composers (ASUC),
1980-1982 |
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12 |
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American Society of University Composers:
Correspondence,
undated |
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13 |
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American Women Composers, Incorporated: Materials and
Letters,
1977-1979 |
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14 |
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American Women Composers, Incorporated,
1980-1982 |
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15 |
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Announcements,
1985 |
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16 |
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Annual Faculty Reports,
1989-1994 |
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17 |
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Annual Faculty Reports,
1992-2002 |
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18 |
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Annual Faculty Reports,
2003-2007 |
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19 |
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Annual Faculty Reviews,
1972-2007 |
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20 |
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Annual Faculty Reviews,
1978-1981 |
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21 |
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Annual Faculty Reviews,
1980-1982 |
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22 |
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Another Rationale—A Choice, Not an Echo?,
undated |
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23 |
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Applications for Approval of Course Change,
1968 |
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24 |
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Application for Approval of Course Change:
Computer-Synthesized Sound Techniques,
1983 |
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25 |
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Application to the Standard Awards Panel,
1992-1993 |
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26 |
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Articles,
1961-2001 and undated |
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26B |
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Arts and Sciences, College of: Review for Organization Restructuring,
1974-1982 |
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27 |
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ASCAP,
1979-1981 |
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28 |
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ASCAP: Application to the Standard Awards Panel,
1993-1999 |
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29 |
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ASCAP: Correspondence,
1995-2007 |
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30 |
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ASCAP: Membership Information,
1974 |
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31 |
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ASCAP: Programs,
1989 |
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32 |
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ASCAP: Report Materials,
1983 |
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33 |
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ASCAP: Report Materials,
1983-1992 |
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34 |
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ASCAP: Report Materials,
1984-1991 |
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35 |
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ASCAP: Report Materials,
1992-1995 |
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36 |
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ASCAP: Report Materials,
Summer 2006 |
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37 |
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ASCAP: Report Materials,
Fall 2006 |
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38 |
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ASCAP: Report Materials,
Spring 2007 |
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39 |
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ASCAP: Report Materials: Articles,
1995-2006 |
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40 |
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ASCAP: Report Materials: Correspondence,
1983-1986 |
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41 |
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ASCAP: Report Materials: Correspondence,
1987-1989 |
| box |
item |
| 2 |
1 |
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ASCAP: Report Materials: Correspondence,
1990-1993 |
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2 |
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ASCAP: Report Materials: Correspondence,
1994-2005 |
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3 |
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ASCAP: Report Materials: Newspaper Articles,
1995-2005 and undated |
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4 |
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ASCAP: Report Materials: Notes,
1999 |
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5 |
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ASCAP: Report Materials: Performance Calendars,
1996-2008 |
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6 |
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ASCAP: Report Materials: Performance Lists,
1985-1988 |
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7 |
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ASCAP: Report Materials: Programs,
1972-1985 |
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8 |
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ASCAP: Report Materials: Programs,
1986-1988 |
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9 |
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ASCAP: Report Materials: Programs,
1989 |
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10 |
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ASCAP: Report Materials: Programs,
1990-2005 |
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11 |
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ASCAP: Report Materials: Programs,
1994-1995 |
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12 |
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ASCAP: Report Materials: Programs,
1996-2000 |
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13 |
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ASCAP: Report Materials: Programs,
2001-2002 |
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14 |
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ASCAP: Report Materials: Programs (1 of 2),
2003-2004 |
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15 |
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ASCAP: Report Materials: Programs (2 of 2),
2003-2004 |
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16 |
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ASCAP: Report Materials: Programs,
2003-2005 and undated |
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17 |
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ASCAP: Report Materials: Programs,
2006-2008 and undated |
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18 |
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ASCAP: Report Materials: Radio Programs,
1985-1986 |
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19 |
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ASCAP: Report Materials: Radio Programs,
1995 |
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20 |
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ASCAP: Report Materials: Radio Broadcasts and Recent
Recording Releases,
2006-2007 |
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21 |
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ASCAP: Reviewed Materials,
1989-1991 |
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22 |
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ASCAP: Rules and Regulations,
1987 and undated |
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23 |
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ASCAP: Special Awards: Guidelines and Procedures,
1989 and undated |
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24 |
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ASCAP: Writer Performance Statement,
1993-1994 |
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25 |
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ASCAPlus Awards Applications,
1999-2007 |
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26 |
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Awards,
1982-2000 and undated |
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27 |
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Awards and Certificates,
1994-2000 and undated |
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28 |
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Awards,
1997-1999 and undated |
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29 |
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Ayre, Music in Six Parts for Strings: Score (2 copies),
1989 |
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30 |
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Azaleas: Full Scores (3 copies),
1980 |
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31 |
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Azaleas: Score (9 copies),
1980 |
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32 |
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Bécquer Symposium,
2002 |
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33 |
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Belmont, Massachusetts: Minuetta Kessler,
1982-1983 and undated |
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34 |
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Biographies and Vitas,
1979-2005 |
| box |
item |
| 3 |
1 |
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Braubach, Marian: Five Contemporary Women Composers:
Selected Piano Compositions,
1996 |
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2 |
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Bravura: School of Music Newsletter,
1998 |
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3 |
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Bulletin of Texas Technological College: Music at Tech,
1960 |
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4 |
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Burlesca for Piano, Brass and Snare Drum: Score,
1951 |
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5 |
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Calendar,
1984 |
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6 |
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Calendar,
2008 |
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7 |
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Cantata: Rising Night After Night (100 slides),
undated |
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8 |
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Cantata: Rising Night After Night: Correspondence,
1977-1990 |
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9 |
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Cantata: Rising Night After Night: Correspondence,
1979-1980 |
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10 |
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Cantata: Rising Night After Night: Libretto,
1971-1980 |
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11 |
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Cantata: Rising Night After Night: Libretto,
1976 |
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12 |
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Cantata: Rising Night After Night: Score (3 copies),
1978 |
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13 |
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Carillons,
1978-2001 |
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14 |
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Carl Fischer: Correspondence: LUX, Cacophony and Trumpet
Concerto,
1983 |
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15 |
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Catalog Material for Graduate Bulletin,
undated |
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16 |
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Catalogues: Sheet Music and Recordings,
undated |
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17 |
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Cellano Rhapsody: Score (3 copies) and Cello Part (2
copies),
1948 |
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18 |
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Cellano Rhapsody: Score (4 copies) and Parts (4 copies):
Sisra Publications,
1997 |
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19 |
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Charles Ives: Center for American Music,
undated |
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20 |
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Checklist of Course Requirements Forms,
undated |
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21 |
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A Choreographic Overture for Band: Set of Parts,
undated |
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22 |
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Class Book Requests,
2001-2002 |
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23 |
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Class Materials: Advanced Orchestration,
1974 |
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24 |
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Class Materials: Graduate Entrance Exams,
undated |
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25 |
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Class Materials: Miscellaneous,
undated |
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26 |
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Class Materials: Music Literature,
1972 |
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27 |
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Class Materials: Scores (1 of 2),
undated |
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28 |
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Class Materials: Scores (2 of 2),
undated |
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29 |
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Class Materials: Styles,
undated |
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30 |
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Collegium Musicum, Series V Programs,
1959-1960 |
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31 |
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Comments on the General Education Guidelines,
1986 |
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32 |
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Communique, Song Cycle: Score,
1960 |
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33 |
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Composers Concert: Posters,
2003 |
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34 |
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Composers Concert: Program Notes,
2000 and undated |
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35 |
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Composers Concert: Programs,
1981 |
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36 |
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Composers Concert: Programs,
2002-2008 |
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37 |
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Composers Concert: Stage Setup Materials,
1996-2008 |
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38 |
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Composers’ Forum Network News,
1993 |
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39 |
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Composers Group of New York City,
1954 |
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40 |
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Composer’s Guild Award,
1994 |
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41 |
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Composer’s Guild: Contest Winners List,
1987 |
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42 |
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Composition Contest Announcements,
1991-1994 |
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43 |
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Composition Contest Information,
1979-1983 |
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44 |
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Composition Contest Information,
2004-2005 |
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45 |
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Composition List,
1947-2000 |
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46 |
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Composition List,
1948-1987 |
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47 |
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Composition List,
1977 |
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48 |
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Composition Lists,
1980-2008 |
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49 |
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Computer Discs,
1994-2001 |
| box |
item |
| 4 |
1 |
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Concerto for Piano and Orchestra: Orchestra Parts,
undated |
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2 |
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Concerto for Piano and Orchestra: Outline and Analysis,
undated |
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3 |
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Concerto for Trumpet: Article and Original by Tolley,
Richard and van Appledorn, Mary Jeanne,
1985 |
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4 |
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Concerto for Trumpet: Correspondence, Drafts and Score,
1977-1986 and undated |
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5 |
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Concerto for Trumpet: Score and Trumpet Part,
1983 |
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6 |
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Concerto for Trumpet: Orchestral Parts,
undated |
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7 |
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Concerto for Trumpet and Band, arranged by Mark Rogers:
Full Score,
1992 |
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8 |
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Concerto for Trumpet: Trumpet Part,
1960 |
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9 |
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Concerto for Trumpet and Band, arranged by Mark Rogers:
Set of Parts (1 of 2),
1992 |
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10 |
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Concerto for Trumpet and Band, arranged by Mark Rogers:
Set of Parts (2 of 2),
1992 |
|
11 |
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Concerto for Trumpet and Band, Piano Reduction: Score,
1977 |
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12 |
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Concerto for Trumpet and Band: Second Proof,
1988 |
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13 |
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Concerto for Trumpet and Band: Set of Parts (1 of 3),
1977 |
|
14 |
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Concerto for Trumpet and Band: Set of Parts (2 of 3),
1977 |
|
15 |
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Concerto for Trumpet and Band: Set of Parts (3 of 3),
1977 |
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16 |
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Concerto for Trumpet and Piano: Score (3 copies),
1977 |
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17 |
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Concerto for Trumpet and Piano: Score,
undated |
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18 |
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Concerto for Trumpet and Orchestra, First Movement:
Orchestral Parts (incomplete),
undated |
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19 |
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Conductor Addresses,
undated |
|
20 |
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Contemporary Recording Studios,
undated |
|
21 |
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Contract: Scribner Music Library,
1960-1961 |
|
22 |
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Contracts,
1984-2008 |
|
23 |
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Contrasts for Piano: Score,
1946 |
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24 |
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Correspondence (1 photo),
1953-1985 and undated |
|
25 |
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Correspondence (1 photo),
1959-1969 and undated |
|
26 |
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Correspondence,
1968-1992 |
|
27 |
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Correspondence,
1970-2007 and undated |
|
28 |
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Correspondence,
1971-1972 |
|
29 |
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Correspondence,
1972-1988 |
|
30 |
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Correspondence,
1973-1974 |
|
31 |
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Correspondence,
1973-1984 |
| box |
item |
| 5 |
1 |
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Correspondence,
1975-1976 |
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2 |
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Correspondence,
1977-1978 |
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3 |
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Correspondence,
1979-1980 |
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4 |
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Correspondence,
1980-1984 and undated |
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5 |
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Correspondence,
1981 |
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6 |
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Correspondence,
1983-1984 |
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7 |
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Correspondence,
1985 |
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8 |
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Correspondence (1 of 2),
1986 |
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9 |
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Correspondence (2 of 2),
1986 |
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10 |
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Correspondence (1 of 3),
1987 |
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11 |
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Correspondence (2 of 3),
1987 |
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12 |
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Correspondence (3 of 3),
1987 |
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13 |
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Correspondence (1 photo),
1987-1991 |
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14 |
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Correspondence: Postcards,
1987-1994 and undated |
|
15 |
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Correspondence (1 of 2),
1988 |
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16 |
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Correspondence (2 of 2),
1988 |
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17 |
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Correspondence,
1989-1990 |
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18 |
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Correspondence,
1990 |
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19 |
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Correspondence,
1991-1992 |
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20 |
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Correspondence (1 photo),
1992 |
| box |
item |
| 6 |
1 |
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Correspondence,
1993-1994 |
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2 |
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Correspondence,
1993-1997 and undated |
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3 |
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Correspondence,
1993-2007 and undated |
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4 |
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Correspondence (1 of 2),
1995-1996 |
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5 |
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Correspondence (2 of 2),
1995-1996 |
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6 |
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Correspondence,
1995-2008 and undated |
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7 |
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Correspondence (1 of 2),
1997-1998 |
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8 |
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Correspondence (2 of 2),
1997-1998 |
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9 |
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Correspondence (1 of 2),
1999-2000 |
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10 |
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Correspondence (2 of 2),
1999-2000 |
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11 |
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Correspondence (1 of 2) [2 CDs],
2001-2002 |
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12 |
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Correspondence (2 of 2),
2001-2002 |
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13 |
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Correspondence,
2003-2004 |
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14 |
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Correspondence,
2005-2006 |
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15 |
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Correspondence,
2007-2009 |
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16 |
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Crutchfield Catalogue,
1986-1987 |
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17 |
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Curriculum Vita,
1973 |
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18 |
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Curriculum Vita,
1974 |
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19 |
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Curriculum Vita,
1985-1990 |
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20 |
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Curriculum Vita,
2000 |
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21 |
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Curriculum Vita,
undated |
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22 |
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Cycles of Moons and Tides for Symphonic Band: Score,
1995 |
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23 |
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Cycles of Moons and Tides for Symphonic Band: Set of
Parts [originals] (1 of 2),
1995 |
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24 |
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Cycles of Moons and Tides for Symphonic Band: Set of
Parts [originals] (2 of 2),
1995 |
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25 |
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Cycles of Moons and Tides for Symphonic Band: Set of
Parts (copies),
1995 |
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26 |
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Dallin, Leon: Techniques of Twentieth Century
Composition,
1957 |
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27 |
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Danza Impresión de Espana: Full Score,
1979 |
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28 |
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Danza Impresión de Espana: Scores,
1979 |
| box |
item |
| 7 |
1 |
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Darest Thou Now, O Soul: Score,
1975 |
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2 |
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de Gaetano, Robert: Concerto Brevis Promotion Posters,
1976 |
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3 |
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Debussy, Claude: Album of Claude Debussy Masterpieces
for Piano Solo,
1935 |
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4 |
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Debussy, Claude: La Damoiselle Élue,
undated |
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5 |
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Debussy, Claude: Preludes…1er Livre,
undated |
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6 |
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Delta Kappa Gamma: Membership Certificate,
1958 |
|
7 |
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Department of Music: Alumni Newsletter,
1969 |
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8 |
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Department of Music: Graduate Curriculum,
1968-1970 and undated |
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9 |
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Departmental Review Materials,
1952-1979 |
|
10 |
|
Department of Music: Questionnaire for Entering Music
Students,
undated |
|
11 |
|
Departmental Recital Application Form,
undated |
|
12 |
|
Directory of Music Faculties and Colleges and
Universities, U.S. and Canada,
1972-1974 |
|
13 |
|
Dissertation: A Stylistic Study of Claude
Debussy’s Opera Pelléas et Mélisande (1 of 2),
1966 |
|
14 |
|
Dissertation: A Stylistic Study of Claude
Debussy’s Opera Pelléas et Mélisande (2 of 2),
1966 |
|
15 |
|
Dissertation Abstract,
1966 |
|
16 |
|
Dissertation Abstract,
1967 |
|
17 |
|
Dissertation: Abstracts from University Microfilms,
Incorporated,
1967 |
|
18 |
|
Dissertation: Articles, Journals, and Libretto,
1962 |
|
19 |
|
Dissertation: Claude Debussy’s Pelléas et
Mélisande, Score for Voice and Piano, with Notes,
undated |
|
20 |
|
Dissertation: Notes, Abstracts, Bibliography,
undated |
|
21 |
|
Dissertation: Outline,
1958 |
|
22 |
|
Dissertation: Outline,
undated |
|
23 |
|
Dissertation: Outline and Periodical Bibliography,
undated |
|
24 |
|
Dissertation: Programs,
1950-1962 |
|
25 |
|
Dissertation: Reference Materials and Notes,
1953 and undated |
|
26 |
|
Dissertation: Typed Rough Draft (1 of 2),
undated |
|
27 |
|
Dissertation: Typed Rough Draft (2 of 2),
undated |
| box |
item |
| 8 |
1 |
|
Doctor of Musical Arts: Program Information,
2000 |
|
2 |
|
Dcotor of Philosophy: Final Examination Materials,
1983-1993 |
|
3 |
|
Duluth Bicentennial Material (10 photos),
1976 |
|
4 |
|
Eastman School of Music, Class Notes, Composer
Summaries,
1949 |
|
5 |
|
Eastman School of Music, Class Notes, Acoustics,
undated |
|
6 |
|
Eastman School of Music, Class Notes, Theory Pedagogy,
1949 |
|
7 |
|
Eastman School of Music, Contemporary Styles, Outline
Summary,
undated |
|
8 |
|
Eastman School of Music: Diplomas,
1948-1966 |
|
9 |
|
Eastman School of Music, Mechanics of Thesis Writing,
1964 |
|
10 |
|
Eastman School of Music, Notes, Acoustics,
1945-1950 |
|
11 |
|
Eastman School of Music, Notes and Assignments (1 of 6),
1958-1961 and undated |
|
12 |
|
Eastman School of Music, Notes and Assignments (2 of 6),
1958-1961 and undated |
|
13 |
|
Eastman School of Music, Notes and Assignments (3 of 6),
1958-1961 and undated |
|
14 |
|
Eastman School of Music, Notes and Assignments (4 of 6),
1958-1961 and undated |
|
15 |
|
Eastman School of Music, Notes and Assignments (5 of 6),
1958-1961 and undated |
|
16 |
|
Eastman School of Music, Notes and Assignments (6 of 6),
1958-1961 and undated |
|
17 |
|
Eastman School of Music: Notes, Music Literature,
undated |
|
18 |
|
Eastman School of Music: Notes, Musical Survey Course,
undated |
|
19 |
|
Eastman School of Music: Notes, Theory 422-423 (History
of Theory),
1960 |
|
20 |
|
Eastman School of Music: Programs,
1947-1950 |
|
21 |
|
Eastman School of Music: Scholarship Awards,
1945-1948 |
|
22 |
|
Eastman School of Music: Score,
1950 |
|
23 |
|
Eastman School of Music: Theory 101-102, Notes,
undated |
|
24 |
|
Eastman School of Music: Theory Research, 291, 292,
1955-1956 |
|
25 |
|
Elegy for Pepe (1964-1977),
1979 |
|
26 |
|
Faculty Development Leave: Application and Materials,
1978 |
|
27 |
|
Faculty Development Leave: Massachusetts Institute of
Technology,
1980-1982 |
|
28 |
|
Faculty Development Leave: Schedule,
1982 |
|
29 |
|
Faculty Senate: Meeting Minutes,
1982 |
|
30 |
|
Faculty Workload Reports,
1978-2005 |
|
31 |
|
Festival of Texas Composers: Programs,
1979 |
|
32 |
|
Festive Fanfare: Score,
undated |
| box |
item |
| 9 |
1 |
|
Fine Arts Doctoral Committee: Meeting Minutes,
1982-2000 |
|
2 |
|
First National Congress on Women in Music,
1981 |
|
3 |
|
Five Psalms: Score,
undated |
|
4 |
|
Florida State University: Festival of New Music,
1996 |
|
5 |
|
Foldes, Andor: “Beethoven’s Kiss”,
undated |
|
6 |
|
Four Duos for Viola and Cello: Score,
1986 |
|
7 |
|
Four Duos for Viola and Cello (Published Version): Score
(5 copies),
1986 |
|
8 |
|
Freedom of Youth: Score,
1986 |
|
9 |
|
Freedom of Youth: Publications and Correspondance,
1986 |
|
10 |
|
Freshman Theory: Schedule, November 4-8,
undated |
|
11 |
|
Galilean Galaxies: Score and Parts: Sisra Publications,
2000 |
|
12 |
|
Galilean Galaxies: Spiral Bound Score (7 copies),
1998 |
|
13 |
|
Gaudeamus Foundation-Centre of Contemporary Music:
Newsletters,
1991-1993 |
|
14 |
|
Gestures for Clarinet Quartet (Published Edition): Score
(2 copies) and Parts,
1999 |
|
15 |
|
Gestures for Clarinet Quartet: Score (2 copies) and
Parts (2 copies),
1999 |
|
|
|
Gillis, Everett A.: “This is America”,
undated |
|
17 |
|
Graduate Council (1 of 2),
1970-1973 |
|
18 |
|
Graduate Council (2 of 2),
1970-1973 |
|
19 |
|
Graduate Faculty Application Form (2 copies),
1989 |
|
20 |
|
Graduate Music Degree: Information and Requirements,
1983-1985 and undated |
|
21 |
|
Graduate Program Review Committee,
1971-1972 |
|
22 |
|
Graduate Review Committee: History Review,
1970-1972 |
|
23 |
|
Graduate School: Admissions Forms,
undated |
|
24 |
|
Graduate Studies Committee: Department of Music,
1969-1973 |
|
25 |
|
Graduate Studies Committee: Department of Music,
1973-1974 |
|
26 |
|
Graduate Studies Committee: Department of Music,
1982-1983 |
|
27 |
|
Graduate Studies Committee: Department of Music,
1979-2000 |
|
28 |
|
Guggenheim Memorial Foundation: Fellowship Application,
1992-1993 |
|
29 |
|
Hanson, Howard: Contact Information,
undated |
|
30 |
|
Harbach, Barbara (1 photo),
1988-1990 |
|
31 |
|
Hemmle, Gene: Interview Abstract,
1973 |
|
32 |
|
Hildegard Publishing Company,
1998-1999 |
|
33 |
|
Hildegard Publishing Company Catalog,
2000-2001 |
|
34 |
|
Horn Professor: Memorandums,
1997 |
|
35 |
|
Horn Professor Nomination: Annual Faculty Reviews,
1972-1987 |
|
36 |
|
Horn Professor Nomination: Articles,
1952-1986 |
|
37 |
|
Horn Professor Nomination: Article,
1982 |
|
38 |
|
Horn Professor Nomination: Articles,
1985 |
|
39 |
|
Horn Professor Nomination: Articles,
1987-1991 and undated |
| box |
item |
| 10 |
1 |
|
Horn Professor Nomination: Composer Biography,
1987 |
|
2 |
|
Horn Professor Nomination: Composer Biographies,
undated |
|
3 |
|
Horn Professor Nomination: Contact Information for
Letters of Reference,
undated |
|
4 |
|
Horn Professor Nomination: Curriculum Vita,
1985 |
|
5 |
|
Horn Professor Nomination: Faculty Reviews Information,
1980-1987 |
|
6 |
|
Horn Professor Nomination: Letters About Compositions,
1973-1987 and undated |
|
7 |
|
Horn Professor Nomination: Letters of Recommendation,
1987 and undated |
|
8 |
|
Horn Professor Nomination: Programs,
1951-1981 |
|
9 |
|
Horn Professor Nomination: Programs,
1982-April 1987 |
|
10 |
|
Horn Professor Nomination: Programs,
May 1987-October 1987 and undated |
|
11 |
|
Horn Professor Nomination: References,
1987 and undated |
|
12 |
|
Horn Professor Nomination: Vitae and Faculty Reviews
(Empty Notebook),
1987 |
|
13 |
|
Horn Professor: Operating Policy and Procedure,
1987 |
|
14 |
|
Horn Professor Presentation: Awards and Honors, Letters
of Support,
1987 |
|
15 |
|
Horn Professor Presentation: Composition,
1987 |
|
16 |
|
Horn Professor Presentation: Newspaper Clippings,
1987 |
| box |
item |
| 11 |
1 |
|
Horn Professor Presentation: Programs,
1987 |
|
2 |
|
Horn Professor Presentation: Symposium of Contemporary
Music,
1987 |
|
3 |
|
I Hear America Singing: Score,
1952 |
|
4 |
|
I Hear America Singing: Score (4 copies),
1952 |
|
5 |
|
In Quest of the Roman Numeral: A Comment Concerning the
CMP Workshop at Eastman,
June 1969 |
|
6 |
|
Incantations for Oboe and Piano: Score and Part,
1998 |
|
7 |
|
Incantations for Oboe and Piano: Score (Manuscript
Version),
1998 |
|
8 |
|
Incantations for Trumpet and Piano: Score (2 copies) and
Part (2 copies),
1991 |
|
9 |
|
Inoue Chamber Ensemble,
1988-1989 |
|
10 |
|
Inoue Chamber Ensemble: Programs,
1995 |
|
11 |
|
International Alliance for Women in Music,
1997 |
|
12 |
|
International Biographical Inclusions,
1980-1993 |
|
13 |
|
International Carillon Festival,
1980 |
|
14 |
|
International Clarinet Association Clarinetfest:
Programs,
1997 and 2000 |
|
15 |
|
International Double Reed Society 29th Annual
Conference: Program,
2000 |
|
16 |
|
International League of Women Composers (ILWC),
1980-1982 |
|
17 |
|
International League of Women Composers Newsletter,
1987-1988 |
|
18 |
|
International League of Women Composers: Journal,
1991 |
|
19 |
|
International Trumpet Guild: Membership Directory,
1986 |
|
20 |
|
International Who’s Who in Music and
Musicians’ Directory,
1984-1993 |
|
21 |
|
The Instrumentalist,
1989 |
|
22 |
|
Introduction and Allegro: Publishing Information,
2008 |
|
23 |
|
Keyboard, Singing and Dictation Manual, Printed Version
(1 of 2),
1967 |
|
24 |
|
Keyboard, Singing and Dictation Manual, Printed Version
(2 of 2),
1967 |
|
25 |
|
Keyboard, Singing and Dictation Manual, Typewritten
Version,
1967 |
|
26 |
|
Keyboard, Singing and Dictation Manual,
1968 |
|
27 |
|
KTXT-FM: Program Schedule,
undated |
|
28 |
|
League/ISCM National Composers Competition,
undated |
|
29 |
|
Lenormand, Rene: A Study of Twentieth-Century Harmony,
undated |
|
30 |
|
Les Hommes Vidés:score (2 copies) ,
1994 |
|
31 |
|
Letters of Recommendation,
2000-2007 and Undated |
|
32 |
|
Library of Congress, Serge Koussevitzky Music
foundation: Application Materials,
1989 |
|
33 |
|
Living Music:Newsletter,
1986-1998 |
|
34 |
|
Lubbock Music Club,
1950-1951 |
|
35 |
|
Lubbock Symphony Orchestra, Newspaper Clipping and
Programs,
1951-1952 |
|
36 |
|
Lux: Legand of Sankta Lucia, Background Information,
1979 |
| box |
item |
| 12 |
1 |
|
Magazine Clippings,
1956-2005 |
|
2 |
|
Manhattanville Music Curriculum Program Projects,
Summary Reports (1 of 2),
1968-1970 |
|
3 |
|
Manhattanville Music Curriculum Program Project,
Summary Reports (2 of 2),
1968-1970 |
|
4 |
|
Manhattanville Music Curriculum Project,
1970 |
|
5 |
|
Manhattanville Music Curriculum Project,
undated |
|
6 |
|
A Manual for Thesis Writing at Texas Technological
College,
1956 |
|
7 |
|
Map of Texas and Trip Route,
undated |
|
8 |
|
Massachusetts Institute of Technology: Experimental
Music Studio Manual,
1982 |
|
9 |
|
Massachusetts Institute of Technology: Techniques of
Computer Sound Synthesis (1 of 2),
1982 |
|
10 |
|
Massachusetts Institue od Technology: Techniques of
Computer Sound Synthesis (2 of 2),
1982 |
|
11 |
|
Master of Music Theory: Revised Description,
undated |
|
12 |
|
Master’s Thesis: An Analysis of Claude
Debussy’s Suite Pour Le Piano,
1950 |
|
13 |
|
Maynard, Judson,
1976-1978 |
|
14 |
|
Maynard, Judson: Concert Programs,
1988 |
|
15 |
|
The Mechanics of Thesis Writing, Eastman School of
Music ,
1959 |
|
16 |
|
Membership Cards,
1991-2007 |
|
17 |
|
Memos to Music Faculty,
1968-1970 |
|
18 |
|
Method of Formal Analysis for Musical Composition,
undated |
|
19 |
|
Mihály, Hajdu: Two Concert Studies for Harp,
1983 |
|
20 |
|
Miniature Scores,
undated |
|
21 |
|
Mirror of Death Musical Life,
1967-1968 |
|
22 |
|
Missa Brevis for Mixed Chorus, Piano, Organ, and
Timpani: Score,
undated |
|
23 |
|
Missa Brevis for Trumpet and Organ or Voice and Organ:
Score (5 copies),
1987 |
|
24 |
|
Missa Brevis for Voice and Organ or Trumpet and Organ:
Score (3 copies) ,
1988 |
|
25 |
|
Missa Brevis: Score,
1988 |
|
26 |
|
Mitsopoulou, Evangelia, Correspondence,
2002-2003 |
|
27 |
|
Mu Phi Epsilon,
1952-1991 |
|
28 |
|
Mu Phi Epsilon:Membership Certificate and Award,
1947-1953 |
|
29 |
|
Mu Phi Epsilon:Membership Directory,
2006 |
|
30 |
|
Mu Phi Epsilon, Publications,
1959 |
|
31 |
|
Music 2000:Final Exam,
undated |
|
32 |
|
Music 2000, instrumentation, Assignments and Class
Notes,
1984-1994 |
|
33 |
|
Music 4301, Advanced Orchestration, Class notes,
2001 |
|
34 |
|
Music 4301-012:Test Materials,
1999-2001 and undated |
|
35 |
|
Music 7000, Assignments,
undated |
|
36 |
|
Music Building Committee: Music Theory Description of
Classes,
1968 and undated |
|
37 |
|
Music Catalogues,
1983-2002 and undated |
|
38 |
|
Music Composition Syllabus,
2004 |
|
39 |
|
Music Composition, syllabus,
undated |
|
40 |
|
Music Composition 5312, class notes,
1995-2003 |
|
41 |
|
Music Composition 5312: Class notes,
1997 and undated |
|
42 |
|
Music Composition 5312, Class notes,
2004-2007 and undated |
|
43 |
|
Music Composition 5312: Compositions for study: Adam,
Adolphe-Mendelssohn, Felix,
undated |
|
44 |
|
Music Composition 5312: Compositioins for study;
Mihaly, Hajda- Stravinsky, Igor,
undated |
| box |
item |
| 13 |
1 |
|
Music Composition 5312: Composition for Study;
Tchaikovsky, Peter-Webern, Anton,
undated |
|
2 |
|
Music Composition 5312: compositions for Study; unknown
composer,
undated |
|
3 |
|
Music Composition 5312: Holst, Gustave, The Planets,
scores and notes,
1997 and undated |
|
4 |
|
Music Composition 5312: Molenaar Edition Wormerveer
Holland,
1997 |
|
5 |
|
Music Composition 5312: Orchestration, Copies from
Books (1 of 2),
undated |
|
6 |
|
Music Composition 5312: Orchestration, Copies from
Books (2 of 2),
undated |
|
7 |
|
Music Composition 5312: Reduction Projects (1 of 2),
undated |
|
8 |
|
Music Composition 5312: Reduction Projects (2 of 2),
undated |
|
9 |
|
Music Composition 5312: Reduction Assignments,
undated |
|
10 |
|
Music Composition 5312: Scoring Projects (1 of 2),
undated |
|
11 |
|
Music Composition 5312: Scoring Projects (2 of 2),
undated |
|
12 |
|
Music Composition 5312: Syllabi,
1996-2007 and undated |
|
13 |
|
Music Composition 5312: Test Materials,
1996-2005 |
|
14 |
|
Music Composition 5312: Test Materials,
2006-2007 and undated |
|
15 |
|
The Music Connoisseur,
1996 |
|
16 |
|
Music Contest,
1940-1950 |
|
17 |
|
Music Contest (copies),
1940-1950 |
|
18 |
|
Music Department Faculty:Meeting Minutes and
Information,
1996 and undated |
|
19 |
|
Music Executive Committee (1 of 2),
1970-1973 |
|
20 |
|
Music Executive Committee (2 of 2),
1970-1973 |
|
21 |
|
Music Executive Council,
1969-1971 |
|
22 |
|
Music Executive Council,
1970-1973 |
|
23 |
|
Music Executive Council, Memos and Meeting Minutes,
1968-1970 |
|
24 |
|
Music Faculty Directory,
undated |
| box |
item |
| 14 |
1 |
|
Music Graduate Committee (1 of 2),
1971-1973 |
|
2 |
|
Music Graduate Committee (2 of 2),
1971-1973 |
|
3 |
|
Music History and Literature Curriculum,
undated |
|
4 |
|
Music in Texas Studies,
1965 and undated |
|
5 |
|
Music of Enchantment: Orchestral Parts,
1997 |
|
6 |
|
Music Theory: Syllabi,
undated |
|
7 |
|
Music Theory 131: Class Schedule,
undated |
|
8 |
|
Music Library Committee: Meeting Minutes and
Information,
1993-1994 |
|
9 |
|
Music Theory 131: Test Materials,
1968-1969 and undated |
|
10 |
|
Music Theory 143 Section 1: Dictation Final,
undated |
|
11 |
|
Music Theory 333-1: Test Materials,
1980-1982 |
|
12 |
|
Music Theory 333 and 334: Test Materials and Notes,
1973-1986 and undated |
|
13 |
|
Music Theory 3303: Form, Analysis and Synthesis, Class
Notes,
2003-2004 |
|
14 |
|
Music Theory 3303: Form, Analysis and Synthesis,
Composition, Beethoven- Schumann,
Undated |
|
15 |
|
Music Theory 3303: Form, Analysis and Synthesis, Scores
and Notes,
undated |
|
16 |
|
Music Theory 3303: Form, Analysis, and Synthesis,
Syllabi,
undated |
|
17 |
|
Music Theory 3303: Form, Analysis and Synthesis, Test
Materials (1 of 2),
1981-1989 and undated |
|
18 |
|
Music Theory 3303: Form, Analysis and Synthesis, Test
Material (2 of 2),
1981-1989 and undated |
|
19 |
|
Music Theory 3308: Contemporary Techniques, Syllabus,
1995 |
|
20 |
|
Music Theory 4301-012, Syllabus,
undated |
|
21 |
|
Music Theory 4305, Modal Counterpoint, Syllabus, Class
notes, Exams and Assignments,
1996 |
|
22 |
|
Music Theory 4307, Tonal Counterpoint, Syllabus, Class
Notes and Assignments,
1991 |
|
23 |
|
Music Theory 5301 and 5302 (styles): Test Materials (1
of 2),
1980-1985 and undated |
|
24 |
|
Music Theory 5301 and 5302 (styles): Test Materials (2
of 2),
1980-1985 and undated |
|
25 |
|
Music Theory 5303: Class Materials,
undated |
|
26 |
|
Music Theory 5303: Class Notes,
1993-2000 |
|
27 |
|
Music Theory 5303: Class Notes,
2001-2005 |
|
28 |
|
Music Theory 5303: Class Notes,
2006-2007 |
|
29 |
|
Music Theory 5303: Compositions, Anonymous- Haydn,
Franz Joseph,
undated |
| box |
item |
| 15 |
1 |
|
Music Theory 5303: Compositions, Anonymous and Multiple
Composers,
undated |
|
2 |
|
Music Theory 5303: Compositions, Josquin Desprez,
undated |
|
3 |
|
Music Theory 5303: Syllabi,
1990-2007 |
|
4 |
|
Music Theory 5303: Syntheses Assignments,
undated |
|
5 |
|
Music Theory 5303: Test Materials,
1983-1988 |
|
6 |
|
Music Theory 5303: Test Materials,
1989-1995 |
|
7 |
|
Music Theory 5303: Test Materials,
1996-2000 |
|
8 |
|
Music Theory 5303: Test Materials,
2001-2007 |
|
9 |
|
Music Theory 5303: Test Materials,
undated |
|
10 |
|
Music Theory 5303 and 5304: Burkhart, Charles,
Anthology for Musical Analysis, Third Edition (1 of 3),
1979-2007 |
|
11 |
|
Music Theory 5303 and 5304: Burkhart, Charles,
Anthology for Musical Analysis, Third Edition (2 of 3),
1979-2007 |
|
12 |
|
Music Theory 5303 and 5304: Burkhart, Charles,
Anthology for Musical Analysis, Third Edition (3 of 3),
1979-2007 |
|
13 |
|
Music Theory 5304: Class Materials,
1975-1996 |
|
14 |
|
Music Theory 5304: Class Notes,
1989-1998 |
|
15 |
|
Music Theory 5304: Class Notes,
2000-2003 |
|
16 |
|
Music Theory 5304: Class Notes,
2004-2008 |
|
17 |
|
Music Theory 5304: Compositions, Anonymous,
undated |
|
18 |
|
Music Theory 5304: Compositions; Babbitt,
Milton-Baltok, Bela,
undated |
|
19 |
|
Music Theory 5304: Compositions; Beethoven, Ludwig
von-Griffes, Charles,
undated |
| box |
item |
| 16 |
1 |
|
Music Theory 5304: Compositions; Hindemith, Paul-
Stevens, Halsey,
undated |
|
2 |
|
Music Theory 5304: Compositions; Stravinsky, Igor-
Wagner, Richard,
undated |
|
3 |
|
Music Theory 5304: Compositions; Webern, Anton,
undated |
|
4 |
|
Music Theory 5304: Syllabi,
1992-2008 |
|
5 |
|
Music Theory 5304: Test Materials,
1971-1986 |
|
6 |
|
Music Theory 5304: Test Materials,
1987-1995 |
|
7 |
|
Music Theory 5304: Test Materials,
1997-2004 |
|
8 |
|
Music Theory 5304: Test Materials,
1999-2001 |
|
9 |
|
Music Theory 5304: Test Materials,
undated |
|
10 |
|
Music Theory 5304: Test Materials,
undated |
|
11 |
|
Music Theory and Composition: Master of Music Degree
Plans,
2000 |
|
12 |
|
Music Theory Division: Meeting Minutes and Information,
1990-1997 and undated |
|
13 |
|
Musicology 202: History and Development of Spanish
Theater Music, Outline,
undated |
|
14 |
|
National Guild of Piano Teachers: Guild Syllabus,
1965 |
|
15 |
|
National Intercollegiate Band,
1979-1982 |
|
16 |
|
National Intercollegiate Band, Programs and Article,
1981-1984 |
|
17 |
|
New Composition Degrees: BM and MM,
1973 |
|
18 |
|
New Grove Dictionary of Music and Musicians,
Correspondence and Article,
1998-2001 |
|
19 |
|
New Grove Dictionary of Music and Musicians: van
Appledorn Article,
undated |
|
20 |
|
New York City Ballet, American Music Festival,
1988 |
|
21 |
|
New York City Ballet, American Music Festival,
1988 |
|
22 |
|
New York City Ballet, American Music Festival, Program,
1988 |
|
23 |
|
New York City Ballet, American Music Festival,
Programs,
1988 |
|
24 |
|
New York City Ballet, American Music Festival,
Programs, Correspondence and Articles,
1988 |
|
25 |
|
Newsletters,
1983-1984 |
|
26 |
|
Newsletter Articles,
1994-1995 |
|
27 |
|
Newsletter: Department of Art,
1987-1988 |
|
28 |
|
Newspaper Articles,
1959-1973 and undated |
|
29 |
|
Newspaper Articles,
1976-1996 and undated |
|
30 |
|
Newspaper Articles,
1980-1985 |
|
31 |
|
Newspaper Articles,
1995 and undated |
|
32 |
|
Newspaper Articles,
2000 and undated |
|
33 |
|
Newspaper Articles and Reviews,
1980-1992 and undated |
|
34 |
|
Newspaper Articles; Honors and Awards,
1973-1982 and undated |
|
35 |
|
Newspaper Articles; Performances,
undated |
|
36 |
|
Newspaper Articles; Personal Interest,
1966-1979 |
| box |
item |
| 17 |
1 |
|
North Texas State University: School of Music Graduate
Admissions Exam,
undated |
|
2 |
|
Notes,
1986-2006 and undated |
|
3 |
|
Notes,
1991-1995 and undated |
|
4 |
|
Notes and Memos,
1999-2004 and undated |
|
5 |
|
Notes: scales and chords,
undated |
|
6 |
|
Olson, Kenneth: Resume,
1986 |
|
7 |
|
Opus One,
1979-1980 |
|
8 |
|
Opus One,
undated |
|
9 |
|
Opus One: Record Announcements,
1980 and undated |
|
10 |
|
Passacaglia and Chorale for Orchestra: Orchestral
Parts,
1973 |
|
11 |
|
Passacaglia and Chorale for Orchestra: Set of Parts,
1973 |
|
12 |
|
Passages III for Clarinet, Cello and Piano: Score,
undated |
|
13 |
|
Passages III for Clarinet, Violin, Cello and Piano:
Score and Parts,
2003 |
|
14 |
|
Patterns for Tuba and Euphonium: Score (3 copies),
1978 |
|
15 |
|
Paul Whitfield Horn Professor, Correspondence,
1989 |
|
16 |
|
Pellerite, James; Article and Programs,
1997 |
|
17 |
|
Periodicals Catalogued in the Sibley Music Library,
1958 |
|
18 |
|
Personal Notes,
1979 and undated |
|
19 |
|
Personal Notes,
1983 and undated |
|
20 |
|
Peter Quince at the Clavier: Full Score (2 copies),
1958 |
|
21 |
|
Ph. D. in fine Arts: Major Area Examination
(theory-composition),
1987 |
|
22 |
|
Ph. D. in Fine Arts: Qualifying Examination,
undated |
|
23 |
|
Phi Mu Alpha and Mu Phi Epsilon Banquet,
1991 |
|
24 |
|
Photographs (50),
1912-2003 |
|
25 |
|
Photographs (1),
undated |
|
26 |
|
Phi Kappa Lambda,
1997 |
|
27 |
|
Piano Concerto: Parts,
undated |
|
28 |
|
Planner,
1975 |
|
29 |
|
Planner,
1977 |
|
30 |
|
The Podium,
1982-1984 |
|
31 |
|
Postnikoff, Melissa: Graduate Lecture Recital Program
(1 photo),
1986 |
|
32 |
|
Prelude for Piano: Score (2 copies),
1948 |
|
33 |
|
Program Notes,
1984-2003 |
|
34 |
|
Programs,
1951-1972 and undated |
|
35 |
|
Programs,
1953-1977 |
|
36 |
|
Programs,
1959 |
|
37 |
|
Programs,
1959-1988 |
|
38 |
|
Programs,
1972-1988 |
|
39 |
|
Programs,
1976-2008 and undated |
|
40 |
|
Programs,
1978-1981 |
|
41 |
|
Programs,
1980-1984 |
|
42 |
|
Programs,
1980-1988 |
| box |
item |
| 18 |
1 |
|
Programs,
1982-1985 |
|
2 |
|
Programs,
1990-1997 |
|
3 |
|
Programs,
1992-2000 |
|
4 |
|
Programs,
1999-2008 |
|
5 |
|
Programs and Posters,
1992-1996 and undated |
|
6 |
|
Programs; Lubbock, TX,
1950-1952 |
|
7 |
|
Programs; Other Artists,
1960 |
|
8 |
|
Publication List (2 copies),
1958-1977 |
|
9 |
|
Qualifying Examination Materials,
1974-1997 and undated |
|
9B |
|
Queen Elizabeth Music Competition,
1997 |
|
10 |
|
Recent Performances,
1998 |
|
11 |
|
Record Album Cover,
1981 |
|
12 |
|
Record Sleeve Copies,
1979-1986 |
|
13 |
|
Record Sleeve Copies,
1981-1985 |
|
14 |
|
Recording Clinic,
undated |
|
15 |
|
Reeds Afire: B-flat clarinet part,
undated |
|
16 |
|
Report: How Contemporary Techniques May be Brought Into
Undergraduate Level College Curriculum,
undated |
|
17 |
|
Research Bibliographies,
undated |
|
18 |
|
Resume and Vita,
undated |
|
19 |
|
Rhapsody for Trumpet and Harp: Score (2 copies) aand
Part (2 copies),
1994 |
|
20 |
|
Rhapsody for Violin and Orchestra: Orchestral Parts (1
of 2),
undated |
|
21 |
|
Rhapsody for Violin and Orchestra: Orchestral Parts (2
of 2),
undated |
|
22 |
|
Rhapsody for Violin and Orchestra: Set of Parts
(copies) (1 of 2),
undated |
|
23 |
|
Rhapsody for Violin and Orchestra: Set of Parts (copies
) (2 of 2),
undated |
|
24 |
|
Rhapsody for Violin and Orchestra: Set of Parts (ready
for xerox) (1 of 2),
undated |
|
25 |
|
Rhapsody for Violin and Orchestra: Set of Parts (ready
for xerox) (2 of 2),
undated |
|
26 |
|
Robinson, Susan: Dissertation Proposal,
undated |
|
27 |
|
Russo, John: Correspondence and Letters of
Recommendation,
1992-1996 |
|
28 |
|
Schedules,
1999-2008 and undated |
|
29 |
|
Schirmer Guide to Schools of Music and Conservatories
Throughout the World, Texas Tech,
1988 |
|
30 |
|
School of Music Calandars,
1984-1989 |
|
31 |
|
School of Music, Publications,
1997-2008 |
|
32 |
|
School of Music: Strategic Plan,
2001 |
|
33 |
|
School of Music World Music Symposium, Abstract,
2001 |
|
34 |
|
Schubel, Max: Concerto for Trumpet Recording Project,
1983-1985 |
|
35 |
|
Schubel, Max: Correspondence,
1978-1980 |
|
36 |
|
Scrapbooks: Various Composer Newspaper Clippings
(copies), (1 of 2),
1949-1955 and undated |
|
37 |
|
Scrapbooks: Various Composer Newspaper Clippings
(copies), (2 of 2),
1949-1955 and undated |
|
38 |
|
Scrapbook from Rogers family, 1989-1999 (5 photos),
|
|
39 |
|
Seabird Studio: Burton Awards,
2000-2002 |
|
40 |
|
Secondary Piano Grade Requirements,
undated |
|
41 |
|
Set of Fire for Piano,
1952 |
|
42 |
|
Shake Hands With Your Future,
1984 |
|
43 |
|
Sky Bells: Score,
undated |
|
44 |
|
Society for New Music,
undated |
|
45 |
|
Society of Composers, Incorporated,
2002 |
|
46 |
|
Society of Composers, Incorporated: Newsletters,
1991-1993 |
|
47 |
|
Society of Composers, Inc., Region VIII New Music
Festival, Washington State University,
1992 |
|
48 |
|
Society News,
undated |
|
49 |
|
Sonata for Trumpet, First Movement: Score,
1960 |
| box |
item |
| 19 |
1 |
|
Sonatine for Clarinet and Piano: Score and Clarinet
Part (2 copies),
1988 |
|
2 |
|
Songs Without Words: Score (5 copies),
2000 |
|
3 |
|
Sonic Mutation for Harp,
1986 |
|
4 |
|
Sonic Mutation for Harp: Score (7 copies),
1986 |
|
5 |
|
Sonnet for Organ: Score,
1958 |
|
6 |
|
Sonnet for Organ: Score,
undated |
|
7 |
|
Soundscapes for Bassoon and Strings: Score and Parts,
2002 |
|
8 |
|
South Plains Music Teachers’ Association:
Student Affiliate Teachers’ Guide, 1961,
|
|
9 |
|
Southwest Collection Documents,
2000 |
|
10 |
|
Southwestern Composers Journal (2 copies),
1954 |
|
11 |
|
Southwestern Composers Journal,
1955-1956 |
|
12 |
|
Space Reservation Request Forms,
2006-2008 |
|
13 |
|
Spirit Divine for Chorus and Organ: Score (3 copies),
1986 |
|
14 |
|
Student Data Sheets and Placement Tabs,
1981 and undated |
|
15 |
|
Summary of Post-College Activities,
1953 |
|
16 |
|
Symphony for Percussion Orchestra: Score (2 copies),
2000 |
|
17 |
|
Symphony for Percussion Orchestra: Score (incomplete),
undated |
|
18 |
|
Symposium of Contemporary Music, Correspondance and
Information,
1970 and undated |
|
19 |
|
Symposium of Contemporary Music, Programs,
1965-1982 |
|
20 |
|
Symposium of Contemporary Music , Programs (one photo),
1965-1983 |
|
21 |
|
Symposium of Contemporary Music: Programs,
1969-1981 |
|
22 |
|
Symposium Posters,
1981 |
|
23 |
|
Tau Beta Sigma: Membership Certificate,
1951 |
|
24 |
|
Tau Beta Sigma: Outstanding Service to Music Award,
1981 |
|
25 |
|
Teaching Schedules,
1996-2008 and undated |
|
26 |
|
Teaching Schedules,
2005-2008 and undated |
|
27 |
|
Tears for Mixed Chorus: Score (2 copies),
1960 |
|
28 |
|
Test Materials: Form and Composition Mideterm,
Impressionism,
undated |
|
29 |
|
Texas Composers Catalog,
1974 |
|
30 |
|
Texas Federation of Music Clubs,
1980 |
|
31 |
|
Texas Symposium of Contemporary Music Award,
undated |
|
32 |
|
Texas Tech: Class Notes,
1947 and undated |
|
33 |
|
Texas Tech: Class Notes, Analytical Technique 201 and
202 (1 of 2),
1948-1949 |
|
34 |
|
Texas Tech: Class Notes, Analytical Technique 201 and
202 (2 of 2),
1948-1949 |
|
35 |
|
Texas Tech: Class Notes, Theory 147 (1 of 2),
undated |
|
36 |
|
Texas Tech: Class Notes, Theory 147 (2 of 2),
undated |
|
37 |
|
Texas Tech University: Code of Student Affairs and Rules
and Regulations,
1970-1971 |
|
38 |
|
Texas Tech University: Commencement Program,
1973 |
| box |
item |
| 20 |
1 |
|
Texas Tech University: Concert Programs and Posters,
1992-2002 |
|
2 |
|
Texas Tech University: Correspondence and Contract,
1950 |
|
3 |
|
Texas Tech University: Doctoral Entrance Placement
Exams,
1985 and undated |
|
4 |
|
Texas Tech University: Doctoral Oral Exam Material,
1997 and undated |
|
5 |
|
Texas Tech University: Graduate Music Theory Test,
1984 and undated |
|
6 |
|
Texas Tech University: Lower Division Music Theory,
1969 |
|
7 |
|
Texas Tech University: Master of Music Oral Exam
Material,
undated |
|
8 |
|
Texas Tech University: MLT, MTH Budget,
1970-1973 |
|
9 |
|
Texas Tech University: Music Department, Newspaper
Articles,
1952-1982 and undated |
|
10 |
|
Texas Tech University: News and Publications,
1981-1982 |
|
11 |
|
Texas Tech University: Ph.D. in Fine Arts Major Area
Examination (theory-composition),
1986-1999 |
|
12 |
|
Texas Tech University: Ph. D. in Fine Arts: Music
Composition Exam,
1998 and undated |
|
13 |
|
Texas Tech University: Qualifying Examinations for Ph.
D. in Fine Arts (Music),
1979-1990 and undated |
|
14 |
|
Texas Tech University: Ph. D. in Fine Arts Qualifying
Exam: Music Theory,
1984-1986 and undated |
|
15 |
|
Texas Tech University: Policies and Salary,
1982 |
|
16 |
|
Texas Tech University: Student Handbook,
1970-1971 |
|
17 |
|
Texas Tech University: Tenure Policy,
1984 |
|
18 |
|
Texas Technological College: Graduate School Study,
1968 |
|
19 |
|
Texas Techsan,
November/December 2002 |
|
20 |
|
Theory 333: Form and Composition: Notes, Syllabus,
Assignments (1 of 2),
1960-1961 and undated |
|
21 |
|
Theory 333: Form and Composition: Notes, Syllabus,
Assignments (2 of 2),
1960-1961 and undated |
|
22 |
|
Theory Department Surveys,
1995 and undated |
|
23 |
|
Thesis/Dissertation Instructional Materials,
1980 and undated |
|
24 |
|
Thew, Warren: “Times and Seasons, Poems and
Drawings”,
1994 |
|
25 |
|
Third Movement,
1960 |
|
26 |
|
Three for Two: Score (3 copies),
1989 |
|
27 |
|
TMEA Convention Presentation: “Accidental
Benefits”,
1989-1990 |
|
28 |
|
Toland, Litchard: A Key to Notes,
1956 |
|
29 |
|
Topeka High School (2 photos),
1945-1986 |
|
30 |
|
Topeka High School: Alumni Directory,
2001 |
|
31 |
|
Transcripts,
1966 |
|
32 |
|
Trumpet Concerto, Second Movement: Orchestral Parts
(incomplete),
undated |
|
33 |
|
Twenty-fifth International Trombone Festival: Program,
1996 |
|
34 |
|
Twenty-seventh Symposium of Contemporary Music,
Correspondence and Information,
1977-1978 |
|
35 |
|
Twenty-Eighth Symposium of Contemporary Music,
Correspondence and Information,
1978-1979 |
|
36 |
|
Twenty-Ninth Symposium of Contemporary Music,
Correspondence and Information,
1979-1980 |
|
37 |
|
Thirtieth Symposium of Contemporary Music,
Correspondence and Information,
1980-1981 |
| box |
item |
| 21 |
1 |
|
Thirty-First Symposium of Contemporary Music,
Correspondence and Information,
1981-1982 |
|
2 |
|
Two Shakespeare Songs: Score (19 copies),
1979 |
|
3 |
|
United States Copyright Law, Guide for Music Educators,
1978 |
|
4 |
|
University of Oklahoma: Correspondence,
1953 |
|
5 |
|
University of Rochester: Centennial Issue of the
Alumni-Alumnae Review (one photo),
1950 |
|
6 |
|
University of Rochester: Commencement Ceremony,
1966 |
|
7 |
|
van Appledorn, John and Elizabeth: Marriage License and
Memory Book,
1914-1944 |
|
8 |
|
van Appledorn, Mary Jeanne: Baby Book and Birth
Certificate,
1927 |
|
9 |
|
van Appledorn, Mary Jeanne: Website printouts,
1999 |
|
10 |
|
van Appledorn, Ruth,
1940-1951 and undated |
|
11 |
|
van Appledorn, Ruth: Correspondence (9 photos, 1
slide),
1964-1996 and undated |
|
12 |
|
van Appledorn, Ruth: Functional Piano for the College
Student,
undated |
|
13 |
|
van Appledorn, Ruth: Last Will and Testament,
1983 |
|
14 |
|
van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Book 1, Draft,
1992 |
|
15 |
|
van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Introduction and Lessons 1 and 2,
1991 |
|
16 |
|
van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 1, Proof,
1992 |
|
17 |
|
van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 2, Proof,
1992 |
|
18 |
|
van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 3, Proof,
1991 |
|
19 |
|
van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 4, Proof,
1991 |
|
20 |
|
van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 5, Proof,
1991 |
|
21 |
|
van Appledorn, Ruth and Mary Jeanne: Steps to
Musicality Through Piano, Lesson 6, Proof,
1991 |
|
22 |
|
Vaughan, Mary Ann, Educational Research,
1965-1969 |
|
23 |
|
Voice Division: Minutes of Meetings,
1968-1969 |
|
24 |
|
Wagner, Joseph: Workbook for Orchestration: A Practical
Handbook,
1959 |
|
25 |
|
Walt Whitman Music Library: List of Composers,
1991 |
|
26 |
|
Web Pages,
1995-1996 |
|
27 |
|
West Texas Suite: Full Score,
1976 |
|
28 |
|
Westney, William: Recital Photos,
undated |
|
29 |
|
Who’s Who and Directory Inclusions,
1949-2004 |
|
30 |
|
Who’s Who in America: Article,
2000 |
|
31 |
|
Who’s Who Inclusions,
1965-2006 |
|
32 |
|
Women and the Creative Field in Music,
undated |
|
33 |
|
Women Band Directors National Association,
1980 |
|
34 |
|
Women in American Music: A Bibliography: List on
Compositions for Inclusion,
undated |
|
35 |
|
Women’s Studies 4300: Syllabus,
undated |
|
36 |
|
Wm. C. Brown Book Company: Correspondence and Contract,
1965-1977 and undated |
|
37 |
|
YWCA Women of Excellence Award,
2003 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Oversized Materials |
| box |
item |
| 1 |
1 |
|
Architectonics: Sketches; Architecure Pictures,
Magazine; Original composition sketches; Composition contest advertisements;
Various articles; Newsletters; Drafts of Chord/Scale Structure,
1989? |
|
2 |
|
Atmospheres for Trombone Ensemble; Full Set of 12 Parts
and Score; Correspondence and Contract with publisher, Thompson Edition,
Inc.(2002); Final Copy of Score and Parts;
1993 |
|
3 |
|
Ayre for Strings, Viola da Gamba Consort, Clarinet or
Saxophone Choir; String Orchestra Score; Copy of Score and Parts from
Publisher, Southern Music Company, Corrected and Bowed Parts, Ready to Copy
(1994); Handwritten Score and Copy,
1989 |
|
4 |
|
Ayre String Orchestra Score and Parts,
1989 |
|
5 |
|
Ayre for Viola da Gamba Consort, Full Score and Six
Parts,
1989 |
| box |
item |
| 2 |
1 |
|
Ayre Music in Six Parts for Strings, Commissioned by
Texas Music Teachers Assocition (59 Copies – various parts),
1989 |
|
2 |
|
Azaleas for Flute, Baritone Voice and Piano, To Kyung
Wook Shin and Michael Stoune, Score/Parts (5 Copies),
1980 |
|
3 |
|
Blow, Blow Thou Winter Wind for Mixed Chorus, To Dr.
Gene L. Hemmle and The Texas Tech Choir, Full Score,
1951 |
|
4 |
|
Burlesca for Piano, Brass and Snare Drum; Full Score (2
Copies); Dark Full Score,
1951 |
| box |
item |
| 3 |
1 |
|
Cacophony for Wind Ensemble, Commissioned by Women Band
Directors National Association; Sketches; Full Score; Letter from Dr. van
Appledorn,
1980 |
|
2 |
|
Cacophony for Wind Ensemble, Full Score
1980 |
|
3 |
|
Cacophony for Wind Ensemble, Full Parts (Excluding:
E-flat Clarinet, Alto Clarinet, E-Flat Contra-Alto Clarinet, Contra Bassoon,
and Percussion),
1980 |
|
4 |
|
Cacophony for Wind Ensemble, Percussion Score and Parts,
(See Oversize 8),
1980 |
|
5 |
|
Cantata: “Rising Night After Night” for
Chorus, Soloists and Orchestra ; Sketches; Pencil Score with Edits (See
Oversize 7),
1978 |
|
6 |
|
Cantata: “Rising Night After Night” for
Chorus, Soloists and Orchestra; Bound Copy of Score; Loose Pages of Score;
Copies of Libretto (See Oversize 7),
1978 |
|
7 |
|
Caprice for Carillon, Original Score (handwritten) and
copy,
December 9, 1987 |
|
8 |
|
Celestial Clockwork for Carillon, Commissioned by and
Inscribed to Dr. Judson D. Maynard; Full Score (2 copies); Letters from
Publisher (American Carillon Music Editions); Publishing Contract (January 18,
1985),
1983 |
|
9 |
|
Cellano Rhapsody for Violoncello and Piano, Inscribed
to Salvatore Silipigni, Duquesne University; Full Scores (4 Copies); Sets of
Parts (3 Piano Copies and 4 Cello Copies),
1947 |
|
10 |
|
Chants and Timbre; Sketches, Unfinished,
undated |
| box |
item |
| 4 |
1 |
|
A Choreographic Overture for Band, To William Francis
McBeth; Full Score (2 Copies),
1957 |
|
2 |
|
A Choreographic Overture for Band; Full Set of Parts,
1957 |
|
3 |
|
A Choreographic Overture for Band; Full Score and Full
Set of Parts,
1957 |
|
4 |
|
Communique, Song Cycle Based on the Poems of Everett
A. Gillis, Inscribed to Judith Klinger; Full Score (3 Copies),
1960 |
|
5 |
|
Concerto for Guitar; Sketches; Score Fragment,
2007 |
|
6 |
|
Concerto for Trumpet and Orchestra; Sketches; Score
Fragment
unknown |
|
7 |
|
Concerto for Trumpet; Orchestration edited by Mark
Rogers
unknown |
|
8 |
|
Concerto for Trumpet and Band; Full Score
unknown |
|
9 |
|
Concerto for Trumpet and Band; Score with Edits
1961 |
|
10 |
|
Concerto for Trumpet and Band; Score
1977 |
|
11 |
|
Concerto for Trumpet and Band; Score
1986 |
| box |
item |
| 5 |
1 |
|
Concerto for Trumpet, Cadenza by Robert Birch;
Sketches; Copies of Cadenza in Score,
1960 |
|
2 |
|
Concerto for Trumpet and Band; Full Score (2 Copies);
First Movement of Score; Piano Obligato Part; Manuscript Wire Bound Score with
Notes, Miscellaneous Notes on Back Cover; Poster in a Foreign Language;
Article; Sketches and Notes; Lists of Part Requirments,
1960 |
|
3 |
|
Concerto for Trumpet and Band; Parts,
1960 |
|
4 |
|
Concerto for Trumpet and Orchestra; Parts,
1960 |
|
5 |
|
Concerto for Trumpet and Piano, Prepared by Mark
Rogers; Posters from Performance in USSR (1986); Proof of Score; Copies of
Manuscript Score; Trumpet Parts,
1960 |
|
6 |
|
Concerto Brevis for Piano and Orchestra; Full Score (3
Copies); Piano Score,
1954 |
|
7 |
|
Contrasts for Piano; Manuscript with Notes; Manuscript
for Publisher; Contract; Published Score,
1947 |
|
8 |
|
Cornucopia for Solo Trumpet; Manuscript of Part and 2
Copies; 2 Copies of Part from Publisher,
1988 |
|
9 |
|
Cycles of Moons and Tides for Symphonic Band; Full
Score; 6 Copies,
1995 |
| box |
item |
| 6 |
1 |
|
Cycles of Moons and Tides for Band; Work Revisions;
Score,
1995 |
|
2 |
|
Cycles of Moons and Tides for Band; Work Revisions of
Parts,
1995 |
|
3 |
|
Cycles of Moons and Tides for Band; Performing Parts
(No Percussion),
1995 |
|
4 |
|
Cycles of Moons and Tides for Band; Full Score,
1995 |
|
5 |
|
Danza Incantations de Espana, Vocal Octet, Ballet;
Piano and Percussion Score; Full Score (2 Copies);
1979 |
|
6 |
|
Dearest Thou Now, O Soul for Women’s Chorus and
Organ; Copy of Published Score from Manuscript; Published Score (2 Copies),
1975 |
|
7 |
|
Elegy for Pepe (1964-77) for Piano; Work Revisions;
Manuscript Score (2 Copies),
1982 |
|
8 |
|
Fantasia for Piano, Inscribed to Eugenio Zapata;
Sketches, Work Score; Manuscript Score and Copy of First Page,
2004 |
|
9 |
|
Festive Bells for Carillon, Inscribed to Dr. C. Roy
Wilson; Work Scores; Manuscript Score,
2005 |
|
10 |
|
Festive Fanfare and Postlude for 12 Trumpets and
Percussion; Correspondence to/from Office of the Provost; Set of Parts (4
Copies); Full Score,
2001 |
|
11 |
|
Five Psalms for Trumpet, Tenor Voice, and Piano;
Sketches, Notes, Copies of Psalms; Manuscript Score; Bound Copies of Manuscript
Score (2); Proofs of Score from Publisher; Published Score and Part,
1998 |
|
12 |
|
Four Duos for Alto Saxophones; Manuscript Score and
Copy; Contract from Publisher; Overhead Transparency Score,
1984 |
|
13 |
|
Four Duos for Viola and Cello; Manuscript Score;
Copies of Manuscript Score (3); Published Score (2),
1985 |
| box |
item |
| 7 |
1 |
|
Fraulein Else, Opera for Television and/or Electronic
Performance, Kim Smith, Libretto; Copy of Libretto; Bound Copy of Libretto;
Correspondence; Notes; Sketches,
1986 |
|
2 |
|
Freedom of Youth for Speaker and Synthesizer;
Documents; Copies of Score (5); Manuscript Working Score,
1986 |
|
3 |
|
Galilean Galaxies for Flute, Bassoon and Piano;
Magazine Article with Notes; Sketches; Manuscript Score with Edits; Manuscript
Score; Copies of Manuscript Score (3); Publishing Contract; Proofs of Published
Score and Parts; Published Score (2 Copies); Published Parts,
1998 |
|
4 |
|
Gestures for Clarinet Quartet; Correspondence and
Information from United States Naval Academy Band Clarinet Quartet;
Sketches/Notes; Copy of Manuscript Parts; Manuscript Score; Copies of
Manuscript Score (3); Correspondence and Proofs from Publisher; Published Score
and Parts,
1999 |
|
5 |
|
Hebraic Poem for Flute, Clarinet, Viola and Piano;
Manuscript Score; Manuscript Viola Part,
1957 |
|
6 |
|
I Hear America Singing for Voice and Piano; Full
Scores (2 Copies),
1952 |
|
7 |
|
Incantations for Oboe and Piano; Manuscript Score and
Copies; Published Score and Oboe Part (2 Copies),
1998 |
|
8 |
|
Incantations for Trumpet and Piano, Inscribed to
Daniel Kiser; Full Score and Part, Published Edition; Handwritten Score, edited
by Daniel Kiser, and Letter from Daniel Kiser; Score and Parts (2 Copies),
Bound,
1992 |
|
9 |
|
Introduction and Allegro, Inscribed to Kirsten Yon and
Sigurd Øgaard; Handwritten Program Notes and Score; First Proof of Score
from Editor,
2007 |
| box |
item |
| 8 |
1 |
|
Jason’s Tune for Cornet and Piano, Melody by
Jason Hamilton, Arranged by Mary Jeanne van Appledorn; 3 Full Scores (2
Handwritten, 1 Bound),
December 19, 1992 |
|
2 |
|
Legacy, for Bass Baritone Voice and Piano, Text by Kay
Scully; 4 Full Scores (1 Handwritten, 3 Copies); Text (3 Copies); Handwritten
Score with Edits; Card from Kay Scully,
1995 |
|
3 |
|
Les Hommes Vides, for Unaccompanied SATB Chorus; Score
and Program Notes (4 Copies); Handwritten Copies of Score (2 Copies) and Copies
of Poem from Book (2); Copy of Score with Edits; Parts of Score with Edits,
1994 |
|
4 |
|
Les Hommes Vides; Correspondance; Letters and
Materials Concerning Copyright of T.S. Elliot Poem; List of Publishers and
Addresses; Contracts between publishers and van Appledorn,
1994-1997 |
|
5 |
|
Liquid Gold, Full Score, (Roll),
1982 |
|
6 |
|
Liquid Gold for E-flat Alto Saxophone and Piano, for
Dale Underwood; Multiple Copies of Score; Handwritten Manuscript of Score with
Edits,
1982 |
|
7 |
|
A Liszt Fantasie for Piano, to William Westney; Final
Published Score; Handwritten Notes, Sketches, Manuscript; Manuscript Sketches;
Manuscript Score; Copy of Manuscript,
1984 |
|
8 |
|
Love Divine, All Loves Excelling for Chorus and Organ;
Manuscript (original); 3 Copies of Full Score (1 Bound),
1988 |
|
9 |
|
LUX: Lengend of Sankta Lucia for Band, Harp,
Percussion and Handbells, Manuscript (Copy); First Page of Score (4 Copies);
Program Notes/Percussion Setup (4 Copies),
1981 |
|
10 |
|
LUX: Lengend of Sankta Lucia for Band, Harp,
Percussion and Handbells; Set of Parts,
1981 |
|
11 |
|
LUX: Lengend of Sankta Lucia for Band, Harp,
Percussion and Handbells; Pencil Score; Articles/Information about Saint Lucia;
Instrumentation Information; Program Notes; (See Oversize 8),
1981 |
| box |
item |
| 9 |
1 |
|
March for Band; Full Score (2 Copies),
undated |
|
2 |
|
Matrices for E-flat Alto Saxophone and Piano; Flier
with Sample Score Page; Copy of Instructions to Performer; Sketch Fragment;
Copies of Bound Score (2); Copy of Score with Notes; Full Score (3 Copies),
1979 |
|
3 |
|
Meliora: Fanfare for Orchestra; Full Score (2 Copes);
Set of Parts,
2000 |
|
4 |
|
Meliora, Symphony for Winds and Percussion; Full Score
(2 Copies); Sketches; Manuscript; First Proof (July 17, 2000)First Complete
Proof (August 5, 2001); First Proof (January 30, 2002); Second Proof (June 4,
2003); Last Proof (August 2003),
2002 |
|
5 |
|
Meliora, Symphony for Winds and Percussion; Full Score
(2 Copies); Set of Parts with Corrections Written in by Composer,
2002 |
|
6 |
|
The Memory of Splendid Music for Voice and Piano;
Final Published Full Score; Copy of Text; Manuscript; Copy of Manuscript;
Proofs with Notes and Edits by Composer,
2006 |
| box |
item |
| 10 |
1 |
|
Miniatures for Trombone Quartet; Published Score and
Parts; YWCA Women of Excellence Biography; Printouts from Publisher Website on
Ordering Information; Correspondence and Contract from Publisher; Manuscript
Score; Sketches; Notes; Copies of Parts from Manuscript; Card regarding
composition of piece,
2000 |
|
2 |
|
Mirrors for Flute, Clarinet and Piano; Program from
Premiere Performance; Manuscript of Full Score,
2004 |
|
3 |
|
Missa Brevis for Voice or Trumpet and Organ; 2 Copies
of Manuscript, (1 with notes by composer); Full Score (3 Copies); Copies of
Score with edits (2); Published Score; Score with Analysis; Notes; Letters from
Performers; Article from Lubbock Avalanche Journal,
1987 |
|
4 |
|
Missa Brevis for Brass Quintet; Full Score (3 Copies);
Set of Parts,
1987 |
|
5 |
|
Music of Enchantment for Native American Flute,
Strings, Percussion; Full Score, Manuscript,
1997 |
|
6 |
|
Music of Enchantment for Native American Flute, Piano
Reduction; Correspondence from James Pellerite; Manuscript Score; Proof of
Score from Publisher; Copy of Manuscript Part and Score; Copy of Manuscript
Score,
1997 |
|
7 |
|
Music of Enchantment for Native American Flute,
Strings and Percussion; Manuscript Parts (Copy of Native American Flute and
Percussion Parts),
1997 |
|
8 |
|
Musique for Trombone and Piano; Manuscript Sketches;
Manuscript Score and copies; Trombone Part (2 Copies),
2003 |
|
9 |
|
A Native American Mosaic for Native American Flute;
Manuscript Part and Copy, Copies of Published Parts; Correspondence between Dr.
van Appledorn and James Pellerite; Contract from Publisher,
1997 |
|
10 |
|
Octet for Bassoons; Manuscript Score with Edits; Full
Score, Manuscript; Copy of Parts,
2004 |
|
11 |
|
Paruassus, 15 Etudes for Euphonium in C;
Sketches/Notes; Manuscript Score, Bound Copy of Manuscript Score,
1990 |
|
12 |
|
Parquet Musique pour Clavecin; Copied Articles;
Manuscript Score; Copies of Manuscript Score (2); Source/Copies of Cover
Graphic,
1990 |
| box |
item |
| 11 |
1 |
|
Passacaglia and Chorale for Orchestra; Copy of
Manuscript Score; Full Set of Orchestra Parts (See Oversize 8),
1973 |
|
2 |
|
Passacaglia and Chorale for Orchestra; Partial Set of
Orchestra Parts,
1973 |
|
3 |
|
Passacaglia and Chorale for Orchestra; Full Set of
Orchestra Parts,
1973 |
|
4 |
|
Passacaglia and Chorale for Orchestra; 2 Copies of
Full Score (1 Bound); Partial Copy of Orchestra Parts,
1973 |
|
5 |
|
Passacaglia and Chorale, Transcribed for Band by Mark
Heidel (1987); Manuscript Score; Copies of Manuscript Score (1 Bound); Copies
of Original Parts; Manuscript Corrected Version of Parts (See Oversize 8);
1973 |
|
6 |
|
Passages for Trombone and Piano; Notes/Sketches;
Manuscript Score; Copies of Manuscript Score (2); Correspondence and Contract
to/from Publisher; Proofs of Score from Publisher; Bound Copies of Published
Score (2); Final Published Score and Trombone Part,
1996 |
|
7 |
|
Passages II for Trombone and Percussion;
Sketches/Notes; Manuscript Score; Correspondance and Contract to/from
Publisher; Proof from Publisher; Copy of Manuscript Score; Copies of Published
Score (2),
1997 |
| box |
item |
| 12 |
1 |
|
Passages III for Clarinet, Violoncello and Piano;
Letter Regarding Piece; Notes/Sketches; Score with Edits; Manuscript Score;
Copy of Manuscript Score; Published Score and Parts,
2003 |
|
2 |
|
Passages IV for Native American Flute and Strings
(unfinished); Partial Score with Sketches,
undated |
|
3 |
|
Patterns for Horn Quintet; Correspondence to/from
Publisher; Contract; Published Score and Parts; Manuscript Score; 2 Copies of
Manuscript Score; Manuscript Parts,
1956 |
|
4 |
|
Patterns, Arranged for Euphonium and Tuba; Manuscript
Score; 3 Copies of Manuscript Score,
undated |
|
5 |
|
Peter Quince at the Clavier for Women’s Chorus,
Narrator, Flute, Oboe, Horn and Piano; 2 Copies of Manuscript Score,
1958 |
|
6 |
|
Piano Pieces (6); Manuscripts with Edits; Published
Scores,
1960-1972 |
|
7 |
|
Posters,
1995-2008 |
|
8 |
|
Potpourri for Carillon; Letter Requesting Piece;
Carillon Composition Contest Information; Notes and Copies of French Songs;
Manuscripts with Edits; Copies of Manuscript; Final Score,
1996 |
|
9 |
|
Postcards to John for Guitar; Articles;
Sketches/Manuscripts with Edits; Score with Edits by John Scott Ford; Partial
Manuscripts; Complete Copy of Manuscript; Correspondence to/from Publisher;
Publishing Contract; Proofs from Publisher; Published Score,
1993 |
|
10 |
|
Reeds Afire for Clarinet and Bassoon; Sketches/Notes;
Manuscript Score; Printed Copies of Score (4); Printed Copies of Parts (3);
Bound Copies of Score (2); Correspondence and Contract from Publisher,
1994 |
|
11 |
|
Rhapsody for Trumpet and Harp; Notes; Manuscript with
Edits; Manuscript Score; Copy of Manuscript Score; 2 Copies of Published Score
and Part,
1993 |
|
12 |
|
Rhapsody for Violin and Orchestra; Sketches/Notes;
Copies of Manuscript Violin Part (2); Score with Edits; Manuscript Score; Copy
of Manuscript Score; Bound Copy of Score,
1996 |
| box |
item |
| 13 |
1 |
|
Rhapsody for Violin and Orchestra; Copies of String
Parts,
1996 |
|
2 |
|
Rhapsody for Violin and Orchestra; Copies of Wind and
Percussion Parts,
1996 |
|
3 |
|
Scenes from Pecos County for Piano; 2 Copies of
Published Score,
1972 |
|
4 |
|
Set of Five for Piano; Manuscript Score; 2 Copies of
Full Published Score; Toccata and Improvisation Published Scores,
1953 |
|
5 |
|
Shabat Shalom for Organ; Manuscript Score, Sketch;
Copy of Score; Published Score,
1992 |
|
6 |
|
Shakespeare Songs from “As You Like It”
for Mixed Chorus and Piano; Copies of Score from Manuscript (5); Correspondence
and Contract from Publisher; Published Score,
1953 |
|
7 |
|
Sketches and Working Notes; Fragments of Chamber Music
I; Sonic Beaches; Improvisation,
undated |
|
8 |
|
Skybells for Carillon; Letter to Publisher; Sketches,
Manuscripts with Edits; Manuscript Score, Copy of Manuscript Score (2);
Handwritten Copy of Score; Printed Score; Proof from Publisher; Published Score
(in Compilation),
1991 |
|
9 |
|
Soliloquy for Native American Flute, Shakuhachi and
Piano; Letter from Performer with Notes; Copy of Manuscript with Edits;
Manuscript Score; Copy of Manuscript Score; Bound Copy of Manuscript Score,
2004 |
|
10 |
|
Sonata for Guitar; Manuscript Score; Copy of
Manuscript Score; Bound Copy of Manuscript Score,
2003 |
|
11 |
|
Sonatine for Bassett Horn and Piano; Manuscript Score;
Copy of Bassett Horn Part from Manuscript; Bound Copy of Manuscript Score;
Bound Copy of Bassett Horn Part,
1988 |
|
12 |
|
Sonatine for Clarinet and Piano; Copies of Clarinet
Part from Manuscript (4); Copy of Score; Bound Copy of Score,
1988 |
| box |
item |
| 14 |
1 |
|
Songs Withouth Words for Two Sopranos and Piano;
Sketches/Notes; Manuscript Score; Copies of Manuscript Score (2); Proofs and
Contract from Publisher; Published Score,
1999 |
|
2 |
|
Sonic Mutation for Harp; Sketch; Manuscript Score
Edited by Gail Barber; Bound Copy of Manuscript Score; Published Score (3
Copies),
1987 |
|
3 |
|
Sonnet for Organ; Copy of Article; Copies of
Manuscript Score (2); Published Scores (2),
1959 |
|
4 |
|
Sound the Trumpet for Trumpet and Organ; Manuscript
Score; Copy of Manuscript Score and Trumpet Part; Contract and Correspondence
from Publisher; Proof from Publisher;
1994 |
|
5 |
|
Soundscapes for Bassoon and Strings; Sketches, Parts
of Score with Edits; Score with Edits; Manuscript Score; Bound Copy of
Manuscript Score; Bound Copy of Printed Score; Copy of Printed Score and Parts;
Published Score and Parts,
2003 |
|
6 |
|
Soundscapes for Bassoon and Strings; Copies of Parts;
Bound Copies of Printed Parts,
2003 |
|
7 |
|
Spirit Divine for SATB Chorus and Organ;
Correspondence from Publisher; Publishing Contract; Manuscript Score; Copy of
Manuscript Score; Bound Copy of Manuscript Score; Published Score (4 Copies),
1986 |
|
8 |
|
Suite for Carillon; Score (4 Copies),
1976 |
| box |
item |
| 15 |
1 |
|
Symphony for Percussion Orchestra; Correspondence
to/from Publisher; Sketch; Manuscript Score,
2001 |
|
2 |
|
Symphony for Percussion Orchestra; Set of Parts,
2001 |
|
3 |
|
Symphony of Celebration for Orchestra; Manuscript
Score; Copy of Printed Score; Set of Printed Parts,
2003 |
|
4 |
|
Symphony of Celebration for Orchestra; Sketches,
2003 |
|
5 |
|
Tears for Mixed Chorus; Full Score (3 Copies),
1952 |
|
6 |
|
Terrestrial Music for Double Concerto for Violin,
Piano and Strings; Manuscript Score; Copies of Manuscript Score (2),
1992 |
|
7 |
|
Terrestrial Music for Double Concerto for Violin,
Piano and Strings; Reviews and News Articles (Japan),
1992 |
| box |
item |
| 16 |
1 |
|
Terrestrial Music for Double Concerto for Violin,
Piano and Strings; Solo Parts; Score Edits,
1992 |
|
2 |
|
Terrestrial Music for Double Concerto for Violin,
Piano and Strings; Orchestra Parts,
1992 |
|
3 |
|
Three for Two for Flutes or Recorders; Pencil Flute
Score; Copies of Score,
1989 |
|
4 |
|
Tower Music for Carillon; Sketches; Manuscript Score;
Copy of Manuscript Score; Published Score,
1990 |
|
5 |
|
Trio Devienne for Flute, Bassoon and Piano; Sketches;
Manuscript Score; Copy of Manuscript Score,
2005 |
|
6 |
|
Trio Italiano for Trumpet, Horn and Bass Trombone;
Sketches; Manuscript Score; Copy of Manuscript Score; Set of Part;
Correspondence to/from Publisher,
1995 |
|
7 |
|
Two Shakespear Songs (from As You Like It)
1979 |
|
8 |
|
Under the Greenwood Tree for Chorus and Piano; Score,
1951 |
|
9 |
|
Uptown Blue for Piano Solo; Sketches in Spiral
Notebook; Manuscript Score; Copy of Manuscript Score; Bound Copies of
Manuscript Score (2),
undated |
|
10 |
|
Variations on “Jerusalem the Golden” for
Organ; Contest Information; Correspondence to/from Publisher; Publishing
Contract; Proofs from Publisher; Scores with Edits; Manuscript Score and Copy;
Bound Copy of Manuscript Score,
1996 |
|
11 |
|
”We praise you Wheaton whose friend we
are,” for Unison Chorus and Organ (Unfinished); Score,
undated |
|
12 |
|
West Texas Suite for Chorus, Band and Perucssion;
Bound Copy of Score; Copy of Poems,
1976 |
|
13 |
|
Windsongs for Brass Quintet (unfinished); Sketches and
Revision; Manuscript Score; Score with Edits; Copy of Manuscript Score (2); Set
of Parts,
1991 |
| box |
item |
| 17 |
1 |
|
Cantata: “Rising Night After Night” for
Chorus, Soloists and Orchestra; Score; Chorus Parts; Sketches; Working Pages
(See Oversize 1),
1978 |
|
2 |
|
Cacophony for Wind Ensemble (1980), Revisions Copy
(See Oversize 1); LUX: Legend of Sankta Lucia for Band; Working Revisions; (See
Oversize 3); Passacaglia and Chorale for Band, Score; Passacaglia and Chorale
for Orchestra, Scores (2 Copies), (See Oversize 4),
1981 |
| box |
item |
| 18 |
1 |
|
Scrapbook: Various Composer Newspaper Clippings
(copies in box 18),
1949-1955 and undated |
|
2 |
|
Family Photo Album,
c. 1927-1945 |
|
3 |
|
Diploma: Bachelor of Music, Eastman School of Music,
University of Rochester,
1948 |
|
4 |
|
Diploma: Master of Music, Eastman School of Music,
University of Rochester,
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Audio-Visual Recordings |
|
|
|
Van Appledorn Cassettes |
| box |
recording |
| 1 |
1 |
|
|
Allegro, Native American Flute, Master Copy,
undated |
|
2 |
|
|
Atmospheres,
1993 |
|
3 |
|
|
Atmospheres, Master Copy,
undated |
|
4 |
|
|
Atmospheres, Opus One CD Recording Preview,
January 27, 1994 |
|
5 |
|
|
Atmospheres; Rhapsody; Sonic Mutation, Copied from
Final DAT,
August 11, 1994 |
|
6 |
|
|
Atmospheres for Trombone Ensemble,
January 27, 1993 |
|
7 |
|
|
Ayre,
undated |
|
8 |
|
|
Ayre,
undated |
|
9 |
|
|
Ayre,
undated |
|
10 |
|
|
Ayre,
1989 |
|
11 |
|
|
Ayre; Postcards to John,
undated |
|
12 |
|
|
Ayre for Chamber Strings, (Demonstrated on the Piano),
undated |
|
13 |
|
|
Ayre for Strings,
undated |
|
14 |
|
|
Ayre for Strings,
undated |
|
15 |
|
|
Ayre for Strings; Incantations,
undated |
|
16 |
|
|
Ayre for Strings, (Piano Demonstration),
undated |
|
17 |
|
|
Ayre for Strings or Consort in Six Parts, (Piano
Demonstration Tape),
1989 |
|
18 |
|
|
Ayre for Strings or Music in Six Parts for Viola da
Gamba Consort, (Piano Demonstration),
1989 |
|
19 |
|
|
Ayre for Viola da Gamba Consort, (Demonstrated on the
Piano)
undated |
|
20 |
|
|
Ayre, Clarinets, Texas Tech University Clarinet Choir,
Robert Walzel, Director,
April 18, 1991 |
|
21 |
|
|
Ayre, Clarinet Version,
undated |
|
22 |
|
|
Ayre, Music in Six, (for Clarinets), Excerpt from the
TTU Clarinet Choir/Trombone Ensemble, Hemmle Hall,
April 18, 1991 |
|
23 |
|
|
Ayre, New York Viola da Gamba Consort, Viola da Gamba
International Conclave, Burlington, VT,
August 5, 1989 |
|
24 |
|
|
Ayre, New York Viola da Gamba Consort, Viola da Gamba
International Conclave, Burlington, VT,
August 5, 1989 |
|
25 |
|
|
Ayre, Piano Only,
1989 |
|
26 |
|
|
Ayre, Rehearsal Tape,
undated |
|
27 |
|
|
Ayre, Sax Version,
undated |
|
28 |
|
|
Ayre, University of Heron? New Music Group,
February 23, 1993 |
|
29 |
|
|
Azaleas,
undated |
|
30 |
|
|
Azaleas,
undated |
|
31 |
|
|
Azaleas,
undated |
|
32 |
|
|
Azaleas,
undated |
|
33 |
|
|
Azaleas, Kyung Wook Shin, Baritone, Michael Stoune,
Flute, Mary Jeanne van Appledorn, Piano, 1987 Delius Performance Award,
Jacksonville, Florida; Communiqué, Judith Klinger, Soprano, Mary Jeanne
van Appledorn, Piano, Opus One Record #52,
undated |
|
34 |
|
|
Azaleas, Kyung Wook Shin, Baritone Voice, Michael
Stoune, Alto Flute and C Flute, Mary Jeanne van Appledorn, Piano,
undated |
| box |
recording |
| 2 |
1 |
|
|
Azaleas for Baritone Voice, Flute, and Piano,
undated |
|
2 |
|
|
Burlesca for Piano, Brass, and Snare Drum; Two
Shakespeare Songs for SATB and Piano,
1951 |
|
3 |
|
|
Cacophony,
undated |
|
4 |
|
|
Cantata,
undated |
|
5 |
|
|
Cantata; Final Exam? ,
undated |
|
6 |
|
|
Cantata, “Layla”,
undated |
|
7 |
|
|
Cantata (1979), Texas Tech Choir, Texas Tech
Orchestra, Paul R. Ellsworth, Conductor; Passacaglia and Chorale (1972), Texas
Tech Orchestra, Phillip Lehrman, Conductor, Opus One CD; Concerto Brevis
(1954), Rodney Mason, Piano, Lubbock Symphony Orchestra, Patrick Flynn,
Conductor,
undated |
|
8 |
|
|
Cantata; Two Shakespeare Songs,
undated |
|
9 |
|
|
Cantata; Two Shakespeare Songs,
undated |
|
10 |
|
|
Cantata: Rising Night After Night; Nom de Plume:
Layla,
undated |
|
11 |
|
|
Cantata: Rising Night After Night; Passacaglia and
Chorale; Concerto Brevis,
undated |
|
12 |
|
|
Cantata: Rising Night After Night; Passacaglia and
Chorale; Concerto Brevis,
undated |
|
13 |
|
|
Cantata: Rising Night After Night; Passacaglia and
Chorale; Concerto Brevis,
undated |
|
14 |
|
|
Cantata: Rising Night After Night (Only Performance,
Non-Professional),
undated |
|
15 |
|
|
Cantata: Rising Night After Night (January 27, 1979);
Passaccaglia and Chorale (October 3, 1984); Concerto for Piano and Orchestra,
February 16, 1976 |
|
16 |
|
|
Cantata: Rising Night After Night (1978), Premiere
Performance, Symposium of Contemporary Music, Texas Tech University Music
Department, Sue Arnold (Mezzo Soprano), John Gillas (Tenor), William G.
Hartwell (Bass Bariton), Charles Post (Tenor), Texas Tech University Choir,
Tecas Tech University Orchestra, Paul Ellsworth, Conductor,
January 27, 1979 |
|
17 |
|
|
Cantata: Rising Night After Night, Recorded for Vienna
Modern Masters CD, “Music from Six Continents”, Slovak Radio
Orchestra and Chorus, Oliver Dohnanyi, Conductor, CD to be released in,
1992 |
|
18 |
|
|
Cantata: Rising Night After Night, Slovak Radio
Orchestra and Chorus, Bratirlava, Czechoslovakia, Vienna Modern Masters Compact
Disc,
December 1990 |
|
19 |
|
|
Cantata: Rising Night After Night, Slovak Radio
Orchestra and Chorus, Oliver Dohnanyi, Conductor, Recorded for Vienna Modern
Masters CD, Bratirlava, Czechoslovakia,
December 3, 1990 |
|
20 |
|
|
Cantata; Two Shakespeare Songs,
undated |
|
21 |
|
|
I. Cantiga, II. Café Jose, III. Cante Hondo,
IV. El Vito, V. Final,
undated |
|
22 |
|
|
Caprice for Carillon, on piano,
1987 |
|
23 |
|
|
Caprice for Carillon: University of Chicago;
Rochester; Logumkloster, Denmark; Suite for Carillon: Svendborg, Denmark;
Tienen, Belgium; Dendermonde, Belgium; Caprice for Carillon: Nijmegen,
Netherlands; Breda, Netherlands; Genk, Belgium; Suite for Carillon: Amersfoort,
Netherlands; Caprice for Carillon: Aalst, Belgium; Brussells, Belgium, Tour,
1988 |
|
24 |
|
|
Caprice for Carillon: Yale University, New Haven, CT;
Middlebury College, Middlebury, VT; University of the South, Sewanee, TN; First
Presbyterian, Stamford, CT; Luray Cavernus, Luray, VA; University of Michigan,
Ann Arbor, MI; McDonough School, McDonough, MD,
undated |
|
25 |
|
|
Catherine Nix, Soprano, Faculty Recital, Mary Jean van
Appledorn, Piano, Texas Tech University, Communique (1960), on Poem of Everett
Gillis, Professor of English, TTU (1949-1979),
January 23, 1998 |
| box |
recording |
| 26 |
2 |
|
|
A Celestial Clock Work, Ann Adcock, Texas Tech
University,
July 22, 1990 |
| box |
recording |
| 2 |
27 |
|
|
A Celestial Clockwork, Lubbock, TX,
July 3, 1983 |
|
28 |
|
|
A Celestial Clockwork, Performance by Judson Maynard,
First Baptist Church, Corpus Christi, TX (June 23, 1983),
July 3, 1983 |
|
29 |
|
|
A Celestial Clockwork, Soldiers’ Tower,
University of Toranto; Suite for Carillon, Washington Memorial Chapel, Valley
Forge, PA,
undated |
|
30 |
|
|
A Celestial Clockwork, Soldiers’ Tower,
University of Toranto; Suite for Carillon, Washington Memorial Chapel, Valley
Forge, PA,
undated |
|
31 |
|
|
Cellano Rhapsodie (undated), A Liszt Fantasie,
undated |
|
32 |
|
|
Cellano Rhapsody for Violoncello and Piano, Arthur
Follows, Violoncello, Mary Jeanne van Appledorn, Piano; Azaleas, Kyung Wook
Shin, Baritone, Michael Stoune, Flute, Mary Jeanne van Appledorn, Piano,
undated |
|
33 |
|
|
Cellano Rhapsody for Violoncello and Piano, Arthur
Follows, Violoncello, Mary Jeanne van Appledorn, Piano; Azaleas for Baritone
Voice, Flute(s), and Piano, Kyung Wook Shin, Baritone, Michael Stoune,
Flute(s), Mary Jeanne van Appledorn, Piano,
undated |
|
34 |
|
|
Choral Music; Love Divine, All Loves Excelling, Church
of the Holy Cross,
undated |
|
35 |
|
|
Choral Music; Two Shakespeare Songs; Peter Quince at
the Clavier; Cantata: Rising Night After Night,
undated |
| box |
recording |
| 3 |
1 |
|
|
A Choreographic Overture,
undated |
|
2 |
|
|
A Choreographic Overture; Cacophony,
undated |
|
3 |
|
|
A Choreographic Overture; Cacophony,
undated |
|
4 |
|
|
A Choreographic Overture, Houston Concert Band, Dr.
Ken Dye, Conductor, ACB Convention, Plano, TX,
April 4, 1992 |
|
5 |
|
|
Choreographic Overture for Band; Patterns for Tuba
Ensemble,
undated |
|
6 |
|
|
A Choreographic Overture for Concert Band, Youth Wind
Ensemble
undated |
|
7 |
|
|
Communique; Set of Five,
undated |
|
8 |
|
|
Communique; Set of Five; Four Duos, First Prize, Texas
Composers’ Guild,
1987 |
|
9 |
|
|
Communique for Voice and Piano, Kathryn
Barnes-Burroughs, Voice, John Hollins, Piano,
undated |
|
10 |
|
|
Composer Concerto?, Lubbock Symphony Orchestra, Jack
Sheridan,
February 16, 19?? |
|
11 |
|
|
Composite Copy Number 1,
undated |
|
12 |
|
|
Concerto; Cacophony; LUX,
undated |
|
13 |
|
|
Concerto Brevis, Two Pianos; Concerto Brevis, Piano
and Orchestra,
undated |
|
14 |
|
|
Concerto Brevis, (2 Piano Version); Concerto Brevis,
(Piano and Orchestra Version),
undated |
|
15 |
|
|
Concerto Brevis; Missa Brevis, Contemporary Music
Festival, National Festival Orchestra, John Russo, Conductor, Furman Civic Wind
Ensemble, John C. Carmichael, Conductor,
undated |
|
16 |
|
|
Concerto Brevis, (2 Piano), First tape, Blinderman,
Rehearsal,
undated |
|
17 |
|
|
Concerto Brevis, Rodney Mason and Rebecca
O’Connor,
December 8, 1985 |
|
18 |
|
|
Concerto Brevis, Rodney Mason and Rebecca
O’Connor,
December 8, 1985 |
|
19 |
|
|
Concerto Brevis, Susan Blinderman, Unedited, (All
Rehearsals),
undated |
|
20 |
|
|
Concerto Brevis for Piano and Orchestra,
undated |
|
21 |
|
|
Concerto Brevis for Piano and Orchestra,
undated |
|
22 |
|
|
Concerto Brevis; Missa Brevis, Contemporary Music
Festival,
undated |
|
23 |
|
|
Concerto for Trumpet,
undated |
|
24 |
|
|
Concerto for Trumpet; Cacophony; LUX,
undated |
|
25 |
|
|
Concerto for Trumpet, Lake Agassiz Concert Band,
Daniel Kiser, Trumpet,
February 3, 1990 |
|
26 |
|
|
Concerto for Trumpet, Lake Agassiz Concert Band,
Daniel Kiser, Trumpet,
February 3, 1990 |
|
27 |
|
|
Concerto for Trumpet, Mark Heidel, Trumpet and
Flügelhorn, Mary Jeanne van Appledorn, Piano,
undated |
|
28 |
|
|
Concerto for Trumpet and Band,
undated |
|
29 |
|
|
Concerto for Trumpet and Band,
undated |
|
30 |
|
|
Concerto for Trumpet and Band; Cacophony for Winds,
Percussion, and Toys; LUX: Legend of Sankta Lucia,
undated |
|
31 |
|
|
Concerto for Trumpet and Band; Cacophony for Wind
Ensemble, Percussion, and Toys; LUX: Legend of Sankta Lucia,
undated |
|
32 |
|
|
Concerto for Trumpet and Band, CBDNA National
Conference, Boulder, CO, Texas Tech Band,
1985 |
|
33 |
|
|
Concerto for Trumpet and Band, Henk Haan, Trumpet,
Harmonie-Orkest, St. Jozef, Kerkrade, Netherlands; A Choreographic Overture,
undated |
|
34 |
|
|
Concerto for Trumpet and Band, Robert Birch, Trumpet,
U.S Navy Concert Band,
undated |
|
35 |
|
|
Concerto for Trumpet and Band, Robert M. Birch,
Trumpet,
December 1, 1984 |
|
36 |
|
|
Concerto for Trumpet and Band, Robert M. Birch,
Trumpet and Flügelhorn, U.S. Navy Concert Band, Commander Joseph
Phillips, Conductor; Cacophony for Winds, Percussion, and Toys; LUX: Legend of
Sankta Lucia; Trumpet-Piano Version of Concerto,
undated |
|
37 |
|
|
Concerto for Trumpet and Band, Texas Tech Symphonic
Band, Robert M. Birch, Trumpet, Transcribed from live concert tape of,
December 4, 1984 |
| box |
recording |
| 4 |
1 |
|
|
Concerto for Trumpet and Band, Trial Master,
November 13, 1984 |
|
2 |
|
|
Concerto for Trumpet and Band, Trial Master for Opus
One Records, Texas Tech Symphonic Band,
November 13, 1984 |
|
3 |
|
|
Concerto for Trumpet and Piano; Missa Brevis,
1987 |
|
4 |
|
|
Concerto for Trumpet and Piano, Dr. Mark Heidel,
Trumpet, Mary Jeanne van Appledorn, Piano; Incantations for Trumpet and Piano,
Will Strieder, Trumpet, Jennifer Garrett, Piano,
undated |
|
5 |
|
|
Concerto for Trumpet and Piano, Mark Heidel, Trumpet,
Mary Jeanne van Appledorn, Piano,
undated |
|
6 |
|
|
Concerto for Trumpet and Piano, Mark Heidel, Trumpet,
Mary Jeanne van Appledorn, Piano,
undated |
|
7 |
|
|
Contemporary Music Festival, 28th Annual, Sam Houston
State University, First Program,
April 10, 1989 |
|
8 |
|
|
Contemporary Music Festival, 28th Annual, Sam Houston
State University, Second Program,
April 11, 1989 |
|
9 |
|
|
Contrasts for Piano,
undated |
|
10 |
|
|
Contrasts for Piano (1948); Opus One: Set of Five,
1952 |
|
11 |
|
|
Cornucopia for solo Trumpet,
undated |
|
12 |
|
|
Cornucopia, Reading,
1988 |
|
13 |
|
|
Cornucopia,
undated |
|
14 |
|
|
Cornucopia, III. Little Blue Rag, Bryan Edwards,
undated |
|
15 |
|
|
Cornucopia, IV. Flight of Another Bee, Pat Brink,
undated |
|
16 |
|
|
Cycles of Moons and Tides (1995); Les Hommes Vides
(1994); Reeds Afire (1994); Postcards to John (1993); Variations on Jerusalem
the Golden,
1995 |
|
17 |
|
|
Cycles of Moons and Tides, Copy of Digital Master,
Final Edit,
December 19, 1995 |
|
18 |
|
|
Cycles of Moons and Tides, Texas Tech University
Symphonic Band, First Copy, Hemmle Recital Hall, James Sudduth, Conductor,
October 15, 1995 |
|
19 |
|
|
Cycles of Moons and Tides for Symphonic Band,
undated |
|
20 |
|
|
Cycles of Moons and Tides for Symphonic Band,
Commissioned for 50th Aniversary of Tau Beta Sigma, University of Central
Arkansas Symphonic Band, Russell Langston, Conductor, Premier,
April 18, 1995 |
|
21 |
|
|
Cycles of Moons and Tides for Wind Ensemble; Rhapsody
for Solo Violin and Orhcestra; Les Hommes Vides for Unaccompanied Choir, Based
on T.S. Elliot’s “The Hollow Men” with French Translation
by Pierre Leyris,
undated |
|
22 |
|
|
Cycles, Takes,
October 22, 1995 |
|
23 |
|
|
Danza Impresion de Espana for Ballet of the Six Flags,
1979 |
|
24 |
|
|
Danza Impresion de Espana for Ballet of the Six Flags,
1979 |
|
25 |
|
|
Demo, Master Cassette,
undated |
|
26 |
|
|
Demo, van Appledorn,
undated |
|
27 |
|
|
Demo, van Appledorn,
undated |
|
28 |
|
|
Demo, van Appledorn,
undated |
|
29 |
|
|
Demo, van Appledorn,
undated |
|
30 |
|
|
Demo, van Appledorn,
undated |
|
31 |
|
|
Demo, van Appledorn,
undated |
|
32 |
|
|
Demo, van Appledorn,
undated |
|
33 |
|
|
Demo, van Appledorn,
undated |
|
34 |
|
|
Demo, van Appledorn,
undated |
|
35 |
|
|
Duos, (Clarinet and Bassoon),
undated |
|
36 |
|
|
Duos for Don and Dale,
1985 |
|
37 |
|
|
Duos for Viola and Violoncello, Performance of,
February 11, 1986 |
|
38 |
|
|
Duos for Viola and Violoncello, Performance of,
February 11, 1986 |
|
39 |
|
|
Faculty Fun Band, Texas Tech University Band and
Orchestra Camp, Dale Underwood, Saxophone,
1990 |
|
40 |
|
|
Fantasia for Piano, Eugene Zapata, Piano,
2004 |
|
41 |
|
|
Five Psalms,
undated |
| box |
recording |
| 5 |
1 |
|
|
Five Psalms, Karl Dent, Tenor, Will Streider, Trumpet,
Clinton Barrick, Piano, Recorded in Hemmle Recital Hall, Texas Tech University,
July 8, 1999 |
|
2 |
|
|
Five Psalms for Tenor, Trumpet, and Piano, Karl Dent,
Tenor, Will Strieder, Trumpet, Clinton Barrick, Piano,
undated |
|
3 |
|
|
Five Psalms for Tenor Voice, Trumpet, and Piano,
January 23, 1999 |
|
4 |
|
|
Four Duos,
undated |
|
5 |
|
|
Four Duos,
undated |
|
6 |
|
|
Four Duos for Two E-Flat Alto Saxes, Reading During
Texas Tech Band Camp, Summer,
1985 |
|
7 |
|
|
Four Duos for Viola and Cello,
1986 |
|
8 |
|
|
Four Duos for Viola and Cello,
undated |
|
9 |
|
|
Four Duos for Viola and Violoncello,
undated |
|
10 |
|
|
Four Duos for Viola and Violoncello,
undated |
|
11 |
|
|
Franz Liszt Fantasie, Two Versions by William Westney,
undated |
|
12 |
|
|
Franz Liszt Fantasie, Two Versions by William Westney,
undated |
|
13 |
|
|
Freedom of Youth, Lori Berg, Reader, Mary Jeanne van
Appledorn, Synthesizer,
undated |
|
14 |
|
|
Freedom of Youth, Lori Berg, Reader, Mary Jeanne van
Appledorn, Synthesizer,
undated |
|
15 |
|
|
Freedom of Youth, Lori Berg, Reader, Mary Jeanne van
Appledorn, Yamaha DX-7,
undated |
|
16 |
|
|
Freedom of Youth, Reader, Yamaha DX-7 Synthesizer,
undated |
|
17 |
|
|
Freedom of Youth for Reader and Yamaha DX Synthesizer,
undated |
|
18 |
|
|
Freedom of Youth for Reader and Yamaha DX7
Synthesizer; Four Duos for Viola and Cello,
1986 |
|
19 |
|
|
Freedom of Youth for Speaker and Yamaha DX7
Synthesizer,
1986 |
|
20 |
|
|
Galilean Galaxies,
undated |
|
21 |
|
|
Gestures for Clarinet Quartet, United States Naval
Academy Annapolis Clarinet Quartet, The “Caine Mutiny” Quartet,
undated |
|
22 |
|
|
Incantations,
undated |
|
23 |
|
|
Incantations; Patterns, (Takes),
September 12, 1992 |
|
24 |
|
|
Incantations, (Takes),
undated |
|
25 |
|
|
Incantations, (Takes),
undated |
|
26 |
|
|
Incantations for Oboe and Piano,
undated |
|
27 |
|
|
Incantations for Oboe and Piano,
undated |
|
28 |
|
|
Incantations for Oboe and Piano,
May 28, 1998 |
|
29 |
|
|
Incantations for Oboe and Piano, Portales Performance,
Amy Anderson, Oboe, William F. Westney, Piano,
undated |
|
30 |
|
|
Incantations for Oboe and Piano, Tape Copy of Final
DAT,
1998 |
|
31 |
|
|
Incantations for Oboe and Piano (1998); Rhapsody for
Violin and Orchestra, Charles Rex, Violin (Assistant Concert Master –
New York Philharmonic), Polish National Radio Orchestra,
March 17, 1998 |
|
32 |
|
|
Incantations for Oboe and Piano; Sonatine for Clarinet
and Piano; Ayre for String Sextet,
undated |
|
33 |
|
|
Incantations for Trumpet and Piano,
undated |
|
34 |
|
|
Incantations for Trumpet and Piano; Patterns for Horn
Quintett,
undated |
|
35 |
|
|
Incantations for Trumpet and Piano, Reading,
1991 |
|
36 |
|
|
International Peace Concert Tour, Inoue Chamber
Ensemble, New York, Oberlin Conservatory String Orchestra, Ohio, First Concert,
Tsuzuki, Yokohama, Japan,
July 29, 1995 |
|
37 |
|
|
Jason’s Tune, Jason Hamilton, Mary Jeanne van
Appledorn,
undated |
| box |
recording |
| 6 |
1 |
|
|
Jason’s Tune, Jason Hamilton, Mary Jeanne van
Appledorn, Performed on the Piano in my Studio, Texas Tech University, Lubbock,
TX,
December 19, 1992 |
|
2 |
|
|
Jirgenson’s Lecture, van Appledorn music,
May 6, 1987 |
|
3 |
|
|
Kaleidoscope; Cornucopia,
undated |
|
4 |
|
|
KOHM Radio-thon, Jim Howard, Host, Program featuring
poetry of Horn Professor Walter McDonald (TTU) and music of Mary Jeanne van
Appledorn, Given by Dean of Arts and Sciences, Dr. Joe R. Goodin,
May 5, 1990 |
|
5 |
|
|
KOHM Radio-thon, Jim Howard, Host, Program featuring
poetry of Horn Professor Walter McDonald (TTU) and music of Mary Jeanne van
Appledorn, Given by Dean of Arts and Sciences, Dr. Joe R. Goodin, Copy
May 5, 1990 |
|
6 |
|
|
Laments, Dr. van Appledorn,
August 2, 2001 |
|
7 |
|
|
Legacy, (Takes),
undated |
|
8 |
|
|
Legacy for Baritone and Piano,
undated |
|
9 |
|
|
Les Hommes Vides; Reeds Afire,
undated |
|
10 |
|
|
Les Hommes Vides; Reeds Afire; Variations on Jerusalem
the Golden,
undated |
|
11 |
|
|
Les Hommes Vides, Double Premiere, Two Performances:
1. Texas Tech University Choir, Lubbock, Dr. Kenneth Davis, conductor, (October
27, 1994), 2. Temple University Concert Choir, Philadelphia, Alan Harler,
conductor,
October 28, 1994 |
|
12 |
|
|
Les Hommes Vides, Final Edit for Opus One, Master,
undated |
|
13 |
|
|
Les Hommes Vides, Philadelphia,
undated |
|
14 |
|
|
Les Hommes Vides, Piano Accompaniment, Rhearsal Only,
undated |
|
15 |
|
|
Les Hommes Vides, (Piano),
undated |
|
16 |
|
|
Les Hommes Vides, (Piano Only),
undated |
|
17 |
|
|
Les Hommes Vides, (Piano Only),
1994 |
|
18 |
|
|
Les Hommes Vides, (Piano Only),
undated |
|
19 |
|
|
Les Hommes Vides, Premiere, Texas Tech University
Choir, Dr. Kenneth Davis, Director, Hemmle Recital Hall, Texas Tech University,
Lubbock, TX,
October 27, 1994 |
|
20 |
|
|
Les Hommes Vides, Temple University, Philadelphia, PA;
Texas Tech University, Lubbock, TX,
1994 |
|
21 |
|
|
Les Hommes Vides, Texas Tech University Choir; Les
Hommes Vides, Temple University Choir, Philadelphia, PA,
undated |
|
22 |
|
|
Les Hommes Vides, Text: T.S. Eliot The Hollow Men,
(French Translation, Pierre Leyris), for Unaccompanied Chorus, Piano Demo,
1994 |
|
23 |
|
|
Les Hommes Vides, (T.S. Eliot: The Hollow Men), SATB
Unaccompanied Chorus, (Piano Rendition),
1994 |
|
24 |
|
|
Les Hommes Vides, TTU Choir, Kenneth Davis, Conductor,
Master Copy, Premiere,
October 27, 1994 |
|
25 |
|
|
Les Hommes Vides for SATB Unaccompanied Chorus,
1994 |
|
26 |
|
|
Liquid Gold,
1982 |
|
27 |
|
|
Liquid Gold,
undated |
|
28 |
|
|
Liquid Gold,
undated |
|
29 |
|
|
Liquid Gold,
undated |
|
30 |
|
|
Liquid Gold; Matrices; Four Duos,
undated |
|
31 |
|
|
Liquid Gold, Copy of Master Opus One,
undated |
|
32 |
|
|
Liquid Gold, Dale Underwood, Alto Sax, Ron Chiles,
Piano,
undated |
|
33 |
|
|
Liquid Gold, Dale Underwood, Saxophone, Ron Chiles,
Piano; Matrices, Dale Underwood, Saxophone, Mary Jeanne van Appledorn, Piano,
undated |
|
34 |
|
|
Liquid Gold, Dale Underwood, Saxophone, Ron Chiles,
Piano, 7th World Saxophone Congress, Nuremberg, Germany (1982); Matrices, Dale
Underwood, Saxophone, Mary Jeanne van Appledorn, Piano,
undated |
|
35 |
|
|
Liquid Gold, Dale Underwood, Saxophone, Ron Chiles,
Piano, World Premiere, 7th World Saxophone Congress, Nuremberg, Germany (July
10, 1982); Matrices, Dale Underwood, Saxophone, Mary Jeanne van Appledorn,
Piano,
undated |
|
36 |
|
|
Liquid Gold, Dale Underwood, Saxophone, Performance
of,
July 13, 1982 |
|
37 |
|
|
Liquid Gold, Dale Underwood, Senior Chief Musician, US
Navy Band, E-flat Alto Saxophone, Mary Jeanne van Appledorn, Piano,
undated |
| box |
recording |
| 7 |
1 |
|
|
Liquid Gold, Raw Piano Material,
undated |
|
2 |
|
|
Liquid Gold for E-flat Alto Saxophone and Piano
(1982), Dale Underwood, Senior Chief Musician US Navy Band, Saxophone; Concerto
for Trumpet and Concert Band; LUX: Legend of Sankta Lucia (1981); Matrices for
E-flat Alto Saxophone and Piano, Dale Underwood, Saxophone, Mary Jeanne van
Appledorn, Piano; Communique for Soprano and Piano,
undated |
|
3 |
|
|
Liquid Gold for E-flat Alto Saxophone and Tape (or
Live Piano), World Premiere Performance (July 10, 1982), 7th World Saxophone
Congress, Nuremberg, Germany; Matrices, A Sound-light Composition for E-flat
Alto Saxophone and Piano,
undated |
|
4 |
|
|
Liquid Gold Work Tap; (Del Borgo?),
undated |
|
5 |
|
|
A Liszt Fantasie, Colomer,
undated |
|
6 |
|
|
A Liszt Fantasie, “Layla”,
1984 |
|
7 |
|
|
A Liszt Fantasie, Max Lifchitz, Final for CD,
North/South Records, Incorporated,
undated |
|
8 |
|
|
A Liszt Fantasie, Piano, Max Lifchitz,
undated |
|
9 |
|
|
A Liszt Fantasie, Two Performances on Tape,
undated |
|
10 |
|
|
A Liszt Fantasie, Use for Copy, No Dolby,
undated |
|
11 |
|
|
A Liszt Fantasie, William Westney, Faculty Recital,
undated |
|
12 |
|
|
A Liszt Fantasie for Piano,
undated |
|
13 |
|
|
A Liszt Fantasie for Piano, Written and
Studio-performed by Mary Jeanne van Appledorn; Azaleas, Michael Stoune, Flute,
Kyung Wook Shin, Baritone Voice; Mary Jeanne van Appledorn, Piano,
undated |
|
14 |
|
|
Louisiana Sinfoniette: Purcell, Constant?, M.J. van
Appledorn,
April 12, 2001 |
|
15 |
|
|
Love Divine (Manual Only on Piano),
undated |
|
16 |
|
|
Love Divine, All Loves Excelling; Spirit Divine,
undated |
|
17 |
|
|
Love Divine, All Loves Excelling, (Manual Part Only
Played on Piano),
undated |
|
18 |
|
|
Love Divine, All Loves Excelling, for SATB Chorus and
Organ, (Piano Only Playing Manual Part),
undated |
|
19 |
|
|
LUX: Legend of Sankta Lucia for Band,
undated |
|
20 |
|
|
LUX: Legend of Sankta Lucia, Commissioned by National
Intercollegiate Bands, Century Records (1981); Ayre for Strings,
undated |
|
21 |
|
|
LUX: Legend of Sankta Lucia, Master Cassette,
undated |
|
22 |
|
|
LUX: The Legend of Sankta Lucia, Northwestern
University Wind Symphony,
undated |
|
23 |
|
|
LUX: The Legend of Sankta Lucia, University of
Massachusetts Amherst Symphony Band, Malcolm Rowell, Jr., Conductor, MENC
Convention, Hartford, CT (April 26, 2985); Fine Arts Center Concert Hall,
University of Massachusetts,
May 4, 1985 |
|
24 |
|
|
LUX: Legend of Sankta Lucia, (Partial Reading); Liquid
Gold,
undated |
|
25 |
|
|
LUX: Legend of Sankta Lucia (1981); Suite for
Carillon,
undated |
|
26 |
|
|
March,
undated |
|
27 |
|
|
March,
undated |
|
28 |
|
|
Meliora, Fanfare 2000 for Orchestra; Terrestrial Music
for Violin, Piano, and String Orchestra,
undated |
|
29 |
|
|
Miniatures, US Naval Academy Band Trombone Quartet,
July 20, 2000 |
|
30 |
|
|
Miniatures for Trombone Quartet,
undated |
|
31 |
|
|
Missa Brevis,
undated |
|
32 |
|
|
Missa Brevis; Concerto for Trumpet, (piano only),
undated |
|
33 |
|
|
Missa Brevis; Spirit Divine,
undated |
|
34 |
|
|
Missa Brevis, Birch/Martin, American Premiere, Foundry
Methodist Church, Washington, DC,
May 2, 1987 |
|
35 |
|
|
Missa Brevis, Brass Quintet, Reading,
undated |
|
36 |
|
|
Missa Brevis, Fairbanks/Harbach,
undated |
|
37 |
|
|
Missa Brevis, On Piano, Rehearsal Tape,
undated |
| box |
recording |
| 8 |
1 |
|
|
Missa Brevis, Premiere, Birch/Martin Recital, Foundry
United Methodist Church, Washington, D.C.,
May 2, 1987 |
|
2 |
|
|
Missa Brevis, Reading,
undated |
|
3 |
|
|
Missa Brevis, Reading, Washington, D.C., Robert Birch,
Trumpet, Carol Feather Martin, Organ,
1986 |
|
4 |
|
|
Missa Brevis, Reading Tape,
undated |
|
5 |
|
|
Missa Brevis, Recorded dub of takes 2-45; Missa
Brevis, Take 1, Complete Work Recorded,
February 25, 1990 |
|
6 |
|
|
Missa Brevis for Brass Quintet, (Reading); Missa
Brevis for Trumpet and Organ,
undated |
|
7 |
|
|
Missa Brevis for Trumpet and Organ,
1986 |
|
8 |
|
|
Missa Brevis for Trumpet and Organ; Missa Brevis for
Voice and Organ,
undated |
|
9 |
|
|
Missa Brevis for Trumpet and Organ; Missa Brevis for
Voice and Organ,
undated |
|
10 |
|
|
Missa Brevis for Voice and Organ,
undated |
|
11 |
|
|
Missa Brevis for Voice and Organ, Billie Hagemeier,
Voice, Judson Maynard, Organ,
undated |
|
12 |
|
|
Missa Brevis, Gloria, (on Piano), Rehearsal Tape,
undated |
|
13 |
|
|
Missa Brevis, Kyrie,
undated |
|
14 |
|
|
Missa Brevis, Kyrie, Gloria,
1986 |
|
15 |
|
|
Missa Brevis, Kyrie, On Piano,
undated |
|
16 |
|
|
Missa Brevis, Laura Ellis, Organ, Christine Schumann,
Piano,
April 19, 1990 |
|
17 |
|
|
Missa Brevis for Trumpet and Organ,
undated |
|
18 |
|
|
Missa Brevis; Concerto Brevis, Pieces 1-6 on A, 7-12
on B,
undated |
|
19 |
|
|
Music by Mary Jeanne van Appledorn, Music of
Enchantment; Terrestrial Music; Reeds Afire; LUX: Legend of Sankta Lucia; Les
Hommes Vides; Trio Italiano; Four Duos; Liquid Gold; Cycles of Moons and Tides,
undated |
|
20 |
|
|
Music of Enchantment, Piano Version,
October 7, 1999 |
|
21 |
|
|
Music of Enchantment (1997), Premiere, James J.
Pellerite, Native American Flute, Texas Tech University Symphony Orchestra
Strings and Percussion, Albert-George Schram, Conductor,
December 9, 1997 |
|
22 |
|
|
Music of Enchantment, Reading Orchestra, No Flute,
December 1, 1997 |
|
23 |
|
|
Music of Enchantment for Native American Flute,
Strings, and Percussion,
undated |
|
24 |
|
|
Native American Flute Introduction,
undated |
|
25 |
|
|
A Native American Mosaic,
undated |
|
26 |
|
|
Native American Mosaic, J. Pellerite, Native American
Flute,
undated |
|
27 |
|
|
A Native American Mosaic for Solo Flute, World
Premiere, James Pellerite, Flute, Guest Artist Recital, Texas Tech University,
The Native American Flute Meets Classical,
January 31, 1997 |
|
28 |
|
|
New Vienna, Strings and Solo Violin, 1-20,
undated |
|
29 |
|
|
Organ and Carillon Works; Variations on Jerusalem the
Golden; Suite for Carillon; Caprice for Carillon, A Celestial Clockwork for
Carillon,
undated |
|
30 |
|
|
Parquet Music, Harpsichord Work, Not Complete,
Original,
undated |
|
31 |
|
|
Parquet Music for Harpsichord,
undated |
|
32 |
|
|
Parquet Music for Harpsichord, Dr. Barbara Harbach,
Harpsichord,
undated |
|
33 |
|
|
Parquet Music for Harpsichord, Premiere, Rice
University, Harbach
undated |
|
34 |
|
|
Parquet Musique pour Clavecin; A Liszt Fantasie for
Piano,
undated |
|
35 |
|
|
Parquet Musique pour Clavecin (1990); Sonic Mutation
for Harp,
1986 |
|
36 |
|
|
Parquet Music pour Clavecin (1990), Premiere by Dr.
Barbara Harbach, Harpsichord, Rice University, Houston, TX,
January 21, 1991 |
| box |
recording |
| 9 |
1 |
|
|
Parquet Music, (Work Tape), Complete,
undated |
|
2 |
|
|
Parquet Musique pour Clavecin, Barbara Harbach,
Harpsichord, Recorded for Gasparo Records CD; A Liszt Fantasie for Piano, Max
Lifchitz, Piano, Recorded for North/South Records CD,
undated |
|
3 |
|
|
Parquet Music; Gestures, Texas Tech University School
of Music Faculty Composer’s Concert,
February 27, 2001 |
|
4 |
|
|
Passacaglia and Chorale,
undated |
|
5 |
|
|
Passacaglia and Chorale,
undated |
|
6 |
|
|
Passacaglia and Chorale,
undated |
|
7 |
|
|
Passacaglia and Chorale, (Band),
undated |
|
8 |
|
|
Passacaglia and Chorale, Band Transcription by Mark
Heidel, Texas Tech Concert Band, Mark Heidel, Conductor; Cornucopia, Richard
Tolley, Trumpet, New York City Premiere,
November 6, 1989 |
|
9 |
|
|
Passacaglia and Chorale, Take 3 and 2, Trial Master
Session of,
September 19, 1984 |
|
10 |
|
|
Passacaglia and Chorale, Transcribed and Conducted by
Mark Heidel, Texas Tech Symphonic Band,
December 10, 1987 |
|
11 |
|
|
Passacaglia and Chorale, Transcribed by Mark Heidel,
Texas Tech University Symphonic Band, Hemmle Recital Hall,
December 10, 1987 |
|
12 |
|
|
Passacaglia and Chorale, Transcribed by Mark Heidel,
Texas Tech University Symphonic Band, Hemmle Recital Hall,
December 10, 1987 |
|
13 |
|
|
Passacaglia and Chorale, WTSU,
undated |
|
14 |
|
|
Passacaglia and Chorale for Concert Band or Orchestra,
undated |
|
15 |
|
|
Passacaglia for Chamber Orchestra,
undated |
|
16 |
|
|
Passacaglia for Chamber Orchestra,
undated |
|
17 |
|
|
Passacaglia for Chamber Orchestra, Reading,
undated |
|
18 |
|
|
Passage, Dolby B
undated |
|
19 |
|
|
Passages II,
undated |
|
20 |
|
|
Passages II for Trombone and Percussion,
undated |
|
21 |
|
|
Passages II for Trombone and Percussion, Don Lucas,
Trombone, Alan Shinn, Percussion,
undated |
|
22 |
|
|
Passages III, Montecino Trio,
undated |
|
23 |
|
|
Passages 3, Shea Trio,
undated |
|
24 |
|
|
Passages III for Clarinet, Cello, and Piano,
2003 |
|
25 |
|
|
Passages III for Clarinet, Cello, and Piano,
2003 |
|
26 |
|
|
Passages III for Clarinet, Cello, and Piano,
undated |
|
27 |
|
|
Patterns, Texas Tech Horn Choir, International Horn
Symposium, University of North Texas, Denton, TX,
May 16, 1991 |
|
28 |
|
|
Peter Quince at the Clavier,
undated |
|
29 |
|
|
Peter Quince at the Clavier, Women’s Chorus,
Narrator, Flute, Oboe, Horn in F, Piano,
undated |
|
30 |
|
|
Postcards,
May 3, 1994 |
|
31 |
|
|
Postcards to John for Guitar, John Scott Ford, Guitar,
May 3, 1994 |
|
32 |
|
|
Postcards to John for Guitar, John Ford, Guitar,
undated |
|
33 |
|
|
Postcardsto John, John Scott Ford, Guitar, Bryce H.
Lowrance, Engineer, Recorded June 20, 1995, Texas Tech University, Hemmle
Recital Hall; Edited Texas Tech University Experimental Music Studio,
June 21-23, 1995 |
|
34 |
|
|
Potpourri for Carillon, Demonstrated on Piano,
1993 |
|
35 |
|
|
Potpourri for Carillon, Played on DX-7 Synthesizer
Bells,
July 1993 |
|
36 |
|
|
Reeds Afire,
undated |
| box |
recording |
| 10 |
1 |
|
|
Reeds Afire; Postcards to John; Cycles of Moons and
Tides,
undated |
|
2 |
|
|
Reeds Afire, Bob and Scott Walzel,
February 25, 1996 |
|
3 |
|
|
Reeds Afire for Clarinet and Bassoon,
1994 |
|
4 |
|
|
Reeds Afire for Clarinet and Bassoon, Paul Gallo,
Clarinet, Gilbert Dejean, Bassoon, New York City Premiere,
June 3, 1997 |
|
5 |
|
|
Reeds Afire, New York City Premiere,
June 3, 1997 |
|
6 |
|
|
Rhapsody, Inou Chamber Ensemble, Donner Library
Center, New York,
November 24, 2007 |
|
7 |
|
|
Rhapsody, Charles Rex, Polish National Radio
Orchestra,
1998 |
|
8 |
|
|
Rhapsody, First Sequential Record Before Opus One,
November 12, 19?? |
|
9 |
|
|
Rhapsody, Willie Strieder, Trumpet, Gail Barber, Harp,
Reading (November 12, 1993); Incantations, Opus One CD (September 12, 1992);
Patterns,
undated |
|
10 |
|
|
Rhapsody for Solo Violin and Orchestra, Cynthia
Scully, Violin, Mary Jeanne van Appledorn, Piano,
undated |
|
11 |
|
|
Rhapsody for Trumpet and Harp; Reeds Afire for
Clarinet and Bassoon,
undated |
|
12 |
|
|
Rhapsody for Trumpet and Harp, Copy of Takes,
undated |
|
13 |
|
|
Rhapsody for Trumpet and Harp, Reading; Postcards to
John, Reading,
undated |
|
14 |
|
|
Rhapsody for Violin and Orchestra,
undated |
|
15 |
|
|
Rhapsody for Violin and Orchestra,
1997 |
|
16 |
|
|
Rhapsody for Violin and Orchestra,
1997 |
|
17 |
|
|
Rhapsody for Violin and Orchestra, Charles Rex,
Concertmaster, New York Philharmonic, Violin, Polish Radio National Orchestra,
Joel Subia, Conductor,
undated |
|
18 |
|
|
Rhapsody for Violin and Orchestra, Charles Rex,
Violin, Polish National Radio Orchestra,
undated |
|
19 |
|
|
Rhapsody for Violin and Orchestra, Cynthia Scully,
Violin, Mary Jeanne van Appledorn, Piano,
undated |
|
20 |
|
|
Rhapsody for Violin and Orchestra, Keyboard Demo Only,
undated |
|
21 |
|
|
Rhapsody for Violin and Orchestra, Piano Demo,
undated |
|
22 |
|
|
Rhapsody for Violin and Orchestra, Violin and
Orchestra Reduction Demo,
1997 |
|
23 |
|
|
Rhapsody for Violin and Orchestra, Violin and
Orchestra Reduction Demo,
1997 |
|
24 |
|
|
Rhapsody for Violin and Orchestra, Violin and Piano,
December 1996 |
|
25 |
|
|
Sax Quartet,
undated |
|
26 |
|
|
Set of Five, Opus One, 78 rpm disc, Mary Jeanne van
Appledorn, Piano,
1978 |
|
27 |
|
|
Set of Five, Lifchitz Master Copy,
undated |
|
28 |
|
|
Skybells for Carillon, Master Copy, (Piano Reading),
undated |
|
29 |
|
|
Skybells for Carillon, Commissioned by James Lawson
for the Arrella Schuller Carillon, The Crystal Cathedral, (Demonstrated on
Piano),
1991 |
|
30 |
|
|
Sonata for Guitar, Milen Parashkevov, Guitar,
2003 |
|
31 |
|
|
Sonata for Guitar, Milen Parashkevov, Guitar,
undated |
|
32 |
|
|
Sonatine,
undated |
|
33 |
|
|
Sonatine,
1988-1989 |
|
34 |
|
|
Sonatine, Ed and Kazuko CD Performance,
undated |
|
35 |
|
|
Sonatine (1988), Keith McCarty, Clarinet, Mary Jeanne
van Appledorn, Studio Performance,
August 27, 1988 |
|
36 |
|
|
Sonatine (1988), Keith McCarty, Clarinet, Mary Jeanne
van Appledorn, Studio Performance,
August 27, 1988 |
|
37 |
|
|
Sonatine, National Association of American Composers,
New York City, St. Stephen’s Church, Original,
April 17, 1994 |
| box |
recording |
| 11 |
1 |
|
|
Sonatine, National Association of Composers, USA, NYC,
April 17, 1994 |
|
2 |
|
|
Sonatine, National Association of Composers, USA, NYC,
April 17, 1994 |
|
3 |
|
|
Sonatine, National Association of Composers, USA, NYC,
April 17, 1994 |
|
4 |
|
|
Sonatine, National Association of Composers, USA, NYC,
April 17, 1994 |
|
5 |
|
|
Sonatine, Piano Only,
undated |
|
6 |
|
|
Sonatine, Piano Only,
undated |
|
7 |
|
|
Sonatine, Piano Only; Missa Brevis; Layla?,
undated |
|
8 |
|
|
Sonatine, Premier, Weill Hall NYC (October 17, 1988);
Second Performance, Donnell Library NYC,
November 7, 1988 |
|
9 |
|
|
Sonatine (1988); Ayre (1989), MTNA and TMTA
Convention, San Antonio Texas,
June 19, 1990 |
|
10 |
|
|
Sonatine for Clarinet and Piano,
undated |
|
11 |
|
|
Sonatine for Clarinet and Piano,
undated |
|
12 |
|
|
Sonatine for Clarinet and Piano,
undated |
|
13 |
|
|
Sonatine for Clarinet and Piano,
undated |
|
14 |
|
|
Sonatine for Clarinet and Piano, Edward Gilmore,
Clarinet, Kazuko Inoue, Piano, Bard College, New York,
January 22, 1989 |
|
15 |
|
|
Songs Without Words,
May 2, 2000 |
|
16 |
|
|
Songs Without Words,
undated |
|
17 |
|
|
Songs Without Words,
undated |
|
18 |
|
|
Songs Without Words, Copy of Master,
undated |
|
19 |
|
|
Songs Without Words, Kathy McNeil and Linday McNeil,
Faculty Recital,
February 3, 2000 |
|
20 |
|
|
Sonic Mutation,
1986 |
|
21 |
|
|
Sonic Mutation, Ending,
undated |
|
22 |
|
|
Sonic Mutation, Gail Barber, Harp; Missa Brevis, on
Piano,
undated |
|
23 |
|
|
Sonic Mutuation, Harp,
1986 |
|
24 |
|
|
Sonic Mutation for Harp, Demonstrated on the Piano,
undated |
|
25 |
|
|
Sonic Mutation for Harp, Here Played on the Piano,
1986 |
|
26 |
|
|
Sonnet: Ely Cathedral, Ely, England; Heilig Geist
Kirche, Bergisch-Gladbach, West Germany; Mattauskirche, Munich, West Germany;
Suite for Carillon: Svendborg, Denmark; Westminster Presbyterian, Oklahoma
City,
undated |
|
27 |
|
|
Sonnet for Organ, Gerre Hancock, Organ, Dedication of
the Holtkamp Organ, Hemmle Recital Hall, Texas Tech University; Sound the
Trumpet (1994), Willie Strieder, Trumpet, Dr. Stephen Weber, Organ,
Composers’ Concert, Texas Tech University,
December 6, 1994 |
|
28 |
|
|
Sonnet for Organ, Holtkamp Organ Dedication, Gerre
Hancock,
February 13, 1977 |
|
29 |
|
|
Sonnet for Organ, Jeremy Bruns, Organ,
undated |
|
30 |
|
|
Sound the Trumpet,
undated |
|
31 |
|
|
Sound the Trumpet,
undated |
|
32 |
|
|
Sound the Trumpet, Willie Strieder, Trumpet, Stephen
Weber, Organ, Master Copy, Composers Concert,
December 6, 1994 |
|
33 |
|
|
Soundscapes,
undated |
|
34 |
|
|
Spirit Divine,
undated |
|
35 |
|
|
Spirit Divine,
1986 |
|
36 |
|
|
Spirit Divine, Texas Tech University Choir,
November 11, 1986 |
|
37 |
|
|
Spirit Divine, Texas Tech University Choir,
November 11, 1986 |
|
38 |
|
|
Spirit Divine, Texas Tech University Choir, Dr. Donald
Bailey, Director, Dr. Judson, Maynard, Organ, Premiere,
November 4, 1986 |
| box |
recording |
| 12 |
1 |
|
|
Spirit Divine; Missa Brevis,
undated |
|
2 |
|
|
Spirit Divine for SATB and Organ; Five Psalms for
Tenor, Trumpet, and Piano; Missa Brevis for Soprano and Organ,
undated |
|
3 |
|
|
Suite for Carillon, Dr. Judson Maynard, Carilloneur,
Carillon Concert,
July 4, 1976 |
|
4 |
|
|
Suite for Carillon, Performed by Ann Adcock, Texas
Tech University,
June 25, 1989 |
|
5 |
|
|
Symphony for Percussion Orchestra,
2000 |
|
6 |
|
|
Symphony for Percussion Orchestra,
2000 |
|
7 |
|
|
Symphony for Percussion Orchestra, Texas Tech
University Percussion Ensemble I, Dr. Lisa Rogers, Conductor,
2000 |
|
8 |
|
|
Symphony for Percussion Orchestra, Texas Tech
University Percussion Ensemble I, Dr. Lisa Rogers, Conductor,
2000 |
|
9 |
|
|
Symphony for Percussion Orchestra, Texas Tech
University Percussion Ensemble I, Dr. Lisa Rogers, Conductor,
undated |
|
10 |
|
|
Symphony for Percussion Orchestra (2000), Texas Tech
University Percussion Ensemble I,
November 14, 2000 |
|
11 |
|
|
Synthesizer Improvisation, Dr. van Appledorn,
undated |
|
12 |
|
|
Synthesizer Improvisation, Dr. van Appledorn,
undated |
|
13 |
|
|
Tape I, Including Cellano Rhapsody,
undated |
|
14 |
|
|
Tape II, Including Missa Brevis,
undated |
|
15 |
|
|
Tape III, Including Freedom of Youth,
undated |
|
16 |
|
|
Tape V, Conclusion of Lecture,
undated |
|
17 |
|
|
Terrestrial Music,
undated |
|
18 |
|
|
Terrestrial Music, II. Barren Land, Kellog and van
Appledorn,
undated |
|
19 |
|
|
Terrestrial Music, III. New Vienna, (original),
undated |
|
20 |
|
|
Terrestrial Music, IV. White Mountains Rising, Piano
Part,
undated |
|
21 |
|
|
Terrestrial Music, 5. Continental Drift, Solo Violin,
Solo Piano (with Piano Reduction of Strings), Missing bars 44, 51,
undated |
|
22 |
|
|
Terrestrial Music, A Double Concerto for Solo Violin,
Solo Piano, and String Orchestra,
1992 |
|
23 |
|
|
Terrestrial Music, Japan Tour, Inoue Chamber Ensemble,
1995 |
|
24 |
|
|
Terrestrial Music, Nagano, Japan Premiere,
August 8, 1992 |
|
25 |
|
|
Terrestrial Music, Polish National Radio Orchestra,
Richard Luby, Violin, Barry Salwen, Piano,
undated |
|
26 |
|
|
Terrestrial Music, Premiere,
1994 |
|
27 |
|
|
Terrestrial Music, Premiere, Inoue Chamber Ensemble,
Miller Theatre, New York,
November 5, 1992 |
|
28 |
|
|
Texas Tech University Composers’ Chamber Music
Recital, Sonatine (1988), Keith McCarty, Clarinet, Mary Jeanne van Appledorn,
Piano, Hemmle Recital Hall,
December 6, 1988 |
|
29 |
|
|
Texas Tech University Composers’ Concert,
Atmospheres,
December 7, 1993 |
|
30 |
|
|
Texas Tech University Composers’ Concert, Ayre,
November 6, 1990 |
|
31 |
|
|
Texas Tech University Composers’ Concert,
Incantations for Trumpet and Piano,
May 5, 1992 |
|
32 |
|
|
Texas Tech University Composers’ Concert, Three
for Two,
November 26, 1996 |
|
33 |
|
|
Texas Tech University Composers’ Concert,
“End of the Millennium Concert I”, Galilean Galaxies, Performed
by The Devienne Trio,
May 4, 1999 |
|
34 |
|
|
Texas Tech University Composers’ Concert,
Students of Dr. van Appledorn, Atmospheres,
December 7, 1993 |
|
35 |
|
|
Three for Two, Duos for Recorders, Demonstration on
Piano,
1989 |
|
36 |
|
|
Three for Two, Duos for Recorders or Flutes,
Demonstrated on Piano,
1989 |
| box |
recording |
| 13 |
1 |
|
|
Three for Two for Recorders, Demonstrated on Piano,
undated |
|
2 |
|
|
Three for Two for Flutes,
1989 |
|
3 |
|
|
Three For Two for Recorders or Flutes, (Piano
Demonstration),
undated |
|
4 |
|
|
Three For Two; Azaleas,
undated |
|
5 |
|
|
Tower Music,
undated |
|
6 |
|
|
Tower Music, Premiere, Maynard, Corpus Christi,
June 8, 1990 |
|
7 |
|
|
Trio Italiano; Legacy, William Hartwell, Basso
Profundo, Mary Jeanne van Appledorn, Astonished Piano; Cycles of Moons and
Tides, Texas Tech University Symphonic Band, James Sudduth, Conductor,
October 15, 1995 |
|
8 |
|
|
Trio Italiano, Willie Strieder, Trumpet, Anthony
Brittin, Horn, Don Lucas, Trombone,
undated |
|
9 |
|
|
Trio Italiano for Trumpet, Horn, and Trombone,
International Trumpet Guild Award, Trumpet Guild Brass Trio Competition,
1996 |
|
10 |
|
|
Trio Italiano for Trumpet, Horn, and Trombone, Piano
Demonstration,
undated |
|
11 |
|
|
Trumpet Concerto; Clarinet Quartet,
undated |
|
12 |
|
|
Trumpet Concerto, First Movement, Original Copy and
Cleaned Copy, Scott Couch, Trumpet, Mary Jeanne van Appledorn, Piano, Recorded
by Professor D.O. Wiley at Texas Technological College Music Building,
1957 |
|
13 |
|
|
Trumpet Concerto, First Movement, Original Copy and
Cleaned Copy, Scott Couch, Trumpet, Mary Jeanne van Appledorn, Piano, Recorded
by Professor D.O. Wiley at Texas Technological College Music Building,
1957 |
|
14 |
|
|
Trumpet Concerto, Hungarian Symphony Orchestra,
undated |
|
15 |
|
|
Trumpet Concerto, Robert Birch, University of New
Hampshire, Durham, Cadenza by Robert Birch,
undated |
|
16 |
|
|
Trumpet Concerto for Trumpet,
undated |
|
17 |
|
|
Two Shakespeare Songs (1952), Contemporary Choral
Compositions, Western Kentucky University,
1990 |
|
18 |
|
|
Two Shakespeare Songs, Gregg Smith Singers, Charles
Ives Center,
1993 |
|
19 |
|
|
Two Shakespeare Songs, Symposium for New Choral Music,
Western Kentucky University, Bowling Green, Kentucky,
undated |
|
20 |
|
|
Two Shakespeare Songs, A Symposium of New Choral
Chamber Music, Western Kentucky University, Bowling Green, Kentucky,
March 24, 1990 |
|
21 |
|
|
Two Shakespeare Songs, Gregg Smith Singers, (Reading
of texts precedes performance),
undated |
|
22 |
|
|
Two Shakespeare Songs; Peter Quince at the Clavier,
undated |
|
23 |
|
|
Two Shakespeare Songs; Spririt Divine; Darest Thou
Now, O Soul; Peter Quince,
undated |
|
24 |
|
|
Uptown Blue for Piano,
undated |
|
25 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUCP 5312
– Advanced Orchestration,
February 2, 2005 |
|
26 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUCP 5312
– Advanced Orchestration,
February 4, 2005 |
|
27 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUCP 5312
– Advanced Orchestration,
February 9, 2005 |
|
28 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUCP 5312
– Advanced Orchestration,
February 11, 2005 |
|
29 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303
– Form,
January 31, 2005 |
|
30 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303
– Form,
February 2, 2005 |
|
31 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303
– Form,
February 4, 2005 |
|
32 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303
– Form,
February 11, 2005 |
|
33 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303
– Form,
February 21, 2005 |
|
34 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303
– Form,
February 23, 2005 |
|
35 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303
– Form,
March 7, 2005 |
|
36 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 3303
– Form,
March 9, 2005 |
| box |
recording |
| 14 |
1 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304
– Styles,
February 1, 2005 |
|
2 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304
– Styles,
February 3, 2005 |
|
3 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304
– Styles,
February 10, 2005 |
|
4 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304
– Styles,
February 22, 2005 |
|
5 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304
– Styles,
March 8, 2005 |
|
6 |
|
|
van Appledorn, Mary Jeanne: Class Tapes: MUTH 5304
– Styles,
March 10, 2005 |
|
7 |
|
|
Variations on “Jerusalem the Golden,”
undated |
|
8 |
|
|
Variations on “Jerusalem the Golden”,
Luis Gonzales, Organ, Hemmle Recital Hall,
December 1995 |
|
9 |
|
|
Viola da Gamba, (work tape),
undated |
|
10 |
|
|
V.J.’s Report on Dr. van Appledorn, Text
Master,
undated |
|
11 |
|
|
West Texas Suite,
undated |
|
12 |
|
|
Windsongs for Brass Quintet (through measure 119),
Brass Readings,
May 2, 1991 |
|
13 |
|
|
Work Tape,
undated |
|
14 |
|
|
Work Tape,
undated |
|
|
|
Cassette Recordings – Other Musicians and
Artists |
| box |
recording |
| 14 |
15 |
|
|
Alonso de Mudarra: Fantasia X; Isaac Albeniz: Leyenda,
Sevilla; Mavio Castelnuovo-Tedesco: Sonata “Homage to
Boccherine”, Mussorgsky Transcribed by Segovia: “The Old
Castle” from Pictures at an Exhibition; “The old Castle”
Transcribed for Orchestra by Ravel; Bartok: Roumanian Folk Dances; Britten:
Simple Symphony, Op. 4; Barber: Adagio for Strings, Op. 11; Mussorgsky:
“Pictures at an Exhibition,”
undated |
|
16 |
|
|
Anderson, Amy, Oboe, Faculty Recital,
November 10, 1997 |
|
17 |
|
|
Antologia De La Musica Cusquena, Siglos XIX –
XX,
undated |
|
18 |
|
|
Barber, Gail, Harpist,
1985 |
|
19 |
|
|
Barber, Gail, Harpist,
1985 |
|
20 |
|
|
Barber, Violin Concerto,
undated |
|
21 |
|
|
Bartok, Third Piano Concerto, Second Piano Concerto,
undated |
|
22 |
|
|
Bartok, Violin Concerto Number Two (1946); Contrasts
for Clarinet, Violin, and Piano,
undated |
|
23 |
|
|
Bell Tower/Yamaha DX-7 Synthesizer, Lawson plays
Crystal Cathedral Carillon,
April 21, 1991 |
|
24 |
|
|
Belshaw, Gary D., Wind Sculptures for Trombone and
Band, Synthesizer: ENSONIQ SD-1,
undated |
|
25 |
|
|
Biggs, E. Power: The Organ in Sight and Sound,
Columbia KS 7263; A Mini Discourse on the Rheinbergers Concertos, Columbia BTQ
158473; Rheinberger: Concerto No. 1, Op. 137; Barber: Toccata Festiva, Op. 36,
undated |
|
26 |
|
|
Boretz, Benjamin: “...my chart shines high
where the blue milk’s upset…”, Sarah Rothenberg, Piano,
Recorded in Olin Auditorium, Bard College (1988); J.K. Randall:
“…such words as it were vain to close…”, J.K.
Randall, Piano, Recorded in Princeton, New Jersey (1977), from Open Space CD 1,
undated |
|
27 |
|
|
Brink, Paul, Ein Feste Burg (Bach Chorale) for Organ,
undated |
|
28 |
|
|
Britten: Nocturnal, Op. 70; Boccherini: Introduction
and Fandango; Ravel: Pavane pour une infante de Junte?; Gomez-Crespo: Nortena;
Albeniz: Mallorca; Ponce: Scherzino Mejicano; Pavana: Pisador con Pavot
Recordo; Milan: El Movo; Milan: Fantasia,
undated |
|
29 |
|
|
Burch, Gary, Senior Composition Recital,
December 3, 1994 |
|
30 |
|
|
Byong-Kon Kim, Sori for Orchestra (1978), Performed by
Osaka Philharmonic Orchestra; Dick: Flute,
undated |
|
31 |
|
|
Cablegram, The Paxton Group with Paula Claire,
undated |
|
32 |
|
|
A Carillon Recital at Bok Tower Gardens, Milford
Myhre, Carillonneur,
undated |
|
33 |
|
|
Christmas Carillon from Bok Tower Gardens, Milford
Myhre, Carillonneur,
1986 |
|
34 |
|
|
The Clarinet and Flute Soloists, John Russo, Clarinet,
Samuel Baron, Flute, Billings Symphony Orchestra, Uri Barnea, Conductor,
Society Orchestra of New York City, Thomas Crawford, Conductor,
undated |
|
35 |
|
|
Composers in Recital, Students of Dr. Mary Jeanne van
Appledorn,
April 20, 1989 |
|
36 |
|
|
Concerto for Percussion and Wind Symphony; Composed
and Conducted by Jeffrey Hoover, Alan P. Shinn, Soloist, Texas Tech University
Symphonic Band,
April 24, 1990 |
|
37 |
|
|
Dedication of the Memorial Organ, FUMC, Floydada,
Texas, Jeremy Bruns, Organist,
undated |
| box |
recording |
| 15 |
1 |
|
|
Donaueschingen; Hindemith: Clarinet Sonata; Pepping:
Suite for Trompete, Saxophon und Posaune; Krenek: Drei Lustige Marsche;
Pepping: Kleine Serenade Fur Militarorchester; Toch: Spiel Fur Blasorchester,
Op. 39; Hindemith: Konzertmusik Fur Blasorchester, Op. 41; Furman Civic Wind
Ensemble, John C. Carmichael, Conductor,
1990 |
|
2 |
|
|
DX Performance Demonstration, FM Digial Keyboards; DX7
and DX9 Performances by Gary Leuenberger and Don Lewis; L’Lady (Paich)
(1984); The One (Porcaro); Performed by David Paich, Steve porcaro, and James
Newton Howard,
1984 |
|
3 |
|
|
”The DX Zone”, DX7 Programming
Instructions; “The DX Zone”, DX9 Programming Instructions,
undated |
|
4 |
|
|
Eben, Peter: Okna; Plog, Anthony: Four Themes on
Paintings of Edvard Munch; Houhannes, Alan: Prayer of St. Gregory, Op. 62b;
Persichetti, Vincent: The Hollownen?; JoLivet, Andre: Arioso barocco; Lowry,
Douglas: Suburban Measures; Anthony Plog, Trumpet, Hans-Olq? Ericsson, Organ,
MUSI 7000,
November 4, 1994 |
|
5 |
|
|
Electronic Pieces?,
undated |
|
6 |
|
|
Faculty Fun Band, Texas Tech University Band and
Orchestra Camp,
July 15-27, 1990 |
|
7 |
|
|
Faris, Amy, Senior Composition Recital, Texas Tech
University,
March 4, 1993 |
|
8 |
|
|
Festival a Kerkrade, Nederland, Harmonie-Orkest Saint
Jozef, Mcluder? Trumpet Concerto,
undated |
|
9 |
|
|
Festival of Texas Composers, Concert III,
March 10, 1988 |
|
10 |
|
|
Garner, Erroll, The Best of Erroll Garner,
undated |
|
11 |
|
|
Geigen, Beriot - Duo Concertante, Op. 57 No. 1;
Rossini – Sonata; Kodaly – Serenade, Op. 12; Dvorak –
Serenade, Op. 22, E Major,
undated |
|
12 |
|
|
Glazer, Stuart, Concerto for Flute and Concert Band,
Premiere Performance,
May 1, 1988 |
|
13 |
|
|
Grainger, Percy: English Dances, Danny Boy, Organ and
Orchestra; Richard Strauss: Joseph Legend,
undated |
|
14 |
|
|
Inoue Chamber Ensemble,
undated |
|
15 |
|
|
Joplin, Scott, Piano Rags, Myra Hernandez, Pianist,
undated |
|
16 |
|
|
Kallstrom, Michael J., Intro the Deep for bass voice,
synthesizer, and electronic tape; A Lion’s Tale for voice and piano, a
song with dialogue,
undated |
|
17 |
|
|
Kelly, John-Edward, Saxophone, Bob Versteegh, Piano,
undated |
|
18 |
|
|
Kent, Gary, Senior Composition Recital, Texas Tech
University, Hemmle Recital Hall,
July 6, 1997 |
|
19 |
|
|
Kirk, Theron, Ode to Music,
undated |
|
20 |
|
|
KOHM Radio Tape Copies,
undated |
|
21 |
|
|
KTEZ Cassette,
undated |
|
22 |
|
|
KTEZ Lubbock,
undated |
|
23 |
|
|
Kvernes, Paul, Senior Composition Recital, Texas Tech
University, Hemmle Recital Hall,
August 13, 1987 |
|
24 |
|
|
Lance, Scott A. : Testament,
1992 |
|
25 |
|
|
Lawson, James R., Bells of Riverside, Laura Spelman
Rockefeller Carillon, The Riverside Church, New York, New York,
undated |
|
26 |
|
|
Legrand, Michel, Summer of ’42 Original Motion
Picture Soundtrack,
1971 |
|
27 |
|
|
Listening to Women and Men, Side 1,
October 1, 1996 |
|
28 |
|
|
Listening to Women and Men, Side 3,
October 1, 1996 |
|
29 |
|
|
Lopez, Reginald Martin, Graduate Woodwind Recital,
Texas Tech University,
June 9, 1997 |
|
30 |
|
|
Lowrance, Bryce H., Senior Composition Recital,
February 20, 1993 |
|
31 |
|
|
Mahler, Gustav: Symphony No. 2 in C Minor “The
Resurrection”, Philharmonia Chorus and Orchestra,
undated |
|
32 |
|
|
Mahler, Gustav: Symphony No. 8 in E-flat Major,
(Symphony of a Thousand),
undated |
|
33 |
|
|
Major 3rd Bells; Cranbrook Pipe Band (bagpipes): Kirk
of the Hills; Barber Adagio; F. Mariott Variations on “So long”,
der alte Peter, Evi de vos, Olson – Nauen, C. Played Georg, Koppel, Air
Vol. 13; Burton Tower University of Michigan, Major 3rd Carillon,
undated |
|
34 |
|
|
A Man of Our Times: Jean Berger, St. Martin’s
Chamber Choir, A birthday concert (recorded live), including some of his many
choral works, given on the occasion of Jean Berger’s 89th birthday,
September 27, 1998 |
|
35 |
|
|
Mason, Charles, The Blazing Macaw,
undated |
|
36 |
|
|
McConnell, Adagio for Strings, Rehearsal,
February 15, 1998 |
|
37 |
|
|
McConnell, Daniel J., Composition Recital,
March 11, 1998 |
| box |
recording |
| 16 |
1 |
|
|
Messiaen: Turngalila; Takemitsu: November Steps,
undated |
|
2 |
|
|
Messiaen: Turngalila; Takemitsu: November Steps,
undated |
|
3 |
|
|
Miller, Robert, Sonatina; Gary Kent, When I Hoped, I
Feared, Composers’ Concert, Fall,
1990 |
|
4 |
|
|
Mitsopoulou, Evangelia, Piano, Teloglio Foundation,
Manolis Kalomiris: Ballad No. 1, Op. 1 in mi minor inspired by the poem
“Les chansons de Pirates” by Victor Hugo; Claude Debussy: Four
Preludes,
November 30, 2002 |
|
5 |
|
|
Nero, Peter, Summer of ’42,
undated |
|
6 |
|
|
New Music from Texas Tech, Composers’ Recital,
November 12, 1989 |
|
7 |
|
|
New Music from Texas Tech, Composers’ Recital,
April 26, 1990 |
|
8 |
|
|
Olson, Kenneth, Toccata Fantasy; Charles Jones,
Piano,
undated |
|
9 |
|
|
Orchestra Music; Zwilich, Celebration for Orchestra;
Tower, Sequoia; Larsen, Symphony: Water Music,
undated |
|
10 |
|
|
Orchestra Reading, Piano Concerto, Belshaw; Psalm 46,
Miller; Overture to Easter Cantata, Lowrance; Cantata, Weber,
December 11, 1991 |
|
11 |
|
|
Parnassus, 15 Etudes for Euphonium, Piano
Demonstration,
1990 |
|
12 |
|
|
Pellerite, James J., Native American Flute, Colors
Fall, Wind Songs, Prism, Winter Sky,
undated |
|
13 |
|
|
Pellerite, James J., Native American Flute, Prayer
and Celebration, S. Weber; Dances, K. Purrone,
undated |
|
14 |
|
|
Perspectives of New Music, School of Music, University
of Washington, No. 28,
1989-1990 |
|
15 |
|
|
Pervazov, Andrian, Music of Andrian Pervazov,
undated |
|
16 |
|
|
Piano- Theatre, Martha Anne Verbit, Piano,
1987 |
|
17 |
|
|
Rauscher, Jim, Piano, Ph.D. Recital,
October 16, 1988 |
|
18 |
|
|
Ravel, Maurice, Daphnis et Chloé,
undated |
|
19 |
|
|
Recuerdos de la Alhambra, Tarrega; Tonadilla,
Granados; Leyenda, Albeniz; Serenata Burlesca, Moreno Torroba; Minuet, F.J.
Hayon; Hill Runes, Davies; Five Impromptus, Bennett; Royal Winter Music, Hans
Werner Henze,
undated |
|
20 |
|
|
Reynolds, Belinda, Interference Patterns for 2
Violins (1990)l; A Shattered Peace for Solo Piano, Berkeley University,
1988-1989 |
|
21 |
|
|
Saxton, Robert, Processions and Dances,
undated |
|
22 |
|
|
Schild?, Largo and Toccatta for Organ,
undated |
|
23 |
|
|
Sheng, Brights, Four Movements for Piano Trio,
undated |
|
24 |
|
|
Shostakovitch, Symphony No. 1, Op. 10,
undated |
|
25 |
|
|
Songs of a Season Blessed,
undated |
|
26 |
|
|
Sounding the New Violin, Malcolm Goldstein,
1991 |
|
27 |
|
|
Study Tape,
undated |
|
28 |
|
|
Suk, J.; Works by F. Mendelssohn, J.S. Bach, B.
Martinu,
undated |
|
29 |
|
|
Symphony for Band,
undated |
|
30 |
|
|
Tape 3: Association of Concert Bands Convention;
Houston Concert Band; Plano Community Band,
April 4, 1982 |
|
31 |
|
|
Tape Number 1 for Mary Jeanne van Appledorn; Villa
Lobos: Twelve Etudes; Suite Populaire Bresilienne; Five Preludes; Ferdinand
Sors: Lessons, Exercises, Studies,
May 5, 1992 |
|
32 |
|
|
Tape Number 2 for Dr. van Appledorn; Sir William
Walton, Five Batatelles; Albert Harris; Variations and Fugue on a Theme of
Handel; Albert Harris, Sonatina; Joaquin Turina, Sonata; Turina, Sonata;
Turina, Fandanguillo; Federico Moreno Torroba, Preludia; Manuel de Falla,
Homenade; Joaquin Rodrigo, Envocation et Danse,
May 5, 1992 |
|
33 |
|
|
Tape Number 3 for Dr. van Appledorn; Manuel M. Ponce:
Theme, Variations, and Finale; Paganini-Ponce: Andantino Variato; Ponce:
“Folles d’Espagne”, Theme, Variations, et Fugue; J.S.
Bach: Prelude, Fugue; Mario Castelnuovo-Tedesco: Platero y Yo, Op. 190;
Castelnuovo-Tedesco: Guitar Quintet, Op. 143; Manuel M. Ponce: Sonata for
Guitar and Harpsichord; Joaquin Rodrigo: Fantasia para un Gentilhombre,
undated |
|
34 |
|
|
Texas Tech University Hemmle Scholarship Concert, Gary
Lewis and Cody Birdwell, Conductors,
January 23, 1999 |
|
35 |
|
|
Texas Tech University New Music Ensemble, Steve
Paxton/Gregg Koyle, Directors (April 27, 1992); Gene Williams, Parnassus Takes,
undated |
|
36 |
|
|
Texas Tech University Student Composers’
Concert,
April 17, 1988 |
|
37 |
|
|
Texas Tech University Student Composers’
Concert,
November 6, 1990 |
|
38 |
|
|
Texas Tech University Student Composers’
Concert,
November 6, 1990 |
| box |
recording |
| 17 |
1 |
|
|
Texas Tech University Student Composers’
Concert, Master Tape,
April 30, 1991 |
|
2 |
|
|
Texas Tech University Student Composers’
Concert, van Appledorn Students’ Recital,
November 26, 1991 |
|
3 |
|
|
Texas Tech University Student Composers’
Concert, van Appledorn Students’ Recital,
May 5, 1992 |
|
4 |
|
|
Texas Tech University Student Composers’
Showcase, Summer Term I,
1984 |
|
5 |
|
|
Thames, Jeffrey, Prologue and Four Psalms for Tenor
Voice and Piano,
undated |
|
6 |
|
|
’Tis the Season, John Giordano conducting the
Fort Worth Symphony Orchestra,
1985 |
|
7 |
|
|
Tradition and Renewal in the Music of Japan, from
Perspectives in New Music, PNM 27,
undated |
|
8 |
|
|
Trumpet Hits,
undated |
|
9 |
|
|
Trumpet Kings,
undated |
|
10 |
|
|
Twentieth Century Harpsichord Music, Volume III,
Barbara Harbach, Harpsichord,
1990 |
|
11 |
|
|
Unlabeled,
undated |
|
12 |
|
|
Unlabeled,
undated |
|
13 |
|
|
Unlabeled,
undated |
|
14 |
|
|
Untitled, Side 1, Piece 3,
undated |
|
15 |
|
|
Untitled, Side 1, Piece 2,
undated |
|
16 |
|
|
Varèse, Edgard, Ionization,
undated |
|
17 |
|
|
Villa-Lobos, Sexteto Mistico, Orquesta de Camara,
Jean-Francois Paillard, Turibio Santos, Guitar,
undated |
|
18 |
|
|
Vivace Press Choral Anthems,
1990 |
|
19 |
|
|
Weihnachts Manner, (unopened),
undated |
|
20 |
|
|
Yao, Sha, Impromptu (piano); Duet (clarinet and
piano); Piano Suite “Portrait”,
undated |
|
21 |
|
|
Barber: Songs; Turkish,
undated |
|
22 |
|
|
Cycles, (Copy),
undated |
|
23 |
|
|
Cycles, Recording Session, (Master),
undated |
|
24 |
|
|
Cycles of Moons and Tides; Weber: Suite for
Percussion, Back Up of Edits,
1995 |
|
25 |
|
|
Five Psalms, Karl Dent, Tenor, Will Streider, Trumpet,
1998 |
|
26 |
|
|
Galilean Galaxies, (Copy),
undated |
|
27 |
|
|
Les Hommes vides, Editing,
May 1995 |
|
28 |
|
|
Les Hommes vides, Safety Copy,
undated |
|
29 |
|
|
Opus One, Final Master, Rhapsody,
undated |
|
30 |
|
|
Passages II, Trombone and Percussion, Production
Master,
undated |
|
31 |
|
|
Postcards, Recording Session, Master Takes, 170 Takes,
undated |
|
32 |
|
|
Postcards to John, John Scott Ford, Guitar, Recorded
at Texas Tech University, Hemmle Recital Hall,
June 20, 1995 |
|
33 |
|
|
Rhapsody; Atmospheres, Safety Copy,
undated |
|
34 |
|
|
Sonic Mutation; Rhapsody, Backup #2,
May 24, 1994 |
|
35 |
|
|
Sonic Mutations; Weber: 8 Etudes, Safety Copy
undated |
|
36 |
|
|
Texas Tech University Composers’ Concert,
December 8, 1998 |
|
37 |
|
|
Trio Italiano,
undated |
|
38 |
|
|
Trio Italiano, DAT, (Original),
undated |
|
39 |
|
|
Two Organ Pieces; Postcards, Back Up of Master,
undated |
|
40 |
|
|
Weber - Percussion,
October 22, 1995 |
|
41 |
|
|
Weber: Suite for Percussion, Session,
October 22, 1995 |
|
|
|
C.D.’s |
| box |
recording |
| 1 |
1 |
|
|
American Women Composers, Fantasia, Max Lifchitz,
Piano,
2006 |
|
2 |
|
|
American Women Composers, Fantasia, Max Lifchitz,
Piano,
2006 |
|
3 |
|
|
Ayre, Live Performance, North/South Chamber Orchestra,
New York City,
June 10, 2008 |
|
4 |
|
|
Chamber Music Festival of Saugatuck, Woman’s
Club of Saugatuck, Excerpt from Woman’s Club 100th Anniversary Gala,
Cellano Rhapsody,
July 8, 2004 |
|
5 |
|
|
ClarinetFest 2000, Gestures,
July 15, 2000 |
|
6 |
|
|
Communique for Voice and Piano, Poetry by Dr. Everett
Gillis; Kathryn Barnes-Burroughs, Mezzo soprano, John Hollins, Piano,
undated |
|
7 |
|
|
Composers’ Concert, Texas Tech University
School of Music,
May 1, 2007 |
|
8 |
|
|
Composers’ Concert, Texas Tech University
School of Music,
May 1, 2007 |
|
9 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Guest Artist: Jeff Martindale, Native American Flute and
Shakuhachi,
April 19, 2005 |
|
10 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Hemmle Recital Hall,
April 27, 2004 |
|
11 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Hemmle Recital Hall,
December 3, 2002 |
|
12 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Hemmle Recital Hall,
December 3, 2002 |
|
13 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Musique for Trombone and Piano,
December 9, 2003 |
|
14 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Musique for Trombone and Piano,
December 9, 2003 |
|
15 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Parquet Music, Mimi Noda, Piano,
April 24, 2001 |
|
16 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Sonata for Guitar, Milen Parashkevov, Guitar,
April 27, 2004 |
|
17 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Sonatine for Clarinet and Piano, Sonia Capuzzo, Clarinet,
Regina Shea, Piano,
December 4, 2001 |
|
18 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Sonnet for Organ, Sigurd Øgaard, Organ,
May 1, 2007 |
|
19 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Trio Devienne for Flute, Bassoon and Piano,
May 2, 2006 |
|
20 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Variations on Jerusalem the Golden, Sigurd Øgaard,
Organ, (8 copies),
April 21, 2008 |
|
21 |
|
|
Compositions for Carillon by Dr. Mary Jeanne van
Appledorn; Caprice, Performed by C. Roy Wilson (August 3, 2003); Potpourri for
Carillon, Performed by Wes Gomer (July 27, 2003); Suite for Carillon (inscribed
to Jud Maynard), Performed by Arla Jo Anderton (July 20, 2003); Celestial
Clockwork, Performed by Ann Adcock,
August 10, 2003 |
|
22 |
|
|
Compositions for Carillon by Dr. Mary Jeanne van
Appledorn; Caprice, Performed by C. Roy Wilson (August 3, 2003); Potpourri for
Carillon, Performed by Wes Gomer (July 27, 2003); Suite for Carillon (inscribed
to Jud Maynard), Performed by Arla Jo Anderton (July 20, 2003); Celestial
Clockwork, Performed by Ann Adcock,
August 10, 2003 |
|
23 |
|
|
Contemporary American Composers, Sonic Mutation
(1986), Gail Barber, Harp,
2003 |
|
24 |
|
|
Contemporary Romantics, A Liszt Fantasie, Max
Lifchitz, Piano,
1992 |
|
25 |
|
|
Contrasts, Matrices for Alto Saxophone and Piano,
Harvey Pittel, Saxophone, Craig Williams, Piano,
2006 |
|
26 |
|
|
Cycles of Moons and Tides for Wind Ensemble; Meliora
Symphony for Winds and Percussion,
undated |
|
27 |
|
|
Danish/American Composers, Contrasts for Piano,
Kristian Rasmussen, Pianist,
1996 |
|
28 |
|
|
Danish/American Composers, Contrasts for Piano,
Kristian Rasmussen, Pianist,
1996 |
|
29 |
|
|
Drama in Music from 1800-2000 Concerto for Trumpet and
Orchestra, Hungarian Symphony Orchestra, Zoltan Molnar, Trumpet,
2000 |
|
30 |
|
|
Elan: Vocal and Instrumental Music by Composers from
Mexico and the US, Passages, Don Lucas, Trombone, Max Lifchitz, Piano; Passages
II, Don Lucas, Trombone, Alan D. Shinn, Percussion,
1999 |
|
31 |
|
|
Evangelia Mitsopoulou Piano Recital, A Liszt Fantasy
(1984), Concert Hall at the University of Macedonia, Thessaloniki, Greece,
April 7, 2003 |
|
32 |
|
|
Excursions, Ayre for Strings,
1992 |
|
33 |
|
|
Exultant Voices, Gestures for Clarinet Quartet; Five
Psalms; Galilean Galaxies,
2000 |
|
34 |
|
|
Faculty Composers’ Concert, Miniatures, Texas
Tech University School of Music, Hemmle Recital Hall,
November 27, 2001 |
|
35 |
|
|
Faculty Composers’ Concert, Texas Tech
University School of Music, Hemmle Recital Hall,
November 27, 2001 |
|
36 |
|
|
Faculty Recital, Communiqué, Catherine Nix,
Soprano, Mary Jeanne van Appledorn, Piano, Texas Tech University School of
Music, Hemmle Recital Hall,
January 23, 1998 |
|
37 |
|
|
Fantasia, Pre-Master Edit,
May 26, 2006 |
|
38 |
|
|
Fantasia for Piano, Inscribed to Eugenio Zapata,
Eugenio Zapata, Piano,
June 24, 2004 |
| box |
recording |
| 2 |
1 |
|
|
Festive Bells, Carillon,
undated |
|
2 |
|
|
Five Psalms for Tenor, Trumpet and Piano (1988), Karl
Dent, Tenor, Willie Streider, Trumpet, Clinton Barrick, Piano, Recorded in
Hemmle Recital Hall, School of Music, Texas Tech University, Lubbock, TX,
July 8, 1999 |
|
3 |
|
|
The Indian Flutes,
undated |
|
4 |
|
|
James Pellerite Plays Works for Indian Flute, Music of
Enchantment,
undated |
|
5 |
|
|
Judson Maynard, Carillonist, Suite for Carillon
(1975),
2003 |
|
6 |
|
|
Landscapes for Chamber Orchestra: Ayre, Max Lifchitz,
conductor,
2008 |
|
7 |
|
|
Living Music Days – U.S.A., Disc I,
December 6-7, 1999 |
|
8 |
|
|
Living Music Days – U.S.A., Disc II; Reeds
Afire, Florin Catina, Clarinet, Marius Neag, Bassoon,
December 6-7, 1999 |
|
9 |
|
|
Living Music Days – U.S.A., Disc III; Trio
Italiano, Sebastian Serfimovici, trumpet, Traian Cioc, Horn, Ruslan Solcan,
Trombone,
December 6-7, 1999 |
|
10 |
|
|
Lubbock Symphony Orchestra, Meliora Fanfare, Andrews
Sill, Music Director, Civic Center Theatre,
November 1, 2002 |
|
11 |
|
|
Mary Jeanne van Appledorn Festival of New Music, Texas
Tech University School of Music, Sonic Mutation for Solo Harp; Azaleas for
voice, flute and piano; Galilean Galaxies; Missa Brevis; Rhapsody for Violin
and Orchestra; Meliora Symphony for winds and percussion,
September 18, 2005 |
|
12 |
|
|
Meliora: Fanfare for Orchestra, Lviv Philharmonic
Orchestra, Yuriy Lutsiv, Conductor,
2003 |
|
13 |
|
|
Meliora: Symphony for Winds and Percussion,
2002 |
|
14 |
|
|
Meliora: Symphony for Winds and Percussion,
2002 |
|
15 |
|
|
Meliora: Symphony for Winds and Percussion,
2002 |
|
16 |
|
|
Mirrors for Flute, Clarinet, and Piano, USNA Band,
Catherine LeGrand, Flute, MUC Marcia Diehl, clarinet, Kenneth Grigg, Piano,
Chamber Music Recital, World Premiere Performance,
May 14, 2005 |
|
17 |
|
|
Music From Six Continents: 1991 Series, Rising Night
After Night, Slovak Radio Symphony Orchestra of Bratislava/Bratislava City
Chorus, Oliver Dohnanyi,
1991 |
|
18 |
|
|
Music from Texas Tech University, Opus One, Number One
Hundred Forty Seven, Sonatine (1988), Inoue Chamber Ensemble, Edward Gilmore,
Clarinet, Kazuko Inoue, Piano; Four Duos, Arthur Follows, Violoncello, Susan
Schoenfeld, Viola; Liquid Gold (1982), Ronald Chiles, Piano, Dale Underwood,
Alto Saxophone,
undated |
|
19 |
|
|
Music from Ukraine, Passacaglia and Chorale, Lviv
Philharmonic Orchestra, Yuriy Lutsiv, Conductor,
2003 |
|
20 |
|
|
Music from Ukraine, Passacaglia and Chorale, Lviv
Philharmonic Orchestra, Yuriy Lutsiv, Conductor,
2003 |
|
21 |
|
|
Native American Flute and Shakuhachi, Jeff Martindale,
Piano Playing Flute Parts, Piano and Flutes, Shakuhachi Solo for NYC, Native
American Flute Drone for NYC,
undated |
|
22 |
|
|
New American Romantics, Music for Solo Piano, Set of
Five, Max Lifchitz, Piano,
1996 |
|
23 |
|
|
New Music Festival, Festival Recital, Galilean
Galaxies, Franziska Nabb, Flute, Jason Edwards, Bassoon, Nathan Buckner, Piano,
University of Nebraska at Kearney,
March 31, 2003 |
|
24 |
|
|
New Music for the Northern Plains Flute, Opus One,
Number One Hundred Eighty Nine, Music of Enchantment, James Pellerite, Native
American Flutist, National Polish Radio Symphony Orchestra, Conducted by David
Oberg,
undated |
|
25 |
|
|
New Music for the Northern Plains Flute, Opus One,
Number One Hundred Eighty Nine, Music of Enchantment, James Pellerite, Native
American Flutist, National Polish Radio Symphony Orchestra, Conducted by David
Oberg,
undated |
|
26 |
|
|
Opus One, Number One Hundred Seventy, Cycles of Moons
and Tides, Texas Tech University Symphonic Band, James Sudduth, Conductor,
undated |
|
27 |
|
|
Opus One, Number One Hundred Seventy Seven, Rhapsody
for Solo Violin and Orchestra, Polish Radio National Symphony Orchestra,
Charles Rex, Violin, Joel Eric Suben, Conductor (2 copies),
undated |
|
28 |
|
|
Opus One, Number One Hundred Seventy Seven, Rhapsody
for Solo Violin and Orchestra, Polish Radio National Symphony Orchestra,
Charles Rex, Violin, Joel Eric Suben, Conductor,
undated |
|
29 |
|
|
Opus One, Number One Hundred Sixty Nine, Atmospheres,
Texas Tech Trombone Ensemble, Robert Deahl, Director; Rhapsody, Willie
Strieder, Trumpet, Gail Barber, Harp; Sonic Mutation, Gail Barber, Harp,
undated |
|
30 |
|
|
Passages 3, Trio Montecino, Texas Tech University
School of Music, Hemmle Recital Hall,
undated |
|
31 |
|
|
Pellerite,
March 20, 2003 |
|
32 |
|
|
Postcards: Vocal and Instrumental Music by American
Composers, Postcards to John, John Scott Ford, Guitar; Trio Italiano, Will
Strieder, Trumpet, Anthony Brittin, Horn, Don Lucas, Bass Trombone,
1997 |
|
33 |
|
|
Remembrances/Recuerdos: Music by Composers from Cuba
and the US, Soundscapes, The North/South Chamber Orchestra, Max Lifchitz,
Conductor,
2007 |
|
34 |
|
|
Salute to Women Composers, Ayre for String Orchestra,
Southeastern Ohio Symphony Orchestra, Laura E. Schumann, Conductor,
April 22, 2001 |
|
35 |
|
|
Sinfonietta Orchestra, Rhapsody for Violin and
Orchestra, Texas Tech University School of Music, Gary Lewis, Conductor, John
Gilbert, Violin,
September 11, 2005 |
|
36 |
|
|
Shirley R. Barasch, Mary Shelley and Her Frankenstein,
2007 |
|
37 |
|
|
Soliloquy for Native American Flute and Shakuhachi
(and Piano), Practice,
March 20, 2005 |
|
38 |
|
|
Songs from the Heart: A Multi-Media Faculty Recital,
Communiqué, Kathryn Barnes-Burroughs, Mezzo-soprano, John Hollins,
Pianist, Texas Tech University School of Music, Hemmle Recital Hall,
January 23, 2005 |
| box |
recording |
| 3 |
1 |
|
|
Songs Without Words, Dats, CD (finalized), 2 DATs:
Copy of Raw Takes (good takes only); 2 CDs: 1st General? Copy of Computer
Edited Version of La La La, Straight Run Through of Entire Recording Session,
Original Master,
May 4, 2000 |
|
2 |
|
|
The Sonorous Landscape, Opus One, Number One Hundred
Sixty Two, Incantations for Trumpet and Piano; Patterns,
undated |
|
3 |
|
|
Soundscapes,
undated |
|
4 |
|
|
Soundscapes, Pre-Master Edit,
April 27, 2007 |
|
5 |
|
|
Soundscapes for Bassoon and Strings, Texas Tech
University School of Music, Hemmle Recital Hall,
undated |
|
6 |
|
|
Soundscapes for Bassoon and Strings, Texas Tech
University School of Music, Hemmle Recital Hall,
undated |
|
7 |
|
|
Strings Attached: Music for Strings and Piano by
American Composers, Uptown Blue, Max Lifchitz, Piano,
2005 |
|
8 |
|
|
Summer Shimmer: Women Composers for Organ, Shabat
Shalom, Barbara Harbach, Organ,
1996 |
|
9 |
|
|
Symphonic Wind Ensemble, Meliora Symphony for Winds
and Percussion, Texas Tech University School of Music,
September 18, 2005 |
|
10 |
|
|
Symphony of Celebration,
undated |
|
11 |
|
|
Texas Tech Carillon, Played by Judson Maynard,
Transfer from 10-inch 33 1/3 r.p.m. record (c. 1980) to Digital Disk by Eric
Blackwell; Suite for Carillon,
February 10, 2004 |
|
12 |
|
|
Trio Devienne, Track 6,
undated |
|
13 |
|
|
Trio Montecino, Passages III for Clarinet, Cello, and
Piano (2003), David Shea, Clarinet, Pablo Mahave-Veglia, Violincello, Paulina
Zamora, Piano,
2004 |
|
14 |
|
|
Trio Montecino, Passages III for Clarinet, Cello, and
Piano (2003), David Shea, Clarinet, Pablo Mahave-Veglia, Violincello, Paulina
Zamora, Piano, (unopened),
2004 |
|
15 |
|
|
The Trumpet Works of Mary Jeanne van Appledorn, Dr.
Thomas Pfotenhauer, Trumpet (Guest Artist), Susan Wass, Piano, Texas Tech
University School of Music, Hemmle Recital Hall,
October 12, 2001 |
|
16 |
|
|
Uptown Blue, Pre-Master Edit,
December 17, 2004 |
|
17 |
|
|
Winds and Voices: Living Artist Recordings, Volume 5,
Incantations, Amy Anderson, Oboe, William Westney, Piano; Songs Without Words,
Kathy McNeil, Soprano, Linda McNeil, Soprano, Sallie Pummill Pollack, Piano (2 copies),
2000 |
|
18 |
|
|
Women Composers for Organ: Music Spanning Five
Centuries, Sonnet, Barbara Harbach, Organ,
1993 |
|
19 |
|
|
Composers’ Concert, Texas Tech University,
Hemmle Recital Hall, Disc 1, Departures for Voice and Chamber Ensemble –
Daniel Todd; Tango for Solo Guitar – Rade Amanovic; Trio Devienne for
Flute, Bassoon and Piano – Mary Jeanne van Appledorn; The Fair Laurel
Tree – Christopher Lord; Rhythmic Layers for Brass Quintet –
Scott Strovas,
May 2, 2006 |
|
20 |
|
|
Composers’ Concert, Texas Tech University,
Hemmle Recital Hall, Disc 2, Piano Quartet #3 – James Edmonds; Sur la
Nuit for Voice and Chamber Strings – Alex Edgemon,
May 2, 2006 |
|
21 |
|
|
Composers’ Concert, Texas Tech University,
Hemmle Recital Hall, Disc 3, Genesis for Narrator-Baritone and Midi Orchestra
– Wallace Turner,
May 2, 2006 |
|
22 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Hemmle Recital Hall, Disc 1,
May 1, 2007 |
|
23 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Hemmle Recital Hall, Disc 2,
May 1, 2007 |
|
24 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Hemmle Recital Hall,
December 5, 2007 |
|
25 |
|
|
Composers’ Concert, Texas Tech University
School of Music, Hemmle Recital Hall,
April 21, 2008 |
|
26 |
|
|
Unlabeled, Composers’ Concert?,
undated |
|
27 |
|
|
Unlabeled, Composers’ Concert? (copy),
undated |
|
28 |
|
|
Opus One, Number One Hundred Seventy three, Mary Jeanne van Appledorn, Stephen Weber,
and Donald Keats,
undated |
|
|
|
Gramophone Records |
| box |
recording |
| 1 |
1 |
|
|
Black is the Color of My True Love’s Hair
(1953); Two Shakespeare Songs,
undated |
|
2 |
|
|
Burlesca (1951), First Performance, Lubbock Symphony
(1952), Won Mu Phi Epsilon National Composition Contest in 1953, Performed in
Salt Lake City, Utah National Convention of Mu Phi Epsilon (1954); This
Recording: University of Texas Performance, Gerhardt Wunsch?, Piano,
1955 |
|
3 |
|
|
Cellano Rhapsody for Cello and Piano,
undated |
|
4 |
|
|
Communique; Three Schubert Lieder, Marion Chandler
Mueller, Soprano,
undated |
|
5 |
|
|
Communique for Dramatic Soprano and Piano,
undated |
|
6 |
|
|
Concerto for Piano and Orchestra,
undated |
|
7 |
|
|
Contest and Concert Solos for the Flute, Frank Bowen,
Flute, Byrnell Figler, Pianist,
November 1965 |
|
8 |
|
|
Four American Women, Virginia Eskin, Piano, Set of
Five (1976-1978),
1981 |
|
9 |
|
|
Gems of the Keyboard, Consuelo Colomer, Pianist, A
Liszt Fantasie,
1986 |
|
10 |
|
|
National Intercollegiate Bands Recording, Gary T.
Garner, Guest Conductor, Terry G. Milligan, Host Conductor, Mary Jeanne van
Appledorn, Commissioned Composer, University of Cincinnati, Cincinnati, Ohio,
LUX: Legend of Sankta Lucia, Commissioned by Kappa Kappa Psi, National Honorary
Band Fraternity and Tau Beta Sigma, National Honorary Band Sorority,
1981 |
|
11 |
|
|
Opus One, Number 52, Communique: Judith Klinger,
Soprano, Mary Jeanne van Appledorn, Piano; Set of Five: Mary Jeanne van
Appledorn, Piano,
January 9, 1979 |
|
12 |
|
|
Opus One, Number 110, Passacaglia and Chorale (1973),
Texas Tech Symphony Orchestra, Phillip Lehrman, Conductor; Concerto for Trumpet
and Band (1960) (transcription by Mark Rogers), Robert M. Birch, Trumpet
Soloist, Texas Tech University Symphonic Band, James Sudduth, Conductor,
Recorded on Location at Texas Tech University, Hemmle Recital Hall, Lubbock,
TX, (2 Copies),
undated |
|
13 |
|
|
Passacaglia; Choreographic Overture, The University of
Texas Recording Studio, University of Texas College of Fine Arts,
undated |
|
14 |
|
|
Patterns for French Horn Quintet; Concerto for Piano
and Orchestra,
undated |
|
15 |
|
|
Piano Concerto, First Movement; Second Movement,
Austin Texas Symphony, Alessandro, Conductor,
undated |
|
16 |
|
|
Piano Concerto, Third Movement, Austin Texas Symphony,
Alessandro, Conductor; Patterns for French Horn Quintet,
undated |
|
17 |
|
|
Songs of Finland, The Sibelius Male Chorus of Chicago,
Illinois, Ralph Harju, Director,
undated |
|
18 |
|
|
St. Olaf College, Northfield, Minnesota, Arthur M.
Campbell, Applying for Belgium, Three Pieces for Piano; Song of Songs,
undated |
|
19 |
|
|
Texas Tech Carillon, Played by Judson Maynard, Suite
for Carillon (dedicated to the performer), First Prize Composition,
International Carillon Competition, Dijon, France,
1980 |
|
20 |
|
|
Texas Tech Symphony Orchestra, Paul Ellsworth,
Director,
1965 |
|
21 |
|
|
Unlabeled,
undated |
|
22 |
|
|
What Wondrous Love: The Organ and Vocal Artistry of
Janet and Paul Harms with the Combined Choirs of the First Presbyterian Church
of the Covenant (Erie, Pennsylvania) and the Erie Philharmonic Chorus, Spirit
Divine (1986),
1990 |
|
|
|
Reel to Reel Recordings |
| box |
recording |
| 1 |
1 |
|
|
Azaleas, Rehearsal-Reading, 4 track, 7 ½ ips,
undated |
|
2 |
|
|
Burlesca, Gerhardt Wunsche, Piano, University of
Texas Brass Ensemble; Two Shakespeare Songs, University of Texas Madrigal
Singers, 7 ½ ips, 2 track,
undated |
|
3 |
|
|
Cacophony, 7 ½ ips,
undated |
|
4 |
|
|
Cacophony, 7 ½ ips, ½ track,
1980 |
|
5 |
|
|
Cacophony, Texas Tech University Wind Ensemble, Keith
McCarty, Conductor, 4 track, 7 ½ ips,
undated |
|
6 |
|
|
Cacophony, Texas Tech University Wind Ensemble, Keith
McCarty, Conductor, 1/4 track, 7 ½ ips,
1980 |
|
7 |
|
|
Cantata: Rising Night After Night, 7 ½ ips,
¼ track,
undated |
|
8 |
|
|
Cantata: Rising Night After Night (1978), Premiere
Performance, Symposium of Contemporary Music, Texas Tech University Music
Department, Paul Ellsworth, Conductor, 4 track, 7 ½ ips,
January 27, 1979 |
|
9 |
|
|
Cantata: Rising Night After Night (1978), Texas Tech
University Choir, Texas Tech University Orchestra, Paul Ellsworth, Conductor,
Program VI, 4 track, 7 ½ ips,
January 27, 1979 |
|
10 |
|
|
Cantata: Rising Night After Night (1979), Texas Tech
University Choir, Texas Tech University Symphony, Paul Ellsworth, Conductor;
Letter from KOHM regarding re-recording of material to 4 track, 7 ½ ips,
May 1, 1989 |
|
11 |
|
|
Cantata: Rising Night After Night, Two Piano Reading,
undated |
|
12 |
|
|
I. Cantiga, II. Café Jose, III. Cante Hondo,
IV. El Vito, V. Final, 4 track, 7 ½ ips,
undated |
|
13 |
|
|
I. Cantiga, II. Café Jose, III. Cante Hondo,
IV. El Vito, V. Final (copy), 4 track, 7 ½ ips,
undated |
|
14 |
|
|
A Celestial Clockwork, 15 ips,
June 23, 1983 |
|
15 |
|
|
Cellano Rhapsody, Art Follows, Cello, Jennifer
Garrett, Piano, 7 ½ ips,
undated |
|
16 |
|
|
A Choreographic Overture, 2 track, 7 ½ ips,
undated |
|
17 |
|
|
A Choreographic Overture, Best Recording, 7 ½
ips,
undated |
|
18 |
|
|
A Choreographic Overture, Texas Tech Band (May 1,
1978); Patterns, Tuba Power, 4 track, 7 ½ ips,
October 11, 1978 |
|
19 |
|
|
A Choreographic Overture, Texas Tech Band Camp, Band
I, W. Francis McBeth, Conductor, 4 track, 7 ½ ips,
1978 |
|
20 |
|
|
A Choreographic Overture for Band, Performed by the
Texas Tech University Concert Band, Robert Mayes, Conductor, 4 track, 7
½ ips,
May 1, 1978 |
|
21 |
|
|
A Choreographic Overture for Band, Performed by the
Texas Tech University Concert Band, Robert Mayes, Conductor, 4 track, 7
½ ips,
May 1, 1978 |
|
22 |
|
|
Communique, Text by Dr. Everett A. Gillis, Professor,
Department of English, TTU, Judith Klinger, Faculty Recital, 4 track, 7
½ ips,
March 15, 1976 |
|
23 |
|
|
Communique for Soprano and Piano, 7 ½ ips,
undated |
|
24 |
|
|
Communique for Soprano and Piano, Text by Everett A.
Gillis, Texas Poet, 2 track, 7 ½ ips,
undated |
|
25 |
|
|
Concerto Brevis, Rodney Mason, Piano, Lubbock Symphony
Orchestra (November 24, 1985), Two Piano Version, 7 ½ ips,
December 8, 1985 |
|
26 |
|
|
Concerto for Piano, Original, 2 track, 7 ½ ips,
undated |
|
27 |
|
|
Concerto for Piano and Orchestra, Robert De Gaetano,
Piano, Lubbock Symphony Orchestra, William A. Harrod, Conductor, 4 track, 7
½ ips,
February 16, 1976 |
|
28 |
|
|
Concerto for Piano and Orchestra, Texas Tech
University Symposium of Contemporary Music, Program V, Westminster Presbyterian
Church, 4 track, 7 ½ ips,
February 22, 1974 |
|
29 |
|
|
Concerto for Trumpet, Arranged by Mark Rogers, First
Movement, Texas Tech Band Camp, Band Two, Jim Sudduth, Conductor, Richard
Tolley, Soloist, 4 track, 7 ½ ips,
1978 |
|
30 |
|
|
Concerto for Trumpet, Richard Tolley, Trumpet, Mary
Jeanne van Appledorn, Piano, ¼ track, 7 ½ ips,
October 27, 1977 |
|
31 |
|
|
Concerto for Trumpet, Richard Tolley, Trumpet, Mary
Jeanne van Appledorn, Piano, Performance at the American Society of University
Composers Region VI Conference, University of Houston, 4 track, 7 ½ ips,
November 11-12, 1977 |
|
32 |
|
|
Concerto for Trumpet, Robert Mayes, Trumpet, Mary
Jeanne van Appledorn, Piano, 26th Annual Symposium of Contemporary Music, Texas
Tech University Department of Music, 4 track, 7 ½ ips,
January 28, 1977 |
|
33 |
|
|
Concerto for Trumpet and Band, 7 ½ ips,
undated |
|
34 |
|
|
Concerto for Trumpet and Band, 7 ½ ips,
¼ track,
undated |
|
35 |
|
|
Concerto for Trumpet and Band, 4 track, 7 ½
ips,
undated |
|
36 |
|
|
Concerto for Trumpet and Band, Cincinnati, 7 ½
ips,
July 10, 1981 |
|
37 |
|
|
Concerto for Trumpet and Band, Cincinnati, University
of Cincinnati Concert Band, Terry Milligan, Conductor, 7 ½ ips, ½
track,
April 10, 1981 |
| box |
recording |
| 2 |
1 |
|
|
Concerto for Trumpet and Band, Festival of Texas
Composers, Texas Tech University Concert Band, Dean Killion, Conductor, 7
½ ips,
February 24, 1979 |
|
2 |
|
|
Concerto for Trumpet and Band, John Haury?, Trumpet,
UC Concert Band, Dr. Terry Milligan, Director, 7 ½ ips,
April 10, 1981 |
|
3 |
|
|
Concerto for Trumpet and Band, Texas Tech University
Symphonic Band, James Sudduth, Conductor, Robert M. Birch, Trumpet, 7 ½
ips,
December 4, 1984 |
|
4 |
|
|
Concerto for Trumpet and Wind Ensemble, 7 ½
speed,
undated |
|
5 |
|
|
Contrasts for Piano,
undated |
|
6 |
|
|
Danza Impresión de España, I. Cantiga,
II. Café Jose, III. Cante Hondo, IV. El Vito, V. Final, 4 track, 7
½ ips,
undated |
|
7 |
|
|
Danza Impresión de España, I. Cantiga,
II. Café Jose, III. Cante Hondo, IV. El Vito, V. Final, 4 track, 7
½ ips,
undated |
|
8 |
|
|
Darest Thou Now, O Soul; Text by Walt Whitman;
Commissioned for the International Womens’s Year by Hood College,
Frederick, Maryland; Texas Tech Singers, Dr. Judson Maynard, Organ, William
Hartwell, Conductor, Texas Tech University 25th Annual Symposium of
Contemporary Music, 4 track, 7 ½ ips,
January 29, 1976 |
|
9 |
|
|
Freedom of Youth,
undated |
|
10 |
|
|
Freedom of Youth,
undated |
|
11 |
|
|
I Hear America Singing; Communique, 4 track, 7
½ ips,
undated |
|
12 |
|
|
Improvisations, Mary Jeanne van Appledorn, Piano, 4
track, 7 ½ ips,
1972 |
|
13 |
|
|
Liquid Gold, Piano Part Only, Both Piano and Saxophone
on Piano, 7 ½ ips,
undated |
|
14 |
|
|
Liquid Gold, Raw Piano Material,
undated |
|
15 |
|
|
A Liszt Fantasie for Piano, Original, 7 ½ ips,
undated |
|
16 |
|
|
LUX:, 2 track, 7 ½ ips,
undated |
|
17 |
|
|
LUX: Legend of Sankta Lucia, National Intercollegiate
Band, Dr. Gary Garner, Conductor, University of Cincinnati College –
Conservatory of Music (August 6, 1981); Azaleas, Kyung Wook Shin, Baritone
Voice, Michael Stoune, Alto Flute/Flute, Mary Jeanne van Appledorn, Piano, 7
½ ips, ½ track,
undated |
|
18 |
|
|
LUX: Legend of Sankta Lucia, NTSU Symphonic Wind
Ensemble, Robert Winslow, Director, Tails Out, 7 ½ ips,
February 25, 1982 |
|
19 |
|
|
LUX: Legend of Sankta Lucia, Premiere: Cincinnati,
Dr. Gary Garner, Conductor, 7 ½ ips, ½ track,
August 6, 1981 |
|
20 |
|
|
LUX: Legend of Sankta Lucia, Premiere: Cincinnati,
Dr. Gary Garner, Conductor, 7 ½ ips, ½ track,
August 6, 1981 |
|
21 |
|
|
LUX: Legend of Sankta Lucia; Matrices; Azaleas;
Cacophony, 7 ½ ips,
undated |
|
22 |
|
|
Matrices; Azaleas, 7 ½ ips,
undated |
|
23 |
|
|
Matrices, Dale Underwood, Alto Saxophone, Mary Jeanne
van Appledorn, Piano, 19 cms,
undated |
|
24 |
|
|
Matrices, Dale Underwood, Saxophone, 19 cms,
undated |
|
25 |
|
|
Matrices, Don Turner, Saxophone, Mary Jeanne van
Appledorn, Piano, 29th Symposium,
1980 |
|
26 |
|
|
Matrices for E-flat Alto Saxophone and Piano, Memphis
Tape, Underwood/van Appledorn,
February 1981 |
|
27 |
|
|
Matrices for E-flat Alto Saxophone and Piano, Premiere
Performance, Don Turner, Saxophone, Michael Medley, Lights, Mary Jeanne van
Appledorn, Piano,
1979 |
|
28 |
|
|
Missa Brevis, Final Edit (copy) from Digital Masters,
Recorded, 7 ½ ips,
November 13, 1987 |
|
29 |
|
|
Passacaglia and Chorale; Trumpet Concerto,
undated |
|
30 |
|
|
Passacaglia and Chorale, Tech Archive Copy, 1. Opus
One Work Master, 2. Edited “Original”, 2 track, 15 ips,
October 8, 1984 |
|
31 |
|
|
Passacaglia and Chorale, Texas Tech Symphony
Orchestra, Phillip Lehrman, Conductor, 7 ½ ips,
October 3, 1984 |
|
32 |
|
|
Passacaglia and Chorale for Orchestra, Trial Master,
Take 3 and 2, 7 ½ ips,
September 19, 1984 |
|
33 |
|
|
Passacaglia for Orchestra (1973); Concerto for Piano
and Orchestra, 4 track, 7 ½ ips,
1958 |
|
34 |
|
|
Patterns, Texas Tech University Symposium of
Contemporary Music, Program IX, Westminster Presbyterian Church, 4 track, 7
½ ips,
February 15, 1974 |
|
35 |
|
|
Pepe II, Composed for Computer, MIT Studio for
Experimental Music, ¼ track, 7 ½ ips,
1982 |
|
36 |
|
|
Piano Concerto, Lubbock Symphony with Robert
DeGaetano, Rehearsal 3rd Movement; Performance 3rd Movement, Original, 2 track,
7 ½ ips,
February 13, 1977 |
| box |
recording |
| 3 |
1 |
|
|
Program II, Matrices for E-flat Alto Saxophone and
Piano (1979), Premiere Performance, Don Turner, Saxophone, Michael Medley,
Lights, Mary Jeanne van Appledorn, Piano, 4 track, 7 ½ ips,
January 24, 1980 |
|
2 |
|
|
Rising Night After Night, Reading of Text by Dr.
Yairi,
undated |
|
3 |
|
|
Scenario; Nostalgia; Dance-Epilogue, Mary Jeanne van
Appledorn, Solo Piano, 2 track, 7 ½ ips,
undated |
|
4 |
|
|
Scenario; Nostalgia; Dance-Epilogue, Mary Jeanne van
Appledorn, Solo Piano, 2 track, 7 ½ ips (copy),
undated |
|
5 |
|
|
Set of Five, George Robert, Piano, UNM, 7 ½
ips,
March 7, 1980 |
|
6 |
|
|
Sonatine, 2 track, 7 ½ ips,
undated |
|
7 |
|
|
Sonic Mutation for Harp, 7 ½ ips,
undated |
|
8 |
|
|
Sonic Mutation for Harp, Gail Barber, Harpist,
Personal File Copy, Transcribed from Original of Recording Session, Final Edit,
7 ½ ips,
undated |
|
9 |
|
|
Sonic Mutation for Harp (1986), Gail Barber, Harp,
Published by Arsis Press, Washington, D.C., Recorded CRS #8741, 15 ips,
1987 |
|
10 |
|
|
Sonnet, Judson Maynard, Albuquerque, I. Edited, II.
Straight Thu (No Editings), 2 track, 7 ½ ips,
undated |
|
11 |
|
|
Sonnet for Organ (1974), Gerre Hancock, Organ; Set of
Five (1952), Mary Jeanne van Appledorn, Piano; Concerto for Trumpet (1977);
Richard Tolley, Trumpet, Mary Jeanne van Appledorn, Piano; Passacaglia and
Chorale for Chamber Orchestra (1973); Darest Thou Now, O Soul for
Women’s Choir and Organ, Texas Tech Women Singers, W. Hartwell,
Conductor, Judson Maynard, Organ, 4 track, 7 ½ ips,
1975 |
|
12 |
|
|
Sonnet for Organ, Gerre Hancock, Organ, Dedication
Recital of the Holtkamp Organ, Texas Tech University Recital Hall, 2 track, 7
½ ips,
February 13, 1977 |
|
13 |
|
|
Sonnet for Organ, Judson Maynard, Organist, 7 ½
ips,
undated |
|
14 |
|
|
Splical Work Tape, 7 ½ ips,
undated |
|
15 |
|
|
Suite for Carillon, 7 ½ ips,
undated |
|
16 |
|
|
Suite for Carillon, Carillon Concert, Dr. Judson
Maynard, Carilloneur, 7 ½ ips,
July 4, 1976 |
|
17 |
|
|
Suite for Carillon, Dr. Judson Maynard, Carilloneur
(tape also includes a piano performance of Suite for Carillon), 4 track, 7
½ ips,
July 4, 1976 |
|
18 |
|
|
Suite for Carillon, Premier Prix, 1980 International
Carillon Festival Composition Contest, Dijon, France, Performer: Dr. Judson
Maynard, ½ track, 7 ½ ips,
1980 |
|
19 |
|
|
Symposium of Contemporary Music, Texas Tech
University Department of Music, Program IV, Patterns, 4 track, 7 ½ ips,
February 15 |
|
20 |
|
|
Symposium of Contemporary Music, 27th Annual, Texas
Tech University Department of Music, Lesslie Bassett, Guest Composer and
Lecturer; Peter Quince at the Clavier, Gail Littleton, Flute, Sally Whitlock,
Oboe, David Lewis, French Horn, Mary Jeanne van Appledorn, Piano, Dr. Moses
Turner, Narrator, 4 track, 7 ½ ips,
January-February 1978 |
|
21 |
|
|
Trumpet Concerto,
undated |
|
22 |
|
|
Trumpet Concerto, 7 ½ ips,
1983 |
|
23 |
|
|
Trumpet Concerto, Reading, Robert M. Birch, Trumpet,
US Navy Band, Commander Joseph Phillips, Conductor, 7 ½ ips,
1983 |
|
24 |
|
|
Two Shakespeare Songs, 4 track, 7 ½ ips,
undated |
|
25 |
|
|
Two Shakespeare Songs, 4 track, 7 ½ ips,
undated |
|
26 |
|
|
West Texas Suite, Harmonica Part,
undated |
|
27 |
|
|
West Texas Suite, Lubbock All-City Junior High Choir,
Accompanied by the Monterey High School Band, Marjore Newton, Piano, Bill
Cormack, Conductor, 4 track, 7 ½ ips,
November 9, 1976 |
|
28 |
|
|
West Texas Suite, Lubbock All-City Junior High Choral
Festival, Bill Cormack, Conductor, 4 track, 7 ½ ips,
November 1976 |
|
29 |
|
|
West Texas Suite, Text by Everett A. Gillis,
Performed by the All-City Choir, Lubbock Junior High Schools, Accompanied by
Monterey High School Band Members, Marjore Newton, Piano, Bill Cormack,
Conductor, 4 track, 7 ½ ips, with Program and List of Music by Mary
Jeanne van Appledorn,
November 9, 1976 |
|
30 |
|
|
Winifred Worsham, Junior Organ Recital, Sonnet for
Organ,
May 3, 1981 |
|
31 |
|
|
Work Tape, Liquid Gold, Piano and Saxophone Together,
Dale’s Work Tape,
undated |
|
32 |
|
|
Composers’ Concert, Texas Tech University
Department of Music, Lubbock, Texas, Hemmle Recital Hall, 7 ½ ips,
January 17, 1984 |
|
33 |
|
|
Composers’ Showcase, Compositions of Students
from the Classes of Dr. Mary Jeanne van Appledorn, 2 track, 7 ½ ips,
July 10, 1975 |
|
34 |
|
|
Composers’ Showcase, Electronic Music Arp
Synthesizer,
May 6, 1975 |
|
35 |
|
|
Dissertation Performance in Original Composition;
John George Scecina, Candidate for the Ph.D. in Fine Arts (Music), Music
Building, Room 2, 7 ½ ips, 4 track,
October 22, 1975 |
|
36 |
|
|
Expansions (1973); Matador Fanfare (1973); Chorale
and Fughetta (1973); Pecos Ruins (1973); The Toll of the Sea (1973); Whimsy;
He’s Gone Now; Gertoude? and Heathcleft; Fanfare; Prelude; Piano
Concerto; Passacaglia; First Movement Clarinet Sonata,
1973 |
| box |
recording |
| 4 |
1 |
|
|
Griffu? Sonate, Lorma?, Bess and Encores,
undated |
|
2 |
|
|
Jazz Concert Featuring Ed Shaughnessy, Joel Leach
Directing, Lubbock Municipal Auditorium,
July 17, 1975 |
|
3 |
|
|
Liturgical Music for Band, Martin Mailman; Christus
Resurrexit for Band, Jeff Whitmill; Prophecies, Steve Paxton; From the Leaves
of Grass, Martin Mailman, Program VI, University Center Theater, 7 ½
ips,
January 26, 1980 |
|
4 |
|
|
Lubbock Symphony Orchestra, William A. Harrod,
Conductor, Polovetsian Dances, Alexander Borodin, Concerto No. 2 in C Minor for
Piano and Orchestra, Sergei Rachmaninoff, Robert De Gaetano, Soloist, 2 track,
7 ½ ips,
February 16, 1976 |
|
5 |
|
|
Program I, 4 track, 7 ½ ips,
January 24, 1980 |
|
6 |
|
|
Program III, Texas Tech University Student Composers
Concert, 4 track, 7 ½ ips,
January 25, 1980 |
|
7 |
|
|
Program IV, 13th Annual Comparative Literature
Symposium: “The Teller and the Tale: Aspects of the Short Story”,
co-sponsored with 29th Annual Symposium of Contemporary Music, 4 track, 7
½ ips,
January 25, 1980 |
|
8 |
|
|
Program V, The Hunted (1959), An Opera in One Act,
based on the Television Play by Morton Fine and David Friedkin, presented by
North Texas State University School of Music Opera Workshop, 4 track, 7
½ ips,
January 26, 1978 |
|
9 |
|
|
Senior Composition Recital, Stuart Hinds,
May 2, 1978 |
|
10 |
|
|
The Shepherds, Dissertation Performance of an
Original Composition by Mary Thorington Guerrant, 4 track, 7 ½ ips,
March 12, 1976 |
|
11 |
|
|
Sonata for Flute, Oboe, Clarinet and Continuo, Gordon
Goodwin, 4 track, 7 ½ ips,
undated |
|
12 |
|
|
Symposium of Contemporary Music, 21st Annual, with
The International Center’s Festival of the Arts of the Americas, Program
I, Texas Tech University Music Faculty; Tech Percussion Ensemble, Reel I, 2
track, 7 ½ ips,
October 24, 1971 |
|
13 |
|
|
Symposium of Contemporary Music, 21st Annual, with
The International Center’s Festival of the Arts of the Americas, Program
I, Texas Tech University Music Faculty; Tech Percussion Ensemble, Reel II, 2
track, 7 ½ ips,
October 24, 1971 |
|
14 |
|
|
Symposium of Contemporary Music, 21st Annual, with
The International Center’s Festival of the Arts of the Americas, Louis
W. Ballard, Guest Composer-Lecturer, Final Concert, Reel I, 2 track, 7 ½
ips,
October 28, 1971 |
|
15 |
|
|
Symposium of Contemporary Music, Texas Tech
University Department of Music, Program I, 4 track, 7 ½ ips,
January 24, 1974 |
|
16 |
|
|
Symposium of Contemporary Music, Texas Tech
University Department of Music, Program II, Concert of Works by Alan Hovhaness,
4 track, 7 ½ ips,
January 25, 1974 |
|
17 |
|
|
Symposium of Contemporary Music, Texas Tech
University Department of Music, Program III, 4 track, 7 ½ ips,
January 27, 1974 |
|
18 |
|
|
Symposium of Contemporary Music, 26th Annual, Texas
Tech University Department of Music, 4 track, 7 ½ ips,
January 25-February 2, 1977 |
|
19 |
|
|
Symposium of Contemporary Music, 27th Annual, Texas
Tech University Department of Music, Lesslie Bassett, Guest Composer and
Lecturer, 4 track, 7 ½ ips,
January-February 1978 |
|
20 |
|
|
Symposium of Contemporary Music, 27th Annual, Texas
Tech University Department of Music, Program 8, Texas Tech Jazz Ensemble, Don
Turner, Director, 4 track, 7 ½ ips,
January 29, 1978 |
|
21 |
|
|
Texas Tech Choir, Gene Kenney, Conductor; Texas Tech
Symphony Orchestra, Howard Hanson, Conductor, 2 track, 7 ½ ips,
1969 |
|
22 |
|
|
Unlabeled,
undated |
|
|
|
VHS Tapes |
| box |
recording |
| 1 |
1 |
|
|
American Music Festival,
April 26-May 15, 1988 |
|
2 |
|
|
Composers’ Chamber Concert, Texas Tech
University,
December 6, 1988 |
|
3 |
|
|
Composers’ Concert, Texas Tech University, New
Music from Texas Tech,
November 12, 1989 |
|
4 |
|
|
Composers’ Concert, Texas Tech University, New
Music from Texas Tech,
April 26, 1990 |
|
5 |
|
|
Composers’ Concert, Texas Tech University,
April 30, 1991 |
|
6 |
|
|
Composers’ Concert, Texas Tech University;
Parquet Music pour Clavecin, Judson Maynord, Harpsichord (with program),
November 26, 1991 |
|
7 |
|
|
Composers’ Concert, Texas Tech University,
May 5, 1992 |
|
8 |
|
|
Composers’ Concert, Texas Tech University,
December 8, 1992 |
|
9 |
|
|
Composers’ Concert, Texas Tech University
(copy),
December 8, 1992 |
|
10 |
|
|
Composers’ Concert, Texas Tech University;
Parnassus, 15 Etudes for Euphonium – 10. Maestoso, grandioso e molto
espressivo, 4. Lento, sostenuto, 3. Presto e marcato, (with program and program
notes),
May 4, 1993 |
|
11 |
|
|
Composers’ Concert, Texas Tech University;
Atmospheres,
December 7, 1993 |
|
12 |
|
|
Composers’ Concert, Texas Tech University,
May 3, 1994 |
|
13 |
|
|
Composers’ Concert, Texas Tech University,
December 6, 1994 |
|
14 |
|
|
Composers’ Concert, Texas Tech University
(master copy),
December 6, 1994 |
|
15 |
|
|
Composers’ Concert, Texas Tech University,
Missa Brevis (with program),
April 27, 1995 |
|
16 |
|
|
Composers’ Concert, Texas Tech University,
December 5, 1995 |
|
17 |
|
|
Composers’ Concert, Texas Tech University,
Passages for Trombone and Piano (with program),
April 30, 1996 |
|
18 |
|
|
Composers’ Concert, Texas Tech University,
Fall 1996 |
|
19 |
|
|
Composers’ Concert, Texas Tech University,
Three for Two (with program),
November 26, 1996 |
|
20 |
|
|
Composers’ Concert, Texas Tech University, Trio
Italiano (with program),
April 29, 1997 |
|
21 |
|
|
Composers’ Concert, Texas Tech University,
December 9, 1997 |
|
22 |
|
|
Composers’ Concert, Texas Tech University,
Music of Enchantment (with program), (copy),
December 9, 1997 |
|
23 |
|
|
Composers’ Concert, Texas Tech University, Ayre
for Strings (with program),
April 28, 1998 |
|
24 |
|
|
Composers’ Concert, Texas Tech University,
December 8, 1998 |
|
25 |
|
|
Composers’ Concert, Texas Tech University,
May 4, 1999 |
|
26 |
|
|
Composers’ Concert, Texas Tech University,
December 7, 1999 |
|
27 |
|
|
Composers’ Concert, Texas Tech University;
Songs Without Words for Two Coloratura Sopranos and Piano (with program),
May 2, 2000 |
|
28 |
|
|
Composers’ Concert, Texas Tech University;
Symphony for Percussion Orchestra (with program),
December 5, 2000 |
| box |
recording |
| 2 |
1 |
|
|
Composers’ Concert, Texas Tech University;
Sonatine for Clarinet and Piano (with program),
December 4, 2001 |
|
2 |
|
|
Composers’ Concert, Texas Tech University;
Galilean Galaxies for Flute, Bassoon and Piano (with program and program
notes),
April 23, 2002 |
|
3 |
|
|
Composers’ Concert, Texas Tech University;
Variations on Jerusalem the Golden (with program and program notes),
December 3, 2002 |
|
4 |
|
|
Composers’ Concert, Texas Tech University;
Shabat Shalom (with program and program notes),
April 29, 2003 |
|
5 |
|
|
Composers’ Concert, Texas Tech University;
Shabat Shalom (with program and program notes), (copy),
April 29, 2003 |
|
6 |
|
|
Composers’ Concert, Texas Tech University;
Musique for Trombone and Piano, (with program),
December 9, 2003 |
|
7 |
|
|
Composers’ Concert, Texas Tech University;
Sonata for Guitar (with program),
April 27, 2004 |
|
8 |
|
|
Composers’ Concert, Texas Tech University;
Soliloquy for Native American Flute, Shakuhachi and Piano - Jeff Martindale,
Guest Artist, Native American Flute and Shakuhachi (with program and notes),
April 19, 2005 |
|
9 |
|
|
Composers’ Concert, Texas Tech University;
Soliloquy for Native American Flute, Shakuhachi and Piano - Jeff Martindale,
Guest Artist, Native American Flute and Shakuhachi (with program), (copy),
April 19, 2005 |
|
10 |
|
|
Composers’ Concert, Texas Tech University;
Uptown Blue for Piano – Mary Jeanne van Appledorn, Piano (with program),
November 29, 2005 |
|
11 |
|
|
Composers’ Concert, Texas Tech University; Trio
Devienne for Flute, Bassoon and Piano (with program),
May 2, 2006 |
|
12 |
|
|
Composers’ Concert, Texas Tech University,
Variations on Jerusalem the Golden, Sigurd Øgaard, Organ, (2 copies),
April 21, 2008 |
|
13 |
|
|
Composers’ Concert, Texas Tech University (with
program notes),
undated |
|
14 |
|
|
Evangelia Mitsopoulou, Piano Recital, Live Recording,
Concert Hall at the University of Macedonia, Thessaloniki, Greece,
July 4, 2003 |
|
15 |
|
|
Four Duos, Opus One, Hemmle Recital Hall, Taping of,
February 5, 1989 |
|
16 |
|
|
Freedom of Youth,
undated |
|
17 |
|
|
Freedom of Youth, TTU Arts and Sciences Commission,
1986 |
|
18 |
|
|
Interview of Dr. Gene Hemmle with Mary Jeanne van
Appledorn,
November 2, 1987 |
|
19 |
|
|
Interview of Dr. Gene Hemmle with Mary Jeanne van
Appledorn,
November 2, 1987 |
|
20 |
|
|
Interview of Dr. Gene Hemmle with Mary Jeanne van
Appledorn,
November 2, 1987 |
|
21 |
|
|
Interview of Dr. Gene Hemmle with Mary Jeanne van
Appledorn, (copy),
November 2, 1987 |
|
22 |
|
|
Joaquin Rodrigo, “Shadows and Light”,
Concierto de Aranjuez, A Film Tribute to Rodrigo Pepe Romero, Academy of Saint
Martin in the Fields, Neville Mariner, Conductor,
undated |
|
23 |
|
|
The Piano Teacher’s Video Magazine, Volume I
featuring: Laura Spitzer, John Steinmetz, Brenda Dillon, William Westney, Mary
Jeanne van Appledorn, Keyboard Star System,
1995 |
|
24 |
|
|
Samuel Jones, Composer, Discusses his compositional
process with regard to the Palo Duro Canyon,
undated |
|
25 |
|
|
Set of Seven, New York City Ballet, 40th Anniversary
Celebration, Violette Verdy, Choreographer, Virginia Eskin, Piano,
May 10-13, 1988 |
|
26 |
|
|
Set of Seven (1988), New York City Ballet, Violette
Verdy, Choreographer, Virginia Eskin (Boston), Pianist, Lincoln Center, NYC
(May 10, 13); Tea Rose by George Gershwin, Peter Martino, Choreographer, New
York City Ballet, 40th Anniversary, American Music Festival,
1988 |
|
27 |
|
|
Society of Composers, Incorporated, Region VI
Conference, University of Central Oklahoma,
February 4-6, 1993 |
|
28 |
|
|
TMTA Annual Convention, Mary Jeanne van Appledorn
Commissioning Program,
June 19, 1990 |
|
29 |
|
|
TV on TV, Heartbeat, Smith/Kneupper,
undated |
|
|
|
Eight Track Tapes |
| box |
recording |
| 2 |
30 |
|
|
Darest Thou Now, O Soul, Texas Tech Singers, Judson
Maynard, Organ, William Hartwell, Conductor; I Hear America Singing, Mary
Kelly, Soprano, Trudi Post, Piano; Concerto for Piano and Orchestra; Concerto
No. 2 in C minor for Piano and Orchestra – Rachmaninoff, Robert De
Gaetano, Piano, Lubbock Symphony Orchestra,
1976 |
|
31 |
|
|
KTEZ Lubbock,
undated |
|
32 |
|
|
KTEZ Lubbock,
undated |
|
33 |
|
|
Sonnet for Organ, Fantasy on “Divinum
Mysterium”, Gerre Hancock, Organ (February 13, 1977); Concerto for
Trumpet, Robert Mayes, Trumpet, Mary Jeanne van Appledorn, Piano,
January 28, 1977 |
|
34 |
|
|
West Texas Suite, Text by Everett A. Gillis, Music by
Mary Jeanne van Appledorn, Performed by the All City Choir, Lubbock Junior High
Schools, Accompanied by Monterey HS Band Members, Marjore Newton, Piano, Bill
Cormack, Conductor,
November 9, 1976 |
|
|
|
MP Video Tapes |
| box |
recording |
| 2 |
35 |
|
|
Composers’ Chamber Music Recital, Texas Tech
University, Hemmle Recital Hall,
December 6, 1988 |
|
36 |
|
|
Composers’ Concert, Texas Tech University,
November 6, 1990 |
|
37 |
|
|
New Music from Texas Tech, In Celebration of American
Music Week, Missa Brevis, Voice and Piano Version,
November 12, 1989 |
|
|
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|
|
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| |
Memorabilia |
| box |
item |
| 24 |
1 |
|
Texas Tech Department of Music, Award of Recognition for
Distinctive Service as Chairman of the Texas Symposium of Contemporary Music,
plaque,
1952-1961 |
|
2 |
|
National Intercollegiate Bands, Kappa Kappa Psi and Tau
Beta Sigma Token of Appreciation, Commissioned Composer, “Lux”,
Prsented by Dr. F. Lee Bowlingm, plaque,
1981 |
|
3 |
|
Alpha Chi Omega Fraternity, Gamma Rho Chapter, Golden
Tablet,
June 1988 |
|
4 |
|
Headliner Award, Sponsored by Women In Communications,
Incorporated, plaque,
June 1995 |
|
5 |
|
University of Rochester, Diploma Cover,
undated |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Books |
| box |
item |
| 22 |
1 |
|
Barlow, Harold, Sam Morgenstern, and John Erskine. "A Dictionary of Musical Themes." New York, New York: Crown Publishers.
(Book in fair condition, binding duct-taped),
1948 |
|
2 |
|
Beethoven, Ludwig van. "Symphonie 1 in C Major, Opus 21, Philharmonia No. 7."
Vienna: Philharmonia Partituren. (Book in poor condition, binding torn and taped),
undated |
|
3 |
|
Beethoven, Ludwig van. "Symphony Number 6 in F Major (Pastorale), Opus 68." New York, New York: Edwin F. Kalmus, Publisher of Music.
(Book in fair condition, binding tearing and few pages loose),
undated |
|
4 |
|
Beethoven, Ludwig van. "Thirty-Two Sonatas for the Pianoforte, volume 1." Edited by Artur Schnabel. New York, New York: Simon and
Schuster, Incorporated. (Book in fair condition, binding tearing),
1935 |
|
5 |
|
Brahms, Johannes. "Piano Works in Two Volumes: volume I." Edited by E. v. Sauer. Scarsdale, New York:
Edwin F. Kalmus, Publisher of Music. (Book in Good Condition),
1945 |
|
6 |
|
Brahms, Johannes. "Symphony Number 1 in C Minor, Opus 68." New York, New York: E.F. Kalmus Orchestra Scores, Incorporated.
(Book in poor condition, binding torn and taped, pages loose),
undated |
|
7 |
|
Burkhart, Charles. "Anthology for Musical Analysis: Fourth Edition." New York, New York: CBS College Publishing. (Book in fair
condition, a few pages falling out),
1986 |
|
8 |
|
Burkhart, Charles. "Anthology for Musical Analysis: Fifth Edition. Fort Worth, Texas: Harcourt Brace College Publishers. (Book in poor
condition, a few pages falling out, back cover unattatched),
1994 |
|
9 |
|
Davidson, Archibald T. and Willi Apel. "Historical Anthology of Music." Cambridge, Massachusetts: Harvard University Press. (Book
in fair condition, binding falling apart),
1949 |
|
10 |
|
Debussy, Claude. "1er Quatuor pour 2 Violons, Alto et Violoncelle." Paris: Durand and Cie. (Book in poor condition, binding torn and
pages loose),
1929 |
|
11 |
|
Franck, Cesar. "Symphony in D Minor." New York, New York: Edwin F. Kalmus, Publisher of Music. (Book in good condition),
undated |
|
12 |
|
Hardy, Gordon and Arnold Fish. "Music Literature Volume II: Polyphony - A Workbook for Analysis." New York, New York: Dodd, Mead and
Company. (Book in poor condition, front and back cover unattached, pages loose),
1970 |
|
13 |
|
Haydn, Joseph. "30 Celebrated String Quartets in C Major, Opus 76, Number 3." Miami, Florida: Belwin Mills Publishing Corporation.
(Book in fair condition, pages loose because staples removed),
undated |
| box |
item |
| 122 |
14 |
|
Haydn, Joseph. "String Quartet in C Major, Opus 76, Number 3." Zurich: Ernst Eulenburg, Limited. (Book in poor condition, binding
torn and taped, cover and pages tattered and loose),
undated |
| box |
item |
| 22 |
15 |
|
Joplin, Scott. "Complete Piano Works: Rags, Waltzes, and Marches." Edited by Vera Brodsky Lawrence. New York: The New York Public
Library. (Book in good condition),
1981 |
|
16 |
|
Lang, Phillip J. "Scoring for the Band." New York, New York: Mills Music, Incorporated. (Book in poor condition,
binding duct-taped, pages loose),
1950 |
|
17 |
|
Mendelssohn-Bartholdy, Felix. "Violin Concerto in E Minor, Opus 64." London: Ernst Eulenburg Limited. (Book in good condition),
undated |
|
18 |
|
Ottoman, Robert W. "Music for Sight Singing." Englewood Cliffs, New Jersey: Prentice-Hall, Incorporated. (Book in fair condition,
cover page taped),
1956 |
|
19 |
|
Schirmer’s Library of Musical Classics. "Bach: Fifteen Two-Part Inventions for the Piano." Edited by Ferruccio Busoni.
Translated by Frederick H. Martens. New York, New York: G. Schirmer, Incorporated. (Book in poor condition, pages loose, cover torn and taped),
1939 |
|
20 |
|
Schirmer’s Library of Musical Classics. "Wolfgang Amadeus Mozart, Nineteen Sonatas for the Piano." Edited by Richard Epstein, with
a biographical sketch by Philip Hale. New York: New York, G. Schirmer, Incorporated. (Book in fair condition, front and back cover missing),
1939 |
|
21 |
|
Soderlund, Gustave Fredric. "Direct Approach to Counterpoint in 16th Century Style." New York, New York: F.S. Crofts and
Company. (Book in good condition),
1947 |
| box |
item |
| 23 |
1 |
|
Apel, Willi. "Harvard Dictionary of Music." Cambridge, Massachusetts: Harvard University Press.
(Book in fair condition, binding falling off),
1956 |
|
2 |
|
"Bach, Johann Sebastian. "The Well Tempered Clavichord." Revised and Annotated by Ferruccio B. Buson. New York, New York:
G. Schirmer, Incorporated. (Book in fair condition, binding torn and pages loose),
1939 |
|
3 |
|
Beethoven, Ludwig van. "Concerto Number 1 for Piano and Orchestra in C Major, Opus 15." London: Ernst Eulenburg Limited.
(Book in good condition),
undated |
|
4 |
|
Beethoven, Ludwig van. "Symphony Number 5 in C Minor, Opus 67." Revised by Max Unger, with foreword by Wilhelm Altmann.
Zurich: Ernst Eulenburg, Limited. (Book in fair condition, binding tearing),
undated |
|
5 |
|
Berlioz, Hector. "Fantastic Symphony, Opus 14." New York, New York: E.F. Kalmus Orchestra Scores, Incorporated.
(Book in poor condition, binding torn and taped, pages loose),
undated |
|
6 |
|
Debussy, Claude. "Pelléas et Mélisande: Drama lyrique en 5 actes et 12 tableaux de Maurice Maeterlinck, Partition
d’Orchestre." Paris: Durand and Cie. (Book in poor condition, binding torn and taped, pages loose),
undated |
|
7 |
|
Eastman School of Music. "The 1947 Score: Twenty-fifth Anniversary Edition." Rochester, New York: The University of Rochester.
(Book in good condition),
1947 |
|
8 |
|
Eastman School of Music. "The Score for 1948." Rochester, New York: The University of Rochester.
(Book in good condition),
1948 |
|
9 |
|
Eastman School of Music. "The Score for 1949." Rochester, New York: The University of Rochester. (Book in good condition),
1949 |
|
10 |
|
Eastman School of Music. "The Score, 1960." Rochester, New York: The University of Rochester. (Book in good condition),
1960 |
|
11 |
|
Gleason, Harold. "Examples of Music Before 1400." Eastman School of Music Series. New York, New York: Appleton-Century-Crofts,
Incorporated. (Book in fair condition, binding not secure),
1945 |
|
12 |
|
McHose, Allen Irvine. "The Contrapuntal Harmonic Technnique of the 18th Century." Eastman School of Music Series. New York, New
York: F.S. Crofts and Company. (Book in poor condition, binding unattached and pages loose),
1947 |
|
13 |
|
Mendelssohn-Bartholdy, Felix. "Violin Concerto in E Minor, Opus 64." New York, New York: Edwin F. Kalmus, Publisher of Music.
(Book in poor condition, binding torn and taped, pages loose),
undated |
|
14 |
|
Schirmer’s Library of Musical Classics. "Fifty Selected Songs by Schubert, Schumann, Brahms, Wolf, and Strauss for Low Voice,
volume 1755." Translated by Florence Easton. New York, New York: G. Schirmer, Incorporated. (Book in poor condition, binding duct-taped, pages loose),
1951 |
|
15 |
|
Schirmer’s Library of Musical Classics. "Sonata Album: Twenty-Six Favorite Sonatas for the Piano by Haydn, Mozart, and
Beethoven, volume 329, Book I." Edited by Sigmund Lebert and Hans von Bülow. New York, New York: G. Schirmer, Incorporated. (Book in poor
condition, binding duct-taped, pages loose),
undated |
|
16 |
|
Soderlund, Gustave Fredric. "Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina,
and Marc Antonio Ingegneri, Third Edition." New York, New York: F.S. Crofts and Company. (Book in
poor condition, front and back cover not attached, pages loose),
1947 |
|
17 |
|
Stravinsky, Igor. "Album of Igor Stravinsky Masterpieces: Selected Compositions for Piano Solo." New York, New York:
Edward B. Marks Music Corporation. (Book in fair condition, cover torn),
1941 |
|
18 |
|
Ward, William R. "Examples for the Study of Musical Style." Edited by Frederick W. Westphal. Dubuque, Iowa: Wm. C. Brown Company
Publishers. (Book in fair condition, binding duct-taped),
1970 |
|
19 |
|
Ward, William R. "Examples for the Study of Musical Style." Edited by Frederick W. Westphal. Dubuque, Iowa: Wm. C. Brown Company
Publishers. (Book in good condition),
1970 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Memorabilia |
| box |
item |
| 24 |
1 |
|
Diploma Case for the University of Rochester (empty - no diploma inside),
undated |
|
2 |
|
Gold Medal: Alpha Chi Omega Fraternity, Gamma Rho Chapter,
June 1988 |
|
3 |
|
Gold Medallion: Mary Jeanne van Appledorn, Horn Professor,
March 17, 1989 |
|
4 |
|
Gold Medallion: Mary Jeanne van Appledorn, College of Visual and Performing Arts, Outstanding Researcher Award,
2004 |
|
5 |
|
Gold Pin with three rubies (?): Texas Tech Service Award - 55 years,
undated |
|
6 |
|
Plaque: Headliner Award, Sponsored by Women In Communications, Incorporated,
June 1995 |
|
7 |
|
Plaque: National Intercollegiate Bands - Kappa Kappa Psi and Tau Beta Sigma Token of Appreciation,
Commissioned Composer, “Lux”, Prsented by Dr. F. Lee Bowlingm,
1981 |
|
8 |
|
Plaque: Phi Mu Alpha and Mu Phi Epsilon in Recognition of Fourty Years of Service,
May 4, 1991 |
|
9 |
|
Plaque: Texas Tech Department of Music - Award of Recognition for Distinctive Service as Chairman of the Texas Symposium
of Contemporary Music,
1952-1961 |
|
10 |
|
Plaque: YWCA Women of Excellence Award - Music Award,
2003 |
|
